Hartke HD-150 Bass Combo

Price List Rp.5.730.000
Hartke HD-150 Bass Combo
Serious Tone.
The all-new HD150 Bass Combo packs Hartke's patented HyDrive speaker technology into a sleek combo design capable of greatly enriching your low-end tone and with enough power to handle any rehearsal space or small performance venue. The HD150 also maintains Hartke's commitment to producing high-quality bass amplification with exceptional durability.

The HyDrive Design
The HD150 (150 watts, 15" driver, 1" tweeter) employs Hartke's patented HyDrive Speaker Technology that offers a carefully crafted hybrid (half paper, half aluminum) cone bass speaker. By combining the warmth and roundness of paper with the punch and attack of aluminum, the HyDrive design produces serious tone that is ideal for bass players of all genres and styles.

Solid... With Style
Packed with professional features, the HD150 combo is designed to be user-friendly and reliable for players of all levels. The combo offers Volume, Bass, Mid and Treble controls on its top-mounted amplifier panel, as well as a 7-band graphic EQ, allowing for easy adjustments. It features a full effects loop, as well as an 1/8" stereo Aux input for playing along with your favorite tracks via an MP3 player and a 1⁄4" headphone output for more intimate practice sessions. The HD150 also has an XLR direct output for routing your signal to a mixer in both live and studio settings. In addition, the HD150 has a built-in limiter to ensure constant amp operation at safe levels. Lastly, its solid enclosure is finished in a stylish fashion with a sleek, perforated metal grill, side carry handles and casters.

With the exceptional tone of HyDrive speakers housed in a durable, highly portable enclosure, Hartke's HD150 Bass Combo is able to perform at levels far beyond ordinary bass combos.
Features:

• 150 watts of output power
• 15” HyDrive paper and aluminum cone driver
• 1” tweeter
• Top-mounted amplifier with Volume, Bass, Mid and Treble controls
• 7-band graphic EQ
• Dual 1⁄4” inputs for active and passive bass guitars
• 1/8” stereo Aux input for stereo line level devices (MP3 players, drum machines, etc.)
• 1⁄4” headphone output
• XLR direct output
• Built-in limiter
• Effects loop
• Perforated metal grill
• Side carry handles
• Casters included

Behringer X-TOUCH Universal Control Surface

Price List Rp.13.000.000
Behringer X-TOUCH Universal Control Surface
Universal Control Surface with 9 Touch-Sensitive Motor Faders, LCD Scribble Strips and Ethernet/USB/MIDI Interface
Lay your hands on your music with the X-TOUCH Universal Control Surface. This brilliant controller has everything you need for your home studio or live setup, yet can grow as your needs expand.

From the 9 touch-sensitive, motorized faders and the 8 dynamic LCD scribble strips, to the 8 rotary encoders, 92 illuminated buttons, 8-segment LED meters per channel and dedicated transport controls, the X-TOUCH transforms what’s on your DAW’s screen into one ultra-compatible, feature-packed surface for precision control and a bird’s eye view of critical mix parameters. Connectivity is flexible with both traditional USB and MIDI connections, and it also has an Ethernet port for connection via wired or wireless network.

• Universal DAW Remote Control for Studio and Live applications
• Supports HUI* and Mackie Control* protocols for seamless integration with every compatible music production software
• 9 fully automated and touch-sensitive 100 mm motorized faders
• 8 dynamic LCD Scribble Strips for instant overview of track names and parameters
• Ethernet interface for RTP (Real-Time Protocol) MIDI and future BEHRINGER X32 remote control
• 8 rotary controls with LED-collars for on-the-fly adjustments of your favorite parameters
• 92 dedicated illuminated buttons for direct access of key functions
• 8-segment LED meters per channel for precise level control
• Large jog/shuttle wheel and tape-style transport controls for intuitive operation
• Built-in 2x2 USB MIDI interface for direct connection to Mac* or PC computers and one external MIDI device
• 2 dedicated footswitch connectors and one foot controller input for external remote control
• 2-port powered multi-TT USB hub for connecting additional controllers
• "Planet Earth" switching power supply for maximum flexibility (100
• - 240 V~) and low power consumption for energy saving
• Conceived and designed by BEHRINGER Germany

Universally Yours
When it comes to integration, the X-TOUCH has you covered with the most widely used protocols in the industry. With included support for HUI* and Mackie Control*, you can be sure it will work seamlessly with all compatible music production software, allowing you to focus on what counts… the music.

Faders that Dance with Your Music
Your music is the embodiment of your imagination and creativity. Your controller should be equally inspired and dynamic in its response to your creation. That’s why the X-TOUCH features 9 fully automated and touch-sensitive 100 mm motorized faders. Every move or automation you write can be seen in the movements of each fader in real time, perfectly synced with your DAW.

LCD Scribble Strips - Instant Readout
LCD scribble strips grace the top of each channel fader providing an instant visual readout of which track and parameter you are adjusting – totally eliminating old school tape-and-marker labelling.

A Symphony of Lights
With over 92 dedicated illuminated buttons, 8 rotary controls with LED collars, 8-segment LED meters per channel and an LED time code display, the X-TOUCH is a feast for the eyes as well as the hands. Know in brilliant color if a channel is muted or soloed and see how hot the level is pumping as you make changes during recording or mixing. Arm multiple tracks or adjust panning at the same time and marvel at how you ever relied on a mouse to do a controller’s job.

