Behringer EUROPOWER PMP6000

Price List Rp.8.100.000

Behringer EUROPOWER PMP6000

The new BEHRINGER PMP Powered Mixers (2 x 800-Watt stereo, 1600-Watt bridged mode) produce even more power than their predecessors while maintaining a famously low weight and high efficiency. These mixers employ Class-D technology including a new switch-mode power supply, significantly reducing weight and heat. The 20-channel PMP6000 features 12 built-in XENYX preamps, the 16-channel PMP4000 features 8 built-in XENYX mic preamps, and the 10-Channel PMP1680S features 8 high-quality built-in mic preamps. All three models feature 24-bit FX processors and FBQ Feedback Detection.
1600-Watt 20-Channel Powered Mixer with Dual Multi-FX Processor and FBQ Feedback Detection System

• Ultra-compact 2 x 800-Watt stereo powered mixer (1600 Watt bridged mode)
• Revolutionary Class-D amplifier technology: enormous power, incredible sonic performance and super-light weight
• Ultra-compact design at nearly half the weight of conventional powered mixers
• 20-channel mixer section features 12 mono and 4 stereo channels plus separate CD/Tape input/output
• 2 studio-grade 24-bit stereo FX processors with 100 awesome presets including reverb, chorus, flanger, delay, pitch shifter and various multi-effects
• Revolutionary FBQ Feedback Detection system instantly reveals critical frequencies for easy feedback removal
• 12 high-quality XENYX Mic Preamps with switchable +48 V phantom power for condenser microphones
• Effective, extremely musical 3-band EQ, switchable Low cut filter, and Clip LEDs on all mono channels
• Stereo 7-band graphic EQ allows precise frequency correction of monitor or main outputs
• Voice Canceller function removes singer’s voice from recordings for karaoke applications
• Selectable stereo (main L/R), double mono (main/monitor) or bridged mono amplifier operation mode
• Speaker Processing function adjusts frequency response to match professional speaker systems like BEHRINGER EUROLIVE series, etc.
• Standby switch mutes all mic input channels during breaks while background music is provided via CD/Tape input
• Breathtaking XPQ 3D stereo surround effect for more vitality and enhanced stereo image
• Adjustable stereo 2-Track input for connecting external line sources
• Multi-functional stereo Preamp outputs for added flexibility
• Internal switch-mode power supply, noise-free audio, superior transient response and very low power consumption
• High-quality components and exceptionally rugged construction ensure long life

What is Class-D Technology?
Instead of operating relatively continuously like Class AB circuits, Class-D amps switch on and off thousands of times per second, delivering power only when needed. In other words, the amplifier is either fully on or fully off , which significantly reduces power losses from the output devices given off as heat. Less heat means our amps don’t need massive heat sinks, and that means we can make them lighter. Our no-compromise design means the new PMP mixers will deliver full power with incredible fidelity all night long, without the need for lengthy rest cycles.

When used in conjunction with switching-mode power supplies, which don’t require huge and heavy transformers, our Class-D amplifiers provide tremendous dynamic punch and superior fidelity. The resulting speaker systems are much lighter, making them easy to transport and set up.

Massive Mono or Stunning Stereo

Our latest PMP give you the choice of 2 x 800-Watt stereo, 2 x 800-Watt dual mono mode (giving you a mono version of the main signal through one powered output plus a mono version of all monitor send signals through the second powered input) or 1,600-Watt bridged mono sound. Whether the center of attention happens to be a folk trio, a speech, or a synth-rock band with mind-boggling stereo patches, PMP mixers can accommodate. This sonic versatility also makes it an excellent choice for churches, where vocals and stereo recordings often share face time.

Classic Control, State-of-the-Art Sound

Leave the mic preamps at home, because the quality of sound that was once only available in the studio is ready to go wherever you do. Built-in, boutique-caliber mic preamps with switchable +48 V phantom power make it possible to use either dynamic or condenser mics with the PMP Series. The PMP6000 gives you 12 mic inputs while the PMP4000 and PMP1680S each give you 8 mic inputs.

Built-in Digital Effects Processor

The new generation of PMP mixers come equipped with 24-bit FX processors, giving you 100 mind-blowing digital effect presets such as delay, chorus and reverb. Apply them to any channel, as well as to the monitors and main output. In case you’re pulling double duty as sound engineer and performer, the FX processors features a footswitch jack for remote on/off . Of course, if you have treasured outboard gear you’ve grown attached to, these mixers can integrate them into the mix while leaving out the built-in FX processor.

