M-Audio ProKeys Sono 88 Digital Piano

Price List Rp.5.560.000
M-Audio ProKeys Sono88 Digital Piano 
M-Audio Prokey SONO88 Digital Piano With Audio Interface
The ProKeys Sono 88 portable digital piano with audio interface lets keyboard players and songwriters bridge the gap between writing, recording and performing. 88 semi-weighted, velocity-sensitive keys, advanced keybed scanning technology and a stereo-sampled Steinway grand sound deliver an incredibly expressive piano experience. Six additional instant-access instruments and 128 on-board General MIDI sounds round out a premium performance solution that can be used with or without a computer.* In the studio, the keyboard’s built-in USB audio interface makes it easy to record your performance—plus vocals and instruments—directly to the computer with the included software. ProKeys Sono 88 provides an intuitive and seamless experience from start to finish, whether you’re jamming live, creating professional-quality recordings or teaching music.

Top Features:

• Portable digital piano with integral audio interface > all-in-one music-making solution
• 88 semi-weighted, velocity-sensitive keys > exceptional feel and playability
• 7 high-quality built-in sounds > instant access to piano, clav, strings and more
• Line and microphone inputs > record vocals and instruments
• Includes on-board General MIDI sound set > 128 total sounds plus drums and percussion

Exceptional playability M-Audio digital pianos have been embraced by top recording artists and performing musicians on some of the world’s most notable concert tours. ProKeys Sono 88 extends M-Audio’s legacy of reliability and playability with advanced keybed scanning technology. This new innovation provides superior resolution, increasing your control over dynamics for an extremely expressive performance. Look no further for a realistic piano experience—in the studio and on stage. Channel your inner songwriter The ProKeys Sono 88 portable digital piano with audio interface provides exactly what you need to work out ideas—no need to power up several pieces of equipment or navigate through extensive menus to find the right sound. ProKeys Sono 88 features a built-in, stereo-sampled Steinway grand piano developed by the expert software instrument designers in the Digidesign® Advanced Instrument Research (A.I.R.) group. Six other instant-access sounds stand ready at your fingertips—bright piano, electric piano, organ, clav, strings and choir. You can even add reverb for enhanced realism. And the on-board GM sound set gives you 128 sounds plus drums and percussion. No computer is required—just turn on ProKeys Sono 88 and start playing.* *Optional power supply required for standalone use. Instruments galore Why just play piano when you can be the whole band? ProKeys Sono 88 gives you a full 128 GM instruments, plus drums and percussion, to play just for fun—or to use in building up multi-track recordings. Jam on drums, bass, synths, organ, sax, flute and many more instruments right at your fingertips.

Complete solution The ProKeys Sono 88 digital piano bridges the gap between writing, performing and recording music. The on-board 2-in, 2-out audio interface lets you listen to everything—built-in sounds, software instruments and recorded tracks—right from the ProKeys Sono 88 audio outs or headphone jacks. Connect instruments and microphones to the audio inputs and record vocals, guitar, bass and more—or even jam along with a CD. Compatible with most major digital audio workstation software, ProKeys Sono 88 combines everything you need to start making and recording music. Record and mix your tunes The included Ableton Live Lite software turns your ProKeys Sono 88 and computer into a complete recording studio. Its powerful drag-and-drop interface lets you make incredible loop-based music with ease. Want to record vocal and guitar tracks? Just plug your mic or instrument into your ProKeys Sono 88 and record them with Ableton Live Lite. When you’ve recorded all your tracks, this powerful software also lets you mix it all down to share with friends, record labels and more. Teacher’s pet ProKeys Sono 88 is a music teacher’s best friend. Dual front-mounted headphone jacks keep things private between you and your student. If you’re in a lab setting, the keyboard’s combination of on-board piano sounds and audio interface with mixer means there’s nothing else to buy. The included Ableton Live Lite software rounds out a complete electronic music learning package. There’s even a Piano Reset button to restore all settings to the internal piano sound should you ever need to return to the default state.

Compatibility
MME
Mac OS X Core MIDI

Minimum System Requirements (PC)
Windows XP (SP2)*

• Pentium III 1GHz or AMD K7 Athlon 1GHz
• (CPU may be higher for laptops)
• 512MB RAM
• CD/DVD-ROM drive for installation
• One native USB port

*Home and Professional Edition only. Windows Media Center Edition is not currently supported.

Windows Vista 32-bit / Windows Vista SP2 (32Bit , 64 Bit) / Win7 (32Bit , 64 Bit)

• Pentium III 1GHz or AMD K7 Athlon 1GHz
• (CPU may be higher for laptops)
• 1GB RAM
• 128MB graphics card
• CD/DVD-ROM drive for installation
• One native USB port

Minimum System Requirements (Mac)
Macintosh G4 1GHz*

• OS X 10.3.9 with 512MB RAM
• OS X 10.4.9 with 512MB RAM
• One native USB port
• CD/DVD-ROM Drive for Installation

*G3/G4 accelerator cards are not supported.
Note: M-Audio suggests checking the minimum system requirements of any third-party software, as they may be greater than the above specifications.

