ZOOM G5n Multi Effect Processor

Price List Rp.3.980.000

ZOOM G5n Multi Effect Processor
Incredible Sounds, Countless Combination The ZOOM G5next Multi-Effects Processor for Guitarists
When we designed the G5n, our goal was to create the finest collection of guitar effects ever offered in one innovative package. From "FunkSauce" to "Texas Toast," from "Carlos" to "Heavensent," the G5n delivers dozens of tonalities sure to please the most discerning guitarist.

Consider this the 78 boutique pedals you don't have.
The G5n comes loaded with 68 beautifully-crafted and newly assembled DSP effects, plus 10 of the most faithful and realistic amp/cabinet emulators we've ever created.

A wide array of effects
The G5n comes equipped with freshly-developed takes on not only the most-essential guitar sounds like overdrive, distortion, compression, EQ, delay, reverb, flanging, phasing, vibrato, and chorusing, but also unique multi-effects such as Seq Filter, Gold Drive, Reverse Delay, HD Hall, and OSC Echo.

Ultra-realistic amp/cabinet emulation
You can connect the G5n directly to a PA system or audio interface, using the 10 brand new onboard amp and cabinet emulators. Choose from 5 classic amp models like the Marshall JCM800, Fender Twin Reverb, MESA Boogie Mk3, Bogner Ecstasy Blue Channel, and British 30W Class A Combo, newly and faithfully created to be adjusted exactly as you would with the knobs and switches of the real thing.

Pair your amp with one of the 5 newly-created cabinet emulators to complete the sound, choosing from Marshall 1960 A-type cabinet (4x12” Celestion speakers), Fender ’65 Twin Reverb (2x12” Jensen speakers), the UK2x12 that recreates the sound of early British combo amps (2x12” Celestion speakers), Mesa Boogie Mark III cab (1x12” Celestion Black Shadow speaker), or Bogner Ecstasy cabinet (4x12” Celestion speakers).

NOTE: 

Manufacturer names and product names are trademarks or registered trademarks of their respective owners. The names are used only to illustrate sonic characteristics and do not indicate any affiliation with the Zoom Corporation or Zoom North America.

100 custom-crafted combinations and counting
To explore the wealth of possibilities that the G5n offers, we continuously collaborate with inspirational, professional guitarists known for their taste and love of great guitar sounds. The G5n comes stocked with 100 newly custom-designed patches that both recreate decades of essential guitar tones—like the iconic sounds of Eddie Van Halen, Jimi Hendrix, Jimmy Page, Carlos Santana, Michael Schenker, and Brian May—and pioneer new territory with combinations exclusively created for G5n guitarists.



Stand out with "Lead BGN," a modern lead sound folded into a modulated delay, or "Phazed," an intense tube amp sound through a phaser. The "UFO" patch harnesses parametric EQ in the style of the lead guitarist of the band of the same name, and then there's "DreamWorld," an overdriven crunch enhanced with tape echo and hall reverb.

With our free ZOOM Guitar Lab software, you can look for new effects and amp/cabinet emulators, as well as even more exclusive patches from our diverse and growing list of G5n creators, people like:

• Kyle Bolden (Stevie Wonder)
 Download April 2016 Patches (8) | View April 2016 Feature
• 
Eric Struthers (Aaron Neville)


 Download April 2016 Patches (22) | View April 2016 Feature
• Richard Patrick (Filter, Army of Anyone) Download May 2016 Patches (17) | View May 2016 Feature
• Allen Epley (The Life and Times, Shiner) Download May 2016 Patches (20) | View May 2016 Feature
• 
Jeff Schroeder (Smashing Pumpkins)
 Download June+July 2016 Patches (11) | View June+July 2016 Feature
• 
Andrew Elstner (Torche, Riddle of Steel)
 Download June+July 2016 Patches (10) | View June+July 2016 Feature
• Errol Cooney (Christina Aguilera, Stevie Wonder)
• Wes Geer (Korn, hed PE)
• Adam Hawley (Joss Stone)

• Chuck Loeb (Fourplay)

• Dan Spack (Volcano Choir, Group of the Altos, Collections of Colonies of Bees)
• Vinny Valentino (Steve Smith & Vital Information)

• Craig Wedren (Shudder To Think, Baby)


Specification:

