Damage Control Solid Metal

Price List Rp.3.150.000
Damage Control Solid Metal
Description 
Pure Class A Distortion

• Massive dual 12AX7 tube saturation.
• Unruly amounts of class A gain.
• Active EQ with treble, bass and mid scoop controls.
• Unique bass control adjusts your speaker’s resonant peak response for chest pounding lows. “Palm mutes from hell.”
• High order multi-stage treble control for detailed high end response.
• Scoop control allows you to easily shape your mid EQ from classic to progressive/modern.
• 20dB of additional footswitchable gain via “nuclear” footswitch.
• Remote switchable via standard TRS cable and remote switching controller.

Superior Analog Performance

• True Bypass. No compromise relay true bypass for zero loss bypass signal performance. NO tonal degradation.
• Premium low noise signal path.
• Dual 12AX7s run at their full 250V plate voltage. No starving plates here

Damage Control Demonizer

Price List Rp.4.500.000
Damage Control Demonizer
Description 
Direct Recording Monster

• 3 devices in one: tube preamp, direct recording preamp, and tube distortion pedal.
• Massive dual 12AX7 gain section with tons of class A gain.
• Studio quality opto-compressor based on a classic circuit. Dial in your dynamics simply and easily.
• Active pre and post EQ sections.
• Pre EQ boost with variable frequency control.
• Post EQ features mid scoop control and active treble control.
• Advanced all-analog speaker compensation circuit results in the best direct recording tones available with any technology. Developed with extensive analysis of a closed back 4×12.
• “Magic Eye” display technology responds to playing dynamics.
• Rugged, road ready metal knobs and switches.
• 20dB of additional footswitchable gain via “nuclear” footswitch.

Superior Analog Performance

• True Bypass. No compromise relay true bypass for zero loss bypass signal performance. NO tonal degradation.
• Premium low noise signal path.
• Direct output featuring 14th order advanced analog speaker emulation.
• Dual 12AX7s run at their full 250V plate voltage. No starving plates here

Damage Control Liquid Blues

Price List Rp.3.150.000
Damage Control Liquid Blues
Description 
Class A Crunch

• Gorgeous and subtle dual 12AX7 tube crunch.
• Dynamic and flexible class A gain structure. From subtle blues to heavy crunch with a twist of the drive knob.
• Studio quality opto-compressor based on a classic circuit. Dial in your dynamics simply and easily.
• High order multi-stage treble control for detailed high end response.
• Clarity control sends a parallel clean signal through your liquid blues allowing a unique mix of clean and dirty. A secret technique of the pros for years.
• 10dB of additional footswitchable gain via “nuclear” footswitch.
• Remote switchable via standard TRS cable and remote switching controller.

Superior Analog Performance

• True Bypass. No compromise relay true bypass for zero loss bypass signal performance. NO tonal degradation.
• Premium low noise signal path.
• Dual 12AX7s run at their full 250V plate voltage. No starving plates here.
  

Ampeg SVT 450 H Head

Price List Rp.8.370.000
Ampeg SVT450H Bass Head
In the world of high performance bass amps, the Ampeg SVT-450H gives you more power, performance and flexibility than any other bass amp in its class. And if we didn’t tell you, you’d swear the SVT-450H was a tube amplifier. Producing warm, tube-like performance at stunning volume levels (it’s rated at 450-Watts RMS at 4 Ohms), the SVT-450H uses MOSFET technology and offers a full complement of professional features, such as: Optocoupler Limiters, which prevent unwanted power amp distortion, no matter how loudly you play; and an onboard 9-Band Graphic EQ that allows you to sculpt a tone that is second to none. In spite of all these amazing features, the SVT-450H is still our most affordable bass head.

Control panels：

1. 0dB (INPUT): The signal output from an instrument (active or passive) or a line level signal may be connected here by means of a shielded instrument cable.
2. PAD: This switch, when depressed, attenuates the input signal by 15dB. Attenuation allows the Gain control (#4) to be used in a more usable (higher) position. If clipping is indicated with the Gain control way down, attenuation is needed.
3. PEAK: This LED illuminates when the signal level into the preamp (excluding the Graphic EQ) approaches clipping. Adjust the Gain control (#4) until a strong signal from your instrument causes this LED to flicker. NOTE: If the LED illuminates frequently with the Gain at a low setting, use the Pad (#2) to attenuate the signal and readjust the Gain.
4. GAIN: Use this control to adjust the level of the signal entering the preamp stage. Adjust this control until the Peak LED (#3) flashes on strong signal peaks (but is not illuminated constantly while playing). To obtain the best signal to noise ratio, set the Gain control as described above and adjust the Master control (#8) to obtain the desired volume level.
5. BASS: Use this control to adjust the low frequency level of the amplifier. This control provides 15dB of cut or 13dB of boost at 40Hz. The low frequency output is flat at the center position.
6. ULTRA MID: Use this control to adjust the midrange frequency level of the amplifier. This control provides 13dB of cut or 5dB of boost at 400Hz. The midrange frequency output is flat at the center position. Rotate the control counter clockwise for a “contoured”sound (more distant, less midrange output) or clockwise for a sound which really cuts through.
7. TREBLE: Use this control to adjust the high frequency level of the amplifier. This control provides 21dB of cut or 16dB of boost at 8kHz. The high frequency output is flat at the center position.
8. MASTER: Use this control to adjust the overall output level of the amplifier. For the lowest possible noise level, adjust the Gain control as described in #4 and use this control to obtain the desired volume level. The Effects Loop and Balanced Out (#20 - 24) are not affected by the Master control.
9.  LIMIT: The SVT450H uses an internal Optocoupler Limiter to assist in keeping the amplifier’s output “clean” at extreme volume levels. (All amplifiers may begin to clip their output signals as they approach maximum output levels, resulting in potentially damaging distortion.) To engage the Limiter, depress this switch. The adjacent LED illuminates when the limiter circuit is activated, indicating that the amplifier is nearing full output and the limiter is keeping peak signals from clipping the output.
10. EQ ON: This switch, when depressed, activates the Graphic EQ. The adjacent LED illuminates when the EQ is active.
11. GRAPHIC EQUALIZER: Use these sliders to control the amplitude of the frequencies indicated below each control. The center position of each control is flat: sliding the control upward increases the output level of that frequency; sliding the control downward decreases it.
12. ON: This LED illuminates when the amplifier is on.
13. POWER: Use this switch to turn the amplifier on (top of the switch depressed) and off (bottom of the switch depressed).
    