Peace Manhattan Portable Stand-Up Drum

Price List Rp.6.100.000

Peace Manhattan Portable Stand-Up Drum

Peace presents the cocktail kit redefined. The Manhattan kit is a totally portable stand-up drum set that heralds significant innovations to the classic nightclub cocktail kit. Rather than a single drum that doubles as a kick and snare, the Manhattan kit has two separate, concentrically mounted drums. A reverse cam pedal articulates the 14"x18" bass drum, and a sound-off pad is included to help minimize cross talk between the snare and bass drum.

The outfit also includes a matching, mounted 10"x5"tom, and two additional arms are provided, so cymbals, closed hats or a cowbell may be added if desired.

Godin 5th Avenue Archtop Acoustic Guitar

Price List Rp.6.800.000

Godin 5th Avenue Archtop Acoustic Guitar
The Godin 5th Avenue brings you back to a time when the archtop acoustic guitar reigned supreme. With the soul of a 1950’s archtop, the 5th Avenue is a true vintage spirit of yesterday with today’s level of modern playability. With more projection & volume in the low/mids than traditional archtop acoustic guitars, the dynamically rich tone of the 5th Avenue makes this sophisticated instrument a dream to play, but not a nightmare to pay for. The Godin 5th Avenue now makes the affordable North American archtop guitar a reality! From Alt-Country, Delta Blues, Slide, Jazz to Rock, the 5th Avenue can really deliver.

Made from Canadian Wild Cherry, the body of the 5th Avenue features a molded arched top and back, as well as an adjustable bridge, classic f-holes, contoured high-gloss headstock, floating pickguard and cream binding. Also, the rustic beauty of its Custom Polished Finish creates a gorgeous satin sheen reminiscent of the French polish of the 19th century.

The Godin 5th Avenue….the archtop acoustic of the past, for today’s modern musician.
Specification:

• Top: Canadian Wild Cherry 
• Back & Sides: Canadian Wild cherry with cream binding
• Neck: Silver Leaf maple with contoured high-gloss black headstock
• Fingerboard: Rosewood 
• Adjustable Tusq Bridge by Graphtech 
• Finish: Custom Polished Finish 
• Radius: 16" (406 mm) 
• Scale: 24.84" (630 mm) 
• Nut width: 1.72" (43,7 mm)

Colors: 

Cognac Burst

Godin Acoustic Archtop Cognac Burst with Tric Case

Natural

Godin Acoustic Archtop Natural with Tric Case

Black 

Godin Acoustic Archtop Black with Tric Case

Focusrite Octopre MKII Mic Pre-Amp

Price List USD 626

Focusrite Octopre MKII Mic Pre-Amp

With eight channels of Focusrite preamplification and a built-in 24-bit / 96 kHz ADAT output, OctoPre MkII is Focusrite’s powerful input upgrade for your Pro Tools system, or any digital audio workstation. It’s also a great expansion for any analogue or digital console, or hard disk recorder.

The digital output allows you to make the most of often-neglected ADAT inputs; ideal for expanding the number of mic pre inputs on your interface. Connect OctoPre MkII to your audio interface’s ADAT input to create a high quality, multi-channel recording solution, ideal for tracking drums, as well guitars, keyboards, vocals and more.
Key Features:
Eight high-quality award-winning Focusrite preamps
The best sounding multi-channel mic pre in its class.

Built-in eight channel 24-bit / 96 kHz digital output
Make the most of your interface’s ADAT input. OctoPre MkII connects via its built-in Lightpipe output, with a ‘real world’ dynamic range performance of 110dB.

Mic preamps optimised for tracking drums
OctoPre MkII is designed not to clip, with preamps optimised to handle extreme levels from sound sources like kick drum and snare.

Two quality Hi-Z instrument inputs
OctoPre MkII’s first two channels feature DI’s, ready for you to plug in your guitars and bass, instantly accessible on the front fascia.

5 LED input metering on every channel
OctoPre MkII’s fast-acting 5-LED input meters provide clear reference of input levels, helping you to avoid analogue or digital clipping.

-10dB Pads on every channel
OctoPre MkII is drum-ready, with 10dB pads to stop hot signals from overdriving the microphone preamp.

Direct outputs on every channel
For routing and flexibility, especially in the live environment. Each mic pre can be routed to the mixer’s analogue channels, with two mirrored ADAT outputs (44.1) left free to send to digital recorders.

48V Phantom power available on every channel
Switched in two groups (1-4 and 5-8) every channel is capable of supplying phantom power, for use with most condenser microphones.

State-of-the-art clocking solutions
OctoPre MkII's internal clock delivers a jitter performance of < 10 PPM. For external clocks, a BNC connector is provided and industry-standard JetPLL™ jitter elimination technology is employed.

Specification:

Mic Input

Frequency Response: 20Hz - 20kHz +/- 0.1 dB. 

THD+N: 0.001% (measured at 1kHz with a 20Hz/22kHz bandpass filter). 

Noise: EIN > 125dB (128dB analogue to digital): measured at ~60dB of gain with 150 Ohm termination (20Hz/22kHz bandpass filter).

Mic Gain: +10dB to + 55 dB

Input Pad: ~-10 dB

Phantom power switched in 2 x 4 channel groups (1-4 and 5-8)

Maximum input level: +8 dBu (+17 dBu with pad on input)

Line Input

Frequency Response: 20Hz - 20kHz +/- 0.1dB. 

THD+N: < 0.001% (measured with 0dBFS input and 22Hz/22kHz bandpass filter). 