EFFECTS ___________________________________________________________
Effect types:	78 (68 DSP effects, 5 amp emulators, 5 cabinet emulators)
Number of simultaneous effects:	9
Number of user banks/patches:	200
Sampling frequency:	44.1 kHz
A/D conversion:	24-bit with 128x oversampling
D/A conversion:	24-bit with 128x oversampling
Signal processing:	32-bit
Frequency characteristics:	20 – 20 kHz +1 dB, -3 dB (10 kΩ load)
Display:	128 x 32 dot-matrix LCD (x4) 256 x 32 dot-matrix LCD
INPUTS ___________________________________________________________
Input:	Standard monaural phone jack Rated input level: -20 dBu* Input impedance(line): 470 kΩ
Aux In:	Stereo mini jack Rated input level: -10 dBu* Input impedance(line) : 10 kΩ
OUTPUTS ___________________________________________________________
L/R:	Standard monaural phone jack x 2
L/R maximum output level:	Line +5 dBu* (with output load impedance of 10 kΩ or more)
Phones:	Stereo mini jack
Phones maximum output level:	20 mW + 20 mW (into 32 Ω load)
Equivalent input noise:	-119 dBu* * 0dBu=0.775 Vrms
Noise floor (residual noise):	-101 dBm
Control input:	ZOOM FP02 (not included)
Power:	AC adapter DC9V (center minus plug), 500 mA (ZOOM AD-16)
USB:	USB Audio
Dimensions:	225 mm (D) X 454 mm (W) X 75 mm (H)
Weight:	3.4 kg

BOSS SY-300 Guitar Synthesizer

Price List Rp.12.015.000
BOSS SY-300 Guitar Synthesizer
Explore New Dimensions Of Sound With Any Guitar
Grab your favorite axe and dive into an extraordinary world of sound creation with the SY-300 Guitar Synthesizer. The SY-300 can be used with all your guitars right away, with no special pickup required—just plug into the standard 1/4-inch jack and play! Thanks to revolutionary new BOSS technology, you’re able to explore fat, analog-style polyphonic synth sounds with zero latency, seamlessly extending the natural expressiveness and familiar feel of your own instrument. In addition, you can shape your normal guitar with the synth’s filters, amps, and LFOs to create all sorts of cool sounds never heard before. From unique lead textures to rich, evocative soundscapes, the SY-300 brings untapped dimensions of inspiration and creativity to your music.

Features:

• Plug into the standard 1/4-inch jack and play rich and expressive polyphonic synth tones with any guitar
• Completely latency-free playing feel directly connects your hands with the sound
• Three simultaneous synth sections and four effects processors enable rich, dynamic, and diverse sound creation
• Shape your normal guitar tone with synth filters, amplifiers, and LFOs to create all-new sounds
• Graphic LCD display, three assignable footswitches, and dedicated on/off footswitch
• 70 ready-to-play preset patches and 99 user patches for storing custom sounds
• Create and archive sounds on your computer with the BOSS Tone Studio editor/librarian and download new sounds at BOSS Tone Central
• Works with bass and other electronic instruments as well

Access Expressive New Sounds via a Standard 1/4-Inch Input
With the SY-300, tapping into BOSS’ legendary guitar synth technology has never been easier. While our other synth products require a special GK pickup and 13-pin cable to access synth voices, the SY-300 can be used with any guitar via a standard 1/4-inch cable. Powered by ultra-fast DSP and newly developed innovations from the BOSS engineering team, the SY-300 performs its amazing synth magic in real time, with no lag whatsoever. This delivers a latency-free playing experience that’s a natural extension of your normal guitar, letting you to play freely and organically without altering your technique in any way.

A True Analog-Style Synth for Guitar
The SY-300 features a powerful polyphonic synthesis engine with three separate sections, bringing a limitless range of fresh tones to your arsenal. Just like a keyboard player with a classic analog synth, you have complete creative freedom to build sounds with a full palette of synthesis parameters—select different wave shapes, tweak them with filter, amp, and pitch controls, modulate them with LFOs, and layer oscillators for rich, complex tones. There’s even a step sequencer (with tap tempo control) for creating dynamic melodies and arpeggios simply by playing a single note on your guitar! And with the cool Blender function, you can instantly mix and match synth settings from other patches to discover inspiring new sounds with no heavy lifting at all.

