Saturday, June 11, 2011

AKG Perception 820 TUBE Microphones

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Price List Rp.7.445.000
AKG Perception 820 TUBE Microphones
In 2005 AKG has launched the very first Perception models – a completely new series of microphones showing legendary AKG Sound & Quality at an outstanding price level.
  • Two back-to-back one-inch large diaphragms featuring True Condenser Technology
  • An ECC 83 dual-triode tube circuitry emphasizes even-order harmonics for rich, smooth and three-dimensional sound
  • The elegant remote control unit allows selection of 9 different pickup patterns from omnidirectional to cardioid to figure 8
  • The switchable bass cut filter (80 Hz, 12 dB/oct) reduces unwanted rumble or footfall noise
  • A 20 dB attenuation pad enables for high SPL applications up to 155 dB
  • Brush-finished, anodized Aluminium front plate and all-metal housing for maximum shielding
  • A ground lift switch prevents unwanted hum if necessary
  • Designed and engineered in Vienna, Austria

The brand-new Perception 820 Tube delivers real tube sound quality. It is not only the new flagship model of the Perception Series but also raises the bar in its class of affordable tube microphones.
In contrast to many other affordable tube microphones, the Perception 820 Tube delivers real tube sound quality thanks to the dual one-inch large diaphragm capsule and the sophisticated ECC 83 dual-triode circuitry.

The elegant remote control unit allows selection of 9 different pickup patterns and controls the switchable bass-cut filter and the attenuation pad. Moreover, a ground lift switch prevents unwanted hum if necessary.
It comes complete with a spider-type shock mount and a metal carrying case.
AKG’s industry–leading Perception Series of condenser microphones are recognized for their outstanding quality and versatile capabilities at an affordable price.

The Perception 820 Tube raises the bar in its class – It shows real tube sound, the highest dynamic range, the most comprehensive features and comes complete with useful accessories at an unbeatable price.

Specifications:
Type1-inch dual-diaphragm, true condenser pressuregradient
Polar patternomnidirectional, cardioid, figure eight plus six intermediate patterns (selectable on Remote Control Unit)
Frequency range20 to 20,000 Hz
Sensitivity20 mV/Pa (-34 dBV ±3 dB)
Max. SPL135/155 dB SPL (0/-20 dB) for 0.5% THD
Equivalent noise level16 dB-A (IEC 60268-4)
Preattenuation pad-20 dB (switchable on Remote Control Unit)
Bass cut filter slope12 dB/Oktave, 80 Hz (switchable on Remote Control Unit)
Impedance<=200 ohms
Recommended load impedance>=1000 ohms
Poweringvia Remote Control Unit
Connectordedicated 7-pin male XLR
Dimensions53 dia. x 212 mm high (2 x 8.3 in.)
Net weight870 g / 1.9 lbs.
Remote Control UnitAudio/control input: dedicated 7-pin female XLR connector
Audio output: standard 3-pin male XLR connector,balanced, pin 2 hot
Polar pattern selector: 9-position detented rotary switch
Bass cut filter switch: 2-position toggle switch
Preattenuation switch: 2-position toggle switch
Power voltage: 210-240 VAC or 110-120 VAC, selectable
Primary fuse: 125 mA / 250 V slow-blow

AKG C414 XLII Recording Microphones

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Price List Rp.12.260.000
AKG C414 XLII Recording Microphones
The C 414 XL II is the successor of the famous C 414 B-TL II. It shows the unique sonic signature of the highly sought after AKG C 12 which enables lead vocals and solo instruments to be placed even in a dense mix. The unrivalled up-front sound is also well-known for distant miking applications like classic music recording or drum ambience miking.
  • AKG C 414 - A legend since 1971
  • Nine selectable pickup patterns enables to choose the perfect setting for every application
  • Lock Mode: all controls can be disabled easily for trouble-free use
  • Peak Hold LED even detects shortest overload peaks
  • Incredible Dynamic Range of 152 dB
  • Three switchable different bass cut filters and three pre-attenuation levels
  • Leading-edge technology and state-of-the-art components ensure shortest signal path and extra protection against moisture
  • Designed, Engineered and Built in Vienna, Austria

The XL II version differs from the XLS version in one major respect - the capsule. Both, the slight presence boost and the impressive spatial reproduction is similar to the legendary C 12 microphones.