Noise: -90dBu (22Hz/22kHz bandpass filter). 

Line 1-8 Gain: -10 dB to +36 dB

Line maximum input level: +22 dBu

Instrument Input

Frequency Response: 20Hz - 20kHz +/- 0.1dB. 

THD+N: 0.004% (measured with 0dBu input and 20Hz/22kHz bandpass filter). 

Noise: -87dBu (20Hz/22kHz bandpass filter). 

Instrument Gain: +10 dB to +55 dB

Maximum input level: +8 dBu

Analogue Output

Frequency Response: 20Hz – 20kHz +/- 0.2dB. 

THD+N < 0.0010% (-100dB) (measured with 0dBFS input 22Hz/22kHz bandpass filter, un-weighted). 

Nominal output level @ 0dBFS: 16 dBu, balanced

Digital

A/D Dynamic Range 110dB 'A-weighted' (all inputs). 

JetPLL™ Technology providing superb jitter reduction for class leading converter performance. 

Clock Jitter < 250 pico seconds. 

Sample Rate Clock Accuracy: +/- 20PPM. 

Sample rates: 44.1kHz to 96kHz.

Clock Sources: Internal and Word Clock.

Weight

3.6 kg / 7.93 lbs

Dimensions

W = 484mm / 19”, H = 45mm / 1.8”, D = 265mm / 10.4”

Front And Rear Connectivity

Analogue Channel Inputs:

2x Mic / Line / Instrument inputs on the front panel (Instrument selected via front panel button)

6x Mic / Line inputs on the rear panel. Switches automatically between Mic (XLR) and Line (TRS)

Analogue Channel Outputs:

8x Balanced 1/4" TRS Jack on the rear panel

Digital Channel Outputs:

2x ADAT Lightpipe (TOSLINK) outputs. Provides 8 channels per port (16 total) at 44.1 and 48kHz. Provide 4 channels per port (8 total) at 88.2 and 96kHz (S-MUX).

*Note that when running at 44.1 or 48kHz, the digital outputs are mirrored, providing outputs 1 - 8 on both ports.

Front Panel Indicators:

8x Five segment input LED meters (-42, -18, -6, -3 and 0dBFS)

4x Sample Rate LED's (44.1k, 48k, 88.2k and 96k)

2x Sync Source LED's (Internal and Word Clock)

'Lock' indicator LED

Focusrite Octopre MKII Dynamic Mic Pre-Amp

Price List USD 834

Focusrite Octopre MKII Dynamic Mic Pre-Amp

With eight channels of Focusrite microphone preamplification, eight VCA-based Red 3-derived compressors and built-in 24-bit / 96kHz digital inputs and outputs, OctoPre MkII Dynamic is Focusrite’s feature-rich expansion upgrade for any digital audio workstation. It’s equally an ideal expansion for any analogue or digital console, or hard disk recorder.

Digital inputs and outputs let you make the most of often-neglected ADAT I/O; ideal for expanding the number of mic pre inputs on your interface or for providing analogue monitoring from any digital ADAT feed.

With this entire package fitting into a single 1U chassis complementing Focusrite’s Saffire PRO range, and all controls adjustable from the front fascia, OctoPre MkII Dynamic sets the standard for modern, compact, multi-channel recording expansions.

Key Features:
Eight award-winning Focusrite preamps
Focusrite's unparalleled preamp legacy forms the foundation of this new device, with preamps optimised to handle extreme levels from sound sources like acoustic drums.

Eight ‘single-dial’ Focusrite compressors
A single dial gets you to the right amount of compression, fast. These new VCA-based, feed-forward compressors model the character of the celebrated Focusrite Red 3.

Compress transparently or with effect
The classic soft-knee design achieves beautifully transparent compression that caresses your sound. Focusrite’s unique “More” switch doubles the ratio to deliver ‘compression with effect’.

Built-in eight-channel 24-bit / 96kHz digital outputs
Make the most of your interface's ADAT input for tracking, with eight channels of analogue to digital conversion via ADAT, boasting a ‘real world’ dynamic range performance of 110dB.

Built-in eight channel 24-bit / 96 kHz digital inputs
Switchable from the front panel, digital to analogue conversion via ADAT provides analogue monitoring of any digital ADAT feed, as well as the ability to clock from any ADAT device.

State-of-the-art clocking solutions
OctoPre MkII Dynamic's internal clock delivers a jitter performance of +/- 20 PPM. For external clocks, industry-standard JetPLL™ jitter elimination technology is employed

Two high-quality instrument inputs
OctoPre MkII Dynamic’s first two channels feature DI’s, ready for you to plug in your guitars and bass. No expensive external DI required.