Shape Your Normal Guitar Sound with Synth Parameters
Beyond its amazing synth voices, the SY-300’s synth engine can be used to process your normal guitar sound in many compelling ways. Apply filtering to alter the basic tonality, and use the amplifier parameters to alter the attack and decay characteristics. After that, add some sweeping movement to the sound with the LFO section. With these powerful controls, you’re able to extend your regular axe with an endless supply of unique creative textures, from subtle to otherworldly.

Maximize Tones with High-Impact Effects
Effects play a huge role in synthesizer sound design, and the SY-300 is filled with options to take your tones into the stratosphere. Four simultaneous effects engines are available, each packing a number of effects types including overdrives and distortions, Slow Gear, Isolator, Slicer, and many others. Some types can even perform two effects at once, such as chorus and delay or delay and reverb. Use the effects to process synth sounds, your straight guitar sound, or both at once—it’s up to you.

Powerful Control Options and Versatile Connectivity
Controlling the SY-300 while performing is simple. Using the four built-in footswitches, you can bypass the synth sound, scroll through patches, and control three different parameters of your choosing per patch. Two external footswitches or an expression pedal can also be connected for even more real-time control if needed. The Thru output lets you to send your dry guitar sound directly to your pedals or amp, or it can be used along with the Return jack as an effects loop. Dual output pairs (Main and Sub) offer assignable signal routing options to integrate with any setup, while MIDI In and Out/Thru jacks are provided for interfacing with switchers, drum machines, and other MIDI gear.

USB Interface for Computers
The SY-300 is equipped a USB audio interface to capture audio tracks directly into music production software on your computer. You can record the SY-300’s synth and effects sounds, or just monitor them while recording a dry signal. Then, feed that signal back into the SY-300 to “re-synth” the sound and create the perfect tone for your mix. You can feed other tracks from your DAW into the SY-300 as well, processing them with the synth engine and effects to create cool new sounds for your productions. The SY-300’s USB connection also allows you to build and organize patches with the dedicated BOSS Tone Studio editor and download new patches from the BOSS Tone Central website.

Specification:

Oscillators

Three OSCILLATOR (wave: SIN, SAW, TRI, SQR, PWM, DETUNE SAW, NOISE, INPUT)

Effects

Effect (FX) x 4
Type:
TOUCH WAH, COMPRESSOR, LIMITER, OD/DS, EQ, SLOW GEAR, DELAY, CHORUS, REVERB, PHASER, FLANGER, TREMOLO, ROTARY, UNI-V, PAN, SLICER, ISOLATOR, LO-FI, DELAY+REVERB, CHORUS+DELAY, CHORUS+REVERB

Patch Memories

User: 99
Preset: 70

AD Conversion

24 bits + AF method

* AF method (Adaptive Focus method): This is a proprietary method from Roland & BOSS that vastly improves the signal-to-noise (SN) ratio of the AD and DA converters.

DA Conversion

24 bits

Sampling Rate

44.1 kHz

Nominal Input Level

INPUT: -10 dBu
RETURN: -10 dBu

Input Impedance

INPUT: 2.2 M ohms
RETURN: 220 k ohms

Nominal Output Level

MAIN OUTPUT: -10 dBu
SUB OUTPUT: -10 dBu

Output Impedance

MAIN OUTPUT: 2 k ohms
SUB OUTPUT: 2 k ohms

Recommended Load Impedance

MAIN OUTPUT L/R: 20 k ohms or greater
SUB OUTPUT L/R: 20 k ohms or greater
PHONES: 16 ohms or greater

LCD

Graphic LCD (132 x 64 dots, backlit LCD )

Connectors

INPUT jack: 1/4-inch phone type
THRU jack: 1/4-inch phone type
RETURN jack: 1/4-inch phone type
MAIN OUTPUT R (MONO) jack: 1/4-inch phone type
MAIN OUTPUT L (PHONES) jack: 1/4-inch phone type
SUB OUTPUT R (MONO) jack: 1/4-inch phone type
SUB OUTPUT L jack: 1/4-inch phone type
MIDI (IN, OUT/THRU) connectors
EXP/CTL4, 5 jack: 1/4-inch TRS phone type
USB port: USB type B
DC IN jack

Power Supply

AC adaptor

Current Draw

400 mA

Accessories

AC adaptor
Owner's manual
Leaflet "USING THE UNIT SAFELY"

Options (sold separately)

Footswitch: FS-5U, FS-5L, FS-6, FS-7
Expression pedal: Roland EV-5, BOSS FV-500L/500H

SIZE AND WEIGHT

Width

255 mm
10-1/16 inches

Depth

191 mm
7-9/16 inches

Height

70 mm
2-13/16 inches

Weight (excluding AC Adaptor)

1.75 kg
3 lbs 14 oz.

