dB Technologies HPA2800

Price List Rp.12.920.000
dB Technologies HPA2800

dBTechnologies’ HPA series power amps deliver high performance and quality at an astonishingly affordable price.
Designed for professional use in touring racks as well as for fixed installation, the series comprises four Class-(HD) models that deliver 2x 1050 W/RMS.
Engineered for utmost ease of use, these amps offer connection options - XLR inputs for patching in signals as well as Speakon ports for connecting speaker systems.
What’s more, their extensive protective circuits ensure reliable, safe operation.

TECHNICAL DATA

Type: 

Amplifier

ACOUSTICAL DATA

Power RMS @ 2 ohms: 

2x 1400 W/RMS

Power RMS @ 4 ohms: 

2x 1050 W/RMS

Power RMS @ 8 ohms: 

2x 680 W/RMS

Power Bridged RMS @ 8 ohms: 

1x 2100 W/RMS

Power bridged RMS @ 4 ohms: 

1x 2800 W/RMS

Frequency Response: 

20 - 20.000 Hz

THD @ 1 kHz: 

0.05 %

Damping Factor @ 8 ohms: 

300

Slew Rate: 

50 V/µs

SN Ratio: 

106 dB

Limiter: 

Internal, switchable

Cooling: 

Temp.controlled fan

AMPLIFIER PROCESSOR INPUT

Signal Input: 

2x XLR

Signal Output: 

2x XLR

Input Sensitivity [dBu]: 

26, 32 dBu

Input Sensitivity [V]: 

1.4 V

Input Impedance: 

20 kohms

Output Connector: 

2x Speakon

MECHANICS

Housing: 

Metal

Installation Standard: 

2 HU

Rack Size: 

19 HU

Handles: 

2x On Front

Width: 

482 mm (19.28 in)

Height: 

89 mm (3.56 in)

Depth: 

402 mm (16.08 in)

Weight: 

21 kg (46.3 lbs)

EUROCOM MA6000M 13-Input Expandable Mixer

Price List Rp.6.300.000

EUROCOM MA6000M 13-Input Expandable Mixer
Outstanding Performance and Scalability
MA6000 Series products are the most powerful, feature-rich mixer-amps, power amps and stand-alone mixers in the EUROCOM family, combining automatic mixing, expandability, dual-channel amplification and a vast array of standard features with a sleek, stylish front panel that focuses on simplicity. Boasting high power, scalability, unprecedented value and reliability, MA6000 Series automixer-amplifiers are destined to set new standards in distributed system designs.
Energy-Efficient, 13-Input Expandable Mixer Featuring Auto-Mixing and Multiple Input Connectivity

• Multi-function auto-mixer designed for continuous operation in distributed music, paging and AV applications
• State-of-the-art, energy-saving Switch-Mode Power technology drastically reduces energy cost
• 8 Mic/Line inputs on XLR/TRS and Euroblock connectors, each with Lo and Hi frequency EQ, individual Trim control and post-trim input level LED
• Switchable Mic/Line, Phantom power, Main Mix and/or Zone 2 output, Mute Send/RCV, Remote Volume control, Chime, and Auto-mixing on each input
• 4 pair summed RCA Aux inputs are assignable to the Main Mix, Zone 2, and/or MOH
• Multi-featured, dedicated page input with assignable Chime, switchable Mic/Line and Phantom power
• Wired Remote volume, power control and aux channel selection plus remote volume assign switch
• Individual front panel input Level, Lo and Hi Main and Aux EQ, Aux input and Zone 2 Volume controls
• Auto-dimming control illumination, dual channel VU meter, Power switch, and dual-function indicator ring surrounding Master volume control
• 4 front panel buttons select which four rear-panel Aux inputs are active and feeding the Main mix bus at any given time
• Main Mix output on balanced Euroblock connector featuring switchable Mic/Line level
• Zone 2/MOH assignable output with independent gain control
• Dual bridging input/output connectors allow multiple units to be interconnected
• Detachable rack ears, screw covers, blank knob caps for control lock-out, IEC-type AC power cord and all mating Euroblock connectors included
• Independent DC and thermal overload protection plus automatic limiters for each amplifier prevent overload, clipping and distortion without shutting down audio
• Ultra-light, ultra-low noise and ultra-efficient switch-mode power supply for noise-free audio, superior transient response and low power consumption
• High-quality components and exceptionally rugged construction ensure long life
• Conceived and designed by BEHRINGER Germany

