BOSS AD-2 Acoustic Preamp

Price List Rp.1.830.000
BOSS AD-2 Acoustic Preamp

Natural Acoustic Sound Everywhere You Play
With the AD-2 Acoustic Preamp, acoustic-electric guitarists can now experience natural, studio-quality sound while performing on any stage. Equipped with an advanced BOSS sound engine, this compact pedal packs sophisticated processing power that belies its small size and simple, intuitive interface. Acoustic Resonance reproduces the complex resonance characteristics of your unplugged tone, while Ambience provides pro-level reverberation perfectly optimized for acoustic guitar. The AD-2 also features essential stage tools such as a notch filter for feedback control, a balanced DI out for direct connection to a PA, and a convenient mute function for tuning and switching guitars.

• Acoustic-electric guitar preamp with advanced BOSS sound processing
• Sophisticated under-the-hood processing with multiple interlocked parameters, accessible with simple stompbox controls
• Acoustic Resonance reproduces the complex resonance characteristics of an unplugged acoustic
• Ambience knob provides wide-ranging, studio-quality reverb optimized for acoustic guitar
• Notch filter for instant feedback reduction
• Normal output for an acoustic guitar amp and balanced DI output for direct PA connection
• Sound mute function for switching guitars and tuning on stage

Bring Your Acoustic’s Natural Sound to the Stage
The tone of an acoustic guitar is created by the complex interaction of sounds from its body, top, strings, and other elements. And as you play with varying techniques, dynamics, and more, this interaction constantly evolves to create the rich, woody sound we love. Unfortunately, the standard undersaddle piezo pickups installed on most stage guitars simply can’t reproduce this resonant complexity. The AD-2’s Acoustic Resonance effect solves this issue by analyzing the input signal as you play, and then employing advanced processing to beautifully recreate your guitar’s naturally evolving tone. Twisting the one-knob control adjusts multiple parameters inside the AD-2 to achieve the perfect tonal balance for any style, from delicate fingerpicking to intense strumming.

Enhance Your Guitar with Pro-Quality Reverb
After using Acoustic Resonance to bring back your guitar’s natural, intimate tone, adding some further depth and dimension with a little reverb makes it that much better. With the AD-2’s Ambience effect, you can dial in studio-quality reverb for any performing environment. Unlike standard reverbs that can cloud an acoustic guitar’s sound, the optimized BOSS algorithms in the AD-2 produce lush, deep ambience that perfectly complements your instrument’s voice. Like the Acoustic Resonance effect, a simple one-knob control tweaks many interlocked parameters under the hood, giving you access to a wide range of detailed reverb sounds.

DI Output and Feedback Killer
The AD-2 features two independent outputs for performance flexibility. Connect the Output jack to your acoustic guitar amp or stage monitor, and use the Line Out to send a balanced signal direct to the PA mixer. It’s even possible to turn off the Ambience effect in the Line Out signal, giving the PA engineer the flexibility to add their own reverb at the board. And if you encounter any low-frequency feedback issues on stage, the AD-2’s notch filter has you covered. As soon as you hear that familiar rumble, just turn the Notch knob until it goes away. It’s that easy!

Specification:

Nominal Input Level

-20 dBu

Input Impedance

10 M ohms

Nominal Output Level

OUTPUT jack: -20 dBu
LINE OUT jack: -20 dBu

Output Impedance

OUTPUT jack: 1 k ohm
LINE OUT jack: 600 ohms

Recommended Load Impedance

OUTPUT jack: 10 k ohms or greater
LINE OUT jack: 600 ohms or greater

Bypass

Buffered bypass

Controls

Pedal switch
ACOUSTIC RESONANCE knob
AMBIENCE knob
NOTCH knob

Indicator

CHECK indicator (Serves also as battery check indicator)

Connectors

INPUT jack: 1/4-inch phone type
OUTPUT jack: 1/4-inch phone type
LINE OUT jack: 1/4-inch TRS phone type
DC IN jack

Power Supply

Alkaline battery (9V, 6LR61) or Carbon-zinc battery (9V, 6F22)
AC adaptor (sold separately)

Current Draw

55 mA

Expected battery life under continuous use

Alkaline: Approx. 6 hours
* These figures will vary depending on the actual conditions of use.

