Friday, May 2, 2014

YAMAHA YFL-221 Flutes

Price List Rp.6.600.000
YAMAHA YFL-221 Flutes
More than Just Inexpensive Versions of our Professional Flutes...
Durable design and an excellent tone make this the perfect entry level flute. Featuring the same high-grade design and craftsmanship as the 300 and 400 series models, 200 Series Flutes are made of durable nickel silver with an attractive silver-plate finish. They are characterized by excellent response and intonation.

Features:
  • Undercut and beveled embouchure hole. Clean attack, sensitive response, and accurate intonation
  • Double bladder pads. Longer life and maximum seating
  • Nickel-silver, power-forged keys
Specification:
Level
Standard
Key of
C
Body Style
Type-1
Body Material
Nickel Silver
Headjoint
CY cut; Nickel Silver
Key Material
Nickel Silver
Footjoint
C
Plating
Silver
Tone Holes
Drawn
Key System
Offset G
Key Types
Plateau
Key Mechanism
N/A
Spring Type
Stainless Steel
Screw Type
Straight; Headed Pivot
Bumper Type
Neoprene

Thursday, May 1, 2014

YAMAHA YAS-280 Alto Saxophone

Price List Rp.14.200.000
YAMAHA YAS-280 Alto Saxophone
The YAS/YTS-280 saxophones offer a perfect start because they are designed with the young beginner in mind. Relatively light-weight and ergonomically shaped, they are easy to hold and to play. The intonation is perfect, as you would expect from Yamaha, and it is easy to get a great sound. The Yamaha design offers beginners optimum support, thus greatly assisting both learning progress and creativity.

Based on the highly recommended YAS/YTS-275 saxophones the new YAS/YTS-280 are even further enhanced with a new, more stable neck receiver and a new low B-C# connection for better adjustment.
Features:

  • New neck receiver with a durable screw: A redesigned neck receiver promotes a quick response and ease of play while also increasing the durability of the mechanism.
  • Improved Low B-C# connection: An improved mechanism from low B-C# ensures the consistent closing of the low C# key and promotes a clear response from notes in the low range of the instrument.
  • Adjustable thumb-rest: All Yamaha saxophones feature an adjustable thumb-rest to allow for precise and comfortable hand and fingering position.
Specification:
Color/Finish
Body
Finish
Gold lacquer
Control Interface
Key
Auxiliary Keys
High F# , Front F
Key buttons material
Polyester
Design/Architecture Detail
Thumb hook
Adjustable
Voices
Key
Eb
Accessories
Included Accessories
Mouthpiece
AS-4C

NUMARK 5000FX 5-Channel Scratch Mixer With Effects and Sample

Price List Rp.5.750.000
Numark 5000FX 5 Channel Scratch Mixer
NUMARK 5000FX 5-Channel Scratch Mixer With Effects and Sample
5000FX is a five–channel tabletop mixer that allows you to mix, affect, and control the most complex DJ situations. It harnesses the power of Numark's custom digital processing technology placing powerful effects and sampling at your fingertips.

This powerhouse mixer contains five channels with three phono, nine line, and two mic inputs. On the output side, 5000FX offers a pair of balanced XLRs plus Master, Record, Booth, and Zone RCA-pairs, and a digital 44.1 kHz S/PDIF out.

Two Beatkeeper™ units enable you to auto–detect BPM from two different sources with accuracy. Internal sampling gives you 30 seconds of memory to grab audio from any source. Multi–effects processing, smart, seamless looping, and BPM synchronization all give DJs superlative control and power over performances.