Versatile Configurations
Mixer and mixer-amplifier models feature 8 universal inputs (expandable up to 32) with 2-band EQ, direct outs, and an automatic proportional gain system that supports multiple open mics. Back-panel controls provide tremendous flexibility in customizing the mixer to the needs of each installation. Add to all this 4 remotely selectable Aux inputs, plus remote control of system volume, source selection and power—and the MA6000 Series becomes the ideal choice for conference rooms, shopping centers, meeting rooms, houses of worship, auditoriums, hotels, sports complexes, restaurants, and anywhere else the ultimate in control and scalability is desired.

Remote Control Options
Optional CP6000UL (USA) and CP6000EU (Euro) wall controllers provide convenient selection of auxiliary inputs (A, B, C, D), volume control for either auxiliary inputs or the main mix bus (selectable), muting of all sources and the ability to toggle power remotely over distances up to 300' (100 M). Inexpensive CAT5 cable may be used with terminal blocks provided on the wall plate to simplify connection (no RJ45 crimping required!). All soft touch control buttons plus the ergonomic dial are illuminated via power provided from the MA6000 (no local power required) and generous space is provided for input labeling.

You Are Covered
We always strive to provide the best possible Customer Experience. Our products are made in our own MUSIC Group factory using state-of-the-art automation, enhanced production workflows and quality assurance labs with the most sophisticated test equipment available in the world.

As a result, we have one of the lowest product failure rates in the industry, and we confidently back it up with a generous 3-Year Warranty program.

Coffee House with Live Entertainment ( Stereo )

Family Dinning Restaurant with Bar ( Hostess Paging Into Bar and Restroom )

Focusrite Scarlett 18i20 Audio Interface

Price List USD 625

Focusrite Scarlett 18i20 Audio Interface
USB 2.0 audio interface with eight Focusrite mic preamps
Focusrite’s Scarlett 18i20 is the latest in the company’s new generation of multi-channel USB-based audio interfaces, featuring eight award-winning Focusrite microphone preamplifiers, designed specifically for the computer interface environment, delivering legendary Focusrite sound quality.

Focusrite’s mic preamps are found in the world’s top studios and give the 18i20 an unequalled level of performance, with low noise, minimal distortion and enormous dynamic range. The Scarlett preamps offer exceptional headroom, and two front-panel inputs also offer 10dB pad buttons to handle the highest-level inputs without distortion.

Comprehensive inputs/outputs
With 18 inputs and 20 outputs, Scarlett 18i20 includes enough I/O to handle the vast majority of day-to-day studio tasks at maximum quality, with maximum flexibility. Scarlett 18i20 features six combo XLR/jack mic/line inputs plus two front-panel XLR/jack mic/line/instrument inputs with 10dB pad buttons, 10 analogue line outputs, two independent headphone outputs on the front panel, and ADAT and S/PDIF digital I/O, plus MIDI I/O and Word Clock out for digital synchronisation when required.

The ADAT interface can be used to bring in digital sources or to add extra preamps such as Focusrite’s OctoPre Mk II, bringing the mic pre complement to 16 channels, ideal for recording a complete band and minimising overdubs.

Class leading digital conversion
This prodigious I/O capability is backed by Focusrite’s class-leading precision digital conversion technology at sample rates up to 96 kHz, 24-bit, to ensure that you get the very highest quality into and out of your audio software – all major DAWs are supported.

