Behringer MONITOR2USB

Price List Rp.3.770.000
Behringer MONITOR2USB
High-End Speaker and Headphone Monitoring Controller with VCA Control and USB Audio Interface
When it’s time to get down to the business of recording or mixing, you want the ultimate sound quality from your monitoring system – and the last thing you’ll want is to crawl around under your desk running cables. The MONITOR2USB gets you off your knees and puts VCA-controlled Volume, Source selection, Phones and Monitor control right at your fingertips. With the incredible MONITOR2USB you can select from 3 sets of active studio monitors, 2 different stereo sources, plus a USB input for your DAW – to create powerful, custom monitor mixes – all in pristine, audiophile-grade sound quality.

• Premium speaker and headphones monitoring center
• Large Volume knob with true VCA control for extremely precise level adjustments
• Built-in stereo USB Audio Interface, perfect for computer-based studios
• 2 high-quality stereo inputs connect perfectly to your DAW
• 3 independent Monitor outputs to connect up to 3 sets of studio monitors
• 2 high-grade headphone amplifiers with separate volume controls
• Crossfeed control emulates the stereo speaker panorama when listening through your headphones
• Convenient Mono and Dim functions right at your fingertips
• "Planet Earth" switching power supply for maximum flexibility (100 
• - 240 V~), noise-free audio, superior transient response plus low power consumption for energy savings
• Conceived and designed by BEHRINGER Germany

Voltage Controlled Amplifiers
While MONITOR2USB’s Volume control is mechanically similar to an analog control, its use of Voltage Controlled Amplifiers (VCA) provides several major benefits. First, since a DC current flows through the volume control (instead of the audio signal) there is no degradation in sound quality, and none of the pops and crackles typically produced by an audio-taper volume control. That current is what actually controls the levels of the separate left and right amplifiers. Second, both the left and right channels remain proportionately accurate to their input levels. Third, better left/right channel separation is maintained, because there are no audio signals present at the volume control. And finally, you get amazingly precise and repeatable level settings you can count on.

Sometimes Bigger is Better!
Small knobs make for low precision. Conversely, the bigger the knob is, the higher the precision. Think of a control knob as a circle. On a small circle/knob the distance from one degree to the next is very small, making it difficult to dial-in perfection. On our really big knob, the distance between degrees of the circle is much larger, allowing you to make high-precision adjustments with ease. The MONITOR2USB lets you set levels fast and accurately, which is of utmost importance when it comes to your mastering projects.

Built-in USB Connectivity
The high-quality, built-in USB audio interface lets you connect directly to your computer and its digital library, creating the ultimate sound source control center – no additional hardware required.

More Monitor Options
In the golden age of recording, engineers had to make the mix sound great in just two places, the studio and the car. When you consider the acoustic environments and the equipment used in each, it’s not as easy as it sounds. Today’s computer-based recordings have to sound great in even more situations, such as MP3 players, podcasts and other bass-challenged systems – so experiencing your mix through as many speaker systems as possible is more essential than ever. MONITOR2USB lets you switch between up 2 pairs of studio monitors, listen through vintage-style small monitors (such as our C5A or C50A), add a subwoofer – or any combination at the mere press of a button.

We Value Your Input
We gave the MONITOR2USB enough connectivity to handle just about anything you’re likely to plug in. Input 1’s balanced XLR sockets allow you to connect your mixer’s output, while Input 2’s XLR sockets accept a wide range of line level devices, including CD and DVD players. Plus, you can connect directly to your computer via USB to monitor your DAW, or playback other computer-based music files, such as backing tracks, mp3s, etc.

All-Access Backstage Pass
MONITOR2USB’s rear panel provides connectivity for: 2 separate stereo source XLR Inputs (one with a +4 dBu/-10 dBV switch for line level devices); 2 separate stereo XLR Monitor Outs, plus an additional mono XLR Out; and a USB socket for your computer.

Phone Home
Listening to live studio monitors is not always an option when you’re mixing at home, so we gave the MONITOR2USB twin high-grade headphone amplifiers with separate volume controls. We also equipped the headphone section with an amazing Crossfeed control that emulates the stereo speaker panorama. This enables you create an open, natural sounding listening environment that is more true-to-life and not ear fatiguing – even during long mixdown sessions.

Sound Quality and Value
We designed the MONITOR2USB to provide many years of super-clean, high-fidelity performance in the most critical listening environment – yours! With its wealth of I/O options and superb VCA-controlled audio, the MONITOR2USB has everything you need to make your next recording or mixing session – the best one yet!

Head on down to your local BEHRINGER dealer or get yours online today, and experience studio monitoring done right – with the incredible MONITOR2USB!

Compose. Record. Mix. Share.
Tracktion is one of the world’s fastest and easiest Digital Audio Workstations (DAW) for composing, recording, editing, mixing and sharing your music with the world. Featuring a single-screen interface, and pushing the envelope in design elegance, Tracktion brings together outstanding Pro DAW features, such as dynamic automation, unlimited track count, MIDI recording and support for VST and AU plug-ins. This powerful music production software gives you all the tools of an entire professional-grade recording studio. Learning a DAW has never been easier, thanks to their vast and readily available library of resources.

As our way of saying “Thank You” when you register your MONITOR2USB at behringer.com, we’ll reward you with a complimentary download code for the full version of Tracktion. Recording and editing couldn’t be easier. To learn more about Tracktion, visit tracktion.com/support/videos.
Share the Love. Visit tracktion.com for more.

Presonus HP4 4Channel Headphone Distribution System

Price List Rp.1.754.000

Presonus HP4 4Channel Headphone Distribution System
Now Hear This!
Are you and your session players and bandmates tired of straining to hear underpowered headphones? We were too. That’s why Jim Odom and his jambalaya-fueled team of engineers designed 150 mW headphone amps for the HP4 headphone-distribution system.