    
14. (FAN): The temperature controlled, variable speed fan draws cool air into the amplifier and forces heat out through the exhaust vents (also on the rear panel, between the speaker jacks and the power amp in jack). Do not obstruct the fan or vent hole openings.
15. (FUSE): The fuse helps protect the unit from damage due to overload conditions. If the fuse fails, replace it only with the same size and type. If the fuse fails repeatedly, check the line voltage or contact an Ampeg Service Center.
16. AC LINE IN: Firmly insert the supplied AC power cord into this socket until it is fully seated. This grounded power cord is to be plugged into a grounded power outlet, wired to current electric codes and compatible with voltage, power, and frequency requirements stated on the rear panel. Do no attempt to defeat the safety ground connection.
17. SPEAKERS: The 1/4” jacks offer a convenient method of connecting to speaker cabinets using cables terminated with 1/4” plugs. However, when using the amplifier at or near its full output power, using the Speakon® jack is recommended. (Pin 1+ = hot, pin 1- = return.)
    NOTE: When connecting multiple speaker cabinets to the amplifier, keep the overall impedance at or above 4 ohms. The following chart shows the total impedance load when connecting speaker cabinets in parallel:
    
18. POWER AMP IN: This mono jack allows you to feed the preamp output of another amplifier to the input of the SVT450H’s internal power amp. This bypasses the preamp circuitry of the SVT450H.
19. PREAMP OUT: A post-EQ signal from this jack may be sent to the house mixing board, recording console, or an external amplifier.
20. EFFECTS RETURN: Use this jack to connect the output signal from an external effect to the amplifier by means of a shielded signal cable.
21. EFFECTS SEND: Use this jack to send a signal to the input of an external effect by means of a shielded signal cable.
22. -20dB/0dB: This switch, when depressed, attenuates the signal at the Bal. Out jack (#24) by 20dB.
23. POST/PRE: This switch, when depressed, sends a post-EQ signal to the Bal. Out jack (#24). When this switch in the out position, the signal at the Bal. Out jack (#24) is pre-EQ.
24. BAL. OUT: This XLR connector provides a balanced preamp output signal for connecting to the house mixing board, a recording console, or an external amplifier with balanced inputs. The signal at this jack can be set to be pre or post EQ by means of the Post/Pre switch (#23). The level of the signal can be adjusted for mic or line type inputs by means of the -20dB/0dB switch (#22).

Specification:

VOX Valvetronic AD 100VT

Price List Rp.7.660.000
VOX Valvetronic AD 100VT
The Vox Valvetronix VT100 is a 100W combo amp that gives you 22 amp models ranging from the latest high-gain types to hard-to-find boutique and vintage amplifiers. The Vox VT100 also boasts a full complement of effects, allowing it to cover the needs of a wide variety of styles and performance techniques. The Valvetronix amp also includes 66 preset programs, including 22 song programs that simulate the guitar sounds of famous guitarists. Now even beginners can start enjoying serious guitar sound right away.

The VOX Valve Reactor circuit is the key factor that separates the Valvetronix amplifiers from other modeling amps. The 100% analog original power amp circuit actually has the same power amp circuit as a full-tube amp, using a 12AX7 miniature triode to reproduce a distinctive tube amp sound unattainable by digital technology. In other words, it replicates aspects that have an important influence on the sound of a tube amp, such as the power amp's class A/AB operation and the interaction of the power stage with the speaker. You get not only the response of the original amp's power amp circuitry, but also the power amp's distortion as well as the nuances and subjective sound pressure of a full-tube amp.

