Crest Audio X 18R Audio Mixer

Price List USD 3.330

Crest Audio X 18R Audio Mixer
The Crest Audio(r) X-Series(tm) is regarded as the most sonically accurate and operationally quiet, professional-level rack-mountable console range in the audio industry. With high-end performance and rock-solid construction, the XSeries features a modular design and an extensive feature set suitable for any application. Available in main and monitor configurations, X-Series models feature up to 14 mono and four stereo inputs. Long-throw faders, versatile four-band semi-parametric EQ, channel inserts and high-quality microphone preamplifiers are standard. The X 18R and X 20R consoles have six configurable aux buses and three main buses that provide plenty of front-of-house mixing configurations, while the X 18RM and X 20RM have up to 12 mono or six stereo mix buses for floor or in-ear monitoring.
Features:

• 14 mono inputs + 2 stereo inputs, all with mic preamps and individual 48V phantom power switches
• 100 mm faders on all inputs and Left, Right and Mono (center) outputs, 60 mm faders on the four subgroups
• Four-band EQ on all inputs
• 18 dB per octave high-pass filters on mono input channels
• Insert on all inputs, subgroups, aux outs and L, R & M outputs
• Six aux buses, selectable pre or post fader in pairs
• Auxes 1 & 2 are configured as Level/Pan for stereo operation
• XLR L, R & Mono outputs switchable between line and mic level
• 1/4" TRS and RCA connectors provided on alt output, monitor output and tape input

Crest Audio X 18R Specification Sheet

Crest Audio Pro7200 Power Amplifier

Price List USD 2.450

Crest Audio Pro7200 Power Amplifier
Design Focus
The Pro 200 Series professional power amplifiers offer Crest's renowned sonic integrity while providing exceptionally high power ratings (6500 W bridged on the Pro 9200) in a compact, lightweight (under 25 lbs.) 2U package. The Pro 200 Series amps feature Automatic Clip Limiting (ACL) to protect connected drivers; IGM Impedance Sensing to accommodate varying impedance outputs; tunnel-cooled, high efficiency heat sinksl and veriable-speed DC fans to limit the operating temperature and extend amplifier life.
Features:

• 8 Ohm Stereo - 590 W
• 4 Ohm Stereo - 1000 W
• 2 Ohm Stereo - 1650 W
• 8 Ohm Bridged - 3400 W
• Dramatically reduced net weight
• Latest generation of high speed, wide-bandwidth output devices
• Twin-tunnel cooling with back-to-front air flow
• Dual, rear-mounted, continuous variable-speed fans
• Balanced male and femal XLR inputs with switch-configurable XLR polarity and sensitivity selection
• Speakon(r) and five-way binding post output connectors
• Front panel circuit breaker switch
• Modular construction

Crest Audio Pro7200 Specification Sheet

Crest Audio Pro8200 Power Amplifier

 

Price List USD 2.700

Crest Audio Pro8200 Power Amplifier
Design Focus
The Pro 200 Series professional power amplifiers offer Crest's renowned sonic integrity while providing exceptionally high power ratings (6500 W bridged on the Pro 9200) in a compact, lightweight (under 25 lbs.) 2U package. The Pro 200 Series amps feature Automatic Clip Limiting (ACL) to protect connected drivers; IGM Impedance Sensing to accommodate varying impedance outputs; tunnel-cooled, high efficiency heat sinksl and veriable-speed DC fans to limit the operating temperature and extend amplifier life.
Features:

• 8 Ohm Stereo - 825 W
• 4 Ohm Stereo - 1450 W
• 2 Ohm Stereo - 2250 W
• 4 Ohm Bridged - 4500 W
• Dramatically reduced net weight
• Latest generation of high speed, wide-bandwidth output devices
• Twin-tunnel cooling with back-to-front air flow
• Dual, rear-mounted, continuous variable-speed fans
• Balanced male and femal XLR inputs with switch-configurable XLR polarity and sensitivity selection
• Speakon(r) and five-way binding post output connectors
• Front panel circuit breaker switch
• Modular construction
• Five-year warranty
• Domestic version has a permanent mount line cord and 30 amp connector

Crest Audio Pro8200 Specification Sheet

Focusrite Liquid Mix 16

Price List USD 596

Focusrite Liquid Mix16 Firewire Processor

Sixteen Channel Liquid Firewire Mix Processor

Liquid Mix 16 is the latest product in Focusrite’s award-winning Liquid range, bringing the power of Liquid Mix to an even wider audience. Combining the same pool of classic EQ and Compressor emulations with a killer control surface, Liquid Mix 16 brings the sound of the obsolete, the priceless and the historically significant, within reach of even the most modest studio owner. Each of the sixteen mono channels provides Compressor and EQ emulations selectable from a huge pool of high-quality vintage and modern day classics. Forty Compressors and twenty EQs are available straight out of the box, with some additional emulations available for free online. As with the original Liquid Mix, a hybrid seven-band ‘super EQ’ is available in every instance, built out of separate classic EQ sections. Liquid Mix 16 also offers a ‘free’ mode for the compressor. Original compressors with limited or absent controls suddenly become fully featured - yours to use as you choose. Each channel appears as a separate VST/AU/RTAS effect within the sequencer and will work within all major applications, including Pro Tools.