* 0 dBu = 0.775 Vrms

ASIO is a trademark and software of Steinberg Media Technologies GmbH.

ZOOM A3 Pre-Amp & Effects for Acoustic Guitar

Price List Rp.2.390.000

ZOOM A3 Pre-Amp & Effects for Acoustic Guitar
Acoustic Revelation.
Pickup systems are the most popular option for amplifying acoustic guitars on stage, however most are unable to capture the unique tone of each instrument. As a result, different guitars can take on similar flat, electric-acoustic characteristics and they all sound the same when amplified or plugged into a PA.

Zoom’s A3 is the first pedal of its kind. It allows players to restore the natural tone of their acoustic guitars while continuing to use pickup systems for amplification. In addition to being a powerful acoustic preamp, the A3 offers unrivaled acoustic remodeling features, amazing acoustic effects and much more for crafting acoustic guitar sounds for both live and studio applications.

Elements of design.
Within a heavy duty, die-cast body, the A3 features a main EFFECT footswitch, two secondary footswitches (ANTI FEEDBACK and BOOST), as well as a large LCD and a variety of analog-style cursor keys and parameter knobs that together form an easy-to-use graphical interface. This intuitive design makes restoring the tone of your acoustic guitar, as well as creating and saving new acoustic tones, a breeze and provides easy navigation in live and studio settings.

Restore your sound.
By selecting the body and model type of the guitar that you’re playing, you can restore the true sound of your acoustic guitar. The A3 offers a selector for 16 body types and 28 models that simulate the sonic characteristics of various acoustic guitars with different body shapes and constructed of different materials.

16 Body Types.
The A3 allows you to choose from 16 guitar body types to re-create the signature sounds of differing body shapes. From the Dreadnought body setting, which generates a large tone full of rich low frequencies, to the Orchestra body setting, featuring an outstanding response and tonal balance, the A3 has the ability to remodel the sonic qualities of a wide range of unique body types.

28 Models.
The A3 also has the ability to recreate the distinct sound components of 28 of the world’s most famous acoustic guitars. The A3 even accounts for the subtlest of differences between these models. The pedal accurately recreates the tone differences between guitars with the same body shape, but different bracing or wood from which they are made (spruce, mahogany, rosewood, etc.).

Acoustic preamp for both pickups and mics.
The A3’s pre-amp, specifically designed for acoustic guitars, can be used with piezoelectric, magnetic and passive pickups. In addition, the pedal’s XLR-1/4-inch combination Mic input, which can provide phantom power, allows you to connect a microphone and mix its signal with that of your pickup via dedicated knobs. The A3’s pre-amp section also features a 3-band EQ for adjusting your guitar tone according to your performance environment and a BALANCE knob to set the ratio of the original sound (DRY) and the sound after adding effects (WET).

40 acoustic effects.
With a focus on spatial effects, including chorus, delay and reverb, the A3 offers 40 diverse types of acoustic effects to enhance the sound of your guitar. Effects range from compressors that suppress input peaks and even out sound levels to detuning effects that create the sound of a 12-string guitars and everything in between. With the A3, you can use up to two effects and one acoustic guitar model simultaneously and arrange them in any order you like. You to create and store up to 20 original patches on the A3.

Eliminate feedback on up to three frequencies simultaneously.
If you experience feedback from your acoustic guitar during a performance, just engage the A3’s ANTI FEEDBACK footswitch. While keeping changes to your tone to a minimum, the ANTI FEEDBACK function will detect the frequency that is causing the feedback and eliminate it with a steep filter. Later, if you experience additional feedback, just hit the footswitch again. The ANTI FEEDBACK function can handle up to three problematic frequencies at once.

Boost your sound up to 12dB.
The A3’s BOOST function can be used to reduce volume differences between fingerpicking, chord strokes and other playing techniques, as well as to increase amplification during solos. The pedal can provide a clean boost of up to 12dB. You can also use the TONE parameter to adjust the sound of the level increase when the BOOST is active.