For over 60 years, leading musicians and engineers have used legendary AKG microphones to capture their sound so their audience hears every nuance. The C 414 family has been one of the world’s most widely-used and respected studio and stage microphones in audio history. AKG has continually set new benchmarks for useful features, improved technical specifications and ease of use to answer requests from ever-demanding recording studios, broadcast stations and audio engineers.

The new models C 414 XLS and C 414 XLII offer nine pickup patterns which enable to choose the perfect setting for every application. For live-sound applications and permanent installations all controls can be disabled easily for trouble-free use. A Peak Hold LED displays even shortest overload peaks.
The C 414 comes complete with carrying case, pop filter, windscreen, and spider-type shock mount.

BOSS TU-80 Tuner/Metronome


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Price List Rp.245.000
BOSS TU-80 Tuner/Metronome
The BOSS TU-80 brings super-accurate LCD tuning to musicians at a very affordable price, while adding unique high-end features like a built-in metronome and Accu-Pitch™. The pocket-sized TU-80 runs on batteries and can tune almost any instrument, thanks to a chromatic tuning mode and ultra wide tuning range. It even tunes 7-string guitars and 6-string basses—putting the TU-80 in a class all its own.

  • Affordable and reliable LCD tuner with handy, built-in metronome
  • Supports chromatic tuning, plus 7-string guitars and 6-string basses
  • Accu-Pitch function sounds a tone when pitch is correct
  • Reference Tone Play function makes it easy to verify tuning by ear
  • Memory function stores your favorite tuner settings
  • Ultra-thin body fits easily into a guitar case or pocket
  • Metronome has 7 rhythms, 10 beats and cool animated LCD display

Reliable BOSS Tuning with Accu-Pitch
Thin is in. That’s why the new TU-80 was designed to be slim and light enough to fit in your pocket. Best of all, it sports reliable and accurate BOSS LCD tuning, along with Accu-Pitch, which plays a tone when you’re in tune. No more looking down at the tuner!

Versatile Tuning Modes and Metronome
Thanks to its chromatic and flat tuning capabilities, the TU-80 can tune just about any instrument—from guitars and basses to strings, brass and woodwinds. A handy Reference Tone Play function lets you hear the correct pitches, while a built-in metronome with seven rhythms and 10 beat variations makes practice more effective. No other tuner has all this!

Specifications:
Tuner
Reference Pitch
A4=435 Hz-446 Hz (1 Hz steps)
Tuning Range
E0 (20.6 Hz)-C8 (4186.0 Hz)
Internal Tuning Accuracy
+/-1 cent
Metronome
Tempo
30-250
Rhythm Style
Quarter note, Eighth rest and eighth note, Eighth note, Triple, Triple with center rest, Sixteenth note, Clave (3-2, 2-3)
Beat
0-9
Input Impedance
680 k ohms
Indicator
LCD Display, Tuning Guide LED
Connectors
Input Jack, Output Jack
Power Supply
Dry Battery (R6/LR6 (AA) Type) x 2
Power Consumption
3 mA (Metronome mode), 8 mA (Tuner mode and A4=440 Hz input); Expected battery life under continuous use (Carbon): Approximately 100 hours (A4 continuous input)
* These figures will vary depending on the actual conditions of use.
Accessories
Dry Battery (R6 (AA) Type) x 2, Owner's Manual
Size and Weight ( incl. batteries )
Width
122 mm
4-13/16 inches
Depth
68 mm
2-11/16 inches
Height
21 mm
0-7/8 inches
Weight
0.1 kg
0 lbs. 5 oz.

BOSS TU-12H High Range Chromatic Tuner


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Price List Rp.995.000
BOSS TU-12H High Range Chromatic Tuner
The TU-12H has a wide tuning range, making it perfect for tuning a variety of instruments including guitar, bass, woodwind, brass and ethnic instruments.