Liquid Mix uses the same patented Dynamic Convolution process as Focusrite’s other Liquid products. Unlike standard convolution techniques, Dynamic Convolution utilizes vast processing power to sample the effect of a classic processor on a series of audio pulses, at many different gain settings and frequencies. All this processing is done using onboard DSP, so the processing has a relatively low effect on your computer’s own CPU, (variable subject to the sequencer used). Liquid Mix 16s DSP is housed within an elegant desktop control solution and connects to the computer via Firewire, which also provides bus-powering. The physical metering, rotary controls and buttons from the original Liquid Mix are provided here. The hardware helps to provide a tactile ergonomic solution, placing the sounds of an array of classic processors at your fingertips. You can choose to control each channel either from the desktop control unit, or from within the sequencer or an alternative controller, using the same simple GUI from Liquid Mix, which functions exactly like a plug-in. The Liquid range of products has won in excess of twenty awards to date, becoming a worldwide hit in the audio production world, from project studios to post production and broadcast facilities, not to mention the Live arena. Focusrite looks forward to bringing Liquid technology to a growing audience, providing the sound of vintage processing and the reliability of digital processing to studios the world over.
Key Features

• Unequaled Variety of Classic Emulations the rival even the world's finest studios 40 compressors and 20 EQs, sampled from vintage originals with a free expanding library online.
• One of a Kind The unique patented Dynamic Convolution process delivers unparalleled EQ and Compression emulations. Can you hear the difference? Take the Challenge and find out.
• Hybrid Super EQ Create your own totally unique 7-band super EQ, built out of separate classic EQ bands. Compressor 'Free' Mode Original compressors with limited or absent controls suddenly become fully featured - yours to use as you choose. 
• Hardware-powered Plug-ins 16 instances of Liquid Mix run off the desktop hardware, vastly reducing the impact on your CPU.* 
• Tactile Control Surface Apply EQ and compression using hands-on tactile controls. Just plug in, power-up, and dial in the perfect mix. 
• Full Plug-in OperationEach instance has a dedicated GUI which functions exactly like a plug-in, providing full recall within your session. 
• Desktop Metering 12 LED meters on the hardware controller display i/o levels and gain reduction alongside their respective controls.

Liquid Technology
Liquid Mix provides reliable emulation of a wide range of vintage and classic units. It does this by emulating their sonic behaviour using sintefex's patented Dynamic Convolution; the application of a unique, level-dependant set of responses to an audio signal. These measured responses, sampled at numerous levels and with a multitude of setting combinations, are applied to the input stream on a sample-bysample basis for extremely convincing results.

Specifications
Latency Due to the round trip transmission which is required on the firewire bus, a delay equal to 2 x the audio buffer size + 8 samples is incurred. This sample delay results in different amounts of time delay depending upon sampling frequency. 

With a DAW buffer size of 1024 samples (ie, Liquid Mix latency of 2056 samples), the Liquid Mix latency is as follows: 

• 47 ms @ 44.1kHz 

• 43 ms @ 48kHz 

• 23 ms @ 88.2kHz 

• 21 ms @ 96kHz 

With a DAW buffer size of 256 samples (ie, Liquid Mix latency of 520 samples), the Liquid Mix latency is as follows: 

• 12 ms @ 44.1kHz

• 11 ms @ 48kHz 

• 6 ms @ 88.2kHz 

• 5 ms @ 96kHz 

Channel Counts: 

• 44.1kHz/48kHz: 16 channels mono, (8 stereo) unexpanded. 

• 88.2/96kHz: 4 channels mono, (2 stereo) unexpanded. 

Weight 

• 0.8kg 

• 1.76lbs 

Dimensions 

• 220mm (W) x 28 - 45mm (H - front to rear) x 152mm (D) 

• 8.66" (W) x 1.1" - 1.77" (H - front to rear) x 5.98" (D)

Crest Audio Pro9200 Power Amplifier

Price List USD 3.900

Crest Audio Pro9200 Power Amplifier
Design Focus
The Pro 200 Series professional power amplifiers offer Crest's renowned sonic integrity while providing exceptionally high power ratings (6500 W bridged on the Pro 9200) in a compact, lightweight (under 25 lbs.) 2U package. The Pro 200 Series amps feature Automatic Clip Limiting (ACL) to protect connected drivers; IGM Impedance Sensing to accommodate varying impedance outputs; tunnel-cooled, high efficiency heat sinksl and veriable-speed DC fans to limit the operating temperature and extend amplifier life.
Features:

• 8 Ohm Stereo - 1300 W
• 4 Ohm Stereo - 2200 W
• 2 Ohm Stereo - 3250 W
• 4 Ohm Bridged - 6500 W
• Dramatically reduced net weight
• Latest generation of high speed, wide-bandwidth output devices
• Twin-tunnel cooling with back-to-front air flow
• Dual, rear-mounted, continuous variable-speed fans
• Balanced male and femal XLR inputs with switch-configurable XLR polarity and sensitivity selection
• Speakon(r) and five-way binding post output connectors
• Front panel circuit breaker switch
• Modular construction

Crest Audio Pro9200 Specification Sheet

 

Focusrite The Liquid Channel

Price List USD 2.600
Focusrite The Liquid Channel
Overview
The Liquid Channel transports classic front-end processing into the digital age, removing the need for endless patching and adding fluidity and reliability to the studio environment. Quite simply, The Liquid Channel is every mic pre and compressor combination in history, inside a single 192kHz 2U device.