The most realistic sounds to date.
The all-new ZFX-IV DSP effects processor boasts amazing power and clarity, upgrading everything from sound to functionality and operability over previous ZFX versions. By using 32-bit floating-point processing, the A3 can produce sounds that are more realistic than ever before.

Stereo or headphone out.
The A3 features two 1/4-inch outputs that allow you to maximize the characteristics of the pedal’s stereo effects and record them using line level connections. In addition, you can connect headphones directly to the A3 and listen to your tones no matter where you are.

Precise tuning.
The pedal’s auto-chromatic tuner offers smooth, real-time response with precise bass tuning and accuracy. Whether you’re in the middle of a performance or practicing alone, simply hold down the pedal’s footswitch to start getting your strings back in tune. In addition, the A3’s LCD makes the tuner easy to see on a dark stage. You can also tune silently in the tuner’s MUTE mode or with all effects bypassed in its BYPASS mode.

Tap the tempo.
Use the Tap Tempo feature to match the tempo of a song in real-time as you play. You can also use it for delay times and modulation effect frequencies.
The tuner cannot be used when the tap tempo function is active.

Pick your patch order.
With the A3, you can program which patches are recalled and the order in which they appear. For example, you could select three patches—(Ａ) ARPEGGIO, (B) RHYTHM and (C) SOLO—and program the A3 to cycle through only those three tones each time you press the footswitch.

Balanced XLR output for DI use.
With the pedal’s balanced XLR output, you can avoid using DI boxes completely. Just connect the A3 to any mixing console to maintain a balanced, high quality signal. The pedal’s GROUND switch can also be used to eliminate hum caused by ground loops.

Dedicated pickup input.
Piezoelectric pickups tend to capture high frequencies far better than the lows, giving you a thin sound. On the other hand, magnetic pickups allow the low end to dominate your tone and produce more of an electric sound. The A3 features a pickup input to compensate for frequency ranges that are lost or overemphasized by your pickups. As such, the A3 can optimize your tone according to the pickup characteristics of you guitar.

You can use the FLAT setting to bypass pickup input compensation.

Super-low noise design.
The A3’s super-low noise design virtually eliminates background noise and the ZNR noise reduction removes feedback and other unwanted sounds, providing you with clear tones, along with natural decay and reverb tails.

Power proof.
The A3 can operate on three different power sources: AC adapter (included), batteries or USB bus power when plugged into your computer. Four AA alkaline batteries (not included) provide up to eight hours of continuous use.

Firmware updates for the A3 can also be performed when plugged into your computer via USB.

Restore the nature tone of your acoustic guitar with the A3 Pre-Amp and Effects for Acoustic Guitar from Zoom.

Features:

• Pre-amp/effects pedal for acoustic guitar
• Easy-to-use interface includes LCD, footswitches, analog-style cursor keys/parameter knobs and LED indicators
• Remodeling presets for 16 body types and 28 popular acoustic guitar models
• 40 effects can be used in any combination
• Use two effects and one acoustic guitar model simultaneously
• Acoustic guitar pre-amp with Mic and Pickup mixing options, 3-band EQ, Balance control and super-low noise design
• Anti-feedback footswitch filters up to three frequency ranges at once
• Clean Boost footswitch for up to 12dB of additional amplification
• Create and store up to 20 original patches
• Integrated auto-chromatic tuner
• Tap tempo function
• Direct box capability with balanced XLR output
• Ground switch eliminates ground loop hum
• Dedicated pickup input with pickup compensation switch (Flat, Magnetic, Piezo)
• XLR-1/4-inch combination Mic/Line input with phantom power
• 1/4-inch stereo/headphone output
• Up to eight hours of operation using four AA batteries (not included)
• AC (adapter included) and USB bus powered

Phonic i7350 Digital Effect Processor

Price List Rp.1.300.000

Phonic i7350 Digital Effect Processor

Phonic's i7350 is a studio quality, entry-level digital multi-effects processor offering 16 of the digital effects most commonly used by audio professionals, such as reverb, slap delay, room and hall effects. True 24-bit A/D and D/A converter and 32/40-bit digital processing deliver clean, wide frequency audio reproduction. Individual effects selection is accomplished with a 16-position rotary control, and each effect offers a user-adjustable parameter to cater to a variety of applications and individual needs.