Additional Features:

• Input clip and Compression active LEDs on every channel
• 5 LED input metering on every channel
• Phantom power available on every channel (switched in two groups: 1-4 and 5-8)
• 24-bit resolution, 44.1, 48, 88.2 and 96kHz sampling rates
• Internal clocking, master clocking and external clocking via BNC or ADAT

Specification:

Mic Input

Frequency Response: 20Hz - 20kHz +/- 0.1 dB

THD+N: 0.001% (measured at 1kHz with a 20Hz/22kHz bandpass filter)

Noise: EIN > 125dB (128dB analogue to digital): measured at ~60dB of  gain with 150 Ohm termination (20Hz/22kHz bandpass filter)

Mic Gain: +10dB to + 55dB

Phantom power switched in 4 channel groups on Mic. 1-4 and 5-8

Maximum input level +16dBu

Line Input

Frequency Response: 20Hz - 20kHz +/- 0.1dB

THD+N: <0.001% (measured with 0dBFS input and 22Hz/22kHz bandpass filter)

Noise: -90dBu (22Hz/22kHz bandpass filter)

Line 1-8 Gain: -10dB to +36dB

Maximum input level +26dBu

Instrument Input

Frequency Response: 20Hz - 20kHz +/- 0.1dB

THD+N: 0.004% (measured with 0dBu input and 20Hz/22kHz bandpass filter)

Noise: -87dBu (20Hz/22kHz bandpass filter)

Instrument Gain: +10dB to +55dB

Maximum input level +16dBu

Analogue Output

Frequency Response: 20Hz – 20kHz +/- 0.2dB.

THD+N <0.0010% (-100dB) (measured with 0dBFS input 22Hz/22kHz bandpass filter, un-weighted)

Nominal output level 0dBFS = 16dBu, balanced

Compression

Threshold Range: -44dBFS (Max setting) to -4dBFS (Min setting)

Compression Ratio Normal: 2:1, More: 4:1

Auto Make Up Gain: 4dB (Min setting), 18dB (Max setting)

Attack Time: 1.2ms, Release Time: 28ms (-3.5dB method)

Compression Curve: Classic Focusrite Soft Knee

THD+N (maximum at any compression threshold, input < +16dBu, gain at minimum): < 0.18%

Digital

A/D Dynamic Range 110dB ‘A-weighted’ (all inputs)

D/A Dynamic Range 110dB ‘A-weighted’ (all outputs)

Clock Jitter < 250 pico seconds

Sample rates: 44.1kHz to 96kHz

Sample Rate Clock Accuracy: +/- 20PPM

JetPLL technology providing superb jitter reduction for class leading converter performance

Clock sources: Internal, Word Clock and ADAT (from ADAT1 input only)

Weight

Single unit unboxed net weight : 3.6 kg / 7.3 lbs

Single unit boxed net weight : 4.05 kg / 8.9 lbs

Dimensions

Unboxed: W = 484mm / 19”, H = 45mm / 1.8”, D = 265mm / 10.4”

Boxed: W= 595 mm / 23.5”, H= 120 mm / 4.75”, D= 340 mm / 13.4”

Front And Rear Connectivity

Analogue Channel Inputs:

2x Mic / Line / Instrument inputs on the rear panel (Inputs 1 and 2). Switches automatically between Mic (XLR) and Line (TRS). Instrument selected via front panel buttons.

6x Mic / Line inputs on the rear panel. Switches automatically between Mic (XLR) and Line (TRS).

Analogue Channel Outputs:

8x Balanced 1/4" TRS Jack on the rear panel

Switching to enable monitoring of A/D inputs or ADAT inputs with ADDA switch on front panel.

Digital I/O:

2x ADAT Lightpipe (TOSLINK) inputs. Provides 8 channels at 44.1 and 48kHz (please note that in this mode, only ADAT input 1 is active, allowing for a total of 8 ADAT input channels at 44.1 / 48kHz). Provide 4 channels per port (8 total) at 88.2 and 96kHz (S-MUX).

2x ADAT Lightpipe (TOSLINK) outputs. Provides 8 channels per port (16 total) at 44.1 and 48kHz (please note that in this mode, the digital outputs are mirrored, providing outputs 1 - 8 on both ports). Provide 4 channels per port (8 total) at 88.2 and 96kHz (S-MUX).

Word-Clock in and out on rear panel BNC connectors

Front Panel Indicators:

8x Five segment input LED meters (-42, -18, -6, -3 and 0dBFS)

4x Sample Rate LED's (44.1k, 48k, 88.2k and 96k)

3x Sync Source LED's (Internal, Word Clock and ADAT)

'Lock' indicator LED

ADDA Switch for analogue output source selection (A/D’s or ADAT inputs)

Hammond SK-1 Ultra Portable Organ

Price List Rp.22.500.000

Hammond SK-1 Ultra Portable Organ

The Ultra-Portable HAMMOND SK1 and SK2 pack all the power, all the tradition, and all the soul of a Vintage B-3 into a trim 15-pound package. We haven't stopped there, including a wide series of other voices, like Acoustic and Electric Pianos, Clav, Vintage Combo Organs, Vintage String Synthesizer, Accordions, Pipe Organ, and many others. The SK series aren't watered-down "light" or "clone" versions of a Hammond, either. All the classic features that "make" a Hammond are included: Real Mechanical Drawbars, "Waterfall" Keyboard, Touch Response Percussion, Chorus Vibrato, and a new-generation "Digital Leslie" that gives the big speaker a run for the money. Your eyes see "portable" but your ears hear, and your touch says: "B-3" 

The Hammond SK1 is the first “Ultra-Portable” organ in its history, weighing in at just 15 pounds, and the first Hammond portable to feature a wide range of Extra Voices. The “Drawbar” section is a complete Hammond Organ with all the traditional features: Real Mechanical Drawbars, Chorus Vibrato, Touch-Response Percussion, and the most authentic Digital Leslie we have ever offered. “Vx” and “Farf” combo organ models are also available, as well as an assortment of fine classical Pipe Organ voices derived from our 935 Church Organ. Acoustic and Electric Pianos, Clavs, Accordions, Vintage String Synth, Wind Instruments and Tuned Percussion round out the specification.