Vox Valvetronix VT100 100W 2x12 Guitar Combo Amp Features:

• 100W combo amp
• Vox Valve Reactor circuit uses a 12AX7 to produce real tube power amp sound
• 22 realistic amp models are built in, ranging from the latest high-gain types to unobtainable legendary boutique amps and vintage amps
• 12 high-quality effects including independent reverb, rivaling the quality of dedicated units
• 3 banks (basic, effected, and song) are provided for each amp model, giving you a total of 66 preset programs
• 22 programs of "song presets" simulate the sounds of famous guitarists
• You can save 8 of your own edited programs
• Power level control allows you to adjust the output wattage of the power amp, so you can obtain that distinctive power amp distortion even at low output levels
• Headphone output lets you practice at home, day or night

Vox Valvetronix VT100 100W 2x12 Guitar Combo Amp Specifications:

• Amp Models: Boutique CL, Deluxe Tweed, Super 4x10, AC15TB, AC30HH, Express Train, AC50CP2, UK 25TH, US '90s, UK Modern, Boutique Metal, Modded CL, Tweed 2x12, Tweed 4x10, AC15, AC30TB, Boutique OD, AC30BM, UK '80s, Cali Metal, UK '90s, Metal Bull
• 12 Effect Models: Delay, Tape Echo, Chorus, Comp, Octave, Flanger, Phaser, Rotary, Tremolo, Pitch, Reverb, Noise Reduction
• Number of amp types: 22
• Number of programs: 66 preset, 8 user
• Input/output jacks: 1 x Input, 1 x Foot SW jack, 1 x Phone jack,
• Power amp output: Maximum 100W RMS @8 ohms
• Speaker: w x VOX original (12", 8 ohm)
• Signal processing A/D conversion: 24-bit, D/A conversion: 24-bit, Sampling frequency: 44.1 kHz
• Power supply requirements: AC, local voltage
• Included items: power cable

Marshall JCM800 2203 Kerry King

Price List Rp.14.200.000

Marshall JCM800 2203 Kerry King
This amplifier based on Kerry King Favourite JCM800 head.Kerry call this amp " The Beast "
Specification:

• Head:2203
• Output:100 Watt
• 3 Band EQ
• Pre-Amp:3 X ECC83
• Power Amp:Valves:4 X KT88
• Dimension: 750 X 310 X 215
• Weight: 21.5Kg

Marshall JCM800 2203

Price List Rp.16.450.000

Marshall JCM800 2203 Reissue
The all-valve JCM800 2203 is one of the most highly respected 100W Marshall heads in the company's long history. Evolving from the legendary Plexi head, it was one of the first Marshall amps to feature a master volume control.The very essence of simplicity, the JCM800 2203 is a one-channel, all-valve amp with no reverb or built-in effects. Its foolproof interface, distinctive roar, and larger-than-life 'edge' immediately set the standard by which all other rock amps were judged and it remained the 'industry benchmark' throughout the entire 16 years of its production life.Now it's back by popular demand and just like the 1959SLP and 1987X Marshall has added a Series Effects Loop featuring a true bypass switch that takes the loop completely out of the circuit, thus ensuring the original tone isn't compromised in any shape or form.Features: 100 Watts 4 EL34s in the power stage 3 ECC83s in the preamp True bypass series FX loop 3-band EQ Presence control

Specification:

• Output (RMS): 100 watts
• Preamp Valves: 3 x ECC83
• Power Amp Valves: 4 x EL34
• 3 Band EQ: yes
• Presence: yes
• Footswitch: no
• Speaker: none
• Dimensions (mm): 750 x 310 x 220
• Weight (Kg): 18.8

Marshall JCM2000 TSL100 Stack

Price List Rp.24.270.000

Marshall JCM2000 TSL100 Stack
Who wouldn't love two great Marshall distortion and gain channels and one clean channel all packaged in one amp? Nobody! The TSL 100 is a 100 watt, 3 channel, all tube head that features reverb and a whole lot of Marshall sound!
Marshall JCM2000 TSL100 at a Glance:

• Three incredible sounds in one very lound package.
• Crunch: perfect for rhythm or bluesy solos.
• Lead: just what is sounds like, the Marshall way.
• Clean: a Fender-ish sort of standard sound.

Three Tones for Versatile Playing
By giving you three independent channels and many innovative features, the all-valve TSL range puts an unheard of degree of control, flexibility and, most importantly, TONE at your finger tips. From crystal clean to the mightiest Marshall roar, the TSL does it all! Marshall amps are all about TONE and FEEL and with the TSL100, you can have three variations at all times!
The Triple Super Lead is a versatile three channel amp. Think of it as three all-tube amps, each with different circuitry.

Crunch Channel
The crunch channel is similar to the second channel on a Marshall 6100LM 30th anniversary head (Joe Satriani, Alex Lifeson-Rush were 6100LM users.). This channel is perfect for rhythm or bluesy solos depending on where you set the Gain and Volume controls. Because it's not a hi-gain channel, when you roll back the volume on your guitar it cleans up and becomes very dynamic. It's capable of a Marshall-style clean with a little break up as player digs into the string or adjusts the volume knob on his guitar. Texas blues? Lower the gain on the crunch channel. Increase gain = more aggressive with a looser mid-range.

Lead Channel
The lead channel is voiced like the crunch channel (loose open midrange) but with a lot more gain for leads or heavy rhythm playing. High-gain settings still have great note definition and sustain. Many competing amps lose note clarity as gain increases. The sound becomes a buzzy mess and the notes in extended/altered chords are lost but Marshalls deliver high-gain with definition. It will still clean up with lower gain settings or by backing off the volume on the guitar (very, very dynamic and touch sensitive). With high gain settings, the dynamics and response will follow every note without blurring. With fast legato lines, the amazing sustain will bloom into controlled feedback hanging on as long as you want. Ideal for singing, sustaining lead tones.