The Feel
Navigation is a breeze with the abundant features on the X-TOUCH’s surface. The large jog/shuttle wheel and tape-style transport controls provide intuitive control over the most used actions in your DAW. Race between fader banks with the touch of a button and make changes with the turn of actual knobs, the movement of real faders or the push of physical, illuminated buttons. It’s like bringing your on-screen DAW controls to life!

Connect, Control, Expand
With class-compliant USB functionality, the X-TOUCH is instantly recognizable by Mac and Windows PCs. Its 5-pin MIDI port allows you to connect and communicate with an external device. The 2 dedicated footswitch connectors and one foot controller provide external remote control. The powered multi-TT USB hub provides connectivity for 2 more controllers so it can grow with your career. And the power and control can expand through an integrated Ethernet port allowing you to connect to a wireless network. Isn’t that awesome?

The X-TOUCH gives you all the tools you need to streamline your workflow, and get the very best out of your recording and mixing sessions. Take full control of your DAW with motorized faders, rotary encoders with LED collars, dedicated transport controls and illuminated key function buttons. See and feel the difference a full-service controller can make in your workflow at a BEHRINGER dealer today.

VOX Mark III V-MKIII Guitar

Price List Rp.4.550.000
VOX Mark III V-MKIII Guitar
Vox produced their first guitars in 1961. These earliest Vox guitar models were student level solid body instruments with Fender influenced styling and features.

When Vox decided that they also wanted to introduce professional level instruments, they determined that "copy cat" guitar designs would be unacceptable. Their new professional guitar models would need to have unique and iconic body designs that would make them immediately recognizable as a Vox instrument. As a result, Vox developed two unusual body styles for their professional models. Along with the coffin shaped Phantom, the lute shaped Mark VI "Teardrop" guitar was immediately recognizable as a Vox instrument.

The 1963 Mark VI "Teardrop" guitar had three single coil pickups, similar to a Fender Stratocaster. Pickup selection was controlled by a three position toggle. The guitar also featured a vibrato arm.

In 2012, Vox introduced the Apache Series "travel" guitars. Prior to the introduction of the droplet shaped Vox Apache 1 guitar, travel guitars were typically small bodied acoustic guitars with short scale necks. Their compact size made it possible to stow the instrument in the overhead luggage bin of an airplane. The Vox Apache Series expanded the concept of the travel guitar by incorporating a battery operated "drum box" and a 1 watt amplifier with twin speakers into the instrument. Despite all their features, the street price of the Vox Apache travel guitars was under $300 in the United States.

The Mark III "droplet" shaped guitar (shown above) was introduced by Vox in 2013. It utilized the basswood body and 22 fret maple and rosewood neck from the Apache I guitar. Unlike the Apache 1, the Mark III featured three single coil pickups, a five position pickup selector and a vibrato arm. The Apache 1 and the Mark III shared a 24" (610 mm) scale length. A padded soft case was included. The 2013 Mark III was not available in the United States, but it was offered by Vox dealers in Japan and throughout Europe.

CUBE Street EX Battery-Powered Stereo Amplifier

Price List Rp.8.700.000
CUBE Street EX Battery-Powered Stereo Amplifier 
High-Quality Sound for Performers On the Go
With its compact size and battery-powered operation, Roland’s CUBE Street was a huge hit among traveling musicians. Now, the new CUBE Street EX infuses the popular mobile amp with a huge performance upgrade that delivers more projection, more channels, and more versatility. 50 big watts of power and a stereo speaker system with dual woofers and tweeters provide clean, punchy sound for larger crowds, while four independent channels offer abundant connections for a variety of mics and instruments. Detailed sound adjustment is available with separate EQ and reverb controls, and great guitar tones are dialed in easily with the onboard COSM amps. Selectable power modes provide up to 20 hours of operation with eight AA batteries, and two CUBE Street EX units can be linked together for more sound coverage if needed. And with i-CUBE LINK, you can even plug in your iPhone or iPad to play backing music and record your performances!

• Innovative new Roland technology provides 50 watts of stereo power from eight AA-size batteries
• Selectable output power modes to optimize battery life for different performing situations (Max: 50 W/5 hours; Normal: 25 W/10 hours; Eco: 10 W/20 hours*)
• Portable, lightweight design (7.4 kg/16 lb. 5 oz.) with durable ABS injection-molded cabinet
• Powerful, full-range stereo sound with dual 8-inch woofers and 2-inch tweeters
• Four independent channels for connecting a variety of mics, instruments, and audio devices
• Two XLR mic inputs allow two vocalists to perform at once
• COSM tones for electric guitar, including Clean, Crunch, and Lead; preamp for acoustic guitar provides clean, natural sound
• Angled back for use as a stage monitor; mounting hole for use with optional ST-A95 Speaker Stand
• Stereo Line Out jacks for connecting to an external sound system when used as a stage monitor
• Stereo Link jacks to connect a second CUBE Street EX for broader sound coverage
• Easy recording into your iPhone/iPad via i-CUBE LINK and free CUBE JAM app
• Optional CB-CS2 Carrying Case made with water-repellent material
• *Approximate battery life under continuous use with rechargeable AA Ni-MH batteries

Impressive Performance Equivalent to a Small PA System
Equipped with 50 watts of stereo power, two eight-inch woofers, and two tweeters, the compact CUBE Street EX effortlessly projects your musical performances with clear, dynamic sound. Thanks to unique new power circuitry developed by Roland, you can enjoy clean headroom and quality sound at a level that’s impossible with any other battery-powered amp. The output power is adjustable in three levels—Max (50 W), Normal (25 W), and Eco (10 W)—allowing you to conserve battery life in situations where you don’t need maximum power. In Eco mode, eight AA Ni-MH batteries will last up to 20 hours! The CUBE Street EX can also be powered with the included AC adapter at gigs where electrical power is readily available.