  • Highly visible sharp/flat LED indicators, tuning meter for precise information
  • Adjustable standard pitch from 440 to 445Hz in 1Hz increments
  • Built-in condenser mic for acoustic instrument tuning
  • 1/4" input and output jacks for in-line tuning
Specifications:
Reference Pitch
A4 = 440 to 445Hz (1Hz step)
Tuning Range
C1 (32.70 Hz) to B6 (1975.53 Hz)
Tuning Accuracy
+/-1 cent
Connectors
Input, Output, AC Adaptor
Power Supply
DC 9 V Dry Battery, AC Adaptor
Current Draw
20 mA (max.)
Size and Weight
Width
145 mm
5-3/4 inches
Depth
53 mm
2-1/8 inches
Height
35 mm
1-7/16 inches
Weight
0.2 kg
0 lbs. 6 oz.
*The specifications are subject to change without notice.

BOSS ME-70 Guitar Multiple Effects


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Price List Rp.3.700.000
BOSS ME-70 Guitar Multiple Effects
Stompbox Ease with Advanced COSM® Creativity
A multi-effects unit that’s as easy as a stompbox — that’s the beauty of the new ME-70. The friendly, knob-laden design makes tone creation a snap, but with a powerful COSM® AMP section derived from the GT-10, the ME-70 takes the “EZ effects” concept to new heights.

  • Dedicated knobs for each parameter for fast, friendly operation
  • New COSM Preamp section derived from GT-10 and Legend series
  • EZ TONE for quick, easy editing
  • Four footswitches and Expression pedal
  • PHRASE LOOP function in DELAY section, with 38 seconds of recording time
  • Battery or AC (optional PSA-120s) operation

Specifications:
Stompbox Ease with Advanced COSM® Creativity
AD Conversion
24-bit + AF method*
DA Conversion
24-bit
Sampling Frequency
44.1 kHz
Patch
36 (User) + 36 (Preset)
Effect Type
COMP/FX (Compressor/Effect): COMP, T.WAH UP, T.WAH DOWN, SLOW GEAR, DEFRETTER, Single>Hum, Hum>Single, SOLO
OD/DS (Overdrive/Distortion): BOOST, NATURAL, OD-1, BLUES, DIST, CLASSIC, MODERN, METAL, CORE, FUZZ
MODULATION: CHORUS, PHASER, FLANGER, ROTARY, UNI-V, TREMOLO, VIBRATO, HARMONIST, OCTAVE, DELAY
DELAY: 1-99 ms, 100-990 ms, 1000-6000 ms, ANALOG, MODULATE, REVERSE, CHO + DELAY, MOMENTARY, TAP, PHRASE LOOP
PREAMP: OFF, EQ, CLEAN, COMBO, TWEED, STACK, LEAD STK, R-FIER
NS (Noise Suppressor)
REVERB: ROOM, HALL
PEDAL FX (Pedal Effect): WAH, VOICE, +1 OCTAVE, -1 OCTAVE, MOD RATE
Nominal Input Level
GUITAR INPUT: -10 dBu
AUX IN: -18 dBu
Input Impedance
GUITAR INPUT: 1M ohm
AUX IN: 22k ohms
Nominal Output Level
-10 dBu
Output Impedance
2k ohms
Display
7 segments, 2 digits LED
Power Supply
DC 9 V Dry Batteries (R6/LR6(AA) type) x 6
AC Adaptor (BOSS PSA series: sold separately)
Current Draw
130 mA
Expected battery life under continuous use
Alkaline: 12 hours
Carbon: 3.5 hours
* These figures will vary depending on the actual conditions of use.
Accessories
Owner's Manual, Dry Batteries (Alkaline: LR6 (AA) type) x 6, Roland Service (Information Sheet)
Options
AC Adaptor: BOSS PSA series
Foot Switch: BOSS FS-5U, FS-6
Size and Weight
Width
384 mm
15-1/8 inches
Depth
229 mm
9-1/16 inches
Height
74 mm
2-15/16 inches
Weight
3.5 kg
7 lbs. 12 oz.
Maximum height ... 100 mm/3-15/16 inches
Weight includes batteries.
*AF method (Adaptive Focus method) is a proprietary method from Roland

BOSS RC-50 Loop Station


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Price List Rp.5.520.000
BOSS RC-50 Loop Station
The New Industry-Leading Looper
For those awaiting the arrival of the ultimate looper, the wait is finally over. Introducing the RC-50 — the most feature-laden Loop Station BOSS has ever built. It’s the best live looping tool ever built for that matter. Housed in a spacious seven-footswitch floor unit, the RC-50 lets you manipulate three stereo phrase tracks simultaneously. Each track supports multiple overdubs, so phrases can be stacked one by one on each track, resulting in a monstrous layer of looped phrases.