Specification:

Sound Generator

Organ Section

2 - VASE III as Digital Tone-wheels, Transistor Organ and Pipe Organ
61 polyphony (for manual, except Pipe Organ)
8 polyphony (for pedal, except Pipe Organ)
63 polyphony (maximum, on Pipe Organ)

Extra Voice Section

VASE III, 63 polyphony (maximum)

Keyboards

C1 to C6 61-key (SK1)

Harmonic Drawbars

Drawbars

9 Pitches, assignable for Upper, Pedal, Lower

Voicing

Manuals: 6 choices (B-Type1, B-Type2, Mellow, Vx, Farf, Pipe), valiable key-click,
Pedal: 4 choices (Normal, Muted, Synth1, Synth2), 5 choices key-click

Touch Response Percussion

Buttons

Second Harmonic, Third Harmonic, Fast Decay, Volume Soft

Adjustable

Touch, Velocity, Decay (Fast, Slow), Level (Normal, Soft)

Extra Voice

Instruments

6 Groups (A. Piano, E. Piano, Keyboard, Wind, Other, Library)
Upgradable via Library

Control

Allocate Upper/Lower, Solo, Group

Effects

Vibrato and Chorus

Digital Scanner

Buttons: 1, 2, Chorus, Upper On, Lower On

Overdrive

Digital, 4 programs
Control: On, Amount

Multi Effects

8 programs for Organ/Extra Voice individually
Control: On, Amount

Equalizer

for Organ: Bass, Mid (sweep), Treble, Tone
for Extra Voice: Bass, Mid (sweep), Treble

Internal Leslie

Advanced Digital, 2 Rotors
Buttons: Bypass, Stop, Fast

Reverb

Digital, 11 programs
Control: On, Depth

Master Equalizer

Control: Bass, Mid Gain, Mid Frequency, Treble

Keymap

Buttons

Manual Bass, Split (SK1 only), Lower to Pedal (SK2 only) Octave Up, Octave Down, Lower, Transpose

Adjustable

Coupler Highest note, Split Point

Patches

Capacity

100 User Patches, 100 Preset Patches, Manual

Favorites

10 buttons

Patch Load Options

Drawbar Registration, Drawbar Parameters, Extra Voice, Internal Zone,

External Zone, Organ Effects, Exv Effects, Reverb

Controllers

Volumes

Master Volume, Music Volume, Extra Voice Volume

Switch

Power On/Off

Music Player

File Format

WAV (44.1kHz, 16bit, Stereo), MP3 (44.1kHz, 128kbps, Stereo)

Control

Song, Play/Pause

Storage

USB Flash Drive

Display

20 - Characters, 2 - Lines
8 Control Buttons and Value knob

MIDI

Templates

9 Templates(SK1), 5 Templates(SK2)

External Zones

3 Zones, assignable any keyboards

Connections

MIDI

In, Out

Audio

Line Out L, R, Headphones

Leslie

8 - pin, 1 and 3 channels available

Other

Foot Switch, Damper Pedal, Exp. Pedal, DC IN (12V)

Accessory

AC Adaptor AD3-1250

Dimensions

SK1: 35 1/4"(W) x 12"(D) x 3 7/8"(H)

Weight

SK1: 15 1/2 lb

Amptweaker TightBoost™ Booster Pedal

Price List Rp.2.350.000
Amptweaker TightBoost™ Booster Pedal
The Amptweaker™ name points toward the design goal of making products that allow the user to tweak their own amp tone.

The TightBoost™ version of the TightDrive overdrive pedal has less gain, more volume and provides a cleaner boost to drive your amp harder. Along with the popular Tight control, it also has a Mid boost control that gradually adds a Parked Wah tone. This makes it easy to add a controlled amount of 'vowel' tone to your boost.
Features:

• True Bypass switch
• Tight Attack Control
• Boost, High, & Mid Boost Controls
• Parked Wah sound when Mid Boost is cranked
• Two position Wah Frequency switch
• Effects Loop with Pre/Post switch..tracks On/Off Footswitch
• LED lit knobs when using a power supply
• Battery disconnect switch with red indicator
• DC Adapter jack, 9V-18V, 2.1mm X 5.5mm, center ground(-)
• Magnetic Battery access door opens w/o tools
• 14Ga. Steel chassis
• Handmade in the USA
• 11mA current consumption(battery)
• 26mA current consumption(9V power supply) 
• Dimensions 3.75"W X 5"D X 2"H

During the 2010 Nashville Amp Expo, local area guitarists participated in the final tweaks to select their favorite Parked Wah Frequencies, and the 2 favorites were put on a switch near the Mid control. One gives you a 'pushed forward' screaming mid similar to a Michael Schenker tone, and the other is more like the classic throaty wah tone. By also adjusting the Boost, Tight and High controls, there are a lot of different boosted overdrive tones possible.