Clean Channel
The Clean channel is Fenderish with no breakup (distortion) as the volume increases. Clean, clean, clean with no breakup, but, because it has a gain and volume control, you can add a little breakup for a bluesy type of tone. For a clean, no breakup tone, crank the volume, then slowly bring up the gain. For a bluesy tone set the gain for the right amount of grit and then bring up the volume. Great for Jazz, chicken pickin', country and funk.

Marshall JCM2000 TSL100 Features:

• EL34 power tubes
• 12AX7 preamp tubes
• Two parallel effects loops, each with its own Mix control. If only Loop A is used, it acts as a master loop. If only Loop B is used, it acts as a loop for Crunch/Lead. If both are used A is for Clean, while B is for Crunch/Lead.
• VPR (Virtual Power reduction) switch. Knocks the power amp down to react like a 25 watt power section but with all the tubes working, so you can get tone and dynamics at a much lower volume. Great for small clubs, home practice and recording.
• Output Mute switch. Mutes the output for silent tuning and guitar changes.
• XLR emulated output. Balanced outs with speaker emulation circuitry. This with the output mute is great for late night recording sessions!
• Mid Boost button on Clean channel for increased mid range which cuts through on blues riffs
• Two Tone shift buttons. One for Crunch and one for Lead. This scoops out the mids for a clear defined tone.
• Two Deep buttons for tigh

Marshall JCM2000 TSL100

Price List Rp.15.820.000

Marshall JCM2000 TSL100
Marshall TSL100 Triple Super Lead JCM2000 Series Guitar Amplifier Head (100 Watts)The brand new JCM2000 Triple Super Lead [TSL] series takes the critically acclaimed circuitry of the JCM2000 Dual Super Lead [DSL] range and then goes one step further.

By giving you 3 independent channels and many innovative features, the all-valve TSL range puts an unheard of degree of control, flexibility and, most importantly, TONE at your finger tips. From crystal clean to the mightiest Marshall roar, the TSL does it all.

The JCM2000 Dual Super Lead has been hailed by players and critics alike as "the best Marshall ever made."

Features:

• All valve powered. [4x Svetlana EL34 power valves]
• 3 independent channels for Clean, Crunch, and Lead 
• Mid Boost Switch for tonal options on the Clean channel plus Tone Shift on the Crunch and Lead channels 
• Unique Marshall Deep Switch on the Clean and Crunch/Lead channels adds extra low end resonance when selected 
• Separate Reverb for Clean and Crunch/Lead channels 
• Virtual Power Reduction [VPR] gives the extra saturation of a lower powered valve amp being driven hard 
• Power Amp Mute switch for silent recording 
• Separate FX Loops with front panel Mix controls and level selection for the Clean and Crunch/Lead channels 
• D.I. XLR Output with acclaimed Marshall Speaker Emulation 
• 5-way foot controller for switching channels, Reverb and FX Loop on/off

Marshall JCM2000 DSL100 Stack

Price List Rp.21.990.000
Marshall JCM2000 DSL100 Stack
The Marshall JCM2000 Dual Super Lead 100 Head provides all the extra gain you'll ever need. Features Classic Gain and Ultra Gain channels, both with 2 modes that can take you from warm, clean tube tones to the souped-up threshold of sonic danger. A Deep switch adds a resonant bass boost for a meatier bottom end and a Tone Shift scoops out the mid frequencies making it ideal for heavy metal tones. Reverb controls for each channel let you adjust the 'verb where you need it. Rear panel features include the usual speaker outputs, effects loop, and 2 footswitch jacks for changing channels and switching reverb in and out (footswitch not included). Delivers 100W of power and includes 4 ECC83 preamp tubes and 4 EL34 power amp tubes.

Marshall JCM2000 Dual Super Lead 100 Head Features:

• Classic Gain and Ultra Gain channels, each with two modes
• Deep switch adds a resonant bass boost
• Tone Shift scoops the mids
• Reverb controls for each channel
• Two footswitch jacks for changing channels and switching reverb in/out
• 100W of power
• Four ECC83 preamp tubes
• Four EL34 power amp tubes

Marshall JCM2000 DSL100

Price List Rp.13.540.000

Marshall JCM2000 DSL100
The Marshall JCM2000 Dual Super Lead 100 Head provides all the extra gain you'll ever need. Features Classic Gain and Ultra Gain channels, both with 2 modes that can take you from warm, clean tube tones to the souped-up threshold of sonic danger. A Deep switch adds a resonant bass boost for a meatier bottom end and a Tone Shift scoops out the mid frequencies making it ideal for heavy metal tones. Reverb controls for each channel let you adjust the 'verb where you need it. Rear panel features include the usual speaker outputs, effects loop, and 2 footswitch jacks for changing channels and switching reverb in and out (footswitch not included). Delivers 100W of power and includes 4 ECC83 preamp tubes and 4 EL34 power amp tubes.