  • The new industry-leading looping tool for live performance!
  • 7 footswitches for intuitive control; realtime control of playback speed
  • Play up to 3 stereo phrase tracks simultaneously, all synced to an internal or MIDI clock
  • Ultra-long recording time (up to 49 min., mono), 99 patches (3 master loops per patch)
  • Undo/Redo function for recording and overdubbing
  • Center-cancellation feature, "flat" amplifier simulation feature
  • Stereo input, dual stereo output, XLR phantom-powered mic input, stereo mini-jack Aux input (for recording from an MP3 players, etc.)
  • USB port for data/audio backup, import/export of loops as WAV files

Loop, Layer, Rock!
Ready to blow your audience away? With a single RC-50, a guitarist, bassist, keyboardist, or vocalist can create a perfectly synced wall of sound live onstage. There are three simultaneous stereo phrase channels on the RC-50, each with a dedicated footswitch. Each channel can contain dozens of loops/phrases that you stack one by one, so you can imagine how massive your arrangements or solos can become!

In Sync
The RC-50 speaks sync. For bands that incorporate digital audio tracks, sequences, drum machines, and/or video elements into their live gigs, sync is not a luxury — it’s a necessity. For scenarios such as these, the RC-50 can be locked to an external MIDI clock source, ensuring that its loop performances are absolutely locked to the rest of the show. Internally, the RC-50 offers Loop Quantize for easy loop recording, plus Loop Sync (which enables all phrases to start in sync), and Tempo Sync (which matches the tempo of multiple phrases during playback).

Rhythm Guide
To make recording as fun and inspiring as possible, the RC-50 provides a total of 379 play-along Rhythm Guide Patterns using real sampled drums in a wide variety of time signatures. Why record to a stale click track when you can jam with rockin’ grooves instead?

Impressive I/O
The RC-50’s rear panel is well stocked with connectors, offering a variety of inputs (stereo Inst ins, XLR input with 48V phantom power, mini-jack aux), outputs (1/4” stereo, 1/4” sub stereo outs, headphone out), and USB for importing WAV files from computers. MIDI in and out jacks are provided, as are 1/4” TRS inputs for accommodating an optional Expression pedal and footswitches; up to four footswitches can be used simultaneously.


Bonus Features
The RC-50 has plenty of other noteworthy features on offer, for example: Phrases can be played forward or backward. Phrases can be retriggered in “free time” or on a time-aligned grid. Errors can be corrected on the fly with the Undo/Redo switch.