Changing the Channels
The PMP Series gives you excellent flexibility to accommodate whatever a performance requires. You get 12 (PMP6000) or 8 (PMP4000 and PMP1680S) channels for mics, guitars and other mono instruments. Stereo channels 13-20 (PMP6000), 9-16 (PMP4000) and 7-10 (PMP1680S) are designed to work in pairs as stereo channels, or independently for more mono instruments. All mono channels have 3-band EQ, switchable Low cut filter for eliminating infrasonics, and Clip LEDs to indicate when the input signal is too hot.

A STANDBY switch (PMP6000 and PMP1680S) mutes all mic channels during breaks, preventing the microphones from picking up noise or interference. You can leave all faders untouched while you play a CD via the CD/TAPE inputs.

The FBQ Feedback Detection system automatically shows you which frequencies are causing feedback. Just touch the FBQ button and watch the red LEDs on the 7-band graphic EQ pinpoint show you which frequencies to adjust for optimized sound, without the feedback.

The Ins and Outs
Use the CD/TAPE IN RCA inputs to feed in external stereo signals from CD players or tape decks. The VOICE CANCELLER switch eliminates the vocals from pre-recorded music for instant karaoke applications.

CD/TAPE OUT RCA outputs send line-level signals from the mixer to a recording device. The left and right output ¼" connectors can be used for a variety of purposes, including connecting more power amps. Connect monitor power amps or active monitor speakers to the MON SOUND output. Powered outputs on these mixers are available in professional Speakon-compatible format.

Small, Simple, Superb

Medium-sized events call for a lightweight (PMP6000: 13.1 kg/ 28.9 lbs; PMP4000: 0.4 kg/22.9 lbs; PMP1680S: 9.9 kg/28.8 lbs), easy-to-use powered mixer. BEHRINGER powered mixers are the most efficient, affordable mixers for the job, and are even suitable for use as pure analog mixers or as pure power amplfiers. With new technological advantages and incredible built-in features, it’s easier than ever to lend exceptional sound quality to all kinds of public performances.

PMP6000 Stereo Mode Hookup Example

PMP6000 Mono Mode Hookup Example

PMP6000 Mixer Features

Behringer EUROPOWER PMP980S

Price List Rp.5.500.000

Behringer EUROPOWER PMP980S

If you need superior sound quality for small club gigs, churches or speeches, but have to keep the outboard gear to a minimum, get ready to love the PMP980S and PMP960M. The 900-Watt, 10-channel/6-channel mixers give you everything you need in one efficient, highly portable little package.
900-Watt 10-Channel Powered Mixer with Dual Multi-FX Processor and FBQ Feedback Detection System

• Ultra-compact 2 x 450-Watt stereo powered mixer
• Revolutionary amplifier technology: enormous power, incredible sonic performance and super-light weight
• Ultra-compact design at nearly half the depth and weight of conventional powered mixers means no more lugging around dead weight
• 10-channel mixer section features 6 mono and 2 stereo channels plus separate tape returns
• 2 studio-grade 24-bit stereo FX processors with 100 awesome presets including reverb, chorus, flanger, delay, pitch shifter and various multi-effects
• Revolutionary FBQ Feedback Detection system instantly reveals critical frequencies for easy feedback removal
• 8 high-quality mic preamps with switchable +48 V phantom power for condenser microphones
• Effective, extremely musical 3-band EQ, switchable Pad and Clip LEDs on all mono channels
• Stereo 7-band graphic EQ allows precise frequency correction of monitor and main outputs
• Voice Canceller function removes singer's voice from recordings for Karaoke applications
• Selectable stereo (main L/R), double mono (main/monitor) or bridged mono amplifier operation mode
• Speaker Processing function adjusts frequency response to match professional speaker systems like BEHRINGER EUROLIVE series, etc.
• Standby switch mutes all input channels during breaks while background music is provided via tape inputs
• Adjustable stereo Aux input for connecting external signal sources
• Internal switch-mode power supply, noise-free audio, superior transient response and very low power consumption
• Rack mount brackets included
• High-quality components and exceptionally rugged construction ensure long life

The Ins and Outs
The PMP980S and PMP960M give you loads of flexibility in accommodating whatever the center of attention happens to be. Channels 1-6 of both mixers are for mics, bass guitars or other mono instruments. The PMP980S features channels 7-8 and 9-10, which can be used as stereo channels. In the case of the PMP980S, that means you can connect up to 8 microphones or other mono instruments or six mics or mono instruments along with two stereo instruments (keyboards, for example) or the A/V equivalent.

In the bottom right corner of the mixer, you’ll find the FX, INPUT TO MAIN and OUTPUT sections. The FX section features a FOOTSW(itch) input. This lets you connect a footswitch like the AB200 so you can remotely enable/disable either FX channel. FX OUT 1 & 2 are used to connect up to two outboard effects processors.