Accessories

Owner's manual
Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information")
Alkaline battery (9V, 6LR61)

Option (sold separately)

AC adaptor (PSA series)

SIZE AND WEIGHT

Width

73 mm
2-7/8 inches

Depth

129 mm
5-1/8 inches

Height

59 mm
2-3/8 inches

Weight (including battery)

450 g
1 lb

* 0 dBu = 0.775 Vrms

Roland STUDIO-CAPTURE UA-1610 USB 2.0 Audio Interface

Price List Rp.10.995.000
Roland STUDIO-CAPTURE UA-1610 USB 2.0 Audio Interface
Flagship 16x10 Interface with 12 Premium Mic Preamps
With the new STUDIO-CAPTURE, Roland once again raises the performance standard for computer-based audio production. The latest addition to the acclaimed CAPTURE family boasts 12 premium-grade mic preamps, an industry first for a compact USB audio interface. A total of 16 audio inputs, 10 audio outputs, and MIDI I/O offers massive connectivity for pro-level setups, all in a single, tabletop unit that fits easily into a travel bag. Other top-flight features include 24-bit/192 kHz audio quality, comprehensive front-panel metering, XLR monitor outputs with dedicated level control, dual headphone outputs, rock-solid drivers with VS STREAMING technology, and much more. Durable, portable, and ready to take on large-scale recording projects both in the studio and on the road, STUDIO-CAPTURE stands head and shoulders above all other USB audio interfaces on the market.

• High-performance USB 2.0 audio interface for studio and mobile production
• 16 audio inputs and 10 audio outputs, including 12 premium mic preamps (VS PREAMP)
• VS STREAMING delivers ultra-stable, low-latency driver performance for Windows and Mac
• AUTO-SENS intelligently sets optimal input levels for all preamps
• Individual input/output meters and input channel buttons
• Four independent, software-controlled monitor mixes
• XLR monitor out, direct monitor, and dual headphone outputs with independent front-panel level knobs
• Coaxial digital I/O; MIDI I/O with FPT
• Expand your I/O by using two STUDIO-CAPTUREs together, both controlled with a single driver
• 2U rackmount ears included

Top Quality For Modern Audio Production
Combining pro-level audio performance, abundant I/O, and a versatile mobile design, STUDIO-CAPTURE is a powerful solution for today’s musicians, composers, and recording engineers. It delivers quality equivalent to dedicated rackmount audio interfaces costing much more, all in a compact, go-everywhere package that’s equally suited for traveling production, tabletop use in home studios, or permanent installation in commercial studios with the included rack ears. The 16 audio inputs, 12 mic preamps, and flexible monitor mixing allow you to track most bands without adding any additional hardware, or simultaneously connect multiple synthesizers and other devices in large-scale composing setups. To take on really big projects, you can seamlessly expand your I/O to 32 inputs and 24 mic preamps simply by adding a second STUDIO-CAPTURE.

12 Premium Mic PreAmps
Among its many standout features, STUDIO-CAPTURE offers 12 digitally controlled mic preamps (VS PREAMPS), built with premium-grade components for exceptional low-noise performance, high headroom, and transparent sound quality. 12 XLR/TRS combo inputs are provided for the preamps, with four inputs conveniently located on the front panel for quick and easy access. Available on each channel is independent phantom power, a low-cut filter, phase invert, and digital compression, accessible via the included software control panel.

Generous And Flexible I/O
STUDIO-CAPTURE is equipped with a total of 16 input channels and 10 output channels. With the versatile, space-saving combo jacks, each of the 12 XLR mic inputs can alternately be used as a balanced/unbalanced ¼-inch line input, while inputs 13-16 have their own dedicated rear-panel TRS jacks. Inputs 1 and 2 can be switched to Hi-Z operation for connecting guitars and basses directly, while inputs 15/16 can be assigned to the coaxial digital input. Eight analog outputs are provided on TRS jacks, with the main stereo outputs mirrored on XLR jacks. Two additional outputs (9/10) are available via a coaxial digital jack. STUDIO-CAPTURE also features MIDI I/O, with Roland’s proprietary FPT processing for superior high-speed performance.