Marshall JCM2000 Dual Super Lead 100 Head Features:

• Classic Gain and Ultra Gain channels, each with two modes
• Deep switch adds a resonant bass boost
• Tone Shift scoops the mids
• Reverb controls for each channel
• Two footswitch jacks for changing channels and switching reverb in/out
• 100W of power
• Four ECC83 preamp tubes
• Four EL34 power amp tubes

Marshall JVM410H Stack

Price List Rp.23.400.000

Marshall JVM410H Stack
The JVM Series 100 Watt, Valve-driven power stage is built on the classic design responsible for the legendary Marshall roar found in the JCM800, 2203 and plexi Super Lead amplifiers-a timeless foundation for countless classic rock and metal guitar tones for over four decades. Featuring a quartet of EL34 valves, this peerless design has been expertly crafted to compliment the extraorinary wealth of tones found in the JVM.

The only choice for serious musicians. Nothing compares to Marshall cabinets in terms of awesome tone and projection. Both visually and aurally, Marshall 4x12 cabs are indeed "the business."

JCM1960A Cabinet
Great sound and looks however are not everything. Many years of experience mean that Marshall's speaker cabinets are also built to stand the test of time. Their highly skilled craftsmen construct them from the finest quality materials with precision corner locked joints, tough cotton backed PVC covering, heavy-duty hardware, and the highest quality fittings.

The Marshall Stack
If one thing personifies the image of rock 'n' roll more than anything else it's the Marshall 4x12. Though often imitated, nothing compares with the original. The first 4x12 cab was designed and built by Jim Marshall in 1962. Since then they have made many thousands, which have appeared on stages both large and small all over the world.

After the initial success of the Marshall 4x12, it wasn't too long before they designed and built the first stack, where an angled cabinet sits on top of a straight fronted cab, with the amplifier placed on top. This came about after discussions with Pete Townshend of The Who. Pete and Jim Marshall sat down and discussed The Who's requirements for an 8x12 cab with an angled top. This was designed and built, but due to this awesome cab being somewhat cumbersome, only 6 were ever made.

As a result, Marshall came up with the more practical idea of stacking an angled cab on top of a straight fronted model. Thus the famous Marshall stack was born. What happened to the six 8x12 cabs do we hear you ask? Well, two went to Pete Townshend, two went to John Entwhistle and the remaining two went to the Small Faces. The Marshall stack, on the other hand, has stayed in production ever since and has gone on to become the most recognizable rock 'n' roll icon.

As Marshall invented the stack, Marshall 4x12's are the only true originals. Everything else is merely an imitation.

The 1960A is switchable from mono [4 or 16 Ohms] to stereo [8 Ohms per side], and is equipped with Celestion G12T-75 speakers.

The highest quality woodwork includes the "corner locking" of each and every joint. This helps give Marshall cabinets the incredible strength and durability, which has become as legendary as the Marshall sound itself.

Heavy-duty Grab Handles are fitted to all Marshall cabinets. Their tough, ergonomic recessed casing design gives easy access to the bar of the handle without affecting the cabinet's smooth lines.

No sharp metal edges or rough fittings - the smooth ABS plastic Marshall corner fits perfectly and offers excellent protection to all 8 cabinet corners.

Marshall JVM410H

Price List Rp.14.950.000

Marshall JVM410H
Marshall JVM410H 4-Channel Guitar Amplifier Head (100 Watts)The JVM410H's 100-watt, valve-driven power stage is built on the classic design responsible for the legendary Marshall roar found in the JCM800, 2203 and "plexi" Super Lead amplifiers -- a timeless foundation for countless classic rock and metal guitar tones for over 4 decades. Featuring a quartet of EL34 valves, this peerless design has been expertly crafted to compliment the extraorinary wealth of tones found in the Marshall JVM410H.
Specification:

• Output (RMS): 100 watts
• Channels: 4
• Modes per Channel: 3
• Independent Gain and Volume (per Ch): Yes
• Independent Tone Network (per Ch): Yes
• Independent Reverb Level (per Ch): Yes
• Dual Programming Master Volumes: Yes
• Silent Recording: Yes
• Emulated Line Out XLR: Yes
• Series FX Loop: Yes
• Programmable Parallel/Series FX Loop: Yes
• MIDI Presets: 128
• Pre-Amp Valves: 4XECC83
• Power Amp Valves: 1X ECC83, 4XEL34
• 6-way Programmable Footcontroller (Supplied) PEDL-00044
• Dimensions (mm): 750 x 310 x 215
• Weight (KG): 22
• Dimensions and Weight in Packaging
• Shipping Weight: 60 lbsShipping Dimensions: 33 x 15 x 14 in

Marshall JCM900 4100 Stack

Price List Rp.30.900.000

Marshall JCM900 4100 Stack
A favourite amongst rock fans has been re-issued for modern times. One of the first amps to give two completely separate channels it was clear with this that Marshall were on to a winner. Channel A has been voiced for a sparkling clean on lower gain settings building up to raunchy crunch when driven hard. Channel B takes off from where channel A finishes with acute use of gain and EQ controls allowing the player to achieve any form of lead tone from silky smooth to roaring saturation. As well as separate gain controls each channel has its own master volume and reverb. A series FX loop allows you to connect rack or pedal effects.

Marshall JCM900 4100

Price List Rp.14.280.000
Marshall JCM900 4100 Head
The Marshall JCM900 4100 Guitar Tube Amplifier Head is an all-valve 100 Watt Marshall Head, known for its great tone and reliability.