5000FX is, quite possibly, the most flexible DJ mixer ever created. With a wide range of inputs, built-in effects, sampling, dual Beatkeeper™, and more, 5000FX fuels your creativity.
Features:
  • 12" tabletop configuration
  • 5 input channels with 3 phono, 9 line (3 switchable to phono), and 2 mics
  • Master balanced, unbalanced, XLR, 2 zone and 1 S/PDIF outputs
  • Dual Beatkeeper™ units to auto–detect BPM from 2 sources
  • BPM alignment of effects and loops
  • Effects processor with interactive scratch/effect/pitch wheel
  • Effects include: Scratch, Sonar, Chop, Echo, Delay, Filter with Vocal kill
  • Pitch/Key shift, Distort with Vocoder
  • 18 Second audio buffering for Scratching and Reverse Audio with Bleep effect
  • Onboard sampler with 30 seconds of memory, smart looping, and BPM synchronization
  • Optional rack ears available

Specification:
Line:
10Kohm input impedance; 83mV rms sensitivity for 1.22V output
Mic:
600 ohm input impedance unbalanced; 1.9mv rms sensitivity for 1.22V output; 200mV rms max input
Phono:
47Kohm input impedance; 1.3mV rms sensitivity @1KHz for 1.22V output
Line:
6.5V rms max
Headphone:
0.5W into 47 ohm
Distortion:
less than 0.01%
Line:
Better than 82dB
Mic:
Better than 80dB
Phono:
Better than 72dB
Line:
20Hz-20KHz ±0.5dB
Mic:
20Hz-15KHz ±0.5dB
Phono:
±1dB except for controlled attenuation of 3dB @ 20Hz to reduce rumble and feedback
Bass:
+6/-32dB @40Hz
Middle:
+6/-32dB @1.35KHz
Treble:
+6/-32dB @15KH
Channel Kill:
80dB at 20Hz-20KHz
Power Consumption:
24 Watts typical; 29 Watts with full headphone output
Dimensions (W x D x H):
320mm x 355mm x 100mm
Weight:
6.1 kgs
The maximum sample length is 36 seconds, total available buffer is 48 seconds, and buffer not used for sampler is used for echo, delay, scratch, reverse, and bleep effects.  The sampler will automatically stop recording once the record time exceeds 36 seconds

Wednesday, April 30, 2014

AUDIX DP7 Drum Mic Package

Price List USD 1.657
AUDIX DP7 Drum Mic Package
7-piece Drum Mic Package
The DP7 represents an outstanding combination of seven microphones designed to meet the demands of today's professional drummer, both on the stage and in the studio..

Application / Features:
  • All-in-one solution for miking drums
  • Instrument-specific mics for optimal results
  • Rugged Audix quality
  • Great for stage and studio
  • Dflex clips for easy positioning
  • Road case

Included in the DP7 drum mic package is the D6, Audix's flagship kick drum mic, two- D2's for rack toms, one D4 for floor tom, the i5 for snare, and a pair of ADX51s for overhead miking. Also included are four D-Vice rim mount clips for the snare and tom mics, and three heavy duty tension fit mic clips for the other three mics. Everything is conveniently packaged in a foam-lined aluminum road case for safe keeping when the mics are not in use.

THE MICS:
D6 - Kick Drum

The D6 has a frequency response of 30Hz-15kHz and is characterized with a cardioid pick-up pattern. The D6 is designed to sound good in any position and it is not dependent on finding the "sweet spot" of the drum. The D6 capsule features the same legendary VLM technology that has made the D series percussion and instrument microphones very popular for today's live stages and recording studios.

i5 - Snare
The i5 has the ability to capture the rich, deep resonance of the snare along with the attack necessary to cut through the mix. The i5's cardioid polar pattern allows it to focus on the specific instrument that is being miked while rejecting other instruments or ambient noise on stage. With a smooth and uniform frequency response of 50 Hz-16 kHz and an ability to handle sound pressure levels in excess of 140 dB, the i5 can be also used for a wide variety of instrument applications including percussion, guitar cabs, and vocals.

D2(two) - Rack Toms
For bringing out the real, dynamic sound of toms or congas, the D2 cannot be beat. The D2 accurately reproduces the warmth and overtones of the instrument without sounding harsh or boomy. The D2, which is very natural and articulate, requires very little (if any) EQ, and because of the tight hypercardioid polar pattern, no gating is needed.

D4 - Floor Tom
The D4, which provides an additional octave of low end response beyond the D2, is the perfect companion for large toms and other instruments characterized with extended bass frequencies. In fact, the D4 responds down to below 40 Hz, a remarkable feat for a microphone of the this size. The D4 is characterized with flat linear response and can be considered the most versatile of the D-Series microphones.