High channel count and Focusrite quality – now on USB 2.0 and iOS
Scarlett 18i20 is the USB complement of the tried and tested Saffire PRO 40 Firewire interface. Suitable for Windows, Mac and even iOS (with the Camera Connection Kit*) platforms, Scarlett 18i20’s USB 2.0 connection suits almost any computer, helping you build a setup in which external storage and audio interfaces do not have to share the same computer bus (recommended for the best performance) – if you have Firewire drives, for example, a USB audio interface is the best choice.
*Camera Connection Kit not included

Key Features

• Eight high-quality award-winning Focusrite preamps: Scarlett 18i20 is the best sounding interface in its class. Focusrite’s unparalleled reputation for audio excellence forms the foundation of this new interface, with eight award-winning Focusrite preamps.
• High-quality 24-bit/96kHz USB 2.0 interface compatible with Mac, Windows and iOS: Features high quality A-D / D-A at up to 96kHz, 24bit. Pristine audio quality and rock-solid synchronisation are guaranteed on Mac and Windows as well as driver-free operation on the iOS platform.
• 18 inputs & 20 outputs: Scarlett 18i20 boasts an extensive range of analogue and digital I/O capabilities including ADAT I/O which can enable an additional eight inputs and outputs.
• Dual independent headphone buses: Give two artists independent, fully-customised monitor mixes – each with an independent front-panel level control.
• Scarlett MixControl ultra-low-latency DSP mixer/router: Maximising routing flexibility and intuitive one-click set-up solutions, Scarlett MixControl provides an 18 x 8 DSP mixer with powerful routing and monitoring capabilities.
• Unmatched routing flexibility: Scarlett 18i20 is the most flexible interface in its class, enabling you to intuitively adapt it immediately to the needs of any recording session. Route any input signal or DAW output, or a mix of both, to any output.
• Comprehensive bundle of included software: Comes with Ableton Live Lite – ground-breaking production and performance software, Scarlett Plug-in Suite – EQ, compression, gating and reverb, Novation Bass Station - software model of the classic Novation analogue mono-synth, and 1GB of Loopmasters samples.

Specification:

Digital Performance
A-D Dynamic Range	109 dB A-weighted (all inputs)
D-A Dynamic Range	108 dB A-weighted (line outputs)
Supported sample rates	44.1 kHz, 48 kHz, 88.2 kHz A 96 kHz
Clock jitter	<250 ps
Microphone Inputs
Frequency Response	20 Hz ± 0.5 dB, 20 kHz ± 0.1 dB (min. gain)
THD+N	0.001% (1 kHz, –1dBFS, 20 kHz BW)
Noise EIN	–122 dBu CCIR-RMS (measured at 60 dB of gain with 150 ohm termination)
Maximum input level	+8 dBu (without pad)
Line Inputs
Frequency Response	20 Hz – 20 kHz ± 0.1 dB
THD+N	0.007% (1 kHz, –1dBFS, 20 kHz BW)
Noise (NiPoS)	–105 dBFS CCIR-RMS (measured at min. gain with 50 ohm termination)
Maximum input level	> +28 dBu
Instrument Inputs
Frequency Response	20 Hz – 20 kHz ± 0.1 dB
THD+N	0.007% (1 kHz, –1dBFS, 20 kHz BW)
Noise (NiPoS)	–103 dBFS CCIR-RMS (measured at min. gain)
Maximum input level	+8 dB (without pad)
Line Outputs 1 & 2
Maximum Output Level (0 dBFS)	+16 dBu, balanced
THD+N	0.001% (1 kHz, –1dBFS, 20 kHz BW)

YAMAHA YFL-221 Flutes

Price List Rp.6.600.000
YAMAHA YFL-221 Flutes
More than Just Inexpensive Versions of our Professional Flutes...
Durable design and an excellent tone make this the perfect entry level flute. Featuring the same high-grade design and craftsmanship as the 300 and 400 series models, 200 Series Flutes are made of durable nickel silver with an attractive silver-plate finish. They are characterized by excellent response and intonation.