High-Performance VS Streaming Technology
STUDIO-CAPTURE offers high-resolution, 24-bit recording at rates up to 192 kHz, with incredible stability and industry-leading low-latency USB performance provided by Roland’s proprietary VS STREAMING technology. All current Mac and PC DAW platforms are supported through ASIO 2.0/WDM (Windows) and Core Audio (Mac) drivers. Thanks to VS STREAMING, you can expand your I/O by using two STUDIO-CAPTUREs on the same USB bus without compromising stability or audio quality.
AUTO-SENS: PERFECT LEVELS AT THE TOUCH OF A BUTTON

Unique to Roland’s CAPTURE family is the innovative AUTO-SENS feature, which makes it fast and easy to set perfect input levels every time. Just press the dedicated front-panel button, play your connected instruments, and STUDIO-CAPTURE automatically sets the ideal recording level for each input in seconds. Useful for pros and beginners alike, AUTO-SENS is great for quick, fail-safe audio capture when recording a fully mic’d drum kit or an entire band.

Comprehensive Monitoring And Metering
Bright, responsive LED meters let you keep an eye on levels for individual input and output channels and the MONITOR OUT, while dedicated input channel buttons and other intuitive controls make it easy to navigate the built-in display. The MONITOR OUT section features a dedicated LEVEL knob for control room volume, plus a DIRECT MONITOR knob for listening to selected input signals. Two headphone jacks—each with their own level knob—allow a musician and engineer to monitor at the same time without additional hardware.

Flexible Monitor Mixing With Effects
Beyond traditional audio interfacing, STUDIO-CAPTURE offers four independent Direct Mixers for zero-latency monitoring, operated via the software control panel. Powered by STUDIO-CAPTURE’s internal DSP, each mix can be routed to any of the outputs, perfect for sending custom monitor mixes to headphones, speakers, or recording devices. Mix configurations can be saved for later use, providing quick setups for many different applications. A high-quality reverb processor is available for monitoring, allowing singers and instrumentalists to record dry tracks while listening to great-sounding ambience effects.

Specification:

Number of Audio Record/Playback Channels

Sampling Rate: 96 kHz, 48 kHz, 44.1 kHz
Record: 16 channels
Playback: 10 channels
Sampling Rate: 192 kHz
Record: 8 channels
Playback: 4 channels

Signal Processing

PC interface: 24 bits
AD/DA Conversion: 24 bits

Sampling Rate

AD/DA Conversion: 192 kHz, 96 kHz, 48 kHz, 44.1 kHz
DIGITAL (IN/OUT): 96 kHz, 48 kHz, 44.1 kHz

Nominal Input Level (variable)

Input 1–12 jacks (XLR type): -60 to -2 dBu
Input 1–12 jacks (1/4-inch TRS phone type): -54 to +4 dBu
Input 13–16 jacks (1/4-inch TRS phone type): -20, -10, +4 dBu

Nominal Output Level

OUTPUT 1–8 jacks: +4 dBu (balanced)

Headroom

18 dB

Output Impedance

OUTPUT 1–2 jacks (XLR type): 600 ohms (balanced)
OUTPUT 1–8 jacks (1/4-inch TRS phone type): 2k ohms (balanced)
PHONES: 47 ohms

Frequency Response

192.0 kHz: 20 Hz to 60 kHz (+0/-2 dB), 20 Hz to 90 kHz (+0/-8 dB)
96.0 kHz: 20 Hz to 40 kHz (+0/-2 dB)
48.0 kHz: 20 Hz to 22 kHz (+0/-2 dB)
44.1 kHz: 20 Hz to 20 kHz (+0/-2 dB)

Residual Noise Level

INPUT 1–2 -> OUTPUT 1–2: -90 dBu typ. (SENS = min., Input terminated with 600 ohms, IHF-A)
* Input channel fader = Unity

Dynamic Range

AD block INPUT 1–2: 105 dB typ. (SENS = min.)
DA block OUTPUT 1–2: 114 dB typ.

Display

Graphic LCD 128 x 64 dots

Connectors

INPUT 1–12 jacks *1: XLR type (balanced, phantom power *2: DC +48 V (unloaded maximum), 10 mA (maximum load))
INPUT 1–16 jacks: 1/4-inch TRS phone type (balanced)
PHONES jack: Stereo 1/4-inch phone type
OUTPUT 1–8 jacks: 1/4-inch TRS phone type (balanced)
COAXIAL IN jack: RCA phono type (conforms to IEC60958)
COAXIAL OUT jack: RCA phono type (conforms to IEC60958)
MIDI (IN, OUT) connectors
USB port: USB Type B
DC IN jack

*1 INPUT 1–2 jacks support high impedance
*2 Provided on all XLR-type input jacks. Current value is per channel. Total must not exceed 50 mA.