ADX51 (two) - Overheads
The ADX51 is a pre-polarized condenser microphone designed to handle nuances of recording as well as the rigors of live sound. Characterized with extended highs, excellent imaging, and high SPL capabilities, the ADX51 can be used for cymbals, high-hat, and acoustic instruments. The ADX51 also features a -10dB pad and bass roll-off filter, making it extremely useful for a wide variety of applications.

Tuesday, April 29, 2014

ZOOM G1Xon Guitar Multi Effect

Price List Rp.1.160.000
ZOOM G1Xon Guitar Multi Effect
Amazing effects, amazing features,amazing sound
The G1on offers 100 guitar effects, including a variety of distortion, compression, modulation, delay, reverb and amp models. The G1Xon offers an additional 5 pedal-controlled effects.

Up to 5 effects can be used simultaneously, chained together any way you like. In addition, there are 68 built-in rhythm accompaniment patterns, and you can connect headphones to the output jack (as well as portable music players to the auxiliary input jack) for silent practice sessions. There's an onboard chromatic tuner that supports all standard guitar tunings, including open and drop tunings, and a Looper feature that enables you to record up to 30 seconds of CD-quality audio. Loop length can be set either manually or to a preset number of quarter notes (up to 64 beats), and you can loop to any rhythm pattern, with automatic quantization that ensures seamless start and end times. Programming is simple and straightforward, thanks to a streamlined user interface and the large backlit LCD screen.

Advanced features such as Copy and Swap make it easy to organize your patches for live performance. An Auto Save function ensures that your edits are stored automatically, and a Pre Select feature allows you to scroll through patches silently while keeping the current patch operational. The G1Xon even provides a built-in expression pedal that enables you to control input level, output level, or any selected effect parameter.

Dozens of different ways to make you a guitar hero
Both the G1on and the G1Xon allow you to choose from 100 different onboard DSP effects. (The G1Xon offers 5 additional pedal-controlled effects.) For ease of use, these are organized into the following categories:

Dynamics / Filter
Sixteen different ways to shape and control your sound with compressors, noise gates, filters, equalizers and wah effects. Emulate the classic tone of the MXR Dynacomp, dbx 160, Moog Filter or Z. Vex Seek-Wah, or create all-new effects using the automatic Slow Attack, parametric equalizer or six-band graphic EQ. Or choose Zoom's unique Noise Reduction (ZNR) algorithm, designed to remove noise during pauses while still maintaining your guitar's natural tone.

Overdrive / Distortion
Eighteen of the best boosters, overdrives, fuzzes and lead guitar sounds you've ever heard, including simulations of the BOSS OD-1, MXR Distortion+, Marshall Guv'nor, Fuzz Face, Big Muff and Pro Co Rat. Our ExtremeDS effect offers the most powerful gain of any distortion effect in the world, and there's also a simulator that allows your electric guitar to sound like an acoustic.

Amp
Twenty-two of the most realistic models ever created, including simulations of classic tube and solid-state amps from manufacturers like Fender, Marshall, Vox, Hiwatt, Mesa Boogie, Orange, Bogner, Matchless and Diezel. Our amp sounds are so lifelike, you'll swear on a stack of speaker cabinets you're listening to the real thing.

Modulation / Special effects
Round out your sound with your choice of twenty-four phasers and flangers, plus chorus, pitch shift, tremolo and vibrato. Included are emulations of the ADA Flanger, Boss CH-1 Super Chorus and TC Electronic Corona Chorus, as well as the Zoom HPS, an intelligent harmonizer that plays along in key, and a ring modulator that adds bell-like tones to your guitar. And when you're ready to go after some truly off-the-wall sounds, try out the endlessly rhythmic Slicer.


Delay / Reverb
Twenty delays and natural-sounding reverbs, including rooms, halls, plates, springs, and tape delay simulators, all designed to add depth and spaciousness to your sound, with delay times of up to 4 seconds. You'll even find reverse delays, modulated reverbs and particle reverbs here—everything you need to place your guitar in a realistic space … or a totally unearthly one.
Click here for a full list of all the G1on/G1Xon effects, along with a list of their editable parameters.
NOTE: Manufacturer names and product names are trademarks or registered trademarks of their respective owners. The names are used only to illustrate sonic characteristics and do not indicate any affiliation with the Zoom Corporation or Zoom North America.
The G1on/G1Xon offers a wealth of features that make it easy to dial in the exact sound you want. 