Multiple Inputs to Support Any Performing Setup
The CUBE Street EX has an onboard mixer with four independent channels, providing ample connectivity options for all kinds performers. Mic/Instrument and Mic/Guitar channels feature XLR/TRS combo jacks to support microphones or devices with 1/4-inch outputs, and each channel is outfitted with its own three-band EQ and reverb effect for discrete sound shaping. The mono/stereo Line In channel is equipped with 1/4-inch jacks, while the Audio In channel provides a stereo 1/8-inch mini jack that also supports i-CUBE LINK. If you fill up all the channels, you can use the rear-panel Aux In jack to connect an additional mono device if needed.
The versatile CUBE Street EX is ideal for all kinds of musical performance situations. Here are just a few:

• Vocal, guitar, synthesizer, and electronic percussion
• Two vocalists, keyboard, and backing tracks
• Electric and acoustic guitar duo with drum machine
• Vocal, guitar, drum machine, and backing tracks

Great Guitar Tones with COSM Amps and Effects
The CUBE Street EX makes it easy for guitarists to plug in and get pro sounds immediately. COSM tones for electric guitar include Lead, Crunch, and Clean, plus an Acoustic Simulator for extra versatility from a single axe. There’s also an AC preamp optimized for acoustic/electric guitar and a convenient built-in tuner. Chorus/delay and reverb effects are available as well, and these can be turned on/off with optional footswitches while performing.

Jam and Record with i-CUBE LINK and CUBE JAM
Roland’s innovative i-CUBE LINK interface lets you incorporate your iPhone, iPad, or iPod touch into your performances with the CUBE Street EX. i-CUBE LINK connects to your device’s audio jack with the included cable, providing two-way communication with your favorite music apps. Roland’s free CUBE JAM app is an ideal partner, allowing you to play along with music tracks from your iTunes library and record the CUBE Street EX’s output right back into the app. CUBE JAM also includes a number of useful functions for practice, jamming, and performing, such as independent pitch/speed adjustment and Center Cancel for minus-one playing and karaoke.

Stand Mounting and Sound Expansion
When placed on the ground, the CUBE Street EX’s angled back provides excellent monitoring for performing in street situations and on larger stages. If you need broader sound coverage for bigger crowds, the amp can be mounted on an optional ST-A95 Speaker Stand. With the handy Stereo Link function, two CUBE Street EX units can be used together to create a powerful stereo PA with up to eight separate inputs.

Light and Durable Design
Like all amps in Roland’s renowned CUBE series, the CUBE Street EX is built to last. It features a high-strength ABS injection-molded body that’s passed rigorous durability testing, ensuring reliability in all kinds of outdoor performing situations. In addition to being tough, the CUBE Street EX is surprisingly light, making the amp a breeze to carry from gig to gig. An optional CB-CS2 Carrying Case provides a convenient shoulder strap and accessory pockets, plus a water-resistant covering that protects the amp from moisture while traveling.
Specification:

Maximum Power Output

50 W (25 W + 25 W)

Nominal Input Level (1 kHz)

MIC/INSTRUMENT INPUT: -50/-10 dBu
MIC/GUITAR INPUT: -10 dBu
LINE IN: -10 dBu
AUDIO IN (i-CUBE LINK): -10 dBu
AUX IN/STEREO LINK IN: -10 dBu

Nominal Output Level (1 kHz)

LINE OUT (L/MONO, R)/STEREO LINK OUT (L, R): -10 dBu

Speakers

Woofer: 20 cm (8 inches) x 2
Tweeter: 5 cm (2 inches) x 2

Controls

POWER switch
BATTERY CHECK/MUTE button
OUTPUT POWER switch (ECO, NORMAL, MAX)

[MIC/INSTRUMENT]
SELECT switch (MIC, INST)
VOLUME knob
BASS knob
MIDDLE knob
TREBLE knob
REVERB knob

[MIC/GUITAR]
TUNER button
TYPE switch (A-GUITAR, ACOUSTIC SIM, CLEAN, CRUNCH, LEAD, MIC)
VOLUME knob
BASS knob
MIDDLE knob
TREBLE knob
CHORUS/DELAY knob (CHORUS, DELAY)
REVERB knob

[AUDIO IN]
VOLUME knob

[LINE IN]
VOLUME knob

BATTERY CHECK/MUTE button

STEREO LINK/LINE OUT switch

Indicators

POWER
BATTERY
BATTERY CHECK/MUTE
TUNER

Connectors

[MIC/INSTRUMENT]
INPUT jack: Combo type (XLR type, 1/4-inch TRS phone), balanced
FOOT SW (REVERB) jack: 1/4-inch TRS phone type