Feature:

• Digital Effect Processor
• 16 unique digital effects with their own user adjustable parameter
• Programs include hall, room, spring, rev vocal, slap delay and multiple reverb variations
• 32/40-bit digital signal processing plus 24-bit A/D and D/A converters
• Dedicated parameter control for adjusting each effect's main parameter
• Auto-bypass when power is off
• Tap delay button and indicator

Roland GR-55 Guitar Synthesizer

Price List Rp.12.330.000
Roland GR-55 Guitar Synthesizer

A New Era of Sound, Power, & Performance
The Roland GR-55 is a revolution in guitar synthesis, with features never before available in any guitar processor. In terms of speed, it’s the fastest ever. It’s also the most accurate, thanks to newly developed pitch-detection technology. As for sound, the triple-core generator houses a world-class array of virtual guitars, basses, amps, and synth voices, enabling tones and textures that have never been heard before. Onstage or in the studio, you can instantly access the GR-55’s huge library of ready-to-use sounds, from pop to rock and beyond, with quick-access category buttons. Welcome to a groundbreaking new era in guitar synthesis!

• A revolutionary fusion of guitar synthesis and powerful COSM® guitar modeling
• Up to four sound sources at a time: two PCM synth tones, plus COSM guitar modeling and normal guitar input
• Easy to use and easy to play with hundreds of great, ready-to-use sounds for rock or pop guitarists
• Advanced Roland technology provides superb sound quality and lightning-fast processing
• Over 900 of Roland’s latest fully editable PCM sounds, including pianos, organs, strings, vintage synths, and much more
• COSM guitar and amp modeling
• Two types of multi-effects engines, plus global reverb, chorus, and delay effects, and an onboard looper
• Built-in USB audio player with foot control
• Available with or without GK-3 Divided Pickup

New Sound Possibilities
The GR-55’s powerful triple-core engine comprises two PCM synthesizers (with over 900 tones powered by the latest Roland synthesis technology) and COSM® guitar modeling, featuring a virtual treasure trove of guitar, bass, amp, and synth models. Together, these combined technologies allow you to create unique, revolutionary sounds. The “Metal Synth Lead” preset, for example, combines two types of thick, brilliant synth textures with an overdriven solid-body/humbucking tone for incredible punch and power.

Lightning-Fast Tracking
Thanks to Roland’s decades of research and dedication to guitar synthesizers and powerful new pitch detection technology, the GR-55 is far and away the fastest guitar synth ever. Furthermore, the COSM guitar-modeling engine needs zero detection time, allowing the GR-55 to respond instantly and exactly as you play. The GR-55 detects pitch, velocity, and behavior for unprecedented response to your performance.

Instant Gratification

Get ready to rock…and fast! The GR-55 puts you instantly in touch with a huge library of amazing sounds, no editing required. The onboard lineup of ready-to-use presets (270, plus 297 user) takes the pain out of the process, with simple category buttons for finding the perfect sound fast. Choose from hundreds of great presets for pop, rock, and beyond, and kick-start your song or jam with unique, powerful sounds that will turn heads and raise fists.

Easy to Use
If you’re new to the world of technology, fear not. The GR-55 is powerful yet extremely friendly. For customizing sounds, the EZ Edit feature (made famous in the GT-10) and large LCD takes the guesswork out of the process. And for those who want to go deep, the GR-55 offers huge array of controllable parameters. Pros will appreciate the power of the GR-55 while beginners will love how quick and easy the unit is to operate.

USB Connectivity
The GR-55 conveniently bridges the guitarist to the desktop music production world with its two USB ports. The rear-panel port can be used one for MIDI/Audio data communication; the side-panel port is dedicated to real-time playback of audio files from a USB memory device (sold separately). The GR-55 provides foot control of USB audio playback so your hands never need to leave the guitar.