Effects Chaining  Complex multi-effects made easy.
Question: When is a guitar effects pedal not just an effects pedal? Answer: When it's a multi-effects pedal.
The G1on/G1Xon not only allows you to select and edit any of its onboard effects, it enables you to use up to 5 of them simultaneously, chained together in any order you like. This kind of power and flexibility means that you can create rich, complex effects within the unit itself instead of having to use multiple pedals.



Stompbox chains typically start with dynamics effects such as compression, before routing the signal to wah, EQ, distortion and/or overdrive effects. Modulation and spatial effects such as chorus, delay and reverb are usually placed at the end of the chain.



However, there are no hard and fast rules on how to chain effects. Exciting new sounds can easily be discovered with a little experimentation and some imaginative effect chaining. The G1on/G1Xon gives you the ability to get creative with your effects chaining.

You can also easily edit chains you’ve previously created. Simple changes in the order of effects can alter sounds dramatically. For example, an EQ set before an amp model can result in a radically different sound than having the EQ set after the amp model. That's because putting the EQ before the amp model serves to not only alter the tonal characteristic of the sound but to act as a signal booster as well. All this can be done internally with the G1on/G1Xon—much easier than physically changing the order of stompboxes.
Tuner Stayin' in tune.
Guitarists know the importance of playing in tune. But it's not just about getting your instrument in tune; it's about keeping it in tune all night. That's no problem if you're using a G1on/G1Xon, because its built-in Tuner makes the task totally stress-free, even under the pressure of a live gig and the heat of stage lighting.

The G1on/G1Xon Tuner is instantly accessible at all times: All you have to do is step on the two foot pedals simultaneously and the backlit LCD screen immediately shows you whether the note you're playing is sharp, flat, or dead on. You can opt to either bypass the currently selected effect (thus giving you a clean, unaffected sound) when tuning, or to mute the signal altogether, allowing you to tune in silence.

The G1on/G1Xon Tuner is incredibly flexible, too: It can be set to a reference of A=440, or any value between 435 and 445, and can be used chromatically or in a variety of standard guitar tunings—even drop tunings of up to 3 semitones.

Rhythms The perfect accompaniment.
Rhythm training is an important part of every guitarist's craft. The G1on/G1Xon Rhythm function makes it easy and fun to do. 68 realistic-sounding rhythms are at your fingertips: PCM samples of actual drums playing real-life patterns in a variety of different genres—everything from rock to jazz, from Emo to Motown. Dozens of quarter-note, eighth-note and sixteenth-note rhythms are provided, in 4/4, 6/8 (shuffle) and 3/4 (waltz time); for the adventurous, there's even a 5/4 groove!
The Rhythm function can also be used in conjunction with the Looper function (see below), allowing you to craft complex guitar orchestrations overlaying the pattern of your choice.

Looper  Build a complete performance.
Got a great lick that you'd like to expand on, or a distinctive chord progression that you think could serve as the foundation for an exciting improvisation or an inspired solo? Explore your creativity to its fullest with the G1on/G1Xon Looper function, which allows you to layer up to 30 seconds of performance (through the effect or effects of your choice) in high quality audio (16-bit 44.1kHz). Recording time can either be set manually or to a preset number of quarter notes, up to 64 beats, and starting and stopping the Looper (as well as readying it for an overdub or clearing its memory altogether) is as easy as pressing a pedal—no hands required.
The G1on/G1Xon Looper can also be used in conjunction with the Rhythm function, allowing you to play along with the pattern of your choice.

Auto Save  Edits saved. All the time.
Finally got that perfect effect crafted, but afraid you'll lose it? It'll never happen when you use the G1on/G1Xon's handy Auto Save function. When switched on, whatever you change will automatically be saved.

Alternatively, if you'd prefer the insurance of a safety net (so that you never accidentally overwrite a patch), simply leave Auto Save off. The G1on/G1Xon will then politely ask you if you want to save your edits whenever you move on to a different patch. Settings can be saved to the currently selected memory area, or to any other area, allowing you to place it where it's most convenient.