[MIC/GUITAR]
INPUT jack: Combo type (XLR type, 1/4-inch TRS phone), unbalanced
FOOT SW (TIP: CHORUS/DELAY, RING: REVERB) jack: 1/4-inch TRS phone type

[AUDIO IN]
STEREO AUDIO IN (i-CUBE LINK) jack: 4-pole miniature phone type

[LINE IN]
STEREO LINE IN (L/MONO, R) jacks: 1/4-inch phone type

AUX IN/STEREO LINK IN jack: 1/4-inch phone type
LINE OUT (L/MONO, R)/STEREO LINK OUT (L, R) jacks: 1/4-inch phone type
PHONES jack: Stereo 1/4-inch phone type
DC IN jack

Power Supply

AC adaptor (DC 13 V)
Alkaline battery (AA, LR6) x 8
Rechargeable Ni-MH battery (AA, HR6) x 8

Current Draw

730 mA

Expected battery life under continuous use

[OUTPUT POWER switch: MAX (Maximum power output: 50 W)]
Alkaline battery: Approximately 4 hours
Rechargeable Ni-MH battery: Approximately 5 hours (*1)

[OUTPUT POWER switch: NORMAL (Maximum power output: 25 W)]
Alkaline battery: Approximately 8 hours
Rechargeable Ni-MH battery: Approximately 10 hours (*1)

[OUTPUT POWER switch: ECO (Maximum power output: 10 W)]
Alkaline battery: Approximately 16 hours
Rechargeable Ni-MH battery: Approximately 20 hours (*1)
*1 When using batteries having a capacity of 2,450 mAh.
* These can vary depending on the specifications of the batteries, capacity of the batteries, and the conditions of use.

Accessories

Owner's manual
AC adaptor
Power cord
Mini cable (4-pole miniature phone type)

Options (sold separately)

Carrying Case: CB-CS2
Footswitch (BOSS FS-5U, BOSS FS-6, BOSS FS-7)
Speaker Stand: ST-A95

Size and Weight

Width

490 mm
19-5/16 inches

Depth

341 mm
13-7/16 inches

Height

305 mm
12-1/16 inches

Weight

7.4 kg
16 lbs. 6 oz.

* 0 dBu = 0.775 Vrms

Roland HS-5 Session Mixer

Price List Rp.9.600.000
Roland HS-5 Session Mixer
Rehearsal and Recording Mixer for Ensembles
Convenient and simple to use, the HS-5 allows up to five musicians to rehearse, jam, and record while monitoring with headphones. Players have individual hands-on control of their personal mix, plus access to reverb and COSM effects for guitar, bass, and vocals. Bands can capture stereo recordings directly to a USB thumb drive, or connect the HS-5 to a computer via a USB cable and record each channel to individual tracks in a DAW. Additionally, each musician’s personalized settings can be saved for instant recall, providing quick setup for future rehearsals and recording sessions.

• Performer-friendly digital mixer with high-quality sound and USB
• Up to five musicians can rehearse or jam while monitoring with headphones
• Independent control of the monitor mix for each performer
• COSM amp modeling plus vocal effects and built-in reverb
• Record stereo mixes to a USB thumb drive
• Connect to a computer via USB for multitrack recording in a DAW

A Personal Monitor Mix For Each Musician
The HS-5 allows every musician in a group to set up their own independent monitor mix using the Mix A thru Mix D switches located in the center of the unit. Once an overall mix has been decided, musicians can use the My Mix knob to adjust the volume of their own mic or instrument, and they can also add ambience independently with their channel’s Reverb knob. Current settings are clearly displayed with LEDs encircling the knobs, making it easy to check the status while playing. For larger groups, another HS-5 can be connected in tandem to accommodate up to eight musicians.

Four Channels With Guitar/Bass Amp Modeling And Vocal Effects
The HS-5 provides access to guitar and bass amp modeling on four independent channels. This means that players can connect their electric guitar or bass directly into the HS-5 and jam with the same sound and feel as playing through an amp. Vocalists can also experience enhanced, studio-quality sound via the built-in compressor for each mic input. With the intuitive panel controls, HS-5 users can quickly adjust EQ and pan settings and dial in just the right amount of amount of guitar distortion or vocal compression.

Capture Stereo Mixes Or Full Multitrack Recordings
By connecting a USB thumb drive to the HS-5’s Memory jack, it’s extremely easy to record stereo mixes of group performances for evaluation and sharing. For more advanced production, it’s possible to connect to a computer via USB and record each performer to individual tracks in popular DAW software. This powerful combo creates an incredibly simple and versatile system for creating complete ensemble recordings.

Onboard Metronome For Tight Timing
Timing is essential for rehearsal and recording, and the HS-5 includes a built-in metronome to keep everyone playing together. Just press the dedicated Click/Tap button to start the metronome, and then tap the button at the desired tempo to adjust the speed for the music.