These headphone amps are not just loud enough for session and stage use, they’re loud enough to explode the oysters in a Po’ Boy sandwich. Yet the sound is clear and clean, with a wide dynamic range. At last, everybody will be able to hear—assuming they are capable of hearing. Be careful with that level control!

Loudnes With Various Headphone
The loudness of your headphones will vary depending on their design and their input impedance. The output impedance of the HP4 is 51Ω (ohms), and it will work fine with professional and consumer headphones but the volume will differ depending on which type of headphone you use.

Headphones with lower input impedances will generally be louder than higher-impedance headphones. (In this case, louder does not mean better!) Most professional headphones have impedances between 150Ω and 600Ω. Consumer headphones for CD players and the like often have impedances between 8Ω and 32Ω.

Broadcast headphones are specialized, and you are unlikely to use them with an HP4; their impedances are typically between 1.5 kΩ (kilohms) and 2 kΩ

Simplicity is the HP4’s hallmark. You get left and right line inputs, left and right line outputs with level control, and the four headphone outs. You can globally mute the headphone outs, adjust the overall headphone level, sum the stereo signals to mono, and mute the rear-panel Monitor outputs..

The Monitor Mute
The Monitor Mute button mutes the main rear-panel outputs. This is handy when recording in front of a computer and studio monitors, especially when you don’t have a hardware mixer, because you can mute the signal going to the monitors rather than turn down the monitor level.
The headphone outputs remain active when the Monitor Mute button is engaged.

The HP4 can sit on a tabletop or can be screw-mounted to a standard rack tray (not included), where it requires just 1/3 rackspace. And if your needs grow, you can use the line outputs to feed the inputs of a second HP4 or an HP60. Chain as many headphone systems as you need.

Chaining Multiple HP4s
Expanding your headphone-distribution system is easy. Just connect the Monitor/Thru outputs of the first HP4 to the inputs on a second HP4, and you have an eight-headphone system. If you need 12 headphone outs, simply chain a third HP4 using the same method. You also can connect it to a PreSonus HP60, which provides six headphone outputs and has a few additional features.

Features:
Input/Output

• 4 screaming-loud (150 mW per channel) stereo ¼” headphone outputs (front panel)
• 2 balanced ¼” line outputs (monitor outputs)
• 2 balanced ¼” line inputs

Meters, Controls, and Features

• Headphone level control for each channel
• Mono summing switch for each channel
• Monitor level control
• Monitor mute switch
• Daisy-chain multiple units via monitor outputs

Physical

• Compact 1/3U rack-mount chassis
• Sealed, detented, metal rotary controls
• External 16 VAC power supply

Specification:

Inputs
Connector Type	XLR- ¼” TS, Combo, balanced
THD+N	0.0025%, 1 kHz, unity gain
Max Input Level	+18 dBu, <0.5% THD+N, unity gain
Input Impedance	10 kΩ
Frequency Response	20 Hz - 20 kHz, ±0.5dB
Monitor Outputs
Connector Type	¼” TRS, asymmetrical, impedance-balanced
THD+N	0.0025%, 1 kHz, unity gain
Max Output Level	+18 dBu, <0.5% THD+N
Output Impedance	51Ω
Frequency Response	20 Hz - 20 kHz, ±0.5dB
Headphone Outputs
Connector Type	¼” TRS, stereo
Max Output Power	130 mW/Ch., <0.5% THD+N, 60Ω load
Frequency Response	20 Hz - 20 kHz, ±0.5 dB, 60Ω load
Headphone Impedance Working Range	32Ω - 600Ω
Power
External Adapter Type	+12 VDC, 1000 mA, center pin positive
Physical
Dimensions	1/3U rack-mount (with standard rack tray, not included)
Height	1.75” (44.45 mm)
Depth	5.5" (139.7 mm)
Width	5.5” (139.7 mm)
Weight	5 lbs (2.27 kg)
As a commitment to constant improvement, PreSonus Audio Electronics, Inc., reserves the right to change any specification stated herein at any time, without notification.

SAMSON S-Phone 4ChHeadphone Amplifier

Price List Rp.1.890.000
SAMSON S-Phone 4Ch Headphone Amplifier
The S phone is a versatile single rack space four channel headphone amplifier, loaded with advanced features that provide tremendous flexibility for monitor and cue mixing. The Master Input features an input level and LED meter to control and display the overall stereo input. Each of S phone's four channels includes three Headphone Outputs with an overall Volume control and individual Level meters. A convenient Stereo Auxiliary input is available on each channel so that individual line signals from direct or buss outputs can be mixed with the main stereo input. The Balance control adjusts the ratio of the Main and Auxiliary signal or the left to right balance (based on the setting of the ST/2CH switch) so that each headphone mix can be further tailored for a particular listener's individual needs ("More Me"). For greater sonic control, S phone also features a 2-band equalizer on each of the four channels. A master Stereo Aux input on the front panel is also supplied for inserting a second signal to all headphones.
Features:

• Four Channel Headphone Mixer/Amplifier
• Two Master Stereo Inputs plus Stereo Link Output
• 8 Segment LED Metering on Each Channel and Master
• Two Band Equalizer on Each Channel
• Three Headphone Outputs per Channel (One Front Panel and Two Rear Panel Outputs)
• Auxiliary Input with Balance Control provides four Channels of "More Me" Mixing
• Mute and Stereo/2 Channel Mode Switches on Each Channel
• Maximum Output Power on Each Channel (Regardless of Headphone Impedance)