The AUX IN 1/4" inputs in the INPUT TO MAIN section allow you to route an external stereo signal to the main mix. The AUX IN control adjusts the volume of the external signal in the main mix. Use the 2TR IN RCA inputs to feed in external stereo signals from CD players or tape decks. The VOICE CANCELLER switch allows you to eliminate the vocals from pre-recorded music for karaoke applications.

In the OUTPUT section, the REC OUT RCA outputs send line-level signals from the mixer to a recording device, so you can finally get to work on that triple-live album you’ve always dreamed of. The MAIN 1/4" connectors are there just in case you want to connect more amps. Connect your monitor power amps or active monitor speakers to the MONITOR output.

Channel Your Inner Sound Guru
You’ll be operating this mixer like it’s second nature thanks to its simple, intuitive layout. Each channel has a three-band EQ (HIGH, MID, LOW) blue; MON(itor) level in gray; FX1 in red; FX2 in orange (PMP980S only); PAN in black (only PMP980S); LEVEL in white. There’s also a switchable PAD and CLIP LED per channel.

Once you’ve set the levels on individual channels, it’s easy to create your MAIN and MONITOR mixers. The MAIN and MONITOR sections are nearly identical, featuring graphic 7-band EQs that allow you to adjust the sound to the room acoustics.

This is where the FBQ feature comes in particularly handy. Press the FBQ IN switch to activate the Feedback Detection System. Trouble frequencies are indicated by brightly lit fader LEDs. Just lower the level of the respective frequency range until feedback disappears and the LED goes out.

The FX RET controls add the selected effect signal to the main or monitor mix. When both are completely counterclockwise, no effect is applied. The 2TR IN control adjusts the volume of the 2 Track signal, if you have connected one. Use the MAIN MASTER/MONITOR MASTER controls to adjust the main and monitor output signals, respectively. The 5-digit LED meters give you a visual representation of these volumes. The upper LIM LED illuminates when output levels are too high, activating the internal amp protection circuit.

PMP980S’s POWER AMP switch toggles between three operating modes: STEREO, MON/MONO and BRIDGE (the power outputs of A and B on the back panel are added and provided at OUTPUT B). The PMP960M provides similar options: Bridge mono or dual mono (Output A can be used for mono Mains and Output B for Monitor Send 1, or Outputs A and B can be used as Main/Main). This clever functionality enables you to power both your mains and monitors without the need for an additional power amp just for your monitors.

Directly below, you’ll find the SPEAKER PROCESSING switch that activates a filter in both models, adapting the mixer to the frequency response of your loudspeakers.

Finally, the STANDBY switch lets you mute all input channels during breaks, preventing the microphones from picking up noise or interference. You can leave all faders untouched while you play a CD via the CD/TAPE inputs.

Small, Simple, Superb

Small, simple events call for a lightweight, simple powered mixer, and these are the most efficient, aff ordable mixers for the job. They’re easy to learn, easy to operate, and with so many incredible built-in features, they make it easy to put on a show in an instant.

Loudspeaker (monitor mix)

Front Panel

Loudspeaker (F.O.H. mix)

PMP980S Features

Behringer EUROPOWER PMP960M

Price List Rp.4.770.000

Behringer EUROPOWER PMP960M

If you need superior sound quality for small club gigs, churches or speeches, but have to keep the outboard gear to a minimum, get ready to love the PMP980S and PMP960M. The 900-Watt, 10-channel/6-channel mixers give you everything you need in one efficient, highly portable little package.
900-Watt 6-Channel Powered Mixer with Multi-FX Processor and FBQ Feedback Detection System

• Ultra-compact 450-Watt dual mono powered mixer
• Revolutionary amplifier technology: enormous power, incredible sonic performance and super-light weight
• Ultra-compact design at nearly half the depth and weight of conventional powered mixers means no more lugging around dead weight
• Mixer section features 6 mono channels plus separate tape returns
• Studio-grade 24-bit stereo FX processor with 100 awesome presets including reverb, chorus, flanger, delay, pitch shifter and various multi-effects
• Revolutionary FBQ Feedback Detection system instantly reveals critical frequencies for easy feedback removal
• 6 high-quality mic preamps with switchable +48 V phantom power for condenser microphones
• Effective, extremely musical 3-band EQ, switchable Pad and Clip LEDs on all channels
• Dual 7-band graphic EQ allows precise frequency correction of monitor and main outputs
• Voice Canceller function removes singer's voice from recordings for Karaoke applications
• Selectable double mono (main/main, main/monitor) or bridged mono amplifier operation mode
• Speaker Processing function adjusts frequency response to match professional speaker systems like BEHRINGER EUROLIVE series, etc.
• Standby switch mutes all input channels during breaks while background music is provided via tape inputs
• Adjustable Aux input for connecting external signal sources
• Internal switch-mode power supply, noise-free audio, superior transient response and very low power consumption
• Rack mount brackets included
• High-quality components and exceptionally rugged construction ensure long life