Total Recall For Quick Setup
The HS-5’s snapshot function allows you to save all the unit’s current settings to a USB thumb drive. This lets your entire group resume performances right where you left off—even at a totally new location or a much later date.
*Only one set of HS-5 settings can be stored on a single USB thumb drive.
Specification:

Processing

Sampling Frequency

44.1 kHz

Signal Processing

AD/DA conversion: 24 bits

Recorder

Tracks

2 tracks (stereo)

Recording Mode

USB flash drive: WAV (44.1 kHz ,16 bits)

Recording Media

USB flash drive (512 MB – 32 GB)

Recording Time (unit: hour)

2 GB: 3
4 GB: 6
8 GB: 12
16 GB: 24
32 GB: 48

Each recording time is approximate. The times may change depending on the card specifications.
In case that there are plural files, the sum of recording time would be shorter than above.
Maximum recording time of one song is 200 minutes.

Recording Songs

Up to 512 songs on a single USB flash drive

Effects

Guitar

Preamp: 10 types

Bass

Preamp: 5 types

Vocal

Compressor, Equalizer, Delay

Reverb: 5 types

Input/Output

Audio Input

Section A–D = MIC jacks: XLR type (balanced), INPUT L/R jacks: 1/4-inch phone type (unbalanced) *1
Section E = INPUT L/R jacks: 1/4-inch phone type (unbalanced), Stereo miniature phone type

*1 INPUT L jack supports high impedance

Audio Output

Section A–D = PHONES jacks: Stereo 1/4-inch phone type, Stereo miniature phone type
MAIN MIX OUT = PHONES jacks: Stereo miniature phone type, OUTPUT L/R jacks: 1/4-inch phone type (unbalanced)

Frequency Response

20 Hz–20 kHz (+0 dB/-2 dB)

Nominal Input Level

Section A–D = MIC jacks: -61–-13 dBu, INPUT L/R jacks: +4 dBu (Hi-Z ON: INPUT L = -5 dBu)
Section E = INPUT L/R jacks: +4 dBu, Stereo miniature phone type: -10 dBu

Nominal Output Level

Section A–D = PHONES jacks: +6 dBu
MAIN MIX OUT = PHONES jacks: +4 dBu, OUTPUT L/R jacks: +4 dBu

Input Impedance

Section A–D = MIC jacks: 2.3 k ohms, INPUT L/R jacks: 12 ohms (Hi-Z ON: INPUT L = 680 k ohms)
Section E = INPUT L/R jacks: 12 k ohms, Stereo miniature phone type: 10 k ohms

Output Impedance

Section A–D = PHONES jacks: 47 ohms
MAIN MIX OUT = PHONES jacks: 47 ohms, OUTPUT L/R jacks: 1 k ohm

Other

Power Supply

AC adaptor

Current Draw

1.2 A

Accessories

Owner’s manual
Leaflet “USING THE UNIT SAFELY”
AC adaptor
Power Cord

Options (sold separately)

Stand: PDS-10

Size and Weight

Width

257 mm
10-1/8 inches

Depth

248 mm
9-13/16 inches

Height

68 mm
2-11/16 inches

Weight

1.1 kg
2 lbs. 7 oz.

0 dBu = 0.775 Vrms

ASIO is a trademark and software of Steinberg Media Technologies GmbH.

Roland GR-S V-Guitar Space

Price List Rp.4.750.000
Roland GR-S V-Guitar Space
GK Power in a Twin Pedal Stompbox
With the all-new V-Guitar pedals, guitarists can now enjoy the immense benefits of Roland’s GK processing—the powerful technology behind the GR-55 Guitar Synthesizer and VG-99 V-Guitar System—right on their pedalboards. The GR-S V-Guitar Space features independent processing for each guitar string, giving you four amazing tones that transport your axe to a new dimension of sound, including Crystal, Rich Modulation, Slow Pad, and the multi-string emulation of Brilliant Clean. Housed in the popular Twin Pedal format and equipped with connections for easy integration with amps, stomps, multi-effects, and other V-Guitar devices, the GR-S delivers out-of-this-world sounds that can only be achieved with GK processing.

• Roland’s powerful V-Guitar technology in a Twin Pedal stompbox
• Super-spacious tones and multi-string emulation only possible with GK processing
• Crystal, Rich Modulation, Slow Pad, and Brilliant Clean sounds, with real-time DSP for latency-free performance
• Ultra-responsive COLOR and TONE knobs for sound shaping
• Expressive Freeze function holds the current sound for lead backing and sound FX
• 13-pin GK input; designed for use with the GC-1 GK-Ready Stratocaster, GK-3 Divided Pickup, and all GK-equipped guitars
• Flexible connections for easy integration with amps, pedals, and multi-effects
• Four user memories, with remote selection from GK-equipped guitar

Welcome to the Family
The GR-S V-Guitar Space joins Roland’s acclaimed V-Guitar family, which also includes the GR-55 Guitar Synthesizer and VG-99 V-Guitar System. The convenient stompbox format of the GR-S allows players with traditional setups to experience the incredible sound potential available with GK processing. When used with an optional US-20 Unit Selector, the GR-S also gives current GR and VG users new sounds for their existing rig.

Unlock All-New Sounds with GK Processing
The GR-S features a 13-pin input for use with a guitar outfitted with a Roland GK-3 Divided Pickup or a GK-equipped instrument such as the GC-1 GK-Ready Stratocaster. Unlike standard monophonic guitar pickups, the Roland GK pickup senses and isolates each individual string, sending them as six discrete signals to a 13-pin jack. When connected to a GK device like the GR-S pedal, each string can be processed individually, opening up a universe of sound possibilities that are impossible with a normal 1/4-inch guitar output.