The G1on/G1Xon makes naming patches a breeze, too—simply use the parameter knob to dial in the characters you want. Patch names can be up to ten characters long, and each patch can be assigned its own level as well, allowing you to ensure consistent volume even when going from a gentle acoustic sound to heavy metal overdrive.


Pre Select Choose the effect you want before the audience hears it.
Normally, you'll want to store your custom G1on/G1Xon patches adjacent to one another so that stepping on the right-hand pedal will scroll through them in the order needed—something that's easily accomplished using the handy Copy and Swap functions. In that circumstance, you'll also want the sound to change immediately, and this is the way the G1on/G1Xon normally operates.



However, if you haven't stored your patches in adjacent memory locations, or if you simply get the urge to experiment and change things up in the middle of a performance, just turn on the G1on/G1Xon Pre Select function. This allows you to scroll through patches silently, with the current sound remaining unchanged as you do so. When you find the patch you want to use next, step on both pedals simultaneously and it will be automatically selected, with the sound changing instantly.

Power functions More power to you.
When it comes to powering your G1on/G1Xon, you've got lots of options. It runs on just 4 AA batteries—either alkaline or rechargeable NiMH—or you can use the optional Zoom AD-16 AC adapter to power it from any standard wall socket.

When running on batteries, the G1on/G1Xon powers up automatically when a jack is inserted into its input connector, and a unique "eco" function can be used to automatically power the unit off if unused for 10 hours.

Battery life (when using alkaline batteries) is more than 20 hours, even during continuous use, and a handy "battery remaining" display shows you how much power is remaining. To extend battery life further still, you can opt to have the backlit LCD display turn off automatically after 15 or 30 seconds after the pedal was last used. 


The G1Xon expression pedal Express yourself.
The G1Xon adds an expression pedal to the two main pedals, allowing you to alter any selected parameter in real time. You can use it for gain drive or volume (affecting either input or output level), to add wah or filtering, to affect delay time or modulation speed, or a variety of other parameters. In addition, the pedal range can be independently adjusted for every patch—you can even set the minimum value higher than the maximum value for reverse pedaling effects.

There's also a simple calibration procedure which enables you to customize pedal sensitivity. Whether you're a feather-light player or a real lead-foot, the G1Xon can adapt to your particular pedaling style.
G1on/G1xon Features at a glance
  • 100 effects, including distortion, compression, modulation, delay and reverb (G1Xon adds 5 pedal-controlled effects)
  • Up to 5 effects can be used simultaneously, chained together in any order
  • 100 memory locations (10 banks of 10) for the storage of user-created patches 
  • Copy and Swap functions make patch organization a breeze
  • Auto Save function for automatic saving of all patch parameters
  • Pre Select function allows you to scroll through patches silently while keeping the current patch operational
  • Onboard chromatic tuner supports all standard guitar tunings, including open and drop tunings
  • Looper feature for the recording of up to 30 seconds / 64 beats of CD-quality audio with seamless start and end times
  • 68 built-in rhythm patterns which can be used in conjunction with the Looper
  • Input jack accepts standard mono guitar cable (both active and passive instruments supported) 
  • Auxiliary input jack for connection of personal music players
  • Output jack for connection to amp or headphones
  • Backlit LCD with contrast control for easy viewing in low-light environments
  • Lightweight and small enough to fit in your gig bag
  • Easily integrated into any existing pedal board
  • Runs on 4 AA batteries, with alkaline battery life of 20 hours
  • USB port for firmware updates
  • Optional AC adapter 
  • G1Xon model adds a built-in expression pedal for control over input level, output level, or any selected effect parameter

YAMAHA MG10XU Mixing Console

Price List Rp.2.480.000
YAMAHA MG10XU Mixing Console
For more than a century, Yamaha has been building a legacy of superior craftsmanship and innovation exemplified in all of our products, from an unrivalled catalog of world-class musical instruments to touring-grade professional audio. Now in its third incarnation, the MG Series embodies this pursuit of design excellence, and incorporates some of the same technologies developed for use in high-end professional consoles, including studio-quality preamps, powerful digital processing, and a rugged, reliable construction.
Overview