Interface

Hi-Speed USB

Power Supply

AC adaptor

Current Draw

1.6 A

Accessories

Owner's Manual
Block Diagram leaflet
AC adaptor
STUDIO-CAPTURE Driver CD-ROM
Rack mount angle x 2
USB cable
License agreement

SIZE AND WEIGHT

Width

284 mm
11-3/16 inches

Depth

162 mm
6-7/16 inches

Height

89 mm
3-9/16 inches

Weight

1.9 kg
4 lbs. 4 oz.

* 0 dBu = 0.775 Vrms

Roland JC-22 Jazz Chorus Guitar Amplifier

Price List Rp.6.950.000

Roland JC-22 Jazz Chorus Guitar Amplifier

Legendary Tone For Your Home
The JC-22 Jazz Chorus delivers Roland’s classic JC clean tone and famous Dimensional Space Chorus effect in a compact amp that’s perfect for playing at home. Offering the essential features of the popular JC-40 in an even more scaled-down size, this versatile stereo amp is also great for intimate performances and recording. A high-quality reverb complements the onboard chorus, and there’s also a stereo input on the front panel for plugging in modelers, multi-effects, and stereo stomps. Built to the same standards of sound and durability that the long-running amp series is noted for, the JC-22 makes legendary JC tone more accessible than ever.

• Legendary Roland JC clean tone in an ultra-compact combo
• Stereo 30-watt amp with two 6.5-inch speakers
• Stereo input for true stereo sound with modelers and stereo effects pedals
• Signature Dimensional Space Chorus effect for expansive stereo sound
• High-quality reverb effect
• Footswitch jacks for turning onboard effects on/off
• Stereo effects loop for connecting external effects

Iconic JC Clean Tone and Built-In Effects
Around the world, the Roland JC series is renowned as the benchmark in clean guitar amplification. With the JC-22, you can now have that authentic tone in a light, compact package. Two independent power amps and custom-designed speakers deliver the genuine clean sound of the larger JC amps, while the trademark Dimensional Space Chorus effect fills the room with immersive 3D sound. The amp also includes a great-sounding reverb that operates in true stereo for rich, expansive tone.

The Ultimate Home Amp
For playing and practicing at home, there’s no better platform than the JC-22. Its classic clean tone is ideal for use with all types of stompbox pedals, and you can even plug in stereo effects devices for wide, inspiring sound. The JC-22 works great with stereo-capable delay, reverb, and modulation pedals, and it’s also perfectly suited for advanced gear that employs amp modeling, multi-effects, and/or synth capabilities.

Connect and Control
The JC-22’s rear panel is filled with connectivity options. There’s an effects loop for patching in mono or stereo effects, and you even have your choice of series or parallel operation. Line Out jacks give you a convenient direct feed to a mixing console or recorder, while plugging into the Headphones jack automatically mutes the onboard speakers for quiet practice sessions with phones. There’s also support for optional footswitches, which allow you to turn the JC-22’s chorus and reverb effects on/off while playing.

Specification:

Rated Power Output

30 W

Nominal Input Level

INPUT L/MONO, R jacks: -10 dBu (1 M ohm)
EFFECT RETURN L/MONO, R jacks: -10 dBu (22 k ohms)
EFFECT RETURN L/MONO only: -10 dBu (11 k ohms)

Speakers

16 cm (6.5 inches) x 2

Controls

POWER switch
BRI (Bright) Switch
VOLUME knob
TREBLE knob
MIDDLE knob
BASS knob
REVERB knob
SPEED knob
DEPTH knob
EFFECT LOOP switch

Indicator

POWER

Connectors

INPUT L/MONO, R jacks: 1/4-inch phone type
LINE OUT L/MONO, R jacks: 1/4-inch phone type
PHONES jack: Stereo 1/4-inch phone type
FOOT SWITCH (CHORUS, REVERB) jacks: 1/4-inch phone type
EFFECT LOOP SEND jack: 1/4-inch phone type
EFFECT LOOP RETURN L/MONO, R jacks: 1/4-inch phone type
AC IN jack

Power Consumption

43 W

Accessories

Owner's manual
Power cord

Options (sold separately)

Footswitch (BOSS FS-5L, FS-6, FS-7)