Massive Mono or Stunning Stereo
The difference between these two mixers is that the PMP980S gives you two stereo channels. If you make your beer money playing in a bluegrass band at a barbecue joint, you probably aren’t that interested in making a space-age, multi-dimensional mix. This is just one example of where the PMP960M’s six mono channels would be a perfect match.

However, if you’re the brains behind a kraut-rock band with the wildest patches this side of Berlin, the two additional stereo channels on the PMP980S will provide the sonic latitude you need.
The PMP980S is also an excellent choice for a church, where vocals and stereo recordings share face time.

Classic Control, State-of-the-Art Sound
Each of the mic inputs on the PMP980S and PMP960M contains top-quality built-in mic preamps with switchable +48V phantom power for condenser mics—just like in our studio mixers. Suddenly you can leave the mic preamps at home, and the kind of sound quality that was once only available in the studio is ready to go wherever you do.

Plus with the built-in 24-bit FX processor, you get 100 mind-blowing digital effect presets such as delay, chorus and reverb you can apply to any channel, as well as to the monitors and main output. No outboard gear needed — and the PMP980S comes with dual FX processors for double the effects!
These mixers come loaded with BEHRINGER’s amazing FBQ feedback detection system, which automatically pinpoints trouble frequencies so you can snuff them out before you—or the audience—go deaf. Just touch a button and watch as trouble frequencies are indicated by red LEDs on the 7-band graphic EQ.

The Ins and Outs
The PMP980S and PMP960M give you loads of flexibility in accommodating whatever the center of attention happens to be. Channels 1-6 of both mixers are for mics, bass guitars or other mono instruments. The PMP980S features channels 7-8 and 9-10, which can be used as stereo channels. In the case of the PMP980S, that means you can connect up to 8 microphones or other mono instruments or six mics or mono instruments along with two stereo instruments (keyboards, for example) or the A/V equivalent.

In the bottom right corner of the mixer, you’ll find the FX, INPUT TO MAIN and OUTPUT sections. The FX section features a FOOTSW(itch) input. This lets you connect a footswitch like the AB200 so you can remotely enable/disable either FX channel. FX OUT 1 & 2 are used to connect up to two outboard effects processors.

The AUX IN 1/4" inputs in the INPUT TO MAIN section allow you to route an external stereo signal to the main mix. The AUX IN control adjusts the volume of the external signal in the main mix. Use the 2TR IN RCA inputs to feed in external stereo signals from CD players or tape decks. The VOICE CANCELLER switch allows you to eliminate the vocals from pre-recorded music for karaoke applications.

In the OUTPUT section, the REC OUT RCA outputs send line-level signals from the mixer to a recording device, so you can finally get to work on that triple-live album you’ve always dreamed of. The MAIN 1/4" connectors are there just in case you want to connect more amps. Connect your monitor power amps or active monitor speakers to the MONITOR output.

Channel Your Inner Sound Guru
You’ll be operating this mixer like it’s second nature thanks to its simple, intuitive layout. Each channel has a three-band EQ (HIGH, MID, LOW) blue; MON(itor) level in gray; FX1 in red; FX2 in orange (PMP980S only); PAN in black (only PMP980S); LEVEL in white. There’s also a switchable PAD and CLIP LED per channel.

Once you’ve set the levels on individual channels, it’s easy to create your MAIN and MONITOR mixers. The MAIN and MONITOR sections are nearly identical, featuring graphic 7-band EQs that allow you to adjust the sound to the room acoustics.

This is where the FBQ feature comes in particularly handy. Press the FBQ IN switch to activate the Feedback Detection System. Trouble frequencies are indicated by brightly lit fader LEDs. Just lower the level of the respective frequency range until feedback disappears and the LED goes out.

The FX RET controls add the selected effect signal to the main or monitor mix. When both are completely counterclockwise, no effect is applied. The 2TR IN control adjusts the volume of the 2 Track signal, if you have connected one. Use the MAIN MASTER/MONITOR MASTER controls to adjust the main and monitor output signals, respectively. The 5-digit LED meters give you a visual representation of these volumes. The upper LIM LED illuminates when output levels are too high, activating the internal amp protection circuit. 