  • 10-Channel Mixing Console
  • Max. 4 Mic / 10 Line Inputs (4 mono + 3 stereo)
  • 1 Stereo Bus
  • 1 AUX (incl. FX)
  • “D-PRE” mic preamps with an inverted Darlington circuit
  • 1-Knob compressors
  • High-grade effects: SPX with 24 programs
  • 24-bit / 192kHz 2in / 2out USB Audio functions
  • Works with the iPad (2 or later) through the Apple iPad Camera Connection Kit / Lightning to USB Camera Adapter
  • Includes Cubase AI DAW software download version
  • PAD switch on mono inputs
  • +48V phantom power
  • XLR balanced outputs
  • Metal chassis
  • Dimensions(W×H×D): 244 mm x 71 mm x 294 mm (9.6"x 2.8"x 11.6")
  • Net Weight: 2.1 kg (4.63 lbs.)

With an intuitive, easy-to-use interface, the MG Series boasts an extensive lineup of compact mixing consoles with models ranging from six to twenty channels, suitable for a diverse range of users and applications. For installed, recording, or live music settings, the solid construction and flexible design of these consoles lets you shape your sound with confidence, continually delivering peak performance and a level of sound quality and reliability unrivalled in its class.

Yamaha has always strived to provide sound engineers with the purest possible signal instead of added processing or color to give it a "signature" sound, and the MG Series is no exception. Embracing this philosophy of transparent sound, these mixing consoles deliver a level of sonic purity and sound quality that is unmatched in their class.

Features:
D-PRE (Discrete Class-A Mic Preamps)
This is where it all starts. Everything you do as a sound engineer is dependent on the quality of your preamps, which determines the direction your mix will take, and ultimately how good it is going to sound. MG Series mixing consoles feature Yamaha's studio-grade discrete class-A D-PRE preamps, which utilize an inverted Darlington circuit comprising two cascading transistors in a configuration that provides more power with lower impedance. Delivering fat, natural sounding bass and smooth, soaring highs, with very low distortion, D-PRE preamps possess an impressively wide frequency range that allow them to handle signal from any audio source without overly amplifying any specific elements of the sound. Having such a pure sonic platform to build on will ultimately save you time and effort by eliminating the need for excessive EQing or additional effects processing in order to "fix" your mix.

High Quality Sound Op-amp
The head amp determines sound quality, and op-amp integrated circuits are one of the most important parts in the head amp circuit. MG Series mixers feature new, high-quality, custommade MG01 op-amps that we developed in cooperation with the semiconductor manufacturer. Although many other Op-amps prioritize electrical design and efficiency, we worked directly with the semiconductor manufacturer to focus on sound quality first. MG01 op-amps feature redesigned circuitry in which even the internal components and wiring have been optimized, and use materials such as high-quality silicon wafers and copper wire to achieve superb resolution.




Switchable Phantom Power & PAD Switch
With phantom power, MG Series consoles allow you to take full advantage of the greater frequency response and high sound quality of condenser microphones. The input channel with PAD switch accepts MIC to line level of inputs, PAD Switch attenuates high input signals that often accompany mic'ed instruments during performance, avoiding the clippingthat can seriously affect your mix.

When was the last time you heard guitar without EQ or a completely unprocessed vocal on one of your favorite songs? Probably never. Yamaha mixers are famous for their flat response and sonic purity, but it often takes more than a perfectly-captured instrumental performance or vocal to achieve a professional-sounding mix. Equipped with some of the same state-of-the-art functionality featured on Yamaha’s high-end consoles, the MG Series gives you the tools you need to produce high quality sound that is uniquely your own.

1-knob Compressors
Compression plays an essential role in just about any recording or sound reinforcement environment by altering the level of dynamics of an audio signal when you need livelier guitars, punchier bass lines, a tighter snare, or a cleaner vocal sound. However, it can take countless hours to master the complexities of even the most basic outboard compression units and use them effectively. Originally a Yamaha innovation, 1-knob compressors are now an industry standard that gives you instant access to optimized compression settings via a single rotary control.