SIZE AND WEIGHT

Width

461 mm
18-3/16 inches

Depth

239 mm
9-7/16 inches

Height

338 mm
13-5/16 inches

Weight

12 kg
26 lbs 8 oz

* 0 dBu = 0.775 Vrms

Roland JC-Xi Interactive Analog/Digital Crossover Synthesizer

Price List Rp.8.800.000

Roland JC-Xi Interactive Analog/Digital Crossover Synthesizer
Powerful Compact Synth with On-Board Pattern Squencer And Vocal FX
Tiny, mighty, and affordable, the JD-Xi puts a true analog synth engine, Roland’s famous SuperNATURAL synth sounds, and many other creative tools under one hood. Equipped with 37 mini keys, this compact instrument delivers fat, warm analog bass and lead tones with ample controls for hands-on tweaking, plus polyphonic PCM essentials like pads, strings, brass, and more. Create impressive loops in a flash with the pattern sequencer and built-in drum kits, and explore expressive vocal textures with the gooseneck mic, Vocoder, and AutoPitch. Small in size and large in versatility, the JD-Xi is all about big sounds and big fun!
Feature:

• Interactive crossover synthesizer with analog and digital sound engines
• Analog synth section provides authentic lead and bass tones
• Two digital synth sections with SuperNATURAL synth tones
• Four-track pattern sequencer and high-quality rhythm sounds
• Included gooseneck mic for use with built-in Vocoder and AutoPitch
• Process sounds with four simultaneous effects (Effect 1/2, Delay, Reverb)
• USB for audio/MIDI communication with computer music software
• Includes a large selection of ready-to-play sounds and patterns
• Additional sounds and patterns available for download at Roland’s Axial sound library site

Analog And Digital Synths In One Keyboard
With its unique crossover sound engine, the JD-Xi provides the best of both worlds: the warm, smooth response of classic analog, and the clarity and versatility of modern digital. The newly developed monophonic analog synth section features saw, triangle, and square waveforms with pulse-width modulation and an analog filter, plus an independent sub oscillator for low-end power. Two digital synth sections offer a wide range of high-quality SuperNATURAL synth tones, including pads, strings, electric piano, sound effects, and many others.

Gooseneck Mic For Vocoder Autopitch And Other Vocal Effects

The JD-Xi comes with a sturdy, high-quality gooseneck mic that brings even more fun to the party. Using the Vocoder, you can sing into the mic and control the tone and pitch via sounds played on the keyboard. With AutoPitch, it’s simple to achieve the exaggerated, robotic vocal sounds that are common in today’s pop and electronic music styles. There’s also a cool Auto Note function that allows you to “sing” JD-Xi synth sounds without touching the keyboard!

Build Loops With The Four-Track Pattern Sequencer
Using the intuitive pattern sequencer and large selection of onboard sounds, you’re able to create and perform sophisticated music with only the JD-Xi. The sequencer offers four separate tracks—two digital synth parts, analog synth, and drums—allowing you to build rich-sounding loops for any genre. Real-time and step recording modes are provided, along with a special TR-REC mode for programming in the style of Roland’s classic TR-series beatboxes. It’s easy to play patterns and tweak sounds as you perform, and many preset patterns are built in for jamming right out of the box.

Pro Drum Kits For High-Impact Beat
Packed with a variety of dynamic drum kits, the JD-Xi delivers quality rhythm tones to suit any groove. Included are many types of electronic and acoustic kits, and the drum instrument assignments are conveniently labeled above the keys for quick identification. You can also personalize the kits for your music by adjusting filter, envelope, pitch, and pan parameters on individual drum sounds.

Shape Sounds With Impressive effects
The JD-Xi includes four simultaneous effects sections for enhancing any sound. Effect 1 and 2 provide selectable processing options such as Bit Crusher, Slicer, and Ring Mod, while dedicated Delay and Reverb sections make it easy to envelop sounds in spacious ambience. Each effects section can be turned on/off separately for the three synth sections and drums, allowing you to shape your mix with many creative combinations.

Download Additional Sounds At Roland's AXIAL Site
Need some fresh inspiration, or maybe a sound for a particular style of music? Just visit the Axial sound library site, where you’ll find a growing selection of free new sounds and patterns for the JD-Xi. Axial features sounds for many other Roland synths as well, all created by top engineers and leading electronic music artists.

Custom Gig Bag
Featuring red and black styling to match the synth, the optional CB-JDXi gig bag is perfect for carrying the JD-Xi everywhere you go. The durable bag provides foam padding and end guards to protect the JD-Xi during everyday travel, plus handy compartments for stowing the gooseneck mic, power supply, and other accessories.