While most 'clean boost' pedals have no method for preventing unintentional distortion, the TightBoost pedal uses the same distortion methods as the TightDrive, so when driven hard it has a nice sounding, warm and tube-like breakup on its own. It's great for providing a solo boost for your amp, or to further overdrive a distortion or overdrive pedal.

Many Product Idea submissions received were from people looking for overdrive and boost pedals that could provide tight low end. This led to the Tight Control, which allows you to adjust the amp's attack, varying it from smooth and singing to chunky and aggressive attack. The remaining High control tweaks the tone in the highs, and the Boost adjusts the overall boost level of the pedal.

As with all Amptweaker handmade pedals, the TightBoost includes an effects loop on the back so you can add whatever you want to this pedal. And there's a Pre/Post button underneath the pedal so you can move that outboard effect to in front of or behind the TightBoost. When you bypass the TightBoost pedal, the other effect or effects will be bypassed as well. This feature is great if you want to further tweak the tone with an EQ in front of or behind it, or to add compression, delay or even another distortion pedal.

Amptweaker TightMetal™ Distortion Pedal

Price List Rp.2.600.000
Amptweaker TightMetal™ Distortion Pedal 
The new TightMetal™ distortion pedal takes the TightDrive™ and TightBoost™ overdrive platform to the next level by providing over-the-top metal and hardcore crunch tones with adjustable tightness thanks to the Tight control. This issue came up early on when discussing various ideas with Mark Kloeppel, guitarist from the deathgrind band Misery Index. Like many other metal players, Mark was looking for a particular guitar tone, one with a lot of harmonics but with the ability to stop the notes really fast to work with their music. As on the original TightDrive, the Tight control varies the low end from smooth and thick to tight and aggressive so you get the attack that works with your guitar and picking style.

In the same way high gain tube amps are designed by cascading extra tube stages, the TightMetal was created by adding additional stages in front of a carefully modified TightDrive. The resulting thicker and much heavier distortion is tweaked by a simple built-in output EQ curve, and can further be adjusted by the output Tone control, so it’s easy to get a stack sound even through a small combo amp’s clean channe
Features:

• True Bypass switch
• Tight Attack Control
• Gain, Tone, & Volume Controls
• Gate switch with Chomp™ setting for quick stops
• Mid switch with Thrash setting
• Effects Loop with Pre/Post switch..tracks On/Off Footswitch
• LED lit knobs when using a power supply
• Battery disconnect switch with red indicator
• Current: 12mA with 9V battery, 28mA with 9V adapter
• Works with 9V-18V supplies–like 'variacing' your amp up and down
• DC Adapter jack, standard 2.1mm X 5.5mm, center ground(-)
• Magnetic Battery access door opens w/o tools
• Handmade in the USA

After discussing some other consumer suggested ideas with Mark, a couple of switches were added to help customize the tone and help the playability. A Mid switch helps get a more traditional metal rhythm sound with its Thrash setting which gives a deeper scooped mid tone. To help stop the notes even quicker, a Noise Gate switch with an ultra quiet, quick decaying Chomp setting really helps a lot....especially when doing very quick riffs with a lot of palm-muted stops, so the whole band sounds even tighter.

At January NAMM '11, various metal players made suggestions about adjustments to the gate, and the result was a redesign to include an automatic gate threshold that tracks the gain control......this keeps the Chomp setting appropriately hard, and backs off on that setting as the gain is reduced.

All other features from the TightDrive remain intact, including the Effects Loop with its Pre/Post switch, the LED illumination of the controls, and the Battery On/Off switch and magnetic battery access door. The effects loop send can be used as a clean guitar send for re-amping in the studio if switched to Pre.

Amtweaker TightRock™ Distortion Pedal

Price List Rp.2.600.000
Amtweaker TightRock™ Distortion Pedal 
The new TightRock™ Distortion pedal bridges the gap between two very popular Amptweaker™ pedals, the TightMetal™ and TightDrive™. Its tone is not quite as heavy sounding as the TightMetal, but the gain range is much higher than the TightDrive. The pedal includes EQ and Gain Boost switches, and has a built-in noise gate that automatically tracks the gain control. The Tight control, a mainstay of Amptweaker pedals, varies the pick attack from smooth and thick to tight and aggressive so you get the attack that works with your guitar and picking style.

The EQ switch converts the tone from the TightDrive EQ to a new PlexEQ which gives the pedal the classic vintage stack tones....more edge, a little less mids, and the classic 412 bottom. The Gain Boost switch modifies the gain from a classic distortion sound to a very modern amount of gain, but doesn't color the sound of your amp as much as the TightMetal. With the Gain Boost and EQ turned off the pedal can be used to overdrive an already distorted amp or pedal, without changing the character very much. The TightMetal noise gate has also been retweaked to make it smoother, to allow it to work better for solos.

A new cool Amptweaker feature is the SideTrak™ effects loop.Several consumer requests led to this extra effects loop that turns OFF when the pedal is ON. Since the TightRock makes such a good ‘solo’ pedal, it’s the perfect pedal to introduce this unique idea.