EQ and High-pass Filters
There's nothing more useful than reliable equalization when you need nuanced management of your tone. The MG Series benefits from Yamaha's unparalleled experience in designing pro audio gear, featuring 3-band equalizers on all mono channels for precise control of your sound. High-pass filter allows you to eliminate unwanted low-frequency noise, for a smoother, cleaner mix.

AUX / Effect Sends / Group
MG Series mixers feature up to AUX sends for expanding your sound reinforcement or recording setup, allowing you to incorporate additional effects, output to external recording devices, or feed to an monitoring system. Master send controls are also provided. The MG06 / 06X and MG10 / 10XU have a single stereo bus. All other models additionally feature one or two stereo group buses and outputs that can be used for convenient channel grouping. Assign switches for the stereo and group buses are located next to each channel fader.

A variety of input / output connectors
All models feature high-quality Neutrik™ balanced XLR connectors on mono microphone/line channels and XLR equipped stereo channels. Each of the mono inputs is equipped with combo jack and accepts both MIC and LINE level signals. Two of the stereo inputs are equipped with XLR and two phone connectors with XLR accepting MIC level signals while two phone connectors accepting LINE level signals and can be used either mono or stereo. (except for 10ch model) The function of another two stereo channel vary depending on model:

With 20ch model, XLR accepts MIC level signal and two RCA connectors accepts LINE level signals and can be used either mono or stereo. With 16ch and 12ch models, two phone connectors accept LINE level signals as stereo. Additionally, each of the stereo channel features 2TR in (RCA connectors) and can be used as independent input from external audio sources such as CDs. 10ch is equipped with additional stereo channel with a pair of phone jack that accepts LINE levels. With XU models, any incoming source that are sent via USB can be assigned to one of the stereo channel. In addition to the main stereo outputs (XLR L/R, TRS phone L/R), MG Series mixing consoles are equipped with a comprehensive suite of output connectors, including GROUP OUT (TRS phone), AUX/FX OUT (TRS phone), MONITOR OUT (TRS phone L/R), and HEADPHONE OUT (stereo phone) connectors, allowing master outputs to be chosen to suit specific applications such as monitoring or mastering.

LED level metering
Easy-to-read LED level metering allows output levels to be monitored with precision.

Built-in SPX Digital Effects
For musical and non-musical applications alike, effects processing adds polish and professionalism to the mix. The MG X / XU models features Yamaha's acclaimed SPX digital multi-effect processor, offering a comprehensive suite of 24 editable digital effects perfect for enhancing your mix, whether adding depth to a speaking engagement or breathing new color and atmosphere into a live band performance. In particular, the high-quality reverb and delay expand the spatial quality of the sound with remarkable realism and naturalness. You can even connect an optional FC5 foot switch for effect on / off control. (MG10XU / 12XU / 16XU / 20XU)

For gigging, recording, and installed applications alike, your console can be subjected to a wide range of environmental conditions and hazards. Excessive humidity, unstable power supplies, and the rigors of road travel in general can take a serious toll on a mixing console, often causing expensive, time-consuming repairs, and reducing its lifespan. The MG Series has been redesigned with an emphasis on durability, incorporating practical features that offer greater flexibility while ensuring peak performance for many years to come.

Metal Chassis
Built to last, MG Series mixers feature a rugged, impact-resistant, powder-coated metal chassis, offering an unrivalled level of durability. With a sleek design contoured for optimal convection cooling, the internal layout separates the power supply from the analog circuitry for superior noise reduction, and further extends the life of the components inside. To further ensure reliable performance, knob control placement above the surface of the chassis diverts any impact or pressure on the knobs to the chassis itself and not the circuit board or components underneath.

Internal Universal Power Supply
Thanks to a highly-efficient internal universal power supply, MG Series consoles offer worry-free operation in any region around the globe—even in environments prone to potentially damaging power fluctuations. An internal power supply also simplifies rack mounting of the console for installed applications, eliminating the need for a bulky adapter or additional connections.
(* MG12 / 16 / 20 / 12XU / 16XU / 20XU)

Rack Mount Kit Included
Easily adaptable to a diverse range of installed and portable applications, the 16- and 20- channel models of the MG Series included rack ears, giving you the option of a rack-mounted or desk-top configuration. Extremely durable, their sleek design makes safe, stable placement of your console hassle-free, keeping setup time and effort to a minimum.
*Optional Rackmount kit "RK-MG12" available for MG12/MG12XU.