Specification:

Sound Generator

PCM: 2 tones
Modeling: 1 tone

Tones

PCM: 910 types
Modeling: 23 types (guitar mode)
17 types (bass mode)

Effects

MFX (Multi-Effects): 20 types
AMP (Preamp): 42 types
MOD (Modulation): 14 types
DELAY: 7 types
REVERB: 5 types
CHORUS: 4 types
EQ: 1 type

Patch Memory

Guitar mode
Preset: 270 + User: 297
Bass mode
Preset: 90 + User: 297

AD Conversion

24-bit (GK Pickup)
24-bit + AF method ** (Normal Pickup)

DA Conversion

24-bit

Sampling Frequency

44.1 kHz

Nominal Output Level

OUTPUT jacks: -10 dBu
GUITAR OUT jack: -10 dBu

Output Impedance

OUTPUT jacks: 2 k ohms
GUITAR OUT jack: 2 k ohms

USB Memory Audio Player

File Format: WAV, AIFF

Display

Graphic LCD 240 x 64 dots

Connectors

GK IN connector (13 pins DIN type)
GUITAR OUT jack (1/4-inch phone type)
OUTPUT L/MONO, R jacks (1/4-inch phone type)
PHONES jack (Stereo 1/4-inch phone type)
MIDI connectors (IN, OUT) (5-pin DIN type)
USB COMPUTER connector (supports Hi-Speed USB, USB MIDI and
USB Audio)
USB MEMORY connector (supports Hi-Speed USB Flash Memory)
DC IN jack

Power Supply

DC 9 V

Current Draw

700 mA

Accessories

AC adaptor
Owner's manual
Divided pickup (GK-3) (only for GK included model)
GK cable (5 m) (only for GK included model)

Options (sold separately)

Divided pickup: GK-3 (for guitar), GK-3B (for bass guitar)
GK cable: GKC-5 (5 m), GKC-10 (10 m)
MIDI foot controller: FC-300
Unit selector: US-20

Size and Weight

Width

405 mm
16 inches

Depth

244 mm
9-5/8 inches

Height

78 mm
3-1/8 inches

Weight

3.3 kg
7 lbs. 5 oz.

Maximum height: 106 mm
, 4-3/16 inches (When the expression pedal is moved to the minimum).)
* 0 dBu = 0.775 Vrms
** AF (Adaptive Focus) method is a proprietary method from Roland

In the interest of product improvement, the specifications and/or appearance of this unit are subject to change without prior notice.

BOSS RC-300 Loop Station

Price List Rp.5.745.000
BOSS RC-300 Loop Station
The Triple-Stereo Mega Looper!
With loop mania sweeping the globe, BOSS proudly announces the most powerful Loop Station ever brought to the market — the RC-300. The new flagship looper features three synchronized stereo tracks with dedicated volume knobs and transport-control footswitches for each track. It’s also equipped with pro effects, a master Expression pedal, and a deluxe, ultra-wide control panel for the ultimate in live-performance manipulation. Plug in your guitar, bass, keyboard, or instrument of choice and create amazing loops in real time. An XLR input is also provided, complete with phantom power, so singers, percussionists, violinists, beatboxers, or anyone with a mic’d instrument can get in on the act, too. The RC-300 lets you record for up to three hours directly to its internal memory, adding effects as you go. The USB port lets you save your loops externally, as well as import/export WAV files. Step into the most powerful and inspiring Loop Station in BOSS history. It’s the creative powerhouse that musicians have been dreaming of!

• Three stereo tracks with dedicated footswitches and controls for each
• Dedicated fader per track
• Expression pedal for effects control in real time
• Up to three hours of internal recording and 99 onboard memories
• 16 onboard effects optimized for looping
• XLR Microphone input with phantom power
• USB storage; import/export WAV files

Triple Stereo Loops
Create, stack, and manipulate multi-layered loops with the RC-300’s three stereo tracks — each track being independently controllable. The “Auto Recording” feature starts recording the moment you begin playing your instrument, or as soon as you start a connected audio player. Count-In mode gives you one-bar of rhythm before recording starts. You can Undo/Redo as you go. The sky’s the limit with three hours of recording time!

Expanded Pedalboard
The RC-300’s ultra-wide pedalboard is equipped with an Expression pedal (which can be assigned to a variety of parameters) and enlarged footswitches for controlling REC/PLAY and STOP for each track. There’s also a master ALL START/STOP footswitch onboard. Additionally, three independent faders provide immediate control of each track’s output volume. And if that’s not enough control under your hands and feet, you can also connect external Expression pedals and footswitches (sold separately).

Onboard FX
Process your tracks and external-input signals with the RC-300’s expressive onboard effects, including Transpose, Flanger, Phaser, Modulator, vocal effects, and more. A dedicated LOOP FX footswitch is provided for instant activation of the onboard effects. Control the effects parameters in real time with the Expression pedal for hands-free creativity onstage. You can apply the effects to any single track as well as to the entire mix, expanding your creativity and musical expression.