PMP980S’s POWER AMP switch toggles between three operating modes: STEREO, MON/MONO and BRIDGE (the power outputs of A and B on the back panel are added and provided at OUTPUT B). The PMP960M provides similar options: Bridge mono or dual mono (Output A can be used for mono Mains and Output B for Monitor Send 1, or Outputs A and B can be used as Main/Main). This clever functionality enables you to power both your mains and monitors without the need for an additional power amp just for your monitors.

Directly below, you’ll find the SPEAKER PROCESSING switch that activates a filter in both models, adapting the mixer to the frequency response of your loudspeakers.

Finally, the STANDBY switch lets you mute all input channels during breaks, preventing the microphones from picking up noise or interference. You can leave all faders untouched while you play a CD via the CD/TAPE inputs.

Small, Simple, Superb

Small, simple events call for a lightweight, simple powered mixer, and these are the most efficient, aff ordable mixers for the job. They’re easy to learn, easy to operate, and with so many incredible built-in features, they make it easy to put on a show in an instant.

Loudspeaker (monitor mix)

Front Panel

Loudspeaker (F.O.H. mix)

PMP960M Features

SQUIRE Affinity Telecaster®

Price List Rp.1.975.000

SQUIRE Affinity Telecaster®

Affinity Series™ guitars represent the best value in solid-body electric guitar design. The Affinity Series™ Tele® features two single-coil pickups and three-way switching. Now available in Two-Color Sunburst.

Specification:

General
Model Name:	Affinity Telecaster®
Series:	Affinity
Color / Part #:	Arctic White Black Butterscotch Blonde Metallic Blue Metallic Red 2-Color Sunburst
Body
Body:	Alder
Body Shape:	Telecaster®
Body Finish:	(0310202580, 0310202506, 0310203550, 0310202595, 0310202525, 0310202503) Polyurethane
Neck
Neck Shape:	"C" Shape
Number of Frets:	21
Fret Size:	Medium Jumbo
Position Inlays:	Dot Position Inlays
Fretboard Radius:	9.5" (24.1 cm)
Neck Material:	Maple
Neck Finish:	Polyurethane
Nut Width:	1.6” (40.6 mm)
Scale Length:	25.5" (64.8 cm)
Neck Plate:	Standard 4 Bolt
Electronics
Pickup Configuration:	S/S
Bridge Pickup:	Tele® Single-Coil Bridge Pickup
Neck Pickup:	Vintage Style Single-Coil Tele® Neck Pickup
Pickup Switching:	3-Position Blade: Position 1. Bridge Pickup, Position 2. Bridge and Neck Pickups, Position 3. Neck Pickup
Controls:	Master Volume, Master Tone
Hardware
Hardware:	Chrome
Bridge:	6-Saddle Top-Load Tele® Bridge
String Nut:	Synthetic Bone
Switch Tip:	"Top Hat" Style Switch Tip
Miscellaneous
Strings:	Fender® USA Super 250L's, NPS (.009-.042 Gauges)
Unique Features:	Black Plastic Parts, Top Hat Switch Tip, Black Silkscreen Logo, Dot Position Inlays
Accessories
Control Knobs:	Chrome Dome Style

SAMSON Concert 277 Wireless Microphones

Price List Rp.2.830.000
SAMSON Concert 277 Wireless Microphones
Designed for twice the versatility, the new Concert 277 offers an additional channel and a second professional microphone, increasing your vocal applications by two-fold.

The Concert 277 is a dual channel true diversity UHF wireless system that offers a professional wireless solution for varying vocal applications. We took our incredibly popular Concert 77 series and expanded the flexibility of the handheld configuration to accommodate two separate channels and included two HT7 handheld transmitters.

The beauty of the CR277: You can have both channels and transmitters running simultaneously. That means it's ideal for karaoke MCs, bands with multiple vocalists, two DJs at the same event or several presenters at one affair. Plus, with the same reliability and crystal clear operation that's built into every Samson wireless system, you can be sure you're getting exceptional audio reproduction and the most dependable performance available.

Featuring a Q7 dynamic microphone capsule, the HT7 provides a high level of accuracy and audio performance thanks to its low mass, neodymium element. The HT7 also employs a tight supercardioid pickup pattern to reduce feedback and effectively reject signals not originating directly in front of the mic capsule.

The CR277 true diversity half-rack UHF receiver is at the core of the system. Synthesized PLL frequency control circuitry keeps the signal locked while dual tuned antennas with LEDs monitor the true diversity operation. The receiver also features a front panel display with large multi-segment RF level LED meters and two large rotary volume knobs, one for each channel. Its rear panel features two 1/4-inch outputs, one with a mix option allowing flexible connection options.