Marshall JCM900 4100 Guitar Tube Amplifier Head Overview:
The Marshall JCM 900 4100 Amplifier Head also features two channels, A and B. Channel A has been voiced for a sparkling clean on lower gain settings, building up to a raunchy crunch when driven hard. Channel B takes off from where Channel A finishes with acute use of the gain and EQ controls. This achieves a perfect sound for any lead tone from silky smooth to searing saturation.
Each Channel also has its own master section containing controls for Master Volume and Master Reverb.
A Series Effects Loop with level controls lets you connect and match either floor pedals or rack effects.
The Marshall JCM900 4100 Amplifier Head main features include:

• 100 Watt Output (RMS)
• 4 Band EQ
• 3 X ECC83 Pre-Amp Valves
• 4 X 5881 Power Amp Valves
• Series FX Loop
• Dimensions (mm): 750 x 310 x 220
• Weight: 18.8kg

Marshall ModeFour MF350 Stack

Price List Rp.21.900.000

Marshall ModeFour MF350 Stack

Guitar Amplifier Head (350 Watts)

Attitude, stunning good looks and an incredible 350 watts of brutal yet toneful power set the MODE FOUR apart from all other amps. Add to this an arsenal of great sounds, a slew of professional features plus groundbreaking, state-of-the-art hybrid technology and you have a Marshall like no other.

The first ever Marshall, the legendary JTM45, was born in 1962 as a result of the Guv'nor, Jim Marshall, listening to what guitar players wanted. Forty years later, the song remains the same and that's how the MODE FOUR came to be. Modern guitarists told us they wanted an amp capable of more gain, more low-end and more headroom than ever before . . . plus great cleans and, of course, the crunch tones that have made Marshall a legend! We listened and reacted - the result is the MODE FOUR.

Dual Amplifier with 4 Modes
A great many amplifiers have claimed to offer both classic and modern tones but, in truth, have fallen well short of the mark. The MODE FOUR boasts a true 'Two Amplifiers in One' design. Not only do AMP 1 and AMP 2 have totally separate valve pre-amplifier circuits, including an ECC83 valve each, but the MODE FOUR also completely reconfigures its power amplifier section depending on the AMP type selected.

The MODE FOUR's flexibility is further enhanced by each of the two AMP types having two footswitchable modes. AMP1 offers Clean and Crunch modes, while AMP2 has OD1 and OD2.

AMP 1
AMP 1 is effectively the 'Classic' side of the MODE FOUR. Whenever it is selected, the power amplifier configures to recreate the unmistakable sound and feel of our world renowned 100 Watt valve power stage. By using this as a sonic foundation, AMP1 produces the unmistakable Marshall power amp roar.

While AMP 1's Clean mode produces incredibly dynamic, three-dimensional clean and bluesy crunch sounds, its Crunch mode unleashes the un-bridled aggression and bite of the JCM800 Series, but with levels of gain never imagined in 1981, when this much-lauded series was first launched.

AMP 2
In terms of sheer gain, AMP 2 takes over from where AMP1 leaves off, with OD2 mode offering more Gain than any other Marshall before it, and thanks to the MODE FOUR's radical design, the player retains maximum control while searching for the ultimate high-gain signature sound.

The Power to Deliver
Whenever AMP 2 is selected, the MODE FOUR's power section reconfigures itself so it can create the deep, dark-sounding, loose low-end that has proved itself to be so popular with many modern players who either detune regular 6-strings, or use 7-string or detuned Baritone guitars.

Due to the unique design and the incredibly high headroom the MODE FOUR's 350-watt power stage possesses, AMP 2's impressively wide bottom-end not only has the sound and feel of an all-valve amp, it also doesn't lose definition at high stage volumes - a problem that many other similar sounding, all-valve systems suffer from.

Fully Loaded For Professional Use
From the very start, the MODE FOUR was created with the professional guitarist in mind. To this end it boasts a host of carefully thought out features that have been designed to give you, the player, the ultimate in professional flexibility and control. These include:

• Separate controls for Gain, volume, bass, middle and treble for each amp. 
• Individually voiced scoop switches for each AMP. 
• AMP 2 has a 3-way Tone Matrix control enabling you to dramatically reconfigure the all-important mids, while leaving the bass, middle and treble controls fully interactive with each other. 
• Footswitchable, built-in digital reverb with separate reverb controls for AMP 1 and AMP 2. 
• Parallel to Series FX Loop with individual FX level controls for AMP 1 and AMP 2. 
• Footswitchable solo level control that gives a level increase across all 4 modes of up to 6dB (i.e. twice the volume). 
• Master controls for resonance, presence and volume. 
• Tuner out jack with a front panel tuner mute switch for 'silent' tuning between songs. 
• XLR and 1/4 in. jack emulated line outputs. 
• Load protection circuitry. 
• 6-way LED footcontroller supplied.

Marshall AVT 20 XT

Price List Rp.3.270.000
Marshall AVT 20XT
As the name Advanced Valvestate Technology (AVT) suggests, TheMarhsall AVT20XT Guitar Tube Amplifier Combo benefits from Marhsall's research and utilises their latest circuit innovations.