This is achieved through a unique two-part process. Firstly, the use of dynamic convolution techniques is applied, utilising lightning fast SHARC chips applying unique level-dependent impulse responses to every sample of audio. However, whilst this is more than sufficient to identically re-synthesise a compressor’s sonic behaviour, in order to replicate precisely every subtle nuance, the preamplifier must physically match the way in which the classic unit interacts with a given microphone. The Liquid Channel’s solution to this problem lies in its vast analogue front-end. A preamp with the ability to change its impedance and vary its signal path to either transformer or electronic, perfectly replicating the interaction characteristics of the original, whilst remaining entirely transparent within the signal path.
The Liquid Channel can therefore replicate precisely the sound of any classic mic pre and compressor. With entirely digital front panel controls, all parameters can be saved in one of ninety-nine user memories, meaning that entire session set-ups can all be recalled at the touch of a button. A brand new digital EQ is also available, providing a comprehensive and truly ‘liquid’ channel strip.

A USB connection on the rear panel links to a software application enabling the archiving of both emulations and surplus user memories, as well as providing remote operation of the unit itself. The Liquid Channel comes complete with forty classic mic pre’s and forty classic compressors but is infinitely expandable, since the USB port also facilitates downloads of further emulations. Finally, to account for variances in amounts of second order harmonic distortion (usually perceived as warmth) from one preamp to the next, a dial is included to permit control over this value. This essential feature ensures hardcore vintage enthusiasts are satisfied, bringing total control over every sonic attribute.

Essentially, The Liquid Channel provides an unlimited supply of vintage sonic performance for the price of one unit, with all the added benefits of digital processing and control.
“Liquid Technology is the final product of two years pure research into what makes an analogue box sound exactly the way it does. The results of this research have enabled us to develop a hybrid system of analogue and digital technology, capable of recreating every sonic attribute of any classic processor. Focusrite has a history of manufacturing high performance equipment, and of making that technology affordable to all those at every level of the recording industry. The Liquid Channel goes further and makes the obsolete, the priceless and the historically significant, available to everybody for the first time.”
Robert Jenkins – Director of Product Strategy – Focusrite.
Key Features

• 40 mic pres and 40 compressors: The Liquid Channel comes loaded with forty classic mic-pre and forty classic compressor emulations, with an expanding library online.
• Best of both worlds: The Liquid Channel fuses cutting-edge analogue design with lightning fast SHARC DSP to deliver the finest preamp emulations possible.
• Digital head, analogue heart: The Liquid Channel uses an analogue preamp front-end to match the input impedance and signal path of the device being emulated before applying dynamic convolution for amplification characteristics.
• Global Recall: 100 programme memories allow you to save every parameter, whilst the file format provides easy transfer of these settings to other Liquid Channel users.
• Remote Control: Free software application LiquidControl™ allows comprehensive remote operation and archiving facility of emulations and programme memories.
• 192kHz ADC/DAC as standard: The Liquid Channel features the finest conversion paths possible, ensuring the audio is unaffected whilst dynamic convolution is applied in the digital domain.
• Not all vintage units are born equal: So the 'Harmonics' dial lets you account for variance in vintage originals, or use levels of 2nd, 3rd and 5th Harmonic distortion creatively.

Specifications
We always quote 'real world' performance figures (measured to the AES17 standard). Some companies choose to quote chipset performance, which is misleading.
Converter performance

• Sample rate: 44.1, 48, 88.2, 96, 176.4 and 192kHz
• Bit depth: 24-bit

ADC

• SNR: 120dB measured with 20Hz/22kHz bandpass A-weighted filter
• Frequency response: ±0.05dB between 20Hz ? 22 kHz
• Maximum input level: +22dBu
• THD+N: 0.00035% (-109dB)

DAC

• Dynamic range: 116dB measured with 20Hz/22kHz bandpass A-weighted filter
• Frequency response: ±0.05dB between 20Hz / 22kHz
• Maximum output level: +22dBu
• THD+N: 0.0007% (-103dB)

Jitter

• Internal clock: < 20 pico-seconds
• AES digital output: < 200 pico-seconds
• External clock: < 1 nano-second
• Analogue and digital path

Mic pre

• Gain range: +6dB to +80dB, switched in 1dB steps
• Frequency response: variable, set by pre-amp chosen
• THD+N at analogue out: 0.001% measured with a +4dBu 1kHz input signal with 20Hz/22kHz bandpass filter
• THD+N at AES digital out: 0.0005% measured with a +4dBu 1kHz input signal with 20Hz/22kHz bandpass filter
• Mic noise: EIN = -126dB measured at 80dB of gain with 150 Ohm source impedance and 20Hz/22kHz bandpass filter
• Noise at analogue out: -92dBu measured at +6dB gain with 20Hz/22kHz bandpass A-weighted filter
• Noise at AES digital out: -119dBFS measured at + 6dB gain with 20Hz/22kHz bandpass A-weighted filter
• Maximum input level: +16dBu
• Input impedance: variable, set by preamp chosen
• CMRR: Transformer: 123dB @ 60dB of gain
• Electronic: 102dB @ 60dB of gain

Line input

• Gain range: 10dB to +10dB, switched in 1dB steps
• Frequency response: 0dB ±0.1dB between 20Hz and 20kHz
• THD+N at analogue out: 0.001% measured with a +18dBu 1kHz input signal with 20Hz/22kHz bandpass filter
• THD+N at AES digital out: 0.0004% measured with a +18dBu 1kHz input signal with 20Hz/22kHz bandpass filter
• Noise at analogue out: -92dBu measured at 0dB gain with 20Hz/22kHz bandpass A-weighted filter
• Noise at AES digital out: -120dBfs measured at 0dB gain with 20Hz/22kHz bandpass A-weighted filter
• Maximum input level: +22dBu
• High pass filter
• Roll off frequency: switchable between 75Hz and 120Hz, frequency measured at 6dB down point, 12dB per octave roll-off