Thanks to meticulous engineering, state of the art technology and impressive audio capabilities, the CR277 is perfect for any wireless scenario where two voices are better than one.

Features:

• Dual Channel True Diversity UHF Wireless System with simultaneous operation of two HT7 wireless transmitters
• Phase-Locked Loop (PLL) circuitry for flawless reception
• Multi-segment RF level and peak audio indicators for each channel
• Squelch control for each channel
• Tuned molded antennas
• Two independent 1/4-inch outputs or one 1/4-inch mix output
• Independent level controls
• Includes two HT7 handheld transmitters

SAMSON LIVE1215 Active PA Cabinet with 2 x 15" Drivers

Price List Rp.11.940.000 / Pair
SAMSON LIVE1215 Active PA Cabinet with 2 x 15" Drivers
The highest quality components and exceptional engineering make Samson's new Live! Active PA enclosures a great choice for a small to medium loudspeaker system. Ideal for portable or club installation applications, the Live! series offers all-plywood construction for great sound and professional looks. Every loudspeaker boasts impressive performance and durability with custom designed, high power-handling speaker components, advanced amplifier design, separate speaker processing for both highs and lows and EQ sections designed specifically for the speakers. The Live! 1215 delivers 400 watts to the dual 15-inch low frequency drivers and 100 watts to the high frequency compression driver for articulate sound reproduction and excellent room coverage. With oversize motors and large voice coils, the woofers provide deep, controlled bass response while the 1.75-inch titanium compression driver and wide dispersion horn deliver extensive high frequency coverage and linear off-axis response. Ideal for house of worship, club installation or live music applications, the Live! Series from Samson offers a great choice in high performance PA in a wide range of configurations.
Features:

• Two-way bi-amped active loudspeaker system
• 500 watts RMS total power (LF 400 watts + HF 100 watts)
• Two custom designed, heavy-duty, 15-inch low frequency drivers with 3-inch voice coil
• 44 mm titanium compression driver with 1-inch exit
• Dual limiter speaker processing
• All plywood construction
• XLR input with level control
• XLR extension jack with Mix/Thru switch

SAMSON ZM-125 with TCM-3 Tuner & CD Module

Price List Rp.5.200.000

SAMSON ZM-125 with TCM-3 Tuner & CD Module

The ZM series mixers provide an ideal solution for small to medium-size commercial sound system installations. Capable of providing 125 watts of clean power, the ZM125 features a built-in constant voltage power amplifier that can also run at 25, 70 or 100 volts, or at 4 ohms. Six input channels with individual level controls are provided, so connecting sound sources is simple thanks to the available XLR, 1/4-inch and RCA connectors. Additionally, the ZM125 features five selectable speaker zone outputs.The ZM125 is ideal for distributing music and announcements throughout different rooms and the dedicated paging microphone input allows you to setup a distant paging station (for a hostess in a restaurant, for example). There's even an on-board chime, with four selectable tones, to alert the listeners of an upcoming page.For businesses that want to improve their customers' telephone experience, a MOH (Music On Hold) facility is also included. When interfaced with a business telecom system, music or valuable pre-recorded announcements are heard while customers are on hold.To control the overall tonal response of the sound system, the ZM series employs a seven-band graphic equalizer. A master level control and five segment level meters allow you to set a clean signal at the correct volume. For added flexibility you can add the optional Samson TCM-3 sound module with FM tuner and CD player that can play both standard CDs and CDs with MP3s.The ZM125 can be table-top or mounted in a standard 19-inch equipment rack using the included rackmount ears. The sleek black finish matches just about any décor, plus the steel chassis adds to its durability and reliability. Perfect for schools, restaurants, office buildings, small factories, or just about any place high quality, distributed audio is needed, the ZM125 offers excellent sound and great value.
Features:

• 125 watts of clean power
• Six mic/line inputs on 1/4-inch, XLR and RCA connectors
• Built-in 7-band graphic equalizer
• Three layer priority muting system
• Remote microphone connection on a Euroblock terminal
• Built-in announcement chime with four selectable tones
• M.O.H. (Music On Hold) input and output
• Telephone paging input on a Euroblock terminal
• Phantom power on mic channels 1 and 2 for connecting condenser microphones
• Advanced amplifier protection including current limiting, over current and thermal protection
• Link and preamp terminals allow for expansion to an external mixer or power amplifier
• Advanced electric circuit design with high quality op-amps
• Easily configured for table-top or standard 19-inch rackmount installations
• Expansion bay for adding optional Samson TCM-3 music source module

Add the Samson TCM-3 Expansion Module to your ZM125 or ZM75 Zone Mixer/Amplifier. This module simply plugs in to your ZM125 or ZM75 to add a multifunction CD player and digital FM tuner. 