The Marshall AVT20XT offers both beautifuly clean and heavy over driven sounds. The amps built in Digital Reverb adds depth and dimension, great for the clean channel! By emulating the feel and response of an all-valve amplifier even more closely, the AVT range perform brilliantly and represent yet another major step forward in guitar sound technology.

The Marshall AVT20XT Guitar Tube Amplifier Combo main features include:

• 20 Watts
• Hybrid technology
• Advanced Valvestate
• Reverb, Boost
• Speaker output
• CD-Input
• Vintage Style
• Dimensions: 480x465x270mm
• Weight: 14kg

Marshall AVT 50 HX

Price List Rp.4.690.000
Marshall AVT 50XT
As the name Advanced Valvestate Technology (AVT) suggests, TheMarhsall AVT50XT Guitar Tube Amplifier Combo benefits from Marhsall's research and utilises their latest circuit innovations.

The Marshall AVT50XT offers both beautifuly clean and heavy over driven sounds. The amps built in Accutronics Digital Reverb adds depth and dimension, great for the clean channel! By emulating the feel and response of an all-valve amplifier even more closely, the AVT range perform brilliantly and represent yet another major step forward in guitar sound technology.

The Marshall AVT50XT Guitar Tube Amplifier Combo main features include:

• 50 Watts Impedance: 4 ohms
• 1x12" Speaker
• 2 Channels
• Master volume
• CD Input
• Speaker emulated DI output
• Headphone jack (which mutes the speaker for silent practice)
• Series FX loop
• Accutronics reverb
• Closed back cabinet
• ECC83 (12AX7) pre-amp valves
• Dimensions: 515 x 554 x 259 (mm)
• Weight (Kg): 19

Marshall AVT 100 XT

Price List Rp.6.525.000
Marshall AVT 100XT
As the name Advanced Valvestate Technology (AVT) suggests, TheMarhsall AVT100XT Guitar Tube Amplifier Combo benefits from Marhsall's research and utilises their latest circuit innovations.

The Marshall AVT100XT offers both beautifuly clean and heavy over driven sounds powered through a mighty 12" Celestion Speaker. The amps built in Digital Reverb adds depth and dimension, great for the clean channel! By emulating the feel and response of an all-valve amplifier even more closely, the AVT range perform brilliantly and represent yet another major step forward in guitar sound technology.

The Marshall AVT100XT Guitar Tube Amplifier Combo main features include:

• 100 Watts Impedance: 8ohms
• Hybrid Technology
• 3 channel with seprate EQ for Clean /Overdrive
• 1x12" Celestion Speaker
• Footswitch PEDL-10030 Included
• Emulated Output
• FX Loop
• Headphone out
• Size: 596x515x285mm
• Weight (Kg): 24.2
• Vintage Design

Marshall AVT 150 HX

Price List Rp.10.850.000
Marshall AVT 150HX
Advanced Valvestate Technology, or AVT for short, is a major step forward in hybrid amplifier design which is exclusive to Advanced Valvestate Series of amplifiers. It has evolved from the original, critically acclaimed Marshall Valvestate technology, but is improved so that it emulates even more closely the feel and response of the classic Marshall all-valve power stage...without using valves. It is not only the power stage that has been significantly improved in the series either. Much careful attention to detail and many hours of development have also gone into the preamp section too. As a result, each AVT channel offers the widest possible range of control and shape to your sound, with an ECC83 (a.k.a.12AX7) preamp valve adding to the all-important tone and feel of these latest Marshall creations.
Feature:
This product came with a footswitch that I have yet to use as I am still dialing in my sound. The most useful features are the acoustic simulator and the digital fx. The gated reverb (although not as good as spring reverb) and the chorus are excellent. The acoustic simulation isn't going to magically change music to sound like a taylor or martin acoustic, but it produces a pretty accurate facsimile. The contour or scoop buttons on each channel definitely change tones and are a nice feature if this is something a person will use regularly.

Quality:
This is a very solid unit and I would buy again. I haven't had any problems with this amp and don't foresee any in the future. I gave this amp a 9 because I would recommend upgrading to a higher end cab as opposed to the AVT cab.

Value:
I don't know if the amp is worth the sticker price for not being a true tube amp as one could purchase an Orange combo or Tiny Terror for the same price and get a better and louder sound. However, for the quality that Marshall produces, it is worth the purchase price for those looking for something reliable and that will last you a lifetime.

Desirability:
For me, I rate the appeal of this amp a 10 because it's all I could afford when shooting for a quality half stack. Granted it's not a JCM or Vintage Modern, but this thing screams Marshall and has that look at me quality.

Sound:
The sound that comes from this head unit is very satisfying and bold. I upgraded from a Randall RG75D G3 75watt combo and this things blows it away. The amp is loud and produces tight crisp tone. The fx are superior to anything i've used; however, the amps lack a little when it comes to low end sound, which is the one thing that my Randall had over this amp. For a mid-range half stack, this is definitely worth the money.

Ease of Use:
I have been able to achieve some great harmonics with this amp. The interface is pretty self explanatory and simple to use for someone with a little experience. It took me a couple hours to get the sound I was looking for, but I constantly change my sound so I am continually tinkering around with the controls to get what I am looking for.