Harmonics

• Distortion range: 0 to 15 where 15 (maximum) = 10% of 2nd-, 20% of 3rd- and 10% of 5th-order at 0dBFS (level-dependent distortion)

Compressor
In 'As Original' mode the parameter ranges will be the same as on the original unit being emulated. In 'Free' mode the parameter ranges are as follows:

• Threshold range: -40dB to 20dB switched in 1dB steps
• Ratio range: 1:1 to limit
• Attack range: 0.1ms to 2.5s
• Release range: 0.1ms to 2.5s
• Make-up gain: -20dB to +20dB switched in 0.5dB steps

EQ
High Shelf
• Frequency range: 200Hz to 20kHz
• Gain: +/-18dB
Mid Band
• Frequency range: 100Hz to 10kHz
• Gain: +/-18dB
• Q: variable between 0.8 and 2.5
Low Shelf
• Frequency range: 10Hz to 1kHz
• Gain: +/-18dB
Weight
• 8.6kg
• 19Ibs
Dimensions
• 484mm (W) x 85mm (H) x 270mm (D)
• 19" (W) x 3.5" (H) x 10.6" (D)
• 2U rackmount

* IMPORTANT INFORMATION: FOCUSRITE, the FF logo, LIQUID TECHNOLOGY, LIQUID CONTROL and the LIQUID logo are trademarks of Focusrite Audio Engineering Ltd. DYNAMIC CONVOLUTION is a trademark of Sintefex Ltd. All other product names, trademarks, or trade names are the names of their respective owners, which are in no way associated, connected nor affiliated with Focusrite or its LIQUID CHANNEL product and which have not endorsed Focusrite's LIQUID CHANNEL product. These other product names, trademarks, and trade names are used solely to identify and describe the third party products the sonic behaviour of which was studied for the LIQUID CHANNEL product, and to accurately describe the functionality of the LIQUID CHANNEL product. The LIQUID CHANNEL product is an independently engineered technology which utilises the patented process of Dynamic Convolution to actually measure examples of the sonic impact of original analogue products upon an audio stream, so as to electronically emulate the performance of the original product studied. The result of this process is subjective and may not be perceived by a user as producing the same effects as the original products studied.

Hughes&Kettner TubeMeister 18 Head

Price List Rp.7.150.000

Hughes&Kettner TubeMeister 18 Head
The Next Big Hughes & Kettner
For TubeMeister, Mr. Hughes and Herr Kettner packed all their know-how and over a quarter of a century‘s passion for tube amps into a remarkably compact chassis. Thanks to German engineering, it can go from a roar to a whisper, shaking the boards on stage, tingling spines in the studio, and raising goose-bumps in the still of night - even during silent recording.

Serving up three different sounds at the touch of a footswitch, the soulful Tube-Meister 18 is the go-to guitar amp for gigging. Its four-step power soak brings the sound of the big stage into small clubs and your own four walls. And courtesy of the built-in Red Box and silent recording capability, you can lay down pro-quality tracks at any time day or night. Rock on Stage - Play at Home - Record at Night

Tecnical Data:

Channels	2
Power	18 Watts
Footswitch/Stageboard	FS-2 optional
Protective Cover	Softbag included
Dimensions	356 x 156 x 150 mm
Weight	5 kg

Features:

• Warm tube tone with phenomenal dynamic range that sweeps from sparkling clean to throaty crunch
• Harmonically rich tube distortion and the gain reserves to go from edgy overdrive to soaring lead sounds
• Re-voices LEAD to summon modern high-gain sound that pairs plenty of punch with endless sustain
• Passive voicing section tweaked to evoke the best frequency response out of each channel
• Preamp section sporting two 12AX7 tubes
• Push-pull power amp that pumps out stage-approved 18 watts
• Oversized transformers with tons of headroom
• TSC-protected power amp featuring auto-bias and status LED
• Footswitch connection enabling remote channel switching and BOOST actuation
• Serial FX loop for adding eff ects-fl avored spice to the sonic stew
• Quad-stage power soak with silent recording capabilit
• Balanced RED BOX OUT with authentic speaker emulation

AKG Perception 120 USB

Price List Rp.2.184.000
AKG Perception 120 USB
In its class, the Perception 120 USB is the only USB microphone with an integrated analogue-to-digital converter with 24-bit and 128x oversampling. Instead of usual one-chip-solutions the high-quality analogue-to-digital converter provides convincing sound quality and low noise.
The Perception 120 USB includes a two-third-inch condenser capsule with a low-mass diaphragm delivering accurate sonic details, an integrated pop filter that avoids plosives, a switchable bass cut filter and an attenuation switch. It supports Windows XP, Windows Vista and MAC OS X but also the new Windows 7.

The Perception 120 USB comes complete with everything you need: a tripod table stand, a swivel mount, a quick start guide and an USB cable.