The TCM-3 handles regular CDs and CD/R-RW disc with MP3 files. 

• The FM tuner employs the RDS (Radio Data System) for displaying song and artist info during playback.
• Simple to install module plays MP3 files from CD/R-RW discs besides regular CDsRDS service diplays song, artist and station info

SAMSON S-Zone 4 Zone Stereo Mixer

Price List Rp.3.325.000
SAMSON S-Zone 4 Zone Stereo Mixer
The S-Zone gives system installers all the features they need to control up to four zones of audio with a compact, single-rack space unit. It features 2 balanced mic and 4 balanced aux/line inputs with a unique front panel control section that allows you to assign any of the four inputs to any of the four zones with just the push of a button. The front panel layout also has input and output volume controls, independent 2-band equalization, and an on board speaker for selectable zone monitoring.
Features:

• 4 Channel / 4 zone stereo mixer
• 2 Mic/Stereo Line inputs with ducking
• 2 Stereo CD/Line inputs
• On board Speaker and Headphone monitoring
• Euroblock output connectors
• Remote Volume Control

Behringer EURORACK PRO RX1602

click image to enlarge

Price List Rp.1.950.000
Behringer EURORACK PRO RX1602
The RX1602 is an incredibly versatile 16-channel line mixer that works perfectly for monitoring multi-track recording projects, submixing multiple keyboards, sub-mixing samplers or mixing a small live set-up (for example, one keyboard and one microphone preamp). Its simple interface and intuitive features make it an invaluable addition to any recording enthusiast’s or live performer’s gear arsenal.
Professional Multi-Purpose 16-Input Ultra-Low Noise Line Mixer

• Extremely flexible multi-purpose sub-mixer, multi-track monitoring mixer and level translator
• 16 balanced high-headroom line inputs for individual stereo or mono use of each section
• Ultra-low noise ULN design, highest possible headroom, ultra-transparent audio
• Dedicated balance and level controls plus +4/-10 level selection per channel
• Monitor/FX Send control per section with global master send control for flexible monitoring, recording or effects applications
• Illuminated double-function "mute" button per section with additional "clip" indication provides comfortable input source/level information
• Monitor/FX signal assignable to phones output for added flexibility
• Highly accurate 2 x 7-segment LED level meters and individual level control for left and right main mix signal
• 1/4'' TRS main mix outputs plus easily accessible headphones output on the front panel with dedicated level control
• High-quality detented rotary controls for long-term reliability
• Shielded toroidal power transformer for lowest noise interference
• High-quality component components and exceptionally rugged construction ensure long life

We Hate to Call it a “Miracle Product,” but…

Like a souped-up blender capable of liquefying golf balls and soda cans, the Eurorack Pro RX1602 can mix just about anything into a delicious sonic puree. If you’re a keyboardist with more keyboards than pairs of socks, the RX1602 can submix all your inputs into a single stereo signal, saving you valuable inputs on your main mixer. Or, if you work frequently with hardware samplers in the studio, you can save yourself a ton of time by submixing your sampler’s outputs with the RX1602. This mixer also makes monitoring your home recordings a breeze. Just hook it up to your PC equipped with recording software or a multi-track recorder to quickly and easily create a tasty monitor mix. If a one-person band is more your style, the RX1602 provides the perfect solution for mixing down a mic preamp along with a keyboard. From there, you need only send a single signal to the house’s main mixer.

Channel With Care
The RX1602 comes equipped with all the necessary features to create the right mix for your sound. The 16 high-headroom inputs (8 stereo, 8 mono) can be used for individual line level instruments or component outputs. The ULN (Ultra Low-Noise) design’s high headroom means you can run up to 16 HOT inputs without clipping – and at the same time be assured that there won’t be any extra noise added by the mixer.

Each channel has its own balance and level controls, as well as illuminated double-function “mute” buttons with “clip” LEDs to help you avoid distortion. You also get highly accurate dual 7-segment LED level meters and an individual level control for left and right main mix signals. For further flexibility, the Monitor/FX signal is assignable to headphones. It all adds up to transparent, crystal-clear audio performance.

Sub-mix with samplers

Keyboards sub-mixer

Monitoring multi-track recorder

Small Live setup

Callouts

Reviews

Sound on Sound

July 2005

This new mixer presents a compact and elegant solution to the problem of mixing multiple stereo line sources in the home studio.

This 1U rackmount mixer is a simple but clean way to submix hardware synths to a single stereo feed that can be returned to a pair of inputs on a computer's audio interface.