Features:

• Undercut and beveled embouchure hole. Clean attack, sensitive response, and accurate intonation
• Double bladder pads. Longer life and maximum seating
• Nickel-silver, power-forged keys

Specification:

Level	Standard
Key of	C
Body Style	Type-1
Body Material	Nickel Silver
Headjoint	CY cut; Nickel Silver
Key Material	Nickel Silver
Footjoint	C
Plating	Silver
Tone Holes	Drawn
Key System	Offset G
Key Types	Plateau
Key Mechanism	N/A
Spring Type	Stainless Steel
Screw Type	Straight; Headed Pivot
Bumper Type	Neoprene

YAMAHA YAS-280 Alto Saxophone

Price List Rp.14.200.000
YAMAHA YAS-280 Alto Saxophone
The YAS/YTS-280 saxophones offer a perfect start because they are designed with the young beginner in mind. Relatively light-weight and ergonomically shaped, they are easy to hold and to play. The intonation is perfect, as you would expect from Yamaha, and it is easy to get a great sound. The Yamaha design offers beginners optimum support, thus greatly assisting both learning progress and creativity.

Based on the highly recommended YAS/YTS-275 saxophones the new YAS/YTS-280 are even further enhanced with a new, more stable neck receiver and a new low B-C# connection for better adjustment.
Features:

• New neck receiver with a durable screw: A redesigned neck receiver promotes a quick response and ease of play while also increasing the durability of the mechanism.
• Improved Low B-C# connection: An improved mechanism from low B-C# ensures the consistent closing of the low C# key and promotes a clear response from notes in the low range of the instrument.
• Adjustable thumb-rest: All Yamaha saxophones feature an adjustable thumb-rest to allow for precise and comfortable hand and fingering position.

Specification:

Color/Finish

Body

Finish

Gold lacquer

Control Interface

Key	Auxiliary Keys	High F# , Front F
	Key buttons material	Polyester

Design/Architecture Detail

Thumb hook

Adjustable

Voices

Key

Eb

Accessories

Included Accessories

Mouthpiece

AS-4C

NUMARK 5000FX 5-Channel Scratch Mixer With Effects and Sample

Price List Rp.5.750.000

Numark 5000FX 5 Channel Scratch Mixer

NUMARK 5000FX 5-Channel Scratch Mixer With Effects and Sample

5000FX is a five–channel tabletop mixer that allows you to mix, affect, and control the most complex DJ situations. It harnesses the power of Numark's custom digital processing technology placing powerful effects and sampling at your fingertips.

This powerhouse mixer contains five channels with three phono, nine line, and two mic inputs. On the output side, 5000FX offers a pair of balanced XLRs plus Master, Record, Booth, and Zone RCA-pairs, and a digital 44.1 kHz S/PDIF out.

Two Beatkeeper™ units enable you to auto–detect BPM from two different sources with accuracy. Internal sampling gives you 30 seconds of memory to grab audio from any source. Multi–effects processing, smart, seamless looping, and BPM synchronization all give DJs superlative control and power over performances.

5000FX is, quite possibly, the most flexible DJ mixer ever created. With a wide range of inputs, built-in effects, sampling, dual Beatkeeper™, and more, 5000FX fuels your creativity.

Features:

• 12" tabletop configuration
• 5 input channels with 3 phono, 9 line (3 switchable to phono), and 2 mics
• Master balanced, unbalanced, XLR, 2 zone and 1 S/PDIF outputs
• Dual Beatkeeper™ units to auto–detect BPM from 2 sources
• BPM alignment of effects and loops
• Effects processor with interactive scratch/effect/pitch wheel
• Effects include: Scratch, Sonar, Chop, Echo, Delay, Filter with Vocal kill
• Pitch/Key shift, Distort with Vocoder
• 18 Second audio buffering for Scratching and Reverse Audio with Bleep effect
• Onboard sampler with 30 seconds of memory, smart looping, and BPM synchronization
• Optional rack ears available

Specification:

Line:

10Kohm input impedance; 83mV rms sensitivity for 1.22V output

Mic:

600 ohm input impedance unbalanced; 1.9mv rms sensitivity for 1.22V output; 200mV rms max input

Phono:

47Kohm input impedance; 1.3mV rms sensitivity @1KHz for 1.22V output

Line:

6.5V rms max

Headphone:

0.5W into 47 ohm

Distortion:

less than 0.01%

Line:

Better than 82dB

Mic:

Better than 80dB

Phono:

Better than 72dB

Line:

20Hz-20KHz ±0.5dB

Mic:

20Hz-15KHz ±0.5dB

Phono:

±1dB except for controlled attenuation of 3dB @ 20Hz to reduce rumble and feedback

Bass:

+6/-32dB @40Hz

Middle:

+6/-32dB @1.35KHz

Treble:

+6/-32dB @15KH

Channel Kill:

80dB at 20Hz-20KHz

Power Consumption:

24 Watts typical; 29 Watts with full headphone output

Dimensions (W x D x H):

320mm x 355mm x 100mm

Weight:

6.1 kgs

The maximum sample length is 36 seconds, total available buffer is 48 seconds, and buffer not used for sampler is used for echo, delay, scratch, reverse, and bleep effects.  The sampler will automatically stop recording once the record time exceeds 36 seconds

AUDIX DP7 Drum Mic Package

Price List USD 1.657

AUDIX DP7 Drum Mic Package
7-piece Drum Mic Package
The DP7 represents an outstanding combination of seven microphones designed to meet the demands of today's professional drummer, both on the stage and in the studio..

Application / Features:

• All-in-one solution for miking drums
• Instrument-specific mics for optimal results
• Rugged Audix quality
• Great for stage and studio
• Dflex clips for easy positioning
• Road case

Included in the DP7 drum mic package is the D6, Audix's flagship kick drum mic, two- D2's for rack toms, one D4 for floor tom, the i5 for snare, and a pair of ADX51s for overhead miking. Also included are four D-Vice rim mount clips for the snare and tom mics, and three heavy duty tension fit mic clips for the other three mics. Everything is conveniently packaged in a foam-lined aluminum road case for safe keeping when the mics are not in use.

THE MICS:
D6 - Kick Drum
The D6 has a frequency response of 30Hz-15kHz and is characterized with a cardioid pick-up pattern. The D6 is designed to sound good in any position and it is not dependent on finding the "sweet spot" of the drum. The D6 capsule features the same legendary VLM technology that has made the D series percussion and instrument microphones very popular for today's live stages and recording studios.

i5 - Snare
The i5 has the ability to capture the rich, deep resonance of the snare along with the attack necessary to cut through the mix. The i5's cardioid polar pattern allows it to focus on the specific instrument that is being miked while rejecting other instruments or ambient noise on stage. With a smooth and uniform frequency response of 50 Hz-16 kHz and an ability to handle sound pressure levels in excess of 140 dB, the i5 can be also used for a wide variety of instrument applications including percussion, guitar cabs, and vocals.

D2(two) - Rack Toms
For bringing out the real, dynamic sound of toms or congas, the D2 cannot be beat. The D2 accurately reproduces the warmth and overtones of the instrument without sounding harsh or boomy. The D2, which is very natural and articulate, requires very little (if any) EQ, and because of the tight hypercardioid polar pattern, no gating is needed.

D4 - Floor Tom
The D4, which provides an additional octave of low end response beyond the D2, is the perfect companion for large toms and other instruments characterized with extended bass frequencies. In fact, the D4 responds down to below 40 Hz, a remarkable feat for a microphone of the this size. The D4 is characterized with flat linear response and can be considered the most versatile of the D-Series microphones.

ADX51 (two) - Overheads
The ADX51 is a pre-polarized condenser microphone designed to handle nuances of recording as well as the rigors of live sound. Characterized with extended highs, excellent imaging, and high SPL capabilities, the ADX51 can be used for cymbals, high-hat, and acoustic instruments. The ADX51 also features a -10dB pad and bass roll-off filter, making it extremely useful for a wide variety of applications.