Features:

• True Bypass switch
• Tight Attack Control
• Gain, Tone, & Volume Controls
• Noise Gate with auto threshold based on gain
• EQ switch with PlexEQ setting
• Gain Boost switch
• EFX Loop with Pre/Post switch..tracks On/Off Ftsw
• SideTrak™ EFX loop that works when pedal is bypassed!
• LED lit knobs when using a power supply
• Battery disconnect switch with red indicator
• Current: 12mA with 9V battery, 28mA with 9V adapter
• Works with 9V-18V supplies–like 'variacing' your amp up and down
• DC Adapter jack, standard 2.1mm X 5.5mm, center ground(-)
• Magnetic Battery access door opens w/o tools
• Handmade in the USA

It can be used to add a compressor, chorus or chain of effects that only works when you play clean, or to switch to another distortion pedal to use for the rhythm sound...all without having to hit more than one switch....it’s like having a built-in A/B box. A green LED alternates with the normal red one to indicate that the loop is active when the pedal is bypassed.

Another cool SideTrak trick is that if you only plug in the SideTrak Send, and don't plug in the Return, then that Sent dry signal can be sent to another amp.....meaning you could have the TightRock going through a 412 halfstack while sending the clean tone to a Twin or some other clean amp. All this ability comes from two simple jacks on the side of the pedal!

All other features from the TightDrive remain intact, including the Effects Loop with its Pre/Post switch, the LED illumination of the controls, and the Battery On/Off switch and magnetic battery access door. The rear effects loop send can also be used as a clean guitar send for re-amping in the studio if switched to Pre.

Line6 XD-V30HS Digital Head Set

Price List Rp.3.180.000

Line6 XD-V30HS Digital Head Set

The Line 6 XD-V30HS Digital Headset wireless system delivers previously unachievable wireless performance. Perfect for singer/dancers, guitarists, presentations and aerobics instruction, this 4th-generation Line 6 digital wireless features exclusive technologies and rugged construction which is setting the standard for digital wireless.
Features- Digital wireless headset microphone system

• Clear and natural vocal reproduction
• Superior transient response
• 4th-generation digital wireless technology
• 10Hz-20kHz AF frequency response (Audio Transmission)
• 118dB dynamic range
• 24-bit digital conversion
• Exclusive DCL (Digital Channel Lock) technology
• Exclusive PDP (Proprietary Data Placement) technology
• 2.4GHz broadcast for worldwide operation
• 6 always-available channels
• 100-foot/30-meter range
• Simple setup and operation
• Durable polycarbonate construction
• Balanced XLR and unbalanced 1/4" output
• FCC/DTV compliant

Extended Range, Superior Sound

XD-V digital wireless systems sound great at ten feet or 100 feet. Unlike with analog wireless systems, XD-V audio quality remains crystal-clear and unchanged throughout each system's range. The XD-V30HS headset wireless system features a 100-foot range (line-of-sight).

Exclusive Technologies

Exclusive Line 6 technologies keep you on the air longer. Frequency diversity and true diversity protect your performance from all types of audio interference - even in hostile RF environments.

DCL

Exclusive DCL (Digital Channel Lock) technology provides an encoded digital transmission that ensures against all types of RF interference interrupting your audio. What you put into the microphone is what you get out of it.

PDP

New PDP (Proprietary Data Placement) technology provides frequency diversity, which incorporates a hybrid frequency-hopping spread-spectrum technology. Put simply, each user channel is split into four frequencies before being transmitted. The receiver reassembles the signal and the result is incredibly reliable operation - even in hostile RF environments.

Rugged Construction

The road-worthy transmitters and receivers can survive the most grueling traveling conditions. XD-V digital wireless systems are constructed of high-quality metal and polycarbonate to handle the most challenging performance situations. The XD-V30HS headset wireless system features a polycarbonate transmitter body and a polycarbonate desktop receiver chassis.

2.4GHz Broadcast

The best way to avoid interference? Don't get in its way. Broadcasting in the 2.4GHz band successfully avoids interference caused by TV stations, cell phone towers, and other high-powered sources. Plus, it can be used around the world without a license.

Battery Life Management

Clear, easy-to-read displays on the transmitters and receivers provide accurate battery life data. No more unexpected dead batteries - you'll always know how much juice you have left. Get 8 hours of constant usage from two AA alkaline batteries (included).

What about WiFi?

Worried about interference caused by 2.4GHz WiFi networks and Bluetooth devices? Don't be. XD-V digital wireless systems use uniquely addressed and encoded digital transmission technology. Your signal will travel from your transmitter to your receiver free of interference.

Hearing is Believing

Line 6 digital wireless technologies ensure crystal-clear, pure and responsive vocal reproduction. Full-range frequency response, wide dynamic range, and superior transient response are just the tip of the iceberg.

What's in the Box?

Includes headset with integrated microphone, windscreen, beltpack transmitter, 1/3U receiver, batteries, and protective carrying case.

Roland OCTA-CAPTURE™ Hi-Speed USB Audio Interface

Price List Rp.6.615.000
Roland OCTA-CAPTURE™ Hi-Speed USB Audio Interface
Eight Premium Mic Preamps, Compact I/O, Pristine Sound Quality
Combining ten inputs, ten outputs, and eight VS PREAMPS with transparent 24-bit/192 kHz audio quality, the Roland OCTA-CAPTURE sets a new standard for portable USB 2.0 audio interfaces. High-level audio production comes easy with this fusion of premium components, Roland-quality engineering, and proprietary preamp and streaming technology. OCTA-CAPTURE is not only the perfect interface for multi-channel computer-based production, but also a great solution for expanding the I/O capability of the V-STUDIO™ 700 and V-STUDIO™ 100. Brimming with quality and performance seldom seen in its price range, OCTA-CAPTURE isthe next-generation audio interface.