Verdict

The RX1602 offers a compact and effective way to mix up to eight stereo line-level sources, and it does so very well. I now have one as part of my own studio system, and I'm sure many other musicians will find that it meets a need, both live and in the studio.

Behringer EURORACK PRO RX1202FX

click image to enlarge

Price List Rp.3.000.000
Behringer EURORACK PRO RX1202FX
Looking for a versatile line/mic mixer that fits in a rack AND eliminates the need for tons of outboard gear? The 12-channel RX1202FX is not only rack mountable, but comes loaded with a 24-bit multi-FX processor and 8 built-in studio-grade IMP “invisible” mic preamps. This mixer works perfectly for small bands or churches, business conferences with both microphone and A/V equipment as well as sub-mixing keyboards, drums, samplers or multiple vocal mics. It’s also the ideal choice for monitoring multi-track recording projects.
Premium 12-Input Mic/Line Rack Mixer with XENYX Mic Preamplifiers, British EQ's and Multi-FX Processor

• Premium ultra-low noise, high headroom analog 3U rack mount mixer
• 8 state-of-the-art XENYX Mic Preamps comparable to stand-alone boutique preamps
• Neo-classic "British" 2-band EQs for warm and musical sound
• Studio-grade FX processor with 100 awesome presets including reverb, chorus, flanger, delay, pitch shifter and various multi-effects
• Switchable +48 V phantom power for condenser microphones
• 4 additional balanced high-headroom line inputs
• CD/Tape inputs assignable to Main mix or Control Room/Phones outputs
• 2 Aux sends per channel: 1 pre fader for monitoring applications, 1 post fader for internal FX or as external send
• Separate Control Room, Phones and stereo CD/tape outputs
• Balanced Main mix outputs with gold-plated XLR connectors
• Long-wearing 60-mm logarithmic-taper faders and sealed rotary controls
• "Planet Earth" switching power supply for maximum flexibility (100 - 240 V~), noise-free audio, superior transient response plus low power consumption for energy saving
• High-quality components and exceptionally rugged construction ensure long life

Channel Some Serious Mojo

Sometimes you feel like a mic… or a sampler…or a drum machine. Sometimes you don’t. Whatever the situation calls for, the RX1202FX is ready to accommodate. Each mono channel (1-8) features an XLR input, a balanced 1/4" mono input and an INSERT jack for patching external signal processors directly into the channel. Mono channels feature a TRIM control and CLIP LED to adjust the input gain; a two-band EQ (HIGH, MID and LOW controls); FX control to determine how much of an effect to apply to the channel; a PAN control; and a smooth 60mm fader to determine the channel’s level in the mix. Stereo channels (9-12) feature left and right balanced line level 1/4" inputs and the same front panel control as their mono counterparts. And, as mentioned above, they can be used as mono inputs themselves.

Taking Control
Smooth 60 mm faders and intuitive rotary dials make it quick and simple to create a killer mix. The MAIN MIX fader adjusts the volume of the main output signal while the dual 4-segment LED ladder display gives a visual representation of the signal level. The PHONES jack features a dedicated PHONES/ CONTROL ROOM dial for adjusting headphone volume. Push CD/TAPE TO MIX to add backing tracks from an MP3 or CD player, or to isolate a click track or scratch track in headphones while recording. 

On the back panel, the LEFT and RIGHT MAIN OUT XLR jacks can be used to feed a recording device or PA system. For live performances, keep pre-recorded music cued up for between-set breaks by connecting a CD player or MP3 player via the stereo CD/TAPE IN jacks. If the band wants a recording of their performance, send signal to a recording device such as a mini-disc recorder via the CD/TAPE OUT jacks. Use the MON AUX SEND to send signal to floor monitors in a live setting, or to a headphone amp in a recording setting. When it’s time for playback of recorded material, send signal to studio monitors through the CTRL OUT jack.

If a recording session or live performance calls for an effect not programmed in the onboard FX processor, send signal to an outboard effects unit via the FX AUX SEND, then feed the signal back to the RX1202FX through the AUX RETURN jacks.

Effects, Effortlessly

The FX/CTRL section puts sophisticated digital effects at your fingertips. Use the PROGRAM dial to scroll through the effect presets, then use the FX TO MAIN dial to govern how much of the effect is heard in the summed signal of the mixer. Push FX SOLO to hear only the effects signal in your monitors or headphones.

Superior Sound, Unparalleled ValueIt’s nearly impossible to find a rack-mountable mixer loaded with the inputs, mic preamps and digital effects found in the RX1202FX. And with a price tag that’s well below what you would pay to purchase all these tools separately, the RX1202FX is the smartest way to make your studio, live band, church or conference sound like a million bucks.

Callouts

 

Recording Studio

Live Sound