XLR connector
The main stereo outputs feature XLR type connectors that lock to prevent accidental disconnection. Rugged and dependable, these professional connectors ensure providing stable signal transmission even in the most demanding environments.

The MG Series features the same digital connectivity that is used to streamline the recording process on Yamaha’s professional-level mixing consoles. Take advantage of state-of-the-art digital technology that makes it easier than ever to plug-in, play, record, and then listen to your creations.

24-bit /192kHz 2-in/2-out USB Audio Interface Function
MG Series mixing consoles feature flexible digital connectivity for quick and easy highresolution playback of digital content. Simply connect to your PC via USB, or to your iPhone / iPad (2 or later) using Apple's Camera Connection Kit / Lightning to USB Camera Adapter. The USB protocol uses asynchronous data transfer. Audio data is transferred based on highly precise audio clock signal from the MG, for high quality recording and playback.

Cubase AI
MG XU models are bundled with Downloadable Steinberg’s Cubase AI software. As one of the most advanced, comprehensive DAW suites available, Steinberg's Cubase has led the charge, providing users with a powerful and flexible platform for music production. Cubase AI offers these same core technologies and interface that have won Cubase worldwide acclaim.
(* MG10XU MG12XU MG16XU MG20XU)
Specification:
Outline
Mixing capability
On-board processors
SPX algorithm: 24 programs
I/O
Phantom power
+48 V
Digital I/O
USB Audio Class 2.0 compliant, Sampling Frequency: Max 192 kHz, Bit Depth: 24-bit
Input Channels
Mono[MIC/LINE]
4
Stereo[LINE]
3
Output Channels
STEREO OUT
2
MONITOR OUT
1
PHONES
1
AUX SEND
1
Bus
Stereo: 1, AUX[FX]: 1
Input Channel Function
PAD
26 dB (Mono)
HPF
80 Hz, 12 dB/oct (Mono)
COMP
1-knob compressor Threshold: +22 dBu to -8 dBu, Ratio: 1:1 to 4:1, Output level: 0 dB to 7 dB, Attack time: approx. 25 msec, Release time: approx. 300 msec
EQ HIGH
Gain: +15 dB/-15 dB, Frequency: 10 kHz shelving
EQ MID
Gain: +15 dB/-15 dB, Frequency: 2.5kHz peaking
EQ LOW
Gain: +15 dB/-15 dB, Frequency: 100 Hz shelving
PEAK LED
LED turns on when post EQ signal reaches 3 dB below clipping
Level Meter
2 x 7 -segment LED meter [PEAK, +10, +6, 0, -6, -10, -20 dB]
General specifications
Total harmonic distortion
0.02 % @ +14dBu (20 Hz to 20kHz), GAIN knob: Min, 0.003 % @ +24dBu (1kHz), GAIN knob: Min
Frequency response
+0.5 dB/-1.0 dB (20 Hz to 48 kHz) , refer to the nominal output level @ 1 kHz, GAIN knob: Min
Hum & noise level
Equivalent input noise
-128 dBu (Mono Input Channel, Rs: 150Ω, GAIN knob: Max)
Residual output noise
-102 dBu (STEREO OUT, STEREO LEVEL knob: Min)
Crosstalk
-83 dB
Power requirements
PA-10 (AC 38 VCT, 0.62A, Cable length = 3.6 m) or equivalent recommended by Yamaha
Power consumption
22.9 W
Dimensions
W
244 mm (9.6")
H
71 mm (2.8")
D
294 mm (11.6")
Net weight
2.1 kg (4.63 lbs.)
Accessories
Included Accessory: AC Adaptor, Owner’s Manual, Cubase AI Download Information, Technical Specifications, Optional Accessory: Mic Stand Adaptor BMS-10A, Foot Switch FC5
Others
Operating Temperature: 0 to +40˚C
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