Showing posts with label BLUE Microphones. Show all posts
Showing posts with label BLUE Microphones. Show all posts

Friday, August 12, 2011

Blue Mic SnowBall USB

Price List Rp.1.380.000
Blue Mic SnowBall USB
The Snowball is a direct plug n' play mic that connects to either a Mac or PC - no additional software is needed. With its dual capsule design and unique three-pattern switch (cardioid, cardioid with -10dB pad and omni), the Snowball can handle everything from soft vocals to the loudest garage band - and it's ideal for podcasting.
Finally, a USB mic that's not only easy to use, but sounds as good on your desktop as it does in a professional recording studio. Meet the Snowball; the world's first professional USB mic.
Whether you're recording a guitar at your kitchen table or a complete band in the studio, the Snowball can capture it with detail unheard of before in a USB mic.
Specifications:
  • Transducer Type: Condenser, Pressure Gradient w/ USB Digital Output
  • Polar Patterns: Omniredirectoral or Cardioid
  • Frequency Response: Position 1-3: 40-18kHz
  • Sample/Word Rate: 44.1 kHz/16bit
  • Weight: 460g
  • Dimensions: 325mm

Blue Mic Woodpecker

Price List Rp.12.500.000
Blue Mic Woodpecker
The Only Ribbon With True Top End
Over five years in development, the Woodpecker is the only choice when searching for the smoky, warm, classic sound of a ribbon, but without sacrificing the bright presence of top-end.

Product Details
The Woodpecker is designed to deliver the wide frequency response needed in today’s modern recording environment. With its focused mid-range, ultra-smooth top end and outstanding bass response, the Woodpecker captures the essence of any recorded sound. It also excels at ambient recording, capturing room tone with the most intimate detail.

The Woodpecker microphone was designed to provide the smooth, intimate sound associated with the most sought-after vintage ribbon microphones. With its focused mid-range, and outstanding bass response, the Woodpecker mic captures the essence of any recorded sound. It also excels at ambient recording and capturing room tone with the most intimate detail whether for rock drums, guitars or vocals any application where some natural space in the recording is desired.

Usually, ribbon mics require preamps with at least 60-70dB of gain. Not so with the Woodpecker. Its active design allows you to use it with any preamp, so you don't have to replace yours in order to have the acknowledged musicality of a ribbon transducer.
Technical Specs
  • Transducer Type: Active Ribbon, Pressure Gradient
  • Polar Pattern: Figure 8
  • Frequency Response: 20Hz-20kHz
  • Sensitivity: 26.0 mV/Pa a 1kHz (1 Pa = 94 dB SPL)
  • OutPut Impedance: 50 Ohm
  • Rated Load Impedance: Not less than 1 kOhm
  • Maximum SPL: 136 dB SPL (2.5 kOhm, 0.5% THD)
  • S/N Ratio: 72.0 dB-A (IEC 651)
  • Noise Level: 22.0 dB-A (IEC 651)
  • Dynamic Range: 114 dB (@2.5 kOhm)
  • Power Requirment: +48V DC Phantom Power (IEC 268-15)
  • Weight: 725g
  • Dimensions: 227mm x 45mm

Blue Mic Robbie

Price List Rp.10.800.000
Blue Mic Robbie
Complete The Circuit Simplicity of design. Purity of sound. Robbie is Blue's Class-A discrete tube microphone and instrument preamplifier. All of the technical quality and design innovation that goes into our line of award-winning microphones has been engineered into making Robbie the finest tube preamp available today.

Product Details
With no ICs and only the highest-quality discrete components from input to output, Robbie is one of the quietest (-131 dB EIN @ 50 ohms) and most detailed (THD 0.006%) tube preamps available today. It features audiophile-grade ultra low noise metal film resistors and polystyrene capacitors, and provides the user with the best of both worlds: an electronically-balanced, fully discrete input stage, tube gain stage (ECC88 twin triode), and an electronically-balanced solid-state output stage.

There is no switching crossover distortion anywhere in the completely balanced audio signal path. And if that's not enough, Robbie achieves and amazing 34dB headroom before clipping! Designed from the ground up, this limited production mic pre is like nothing else commercially available today.
Specification:

  • Preamp Type: Tube
  • Number of Channels: 1
  • Frequency Response: 10Hz-100kHz
  • Phantom Power: Yes
  • EQ: Yes
  • Compression: Yes
  • Analog Inputs: 1 x XLR
  • Analog Outputs: 1 x XLR
  • Digital Inputs: No Digital Inputs
  • Digital Outputs: No Digital Outputs
  • Other I/O: No Other I/O
  • Computer Connectivity: No Computer Connectivity
  • Rackmount Spaces: Desktop Format
  • Height: 5.25"
  • Depth: 8.5"
  • Width: 8.25"
  • Weight: 7 lbs.

Friday, April 29, 2011

The Blue

Price List Rp.2.250.000
The Blue Ball Microphone
Meet the Ball, the latest addition to our award-winning family of hand-built microphones. So-named for its unique shape and inimitable Blue styling, The Ball is our first offering in the dynamic mic category. But a phantom-powered dynamic? Yes. And no. Most recordists know that conventional dynamic mics do not require external DC power. Rather, they employ a relatively simple circuit and derive their output voltage through electromagnetic induction. While this makes them rugged, reliable and easier to operate than their electrostatic counterparts, they also present the user with a unique set of problems. Chief among these is frequency-dependent variable resistance which has dramatic effects on the transducer’s acoustic balance, phase coherence, noise specification and overall output. Our engineers solved this problem by incorporating a phantom-powered proprietary active balancing circuit in the Ball’s output stage. This circuit maintains a constant pure-resistive 50-ohm load across the useable frequency spectrum yielding an exceptionally smooth and open sound previously unheard of in a dynamic microphone. Additionally, as a dynamic mic, the Ball is capable of handling extremely high sound pressure levels without distortion, making it the ideal choice for studio, stage, broadcast, film or any other applications where reliability, versatility and the utmost sound quality is required

  • Year Introduced: 2003
  • Operating Principal: Dynamic transducer with active"Class-A" phantom-powered solid-state circuitry
  • Polar Pattern: Cardioid
  • Frequency Response: 35Hz - 16kHz
  • Sensitivity: 3.5mV/Pa at 1kHz, 1 Pa = 94dB SPL
  • Output Impedance: 50?
  • Recommended Load Impedance: 2k?
  • Maximum SPL: 146 dB SPL (2k? load at 1% THD)
  • Output Noise Level: 18 dB-A
  • Power Requirement: 48V DC Phantom Power
  • Current Draw: 2.5 mA
Product Description
The hand-built Ball uses a Class A balancing circuit in its output section. This circuit maintains a constant pure-resistive 50-ohm load across the useable frequency spectrum yielding an exceptionally smooth and open sound previously unheard-of in a dynamic mic. The Ball is capable of handling extremely high SPLs from sources like bass drums, snares, and horns without distortion for extremely clean signals. Ideally suited for studio, stage, broadcast, film or any other applications where reliability, versatility and the utmost sound quality is require. Frequency response: 35Hz - 16kHz. Requires 48V phantom power.
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