Specification:

KEYBOARD

Keyboard

37 mini keys (with velocity)

SOUND GENERATOR SECTION

Maximum Polyphony

129 voices (Digital Synth/Drum Kit: 128, Analog Synth: 1)
(Max. polyophony of the Digital Synth parts: 64 voices)

Parts

4 Parts
(Digital Synth Part: 2, Drums Part: 1, Analog Synth Part: 1)

Tones

Digital Synth Tone (SuperNATURAL Synth)
Analog Synth Tone
PCM Drum Kit
* For an analog synth tone, the oscillator, sub-oscillator, and filter sections consist of analog circuits.

Effects

Effect1 (Distortion, Fuzz, Compressor, Bit Crusher)
Effect2 (Flanger, Phaser, Ring Mod, Slicer)
Delay: 2 types
Reverb: 6 types

OTHER

Pattern Sequencer

Tracks: 4

Vocal Function

Vocoder
Auto Pitch
Auto Note

Other

Favorite, Arpeggio

Controllers

Pitch Bend/Modulation Wheel

Display

16 characters 2 line LCD

Connectors

Headphones Jack: Stereo 1/4-inch phone type
Output Jacks (L/MONO, R): 1/4-inch phone type
Input Jack (LINE(MONO) / Guitar Input): 1/4-inch phone type
MIDI Connectors (IN, OUT)
USB COMPUTER Port (USB Hi-Speed AUDIO/MIDI)
(Use a USB cable and a computer with a USB port that support Hi-Speed USB.)
DC IN Jack
MIC Input Jack: XLR type, unbalance

Power Supply

AC Adaptor

Current draw

1,000 mA

Accessories

Owner's Manual
AC Adaptor
Microphone

SIZE AND WEIGHT

Width

575 mm
22-11/16 inches

Depth

245 mm
9-11/16 inches

Height

85 mm
3-6/16 inches

Weight

2.2 kg
4 lbs. 14 oz.

* Weight is excluding AC Adaptor.

ASIO is a trademark and software of Steinberg Media Technologies GmbH.

SAMSON Conspiracy™ - MIDI Control Surface

Price List Rp.2.990.000
SAMSON Conspiracy™ - MIDI Control Surface
Take Command.
Samson's Conspiracy™ MIDI Control Surface lets you command your software with authority. Featuring an ultra-portable design and impressive array of customizable, tactile controls, the Conspiracy™ is the answer for producers/DJs, performers and mobile musicians looking to expand their creativity in live and studio production settings.

The core of the Conspiracy™ is made up of 25 velocity-sensitive trigger pads with aftertouch for sequencing melodies and rhythms, as well as launching clips, loops and samples for live performance. The pads also feature 3-color backlighting, which enables more comprehensive visual feedback and less reliance on a computer screen. Additional control is provided by the Conspiracy's 14 endless encoders, 10 backlit function buttons and 6 precision faders. All of these controls can be custom assigned via a backlit LCD navigated by a master encoder and four directional buttons. From here, you can program the type (Note/CC#), mode (Momentary/Toggle) and MIDI channel number of the pads, knobs, faders and buttons. Finally, the Conspiracy's X/Y touch pad is especially adept at manipulating effects or transitions within applicable software instruments.

The Conspiracy™ is an ultra-versatile controller that works equally as well in the studio and on stage. In addition to its other controls, the Conspiracy™ features a 2-channel DJ mixer section with a cross-fader and dedicated transport buttons. Its trigger pads and knobs are great for live remixing in applications such as Virtual DJ® and Traktor®, or dialing in effects and synth settings in Reason®, Ableton Live® and any of your favorite VST plug-ins. Also, 20 user presets allow you to quickly Save and Recall controller setups for different songs or recording/performance applications.

With Samson’s Conspiracy™, feel the freedom of controlling your iPad or any computer-based audio application to its full potential.
Features:

• Ultra-portable MIDI control surface
• 25 velocity-sensitive, 3-color backlit trigger pads with aftertouch
• 14 endless encoders, 10 backlit function buttons, 6 precision faders
• 2-channel DJ section with crossfader
• Assignable X/Y touch pad for next-level control over software effects
• Backlit LCD controlled by master encoder and four direction buttons
• Dedicated transport controls
• Save and Recall up to 20 presets
• Plug-and-play operation, no driver installation required
• Works with iPad using Apple's Lightening USB Camera Adapter or Camera Connection Kit (30-pin)
• Mini USB port
• USB bus powered
• Includes mini USB to USB cable