• Eight premium mic preamps built in (VS PREAMP)
• AUTO-SENS function intelligently sets optimal input levels for all preamps
• Extremely stable low-latency VS STREAMING driver
• Four independent software-controlled Direct Mixers for creating custom monitor mixes
• Supports all major DAW platforms on Mac or PC, including OSX 10.6 and Windows 7, through ASIO 2.0/WDM (Windows) and Core Audio (Mac) drivers
• Rackmount ears included
• Bundled with SONAR X1 LE

Eight Premium Mic Preamps
OCTA-CAPTURE boasts eight premium-grade digitally controlled mic preamps (VS PREAMPS), built with the same high-grade components as the preamps in the V-STUDIO 700 and M-400 V-Mixer. Eight XLR inputs are provided for the preamps, plus independent phantom power, low-cut filter, phase invert, and digital compression for each channel.

Auto Input Level Adjustment
Never before has it been this fast and easy to set perfect input levels — simply activate the AUTO-SENS feature with the push of a button, play your connected instruments, and OCTA-CAPTURE automatically sets the ideal recording level for each input. It’s great for quick, fail-safe audio capture when recording either a fully mic’d drum kit or an entire band.

Extreme Low-Latency Driver
OCTA-CAPTURE offers incredible stability and industry-leading low-latency USB performance via Roland’s proprietary VS STREAMING technology. All current Mac and PC DAW platforms are supported through ASIO 2.0/WDM (Windows) and Core Audio (Mac) drivers. Thanks to VS STREAMING, you can use multiple devices (two OCTA-CAPTURE units or one OCTA-CAPTURE plus a V-STUDIO 100 or V-STUDIO 700) on the same USB bus without compromising stability, performance, or audio quality.

Four Flexible Monitor Mixes
Beyond traditional audio interfacing, OCTA-CAPTURE offers four independent Direct Mixers for creating software-controlled monitor mixes. Each mix can be routed to any of the analog outputs and can take advantage of the internal 40-bit DSP processing — perfect for sending custom monitor mixes to headphones, speakers, or recording devices.

Specification:

Number of Audio Record/Playback Channels

44.1/48/96 kHz

Record: 10 channels
Playback: 10 channels

192 kHz

Record: 4 channels
Playback: 4 channels

Signal Processing

PC interface

24 bits

AD/DA Conversion

24 bits

Internal

40 bits

Sampling Frequency

AD/DA Conversion

44.1/48/96/192 kHz

DIGITAL (IN/OUT)

44.1/48/96 kHz

Nominal Input Level

Input Jack 1—6 (XLR type)

-56 to -6 dBu

Input Jack 7—8 (XLR type)

-50 to +0 dBu

Input Jack 1—8 (1/4 inch TRS phone type)

-46 to +4 dBu

Nominal Output Level

OUTPUT 1—8

+0 dBu (balanced)

Head Room

16 dB

Input Impedance

Input Jack 1—6 (XLR type)

5 k ohms (balanced)

Input Jack 7—8 (XLR type)

10 k ohms (balanced)

Input Jack 1—8 (1/4 inch TRS phone type)

17 k ohms (balanced)

Output Impedance

OUTPUT 1—8

1.8 k ohms (balanced)

PHONES

47 ohms

Frequency Response

192.0 kHz

20 Hz to 90 kHz (+0/-8 dB)
20 Hz to 60 kHz (+0/-2 dB)

96.0 kHz

20 Hz to 40 kHz (+0/-2 dB)

48.0 kHz

20 Hz to 22 kHz (+0/-2 dB)

44.1 kHz

20 Hz to 20 kHz (+0/-2 dB)

Residual Noise Level

MAIN OUT

-87 dBu typ. (GAIN:min., INPUT 1 — 2 terminated with 600 ohms , IHF-A)
* Internal Direct Monitor Mixer setting
Stereo Link: ON, Input channel fader: Unity

Dynamic Range

AD block

INPUT 1—8: 104 dB typ. (GAIN: min.)

DA block

OUTPUT 1—8: 113 dB typ.

Display

128 x 64 dots Graphic LCD (backlit LCD)

Connectors

Input Jacks 1—8 (XLR type / 1/4 inch TRS phone type)
XLR type (balanced / phantom power +48 V)
1/4 inch TRS phone type (balanced)
Coaxial Input Connector
Coaxial Output Connector
Headphones Jack (Stereo 1/4 inch phone type)
Output Jack 1—8 (1/4 inch TRS phone type (balanced))
MIDI Connectors (In, Out)
USB Connector

Others

Power Supply

DC 9 V (AC adaptor)

Current Draw

1.45 A

Accessories

Rack Mount Angle x 2
Owner's Manual
Cakewalk Production Plus Pack DVD-ROM
Driver CD-ROM
AC Adaptor
USB cable

Size and Weight

Width

284 mm
11-3/16 inches

Depth

158 mm
6-1/4 inches

Height

50 mm
2 inches

Weight

1.3 kg
2 lbs. 15 oz.

* 0 dBu＝0.775 Vrms

In the interest of product improvement, the specifications and/or appearance of this unit are subject to change without prior notice.