Amazing Tones to Expand Your Sound Palette
With the GR-S, you have four incredible tones that launch your guitar into an entirely new sound space. Crystal delivers shimmering, transparent sounds and icy bell textures, while Rich Modulation provides an incredibly spacious multi-channel chorus sound powered by independent GK string processing. Slow Pad offers a warm synth-pad sound with variable attack for dreamy full-chord swells that are impossible with a mono input. And with Brilliant Clean, you can add virtual strings to your axe, adjustable from 12 to 18 strings with the COLOR knob!

Tweak, Store, and Freeze Your Sounds
Like a normal stompbox, the GR-S features simple controls that are quick and intuitive to use, but behind their simplicity is an enormous range of sound-shaping potential. When you turn the COLOR and TONE knobs, you’re actually tweaking multiple under-the-hood parameters specifically tailored to each sound type, so you can achieve substantial tonal shifts even with small changes. Four memory locations let you store your favorite sounds, with quick recall via the control switches on your GK-equipped guitar. A Freeze function, accessible with one of the pedal’s two footswitches, lets you hold sounds indefinitely for lead backing and expressive effects.

Easy Integration with Any Rig
The GR-S offers a multitude of connections for integrating with different rigs, including pedalboards, multi-effects setups, racks, mixers, and other V-Guitar devices. A dual MIX/GUITAR INPUT allows you to connect devices and blend them with the GR-S sound, with the combined mix sent to the pedal’s mono/stereo output. The 13-pin GK output carries the guitar’s normal pickup signal as well, and controls on the GK-equipped guitar allow you to blend the GK and normal sounds right from your instrument. A dedicated GUITAR OUTPUT jack on the GR-S lets you connect the normal guitar sound directly to an amp or effects with no GK processing applied. It can also be used in conjunction with the MIX/GUITAR INPUT to create a send/return loop for your normal effects chain.
Specification:

Nominal Input Level

MIX INPUT: -10 dBu
GUITAR INPUT: -20 dBu

Input Impedance

MIX INPUT: 1 M ohm
GUITAR INPUT: 1 M ohm

Nominal Output Level

OUTPUT: -20 dBu
GUITAR OUTPUT: -20 dBu

Output Impedance

OUTPUT: 2 k ohms
GUITAR OUTPUT: 2 k ohms

Recommended Load Impedance

10 k ohms or greater

Controls

ON/OFF pedal
FREEZE pedal
TYPE buttons
COLOR knob
TONE knob
LEVEL knob
SELECT button
WRITE button
OUTPUT SELECT switch

Indicators

POWER indicator (serves also as battery check indicator)
ON/OFF indicator
FREEZE indicator

Connectors

MIX/GUITAR INPUT (R, L/MONO) jacks
GK IN connector
GUITAR OUTPUT jack
OUTPUT (R, L/MONO) jacks
DC IN jack

Memory

4

Type

CRYSTAL, RICH MODULATION, SLOW PAD, BRILLIANT CLEAN

Power Supply

Alkaline battery (AA, LR6) or Carbon-zinc battery (AA, R6) x 6,
AC Adaptor (PSA-series: optional)

Current Draw

200 mA (9 V, when used with GK-3)

Expected battery life under continuous use

Alkaline battery: Approx. 7 hours
Carbon-zinc battery: Approx. 2 hours
These figures will vary depending on the actual conditions of use.

Accessories

Owner's Manual
Leaflet (USING THE UNIT SAFELY, IMPORTANT NOTES, and Information)
Alkaline Battery (AA, LR6) x 6

Options (sold separately)

AC adaptor: BOSS PSA-series
Divided pickup: GK-3 (for guitar)
V-Guitar: GC-1 GK-Ready Stratocaster®
GK Cable: GKC-10 (10 m), GKC-5 (5 m)
Unit Selector: US-20

Size and Weight

Width

173 mm
6-13/16 inches

Depth

158 mm
6-1/4 inches

Height

57 mm
2-1/4 inches

Weight

1.2 kg
2 lbs. 11 oz.

* 0 dBu = 0.775 Vrms

 

Roland SYSTEM-1m PLUG-OUT Synthesizer

Price List Rp.10.150.000
Roland SYSTEM-1M PLUG-OUT Synthesizer
Semi-Modular PLUG-OUT Synthesizer with CV/GATE and Eurorack Compatibility
The SYSTEM-1m is a semi-modular synthesizer with PLUG-OUT capability and a unique design that can be used as a Eurorack module, tabletop synth, or 19” rackmount unit. In addition to being a powerful standalone instrument, the SYSTEM-1m has external inputs and an array of CV/Gate connections that allow it to be re-patched and to interface with other modular synthesizer systems. The SYSTEM-1m’s CV/Gate connections combined with its ability to load classic Roland PLUG-OUT synth models like the SH-101 and PROMARS give it power and flexibility that is simply unparalleled.