Rhythm Guide and Preloaded Audio
To keep your loops tight and in time, you can play along with one of the cool rhythm patterns in the RC-300’s onboard library as you record; the Loop Quantize feature helps you having your recordings looped in time. Dozens of rhythm types are onboard, including rock, pop, shuffle, Latin, and more. A dedicated knob lets you adjust the volume of the rhythm, and you can set the tempo incrementally or via tap tempo. You can also specify the time signature. When you save a phrase, the rhythm type and time signature will also be saved. To get you up and running right away, the RC-300 comes preloaded with audio backing tracks (including bass tracks, piano tracks, etc.) for instant play-along performance and fun.

USB Connectivity
Connect the RC-300 to your computer via a standard USB cable, and back up your phrases externally for safekeeping. You can import and export WAV files between your computer and the RC-300; 16-bit/44.1kHz WAV files of up to 1.7GB in size can be imported.

AUX Input
In addition to recording your instrument performances and turning them into playable loops, you can record other external stereo audio sources via the AUX IN. Sounds from a digital-audio player or other device connected to the AUX input can easily be recorded and added to your loop performance.

Specification:

Nominal Input Level

INPUT MIC: -50 dBu (variable)
INPUT INST: -10 dBu (variable)
INPUT AUX: -20 dBu (variable)

Input Impedance

INPUT MIC: 4 k ohms
INPUT INST: 1 M ohm
INPUT AUX: 47 k ohms

Nominal Output Level

MAIN OUTPUT: -10 dBu
SUB OUTPUT: -10 dBu

Output Impedance

2 k ohms

Recommended Load Impedance

10 k ohms or greater

Recording/Playback

Maximum Recording Time: Approximately 3 hours (stereo)
Maximum Phrase Memory: 99
Number of tracks: 3
Data Format: WAV (44.1 kHz, 16-bit linear, stereo)

Effect Types

Transpose, Flanger, Phaser, Pan, Tremolo, Slicer, Bend, Chorus, Robot, Female, Male, Gt->Bass, Filter, Delay, Lo-Fi, Distortion

Rhythm Types

83

USB Interface

Hi-Speed USB (USB Mass Storage Class)
Hi-Speed USB (USB-AUDIO)

Pedals

TRACK 1 REC/DUB/PLAY pedal
TRACK 2 REC/DUB/PLAY pedal
TRACK 3 REC/DUB/PLAY pedal
TRACK 1 STOP pedal
TRACK 2 STOP pedal
TRACK 3 STOP pedal
ALL START/STOP pedal
LOOP FX pedal
EXP 1 pedal

Sliders

TRACK 1 slider
TRACK 2 slider
TRACK 3 slider

Knobs

MASTER LEVEL knob
RHYTHM LEVEL knob
AUX knob
INST knob
MIC knob

Displays

7 segments, 2 characters (LED)
16 characters, 2 lines (backlit LCD)

Connectors

INPUT MIC jack: XLR type (balanced/phantom power: DC 48 V, 10 mA)
INPUT INST jacks (L/MONO, R): 1/4" phone type
INPUT AUX jack: Stereo miniature phone type
MAIN OUTPUT jacks (L/MONO, R): 1/4" phone type
SUB OUTPUT jacks (L/MONO, R): 1/4" phone type
PHONES jack: Stereo 1/4" phone type
CTL 1,2 / EXP 2 jack: 1/4" TRS phone type
CTL 3,4 / EXP 3 jack: 1/4" TRS phone type
USB connector
MIDI connectors (IN/OUT/THRU) (*)
DC IN jack (DC 9 V)

(*) MIDI synchronization is possible with other RC-300 devices or when RC-300 is set to master.

Power Supply

DC 9 V (AC adaptor)

Current Draw

Maximum 320 mA (DC 9 V)

Accessories

Owner's Manual
AC adaptor
USB cap

Options (sold separately)

Footswitch (FS-5U, FS-6)
Expression Pedal (FV-500L, FV-500H, Roland EV-5)

Size and Weight

Width

536 mm
21-1/8 inches

Depth

231 mm
9-1/8 inches

Height

76 mm
3 inches

Weight

3.9 kg
8 lbs. 10 oz.

In the interest of product improvement, the specifications and/or appearance of this unit are subject to change without prior notice.