Specifications:
AD Conversion
24 bit
DA Conversion
24 bit
Sampling Frequency
44.1kHz
Program Memories
99
Nominal Input Level
INST: -10 dBu
MIC: -50 dBu
AUX: -16 dBu
Input Impedance
INST: 1 M Ω
MIC: 1 kΩ
AUX: 100 kΩ
Nominal Output Level
MAIN OUTPUT: -10 dBu
SUB OUTPUT: -10 dBu
Output Impedance
MAIN OUTPUT: 2 kΩ
SUB OUTPUT: 2 kΩ
PHONES: 47 Ω
Available Recording Time*
STEREO: Approx. 24 minutes
MONO: Approx. 49 minutes
Control
Front Panel
REC/PLAY/OVERDUB pedal
STOP pedal
TEMPO pedal
UNDO/REDO pedal
PHRASE 1 pedal
PHRASE 2 pedal
PHRASE 3 pedal
PATCH/VALUE dial
PARAMETER buttons
TAP TEMPO button
NAME/PATCH button
CTL/EXP PEDAL button
SYSTEM/USB button
EXIT button
WRITE button
PLAY MODE button
LOOP SYNC button
AUTO REC button
INPUT MODE button
OVERDUB MODE button
LOOP QUANTIZE indicator
OVERDUB MODE indicators
(OVERDUB, REPLACE, MOMENTARY PUNCH-IN)
PHRASE EDIT
PHRASE LEVEL knobs (PHRASE 1, 2, 3)
PHRASE buttons (PHRASE 1, 2, 3)
REVERSE indicators (PHRASE 1, 2, 3)
ONE SHOT indicators (PHRASE 1, 2, 3)
GUIDE
LEVEL knob
SELECT button
START/STOP button
INPUT LEVEL
AUX knob
MIC knob
INST knob
PEAK indicator
MASTER
LEVEL knob
Rear Panel
PHANTOM switch
POWER switch
Others
Display
16 characters, 2 lines (backlit LCD)
2 characters, 7 segment LED
Connectors
INST jacks R (MONO)/L (1/4 inch phone type)
MIC connector (XLR type; supports use of phantom power)
AUX jack (Stereo miniature phone type)
MAIN OUTPUT jacks R (MONO)/L (1/4 inch phone type)
PHONES jack (Stereo 1/4 inch phone type)
SUB OUTPUT jacks R (MONO)/L (1/4 inch phone type)
EXP/CTL 3, 4 PEDAL jack (TRS 1/4 inch phone type)
CTL 1, 2 PEDAL jack (TRS 1/4 inch phone type)
USB connector
MIDI connectors (IN/OUT)
DC IN (AC adaptor) jack
Power Supply
DC 9 V: Supply AC adaptor (Roland ACI or ACB series)
Current Draw
450 mA
Accessories
AC adaptor (Roland ACI or ACB series)
USB cable
Owner's Manual
Roland Service (information sheet)
Sound Library for RC-50 (Sample Phrase CD)
Options
Foot Switch: FS-5U
Dual Foot SwitcH: FS-6
Expression Pedal: EV-5 (Roland), FV-500L/H (Roland)
Foot Switch Cable: PCS-31 (Roland)
(Stereo 1/4 inch phone plug-1/4 inch phone plug x 2)
Size and Weight
Width
472 mm
18-5/8 inches
Depth
198 mm
7-13/16 inches
Height
64 mm
2-9/16 inches
Weight
2.9 kg
6 lbs. 7 oz.
excluding AC adaptor
* The times listed above take into account the amount of memory needed for the actual recording combined with the memory required for the RC-50's operations (e.g., Undo/Redo).* 0 dBu = 0.775 Vrms

YAMAHA LLX-6A Acoustic Electric


 
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Price List Rp.17.880.000
YAMAHA LLX-6A Acoustic Electric
The LLX6A offers the you an unequalled guitar rich in Tone, Feel, and Appearance. Handcrafted with a solid Englemann Spruce top, the LLX6A offers an incredible range and brilliant tone. Equipped with the latest A.R.T 3-way system, the LLX6A is stage ready.
Features:
Yamaha's L-Series acoustics have been the flagship of the range since their introduction more than 20 years ago. The 6-series acoustics combine a non-cutaway dreadnought body with Yamaha's class leading A.R.T. pickup system for the perfect combination of ultra-traditional styling and cutting edge performance.

  • A.R.T. 3way Pickup System (System57CB)
  • Jumbo Body
  • Solid Engelman Spruce Top
  • Rosewood Back & Sides
  • Mahogany and Rosewood 3ply Neck

A.R.T. Preamp Systems (System57CB)
3-way configuration The main pickups are controlled via the master volume, while the bass and treble pickups are controlled independently. The system is also equipped with a 3-band equalizer for versatile sound production that fully satisfi es the musician's creative demands. The onboard tuner is easy to view on stage, even under low

Specifications:
Body
Jumbo Type
Top
Solid Engelmann Spruce
Back
Rosewood
Side
Rosewood
Neck
Mahogany, Rosewood (3 ply)
Fingerboard
Ebony
Bridge
Ebony
Body Depth
100-125 mm (3 15/16"-4 15/16")
Nut Width
44 mm (1 3/4")
String Length
650 mm (25 9/16")
Tuners
Diecast Gold
Preamp
System57CB 3way A.R.T.
Standard Accessary
Form Case

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