• Semi-modular synthesizer with PLUG-OUT capability
• 19 color-coded CV/Gate and audio connections with LED lighting
• 84 HP Eurorack, tabletop and 19” rack compatible using AC adaptor or Eurorack power
• Versatile oscillators with six waveforms, Crossmod, Ring Mod, Sync and Color control
• All parameters controlled with high-resolution knobs and sliders with LED indicators
• External input for processing external signals through filter, amp and FX section
• -12 dB and -24 dB filter types with independent high-pass filters
• Integrated tone, crusher, reverb and delay effects
• Tempo syncing for LFO and delay
• 24-bit/96kHz audio and MIDI interface
• AIRA Link for easy connection to MX-1 Mix Performer
• Includes rackmount adapter and braided patch cables
• Ableton Live Lite is included

Modular for the Masses
Modular synthesizers are highly prized by musicians for their ability to make totally unique and interesting sounds. But they can demand a real investment of both time and money to create a fully functional instrument. The SYSTEM-1m takes the guesswork out of getting into modular with great sounds and the freedom to experiment right out of the box. The fully self-contained module can be placed in a rack or on a table and can be powered by a standard AC adaptor. And it can be played from any standard MIDI keyboard or receive MIDI messages from your DAW - just like you’d expect.

But the SYSTEM-1m goes way beyond standard synthesizer modules. WIth fully-lit, color coded patch points, you can experiment with reconfiguring its architecture and easily connect to a wide world of available synthesizer modules. In addition to functioning as a rackmount or tabletop unit, the SYSTEM-1m can be mounted in a standard Eurorack case and can be powered via integrated case power with the included adapter cable. Its versatile synth architecture integrates beautifully with existing modular setups - or it can be the heart of a burgeoning modular synthesizer rig.

A Collection of Classics
The SYSTEM-1m is a stunningly powerful instrument based on our more than 40 years of experience in designing synthesizers. It’s capable of an astonishing range of synth tones, from glistening arps to thunderous basses. But we’re also known for our lineage of iconic vintage instruments, sought after by musicians the world over. These include a long list of classic synths renowned for their identifiable character and genre-defining tone. And this is why we developed PLUG-OUT technology.

PLUG-OUT synthesizers use our Analog Circuit Behavior technology to perfectly replicate some of our most revered classics. They work like regular VST or AU compatible plugins in a DAW, with the SYSTEM-1m’s array of high-resolution knobs and sliders creating an elegant, one-to-one control surface that works seamlessly. But you can also load PLUG-OUT synths directly into the SYSTEM-1m and switch between the internal synthesizer architecture and one of a growing number of PLUG-OUT Roland classics, like the SH-101, SH-2 and PROMARS - with no computer required.

All These Worlds Are Yours
While it provides a huge amount of synthesis power on its own, interconnecting the SYSTEM-1m with other modular gear creates a vast range of sonic possibilities. Its impressive oscillator section, sweet filters and snappy envelopes are sure to be welcome in any modular setup, no matter how big or small. But it’s the SYSTEM-1m’s combination of CV/Gate modularity, PLUG-OUT, and DAW integration that takes things into completely uncharted territory.

For example, load the SH-101 PLUG-OUT into the SYSTEM-1m and you essentially have a hardware SH-101 with modular capabilities - something that has never existed before. You can process external sources through the SH-101’s acclaimed filters, or load the SH-2 PLUG-OUT and use its formidable oscillator section to drive any number of available Eurorack filters and envelopes. The potential is staggering.
*SH-101 PLUG-OUT will be available for sale soon. 
Specification:

Sound Generator Section

Maximum Polyphony

4 voices (SYSTEM-1m Mode)

User Memory

8

Structure Elements (SYSTEM-1m Mode)

Oscillator Section
Waveform: SAW, SQUARE, TRIANGLE, SAW 2, SQUARE 2, TRIANGLE 2
Knobs: COLOR, MODULATION Source (MANUAL, LFO, P. ENV, F. ENV, A. ENV, SUB OSC), OCTAVE, TUNE
Envelope: ATTACK Time, DECAY Time, ENVELOPE Depth
Modulation: CROSS Modulator, RING Modulator, Oscillator SYNC
Sub Oscillator: -1 oct/-2 oct
Noise: WHITE Noise/PINK Noise

Filter Section
Type: LPF (-12 dB/-24 dB), HPF
Knobs: LPF CUTOFF, RESONANCE, HPF CUTOFF, KEY Follow
Envelope: ATTACK Time, DECAY Time, SUSTAIN Level, RELEASE Time, ENVELOPE Depth

Amplifier Section
TONE
Envelope: ATTACK Time, DECAY Time, SUSTAIN Level, RELEASE Time

LFO Section
LFO Waveform: SINE, TRIANGLE, SAW, SQUARE, Sample&Hold, Random
Knobs: FADE TIME, RATE, PITCH, FILTER, AMP
Controller: LFO KEY TRIGGER

Mixer Section
Level: OSC 1, OSC 2, SUB OSC, NOISE

Effecter Section
CRUSHER, REVERB, DELAY, DELAY TIME

Structure Elements (PLUG-OUT Mode)

Depend on PLUG-OUT software

Other

Controllers

VOLUME knob
TEMPO knob
TEMPO SYNC button
LEGATO button
MONO/UNISON/POLY button
PITCH knob
SELECT knob
WRITE button
MEMORY display
Power Switch (Rear)

Connectors

PHONES jack: Stereo miniature phone type
OUTPUT (L/MONO, R) jacks: 1/4-inch phone type (Rear)
OUTPUT (L/MONO, R) jacks: Miniature phone type (Front)
LFO OUT, OSC 1 SYNC OUT, OSC 2 SYNC IN, RING IN,
OSC 1 OUT, OSC 2 OUT, EXT IN, MIX OUT, PITCH ENV IN,
FILTER ENV IN, FILTER ENV OUT, FILTER LFO IN,
GATE IN, CV IN, AMP ENV IN, AMP ENV OUT jacks: Miniature phone type
MIDI (IN, OUT) connectors (Rear and Bottom)
USB port: USB type B (Audio/MIDI)
DC IN jack

Power Supply

AC adaptor or Eurorack power

Current draw

1,300 mA (AC adaptor)
700 mA (Eurorack power)

Accessories

AC adaptor
Owner's Manual
Leaflet "USING THE UNIT SAFELY"
PLUG-OUT information card
Rackmount adaptors
Eurorack installation screws
Eurorack power cable
Patch cables (set of three)
Ableton Live Lite Serial Number Card*

* Internet connection is required for installation. http://ableton.com/live-lite

Options (sold separately)

PLUG-OUT SYNTHESIZER: SH-2, PROMARS

Size and Weight

Width

427 mm
16-13/16 inches

Depth

129 mm
5-1/8 inches

Height

70 mm
2-13/16 inches

Weight

1.25 kg
2 lbs 13 oz

 

Turbosound iQ iQ12

Price List Rp.28.240.000 / pair
Turbosound iQ iQ12
2500 Watt 2 Way 12" Powered Loudspeaker with KLARK TEKNIK DSP Technology, Speaker Modelling and ULTRANET Networking
The 2,500-Watt iQ12 is a powered two-way loudspeaker ideally suited for a wide range of portable and fixed installation, music and speech sound reinforcement applications. The driver complement includes an 12" low frequency driver with a low mass voice coil for improved transient response, and a high temperature 1" compression driver with copper-clad aluminium voice coil for extended high frequency reproduction. 

• 2 way full range loudspeaker for portable PA and installation applications
• 2,500 Watt power featuring KLARK TEKNIK Class-D technology
• KLARK TEKNIK Digital Signal Processing for total system control
• Speaker modelling includes accurate models of industry standard speakers
• SCC (Spatial Contour Control) compensates frequency response in relation to physical speaker placement
• ULTRANET digital audio networking connects to mixers and other sources
• 12" low frequency driver with low mass voice coil for improved transient response
• High temperature 1" compression driver with copper-clad aluminium voice coil for extended high frequency reproduction
• Fully featured user interface with LCD display for ease of navigation
• PC remote control software downloadable at turbosound.com
• Lightweight fibre glass reinforced composite enclosure
• Rugged powder coated perforated steel mesh grille
• Dual angle pole mount for accurate audience coverage
• Multiple internal rigging points for installation applications
• Mains input and link output on Neutrik powerCON* connectors
• Designed and engineered in England

Equipped with a very efficient and lightweight two channel KLARK TEKNIK Class-D power amplifier, the iQ12 provides an impressive 2,500 Watts of output power. A high degree of control over the loudspeaker system's performance is managed by a sophisticated, but easy to use KLARK TEKNIKKLARK TEKNIK Digital Signal Processor (DSP), which provides dynamic EQ for remarkable full range response at low volume levels, and transparent limiting for the utmost clarity at high output levels - and long-term reliability. iQ12's advanced DSP speaker modelling presets include detailed and accurate models of some of the audio industry's most-respected loudspeakers.

KLARK TEKNIK also developed a highly versatile Spatial Contour Control (SCC) DSP function, which allows the user to easily optimise the iQ12's frequency response for the physical speaker placement. This advanced functionality provides frequency compensation for stand, floor, wall or ceiling placement, much like the adjustments commonly found on studio reference monitors.

On the rear panel amplifier module, you will find a fully featured user interface consisting of an LCD display, the Channel A and B gain controls, and a single rotary encoder for intuitive access to level, EQ, Speaker modelling, SCC, Subwoofer Integration and Feedback Control (FBI). In addition to the two combination balanced XLR/jack inputs, balanced XLR outputs for each of the two independent channels, and a Mix Out XLR connector, the iQ12 features a mic/line switch and level control with signal present LED on each channel.

The iQ12 also features our proprietary ULTRANET technology, which allows the use of CAT5 cables for transmitting pristine multi-channel audio signals and other information between ULTRANET-enabled products, such as digital mixers and personal monitor systems. This digital distribution networking not only eliminates the potential for RFI and crosstalk so common to analogue methods, but also significantly reduces the setup or installation time required. An onboard USB port provides access for remote control of the iQ12 via PC computer, as well as DSP and speaker modelling firmware updates.
The lightweight fibre glass reinforced composite enclosure is fitted with a rugged powder coated perforated steel mesh grille and multiple internal rigging points for permanent installations. The iQ12 is also fitted with a dual angle pole mount socket, allowing the enclosure to be pole mounted straight on, or raised and angled downwards for optimal audience coverage. Mains power input and link output is provided via Neutrik powerCON* connectors.