TASCAM Handy Recorder DR-2D

Price List Rp.3.150.000
TASCAM Handy Recorder DR-2D
TASCAM's DR-2d Portable Digital Recorder brings high-resolution recording to a compact, affordable package. It offers up to 96kHz/24-bit WAV or MP3 recording to SD cards, and recordings can be transferred to computer through high-speed USB 2.0.
A new dual recording feature records a copy of your audio at a lower level, or a second pair of inputs for four-track recording. Unique to the DR-2d, Dual Recording ensures that if the level suddenly jumps you have a backup instead of a distorted performance. Three modes are provided:

• Dual Recording records a second copy of your performance up to -12dB lower. If the first recording gets distorted you'll have a copy that isn't distorted. This is in addition to the analog limiting and low cut filter on the input which also prevent distortion
• Line mode records also two stereo files – the built-in mics plus the line input. This is perfect for live recording: record the board mix to the line input as well as the built-in mics for the sound of the room. The two stereo files allow you to treat and mix these together after the event in your DAW software. 
• Mix mode is similar to Line mode, only the two sets of inputs are mixed to one stereo file inside the DR-2d. This is the one to use when you don't want to do any mixing later on. 

Record using the new built-in condenser microphones or plug in your own. You can slow down recordings without changing the pitch, and there's even a metronome and built-in speaker. The DR-2d provides hours of recording time using a pair of AA batteries. making it the perfect partner for songwriting, live performance, rehearsal or home studio recording. The DR-2d is also available in

TASCAM's DR-2d opens up a list of possibilities for musicians, whether they're songwriting, rehearsing or performing live. With features like dual recording, Variable Speed Playback and 96kHz WAV audio quality, you'll want to take it anywhere you create music.

Features & Benefits
Feature	Benefit
WAV recording from 44.1kHz/16-bit to 96kHz/24-bit recording quality	Detailed master WAV recordings to archive and master for polished-sounding CDs
MP3 recording from 32k to 320k	Recordings you can instantly share online
Low-noise stereo condenser microphone	Mic design improved over the DR-1 captures every detail
Records to SD or SD-HC card media (2GB card included)	Uses affordable, reusable media that's resistant to shock and other damage
Built-in speaker	Instantly check or play back a recording
Included wireless remote control	Start recording from across the room or on-stage
Line and Mic inputs on 1/8" stereo jacks	Use your own microphone or record a line level source like a drum machine or guitar effect processor
Effects processor	Add reverb to your recordings, either during recording or on playback
Camera tripod mount	Attach to any tripod for flexible recording anywhere

Using Dual Recording to Avoid Clipping

The dual recording feature can record two WAV files - one at normal level, one much lower - so you always have a backupin case your main recording distorts. Here's how to set that up: Press and hold the DUAL button, under the STOP button. Turn the DATA WHEEL to select "Mode". Press the »| button to access the right column. Turn the wheel again until the display says "Dual". Press |« to select the left column again, turn the wheel to select "Level" and press the »| button. Use the wheel to select how much lower the second recording should be, from -6dB to -12dB. Press the STOP/HOME button then press RECORD. The bottom left corner should say something like "Dual -12".

Better Live Recordings with Dual Inputs

Another advantage to the dual recording feature is recording two sets of inputs. For live recording, you can record your set using the built-in mics as well as a direct "board mix" from the front-of-house mixer to the line inputs. To set this up: Press and hold the DUAL button, under the STOP button. Turn the DATA WHEEL to select "Mode", Press the »| button to access the right column. There are two options, Mix and Line. Use "Mix" to combine the two sources inside the DR-2d for one stereo file. Use "Line" to create two stereo files on the DR-2d that you can mix together later using your DAW software. Adjust the "Level" setting to set the second recording level (in "Line") or the blend between mic and line inputs (in "Mix.")

Using Variable Speed Audition to Learn Music

TASCAM portable recorders allow you to loop and slow down music to learn new licks or transcribe parts. Here is how you set that up: Play a WAV or MP3 file. Press the I/O button at the start and end point of where you want to loop the section. The music will automatically loop. Press the PB CONT button to switch that function on. Press and hold the PB CONT button to access its menu. There are four settings that affect playback here: VSA - When on, the music will not change pitch when you slow it down. Speed - Changes playback between 1/2 speed and 2x rate Key - Changes the pitch of playback in 1/2 step intervals Fine Tune - Use this to match the playback to your instrument's pitch without re-tuning Press the STOP/HOME button to go to the main screen. Specification:

• New stereo condenser microphone design with improved signal to noise ratio
• Dual recording function records a copy of your audio at a lower level, so you always have a backup in case of overload
• Up to 96kHz/24-bit WAV recording or MP3 recording modes
• Records to SD or SDHC cards
• Internal effects including reverb
• Auto-recording function starts when input exceeds a reference level
• Limiter, low cut filter and auto gain control for input
• Metronome
• Variable Speed Audition changes the playback speed without changing the pitch
• Loop playback mode
• USB 2.0 connection for file transfer
• 1/8" stereo microphone input
• 1/8" stereo line input
• 1/8" stereo headphone output
• 128x64 backlit LCD display
• Powered by two AA batteries or optional PS-P520 power adapter
• Built-in speaker
• Tripod attachment screw hole
• Includes wireless remote control, 2GB SD card, AA batteries and carrying pouch