• Real Plug-and-Play (no installation, no drivers, no reboot required)
• Supports Windows 7, Windows XP, Windows Vista and Mac OS
• Integrated high-quality Analogue-to-Digital Converter (24-bit, 128x oversampling) for convincing sound quality and low noise
• Two-third-inch condenser capsule with a low-mass diaphragm delivers sonic details
• Switchable bass-cut filter reduces mechanical vibration and wind noise
• Switchable attenuation pad for close-up miking and loud instruments
• Blue LEDs indicate operation
• Integrated pop filter avoids plosives effectively
• Tripod table stand, swivel mount and USB cable included
• Designed and engineered in Vienna, Austria

In 2005 AKG launched the very first Perception models – a completely new series of microphones showing legendary AKG sound and quality at an attractive price level. In 2008 the new Perception Series continued this success story with four new models. Since April 2009 the highly anticipated Perception 820 Tube microphone is not only the brand-new flagship model of the Perception Series but also raises the bar in its class of affordable tube microphones.

The Perception 120 USB is the very first USB-equipped microphone from AKG, offering studio-quality sound performance without requiring any installation or drivers. With the widespread USB standard and its ease of use, this new model allows users without any recording experience to make professional-quality recordings from their home. It is a real plug-and-play device enabling customers to do podcasts, voiceovers and studio-quality rehearsal-recordings quickly and easily.

The USB is a widely known interface for audio equipment like sound cards, active monitors and outboard equipment, which makes the Perception 120 USB one of the most versatile microphones available.

AKG Perception Wireless Instrument Set

Price List Rp.2.730.000

AKG Perception Wireless Instrument Set
The plug and play wireless solution
Specifically tailored to your needs, from single-channel applications and individual configurations to multichannel systems:

• 30 MHz selection bandwidth (depending on local frequency plans)
• 8 hours of operation with a single AA size battery
• Compatible with all AKG MicroMics
• Low battery indicator
• Smallest and lightest bodypack transmitter in its class
• Complete with MKG L cable for direct connection to electric guitar or bass

The Perception Wireless Instrumental Set is ideal for an exceptionally wide range of applications, comprising an SR 45 receiver and PT 45pocket transmitter, the smallest and lightest transmitter in its class. It can be used with many AKG miniature microphones, and the battery compartment cover doubles as a convenient tool for setting input gain for the application at hand.

The system comes complete with a universal power supply with US/UK/EU adapter, MKG L cable with ¼” jack plug and mini XLR connector, and one AA size dry battery.
In combination with the C 519 ML also suitable for wind instruments.

AKG Perception Wireless Sport System

Price List Rp.3.536.000

AKG Perception Wireless Sport System
The plug and play wireless solution

Specifically tailored to your needs, from single-channel applications and individual configurations to multichannel systems:

• 30 MHz selection bandwidth (depending on local frequency plans)
• 8 hours of operation with a single AA size battery
• Rugged, “one-size-fits-all” C 544 L headworn microphone
• Compatible with all AKG MicroMics
• Low battery indicator
• Smallest and lightest bodypack transmitter in its class

The Perception Wireless Sports system with its comfortable C 544 L and ultralightweight PT 45 bodypack transmitter ensures maximum user mobility for all handsfree applications. The new C 544 L headworn microphone comes with four moisture shields protecting the transducer from perspiration while you practice your favorite sport. The C 544 L uses the proven transducer of the C 555 L and is quick and easy to put on and replace.

The system comprises an SR 45 receiver, PT 45 bodypack transmitter, universal power supply with US/UK/EU adapter, C 544 L headworn microphone, and one AA size dry battery.

AKG Perception Wireless 45 Vocal Set

Price List Rp.2.730.000
AKG Perception Wireless 45 Vocal Set
The plug and play wireless solution
Specifically tailored to your needs, from single-channel applications and individual configurations to multichannel systems:

• 30 Mhz selection bandwidth (depending on local frequency plans)
• 8 hours of operation with a single aa size battery
• Gain control on handheld transmitter
• Low battery indicator
• Noiseless on/off/mute switch on handheld transmitter

The Perception Wireless Vocal Set delivers brilliant sound and is surprisingly easy to use.
The SR 45 receiver provides professional XLR and ¼” jack outputs. The audio level and squelch threshold are adjustable on the receiver.

The handheld transmitter features a spring-steel wire mesh front grill to protect the dynamic transducer from the hardships of onstage use. Its cardioid polar pattern ensures maximum gain before feedback and makes your voice cut through any mix.
The system includes an SR 45 receiver, HT 45 handheld transmitter, universal power supply with US/UK/EU adapter, SA 45 stand adapter, and one AA size dry battery.

Audio Technica BP4029 Stereo Shotgun Microphone

Price List Rp.9.639.000
Audio Technica BP4029 Stereo Shotgun
Based on models developed for the Sydney Games broadcast, the BP4027 (14.96") and BP4029 (9.29") are engineered for high-end broadcast and production use. Users can select a left-right stereo output (wide or narrow) via an internal matrixing system or discreet mid-side signals for later manipulation.
Features:

• Independent line-cardioid and figure-ofeight condenser elements
• Switchable low-frequency roll-off
• Switch selection of non-matrixed M-S mode and two internally-matrixed left/ right stereo modes

Specification:

Element	Fixed-charge back plate, permanently polarized condenser
Polar Pattern	Line-cardioid, Figure-of-eight
Frequency Response	40-20,000 Hz
Low Frequency Roll-off	80 Hz, 18 dB/octave
Open Circuit Sensitivity	Mid: –30 dB (31.6 mV) re 1V at 1 Pa; Side: –34 dB (19.9 mV) re 1V at 1 Pa; LR stereo: –36 dB (15.8 mV) re 1V at 1 Pa
Impedance	200 ohms
Maximum Input Sound Level	Mid: 123 dB SPL, 1 kHz at 1% T.H.D.; Side: 127 dB SPL, 1 kHz at 1% T.H.D.; LR stereo: 126 dB SPL, 1 kHz at 1% T.H.D.
Dynamic Range (Typical)	Mid: 101 dB, 1 kHz at Max SPL; Side: 101 dB, 1 kHz at Max SPL; LR stereo: 102 dB, 1 kHz at Max SPL
Signal-to-Noise Ratio	Mid: 72 dB SPL, 1 kHz at 1 Pa; Side: 68 dB SPL, 1 kHz at 1 Pa; LR stereo: 70 dB SPL, 1 kHz at 1 Pa
Phantom Power Requirements	11-52V DC, 4 mA typical at 48V, each channel
Switch(es)	M-S, LR Stereo-Wide (LR-W), LR Stereo-Narrow (LR-N); Flat, roll-off
Weight	103 g (3.6 oz)
Dimensions	236.0 mm (9.29") long, 21.0 mm (0.83") diameter
Output Connector	Integral XLR5M-type
Cable(s)	Dual 0.61 m (24") shielded twoconductor, terminated in two XLR3Mtype connectors
Accessory Included	AT8405a stand clamp for 5/8"-27 threaded stands; AT8134 windscreen; 5/8"-27 to 3/8"-16 threaded adapter; protective carrying case
Audio-Technica Case Style	SG2

dBX AFS224 Advanced Feedback Suppression® Processor

Price List Rp.4.550.000

dBX Advanced Feedback Suppression®AFS224

The AFS 224 Advanced Feedback Suppression processor was designed to provide state-of-the art feedback elimination processing, while maintaining a simple and intuitive control interface. From the powerful DSP module to the no-nonsense user interface, the AFS 224 provides all the processing and control necessary for both installation and live use. The AFS 224 is an absolute must for any live sound application.

Ten and twelve filter feedback elimination processors have become the de facto standard, but the engineering staff at dbx have never been quite content residing in the neighborhood of the status quo. So, to raise the bar once again, they went out and developed a dedicated feedback suppression processor that offers up to 24 filters per channel with filter Qs up to 1/80 of an octave. To achieve these staggering numbers dbx utilized their patent-pending AFS technology that had previously only been available in the upper echelon line of products and made it available in this stand-alone processor, which takes all of the guesswork out of feedback removal. In addition to the plethora of feedback suppression filters available, the AFS 224 also offers selectable modes, live filter lift, and types of filtration, which are all readily available via the intuitive user interface front panel.

• dbx's Patent-pending (Advanced Feedback Suppression) AFS™ technology
• 24 Programmable Filters per Channel
• Stereo or Dual Independent Channel Processing
• Live and Fixed Filter Modes
• Selectable Filter Lift Times
• Application-specific filter types include: Speech and Music Low, Med and High
• Input channel Metering
• 24 LED per Channel Filter Metering
• XLR and TRS Inputs and Outputs

Specification:
ANALOG INPUTS
Number of Inputs:2
Connections:Female XLR ad 1/4" TRS
Type:Electronically bal/unbal RF filtered
Impedance:Bal 40k ohm, unbal 20k ohm
Max. Input Level:+20dBu
CMRR:>40dB, typically >55dB @ 1kHz

ANALOG OUTPUTS
Number of Outputs:2
Connectors:Male XLR and 1/4" TRS
Type:Electronically bal/unbal, RF filtered
Impedance:Balanced >120 ohm, unbalanced >60 ohm
Max Output Level:+20dBu

A/D PERFORMANCE
Type:dbx Type IV conversion system
Dynamic Range:>114dB, A-weighted, >112dB unweighted
Type IV dynamic range:

>119dB, A-weighted, 22kHz BW
>117dB, A-weighted, 22kHz BW
Sample Rate:48kHz

D/A PERFORMANCE
Dynamic Range:112dB, A-weighted, 110dB unweighed

SYSTEM PERFORMANCE
Dynamic Range:>110dB, A-weighted, >107dB unweighted
THD+N:0.002% typical at +4dBu, 1kHz, 0dB input gain
Frequency Response:20Hz - 20kHz, +/-0.5dB
Interchannel Crosstalk:>80dB typical
Crosstalk input to
output>80dB

POWER SUPPLY
Operating Voltage:100VAC 50/60Hz, 120VAC 60Hz and 230VAC 50/60Hz
Power consumption:9 Watts
Safety Agency Approvals: UL 6500, IEC 60065, EN 55013, E 60065
Note: Specifications subject to change without notice.

dBX 231s Dual Chanel 31-Band Equalizer

Price List Rp.3.260.000
dBX 231s Dual Chanel 31-Band Equalizer 
Exceptional sound and rugged reliability
When the pros need an EQ, they turn to dbx. With a proven track record that spans four decades, dbx® EQs are the industry standard for touring, studios, and audio installations. With the dbx heritage of revered pro EQs, the 231s meets the needs of the most demanding sound reinforcement environments, while offering the simplicity of straightforward controls.

The dbx 231s includes two 31-band channels of 1/3-octave equalization, ±12 dB input gain, switchable ±6 dB or ±12 dB boost/cut range, 20mm nonconductive sliders, an intuitive user interface, and output level metering. From its extended 10Hz to 50kHz frequency response and 112 dB dynamic range to the quality componentry and meticulous attention to detail, the 231s offers exceptional sound and rugged reliability that guarantees you will always sound your best.

Sure to find a home in the studio, on tour and with installed sound venues, the dbx 231s is destined to take its rightful place in the lineage of great dbx signal processors that are the professional's choice in signal processing. With such affordable quality, there's no longer any excuse for compromising your sound.
Features

• Dual 31-band, 1/3-octave Constant Q frequency bands
• Switchable boost/cut ranges of ±6 or ±12 dB
• Front panel bypass switch
• ±12 dB input gain range
• 4-segment LED ladders for monitoring output levels
• XLR and TRS Inpts and Outputs
• Frequency Repsonse of <10Hz to >50kHz
• Dynamic range of greater than 108dB

Specification:

INPUT

• Connectors:1/4" TRS, female XLR (pin 2 hot)
• Type:Electronically balanced/unbalanced, RF filtered
• Impedance:Balanced 40k ohm, unbalanced 20k ohm
• Max Input Level:>+21dBu balanced or unbalanced
• CMRR:>40dB, typically >55dB at 1kHz

OUTPUTS

• Connectors:1/4" TRS, male XLR (pin 2 hot)
• Type:Impedance-balanaced/unbalanced, RF filtered
• Impedance:Balanced 100 ohm, unbalanced 50 ohm

Max Output Level:

• >+21dBu balanced/unbalanced into 2k ohm or greater
• >+18dBm balanced/unbalanced (into 600 ohm)

SYSTEM PERFORMANCE

• Bandwidth:20Hz to 20kHz, +0.5/-1dB
• Frequency Response:<10Hz to >50kHz, +0.5/-3dB
• Dynamic Range:Typicall >112dB
• Signal-to-Noise:Typically >95dB
• THD+Noise:<0.003%
• Interchannel Crosstalk:<-90dB, 20Hz to 20kHz

FUNCTION SWITCHES
EQ Bypass:Bypasses the graphic equalizer section in the signal path
Low Cut:Activates the 50Hz 12dB/octave high-pass filter
Range:Selects either +/- 6dB or +/- 12dB slider boost/cut range

POWER SUPPLY
Operating Voltage:100VAC-240VAC 50/60Hz
Power consumption:15W
Mains Connection:IEC receptacle

PHYSICAL
Weight:6.2 lbs.(2.81 kg) Shipping weight 7.9 lbs.(3.58kg)
Dimensions:3.5" (8.9cm) H x 6"(15.24cm) D x 19" (48.26cm) W
dbx engineers are constantly working to improve the quality of our products. Specifications are, therefore subject to change without notice.

Lexicon OSB Omega Studio Bundle

Price List Rp.3.382.000
Lexicon OSB Omega Studio Bundle
8x4x2 Desktop Recording Studio with AKG D 88 S Microphone, Cubase LE 5 and Lexicon Pantheon Reverb Plug-In
COMPLETE RECORDING SOLUTION
Nothing is more frustrating than buying a “recording system” only to find out that you need a gaggle of extras just to make it all work. The Lexicon Omega Studio Bundle is a completely-integrated computer recording system that includes:

• Lexicon® Omega™ 8-Input, 4-Bus, 2-Output USB I/O Mixer
• AKG® D 88 S® Dynamic Vocal Microphone with Cable and Case
• Steinberg® Cubase® LE 5 Multi-Track Audio and MIDI Recording Software
• Lexicon World Class Pantheon™ VST Reverb Plug-In

The Omega Studio Bundle quite literally contains all the necessary hardware and software components to transform your computer into a professional 24-bit recording studio.

EIGHT INPUTS: RECORD UP TO FOUR TRACKS AT ONCE!
The Lexicon Omega Studio recording interface is built around a mixer paradigm. This powerful interface is an 8-input, 4-bus, 2-output, USB I/O mixer with inserts, instrument input, MIDI I/O, and complete metering and monitoring functions with the ability to record up to 4-tracks at once.

• Stereo line inputs for keyboards, drum machines or analog output of a CD/MP3 player. RF-filtered TRS active-balanced inputs accept either balanced or unbalanced signals.
• Two low-noise mic preamplifiers with phantom power for studio condenser mics.
• High-impedance front panel input for electric guitar or bass.
• Separate mic and line level input controls with individual peak indicators.
• Monitor mix control for balancing an audio source between live input and playback mix level while recording. Can be switched to stereo or mono.
• 2-channel, 4-segment meter to monitor exact levels of the analog-to-digital converters.
• High-powered headphone amp offers ultra-clear fidelity while delivering ample power for professional as well as consumer headphones.
• RF-filtered and TRS balanced Line outputs for monitoring through powered speakers or recording to an analog source such as a cassette deck.
• TRS inserts let you add your favorite outboard processors to either mic input channel.
• Fully opto-isolated MIDI input eliminates ground loop hum and MIDI talk-through noise. MIDI output has rock-solid sync to USB frame rate.

LEAD VOCALIST DYNAMIC MICROPHONE
The AKG D 88 S is a dynamic handheld microphone for lead vocalists. The super cardioid polar pattern guarantees utmost gain before feedback and makes sure your voice easily cuts through the mix.

• Rugged performance microphone designed for lead vocals.
• Rugged wire mesh cap with internal protective basket.
• Sturdy die-cast metal body.
• Complete with XLR/XLR cable, stand adapter, and protective carry case.

SEAMLESS INTEGRATION WITH MULTI-TRACK RECORDING SOFTWARE
From your first idea to complete compositions, Cubase is the virtual studio for all musicians and producers looking for creative ways to realize their projects. Steinberg Cubase LE 5 integrates seamlessly with the Omega I/O Mixer to achieve an easy to use 48 track complete recording solution that includes all of the modules that you need to track, edit, and mix your masterpiece.

• 48 audio and 64 MIDI tracks.
• Professional audio editing - cut, paste, copy and loop song tracks.
• A wealth of built-in signal processing features like Chorus, Gating and EQ.
• Full automation of volume, pan, mute and effects for professional-sounding mixdown.
• MIDI score editor and advanced quantization and logical presets.
• Supports up to 8 VST instruments.
• 8 insert and 8 effect sends per channel.
• VST system link and ReWire 2 compatible.

ENHANCE YOUR PERFORMANCE WITH A PROFESSIONAL TOUCH
The Lexicon name is synonymous with “the world’s best reverb.” The Lexicon Pantheon VST reverb plug-in adds the final polish of studio-quality reverb and delay to your mixes with the classic “Lexicon Sound” used on most of today’s recorded music and movie soundtracks.

• 35 factory presets.
• 6 reverb types.
• 16 editable parameters per reverb type.
• Mono & stereo operation.
• Advanced, yet easy-to-use interface that can be automated from within Cubase LE 5.
• 16 and 24-bit compatible.
• Efficient CPU utilization.

Technical Specification:

Technical Specifications
Lexicon Omega Studio
Microphone Inputs	(2) Female XLR Pin 2 Hot
Input Impedance	664 Ohms balanced
Phantom Power	+48 Volt
EIN	-118 dB @ 51 dB gain (150 Ohm source impedance) -120 dB A-weighted
Maximum Input Level	-2 dBu (150 Ohm source impedance)
Frequency Response	+0, -0.2 dB 20 Hz - 20 kHz, ref. 1 kHz
Microphone Inputs	(2) Female XLR Pin 2 Hot
Input Impedance	664 Ohms balanced
Phantom Power	+48 Volt
EIN	-118 dB @ 51 dB gain (150 Ohm source impedance) -120 dB A-weighted
Maximum Input Level	-2 dBu (150 Ohm source impedance)
Frequency Response	+0, -0.2 dB 20 Hz - 20 kHz, ref. 1 kHz
THD+N	<.005%, 20 Hz - 20 kHz
Insert Inputs	(2) 1/4" TRS balanced or unbalanced
Send Level (ring)	+19 dBu maximum
Maximum Return Level (tip)	+19 dBu maximum
Line Inputs	(4) 1/4" TRS balanced or unbalanced
Input Impedance	20 kOhm unbalanced, 10 kOhm unbalanced
Maximum Input Level	+19 dBu (40 Ohm source impedance)
Frequency Response	+0, -0.2 dB 20 Hz - 20 kHz, ref. 1kHz
THD+N	<.012% A/D, 20 Hz - 20 kHz, <.012% A/D/A, 20 Hz - 20 kHz
Instrument Input	(1) 1/4" mono jack
Input Impedance	1 MOhm unbalanced
Maximum Input Level	+19 dBu
Frequency Response	+0, -0.25 dB 20 Hz - 20 kHz, ref. 1 kHz
THD+N	<.0125% A/D
Crosstalk	<-74 dB any input or output to any recording channel, 20 Hz-20 kHz <-95 dB at 1 kHz typical
Line Outputs	(2) 1/4" TRS balanced or unbalanced
Level	+19 dBu maximum
Impedance	110 Ohms
Headphone Output	(1) 1/4" stereo jack 100 mW per channel at 50 Ohms
MIDI Interface	5 pin DIN connectors for MIDI in and MIDI out
Digital Audio Input	Coaxial RCA (S/PDIF format)
Digital Audio Output	Coaxial RCA (S/PDIF format) always transmits the audio data from the USB stream
D/A and A/D Conversion Sample Rate:	44.1 kHz or 48 kHz (determined by computer application)
Dynamic Range:
A/D	>101 dB typical, unweighted, 20 Hz - 20 kHz >104 dB typical, A-weighted, 20 Hz - 20 kHz
D/A	>107 db typical, unweighted, 20 Hz - 20 kHz >109 db typical, A-weighted, 20 Hz - 20 kHz
A/D/A	>100 dB dB typical, unweighted, 20 Hz - 20 kHz >103 dB typical, A-weighted, 20 Hz - 20 kHz
Analog Path	>115 dB dB typical, unweighted, 20 Hz - 20 kHz >118 dB typical, A-weighted, 20 Hz - 20 kHz
USB Type B Socket:	Version 1.1, Version 1.1 hubs are not supported
Power Requirements:	PS0913-B adapter supplied
Dimensions	4.625" W x 7.25" H x 7.75" D (118mm x 184mm x 197mm)
Weight	2.65 lbs.
AKG® D 88 S Microphone
Polar Pattern	supercardioid
Sensitivity	2.5 mV/Pa
Impedance	300 ohms
Finish	Zinc/alloy diecast
Net weight	260 g (0.57 lbs.)
Maximum Input Level	-2 dBu (150 Ohm source impedance)
Lexicon engineers are constantly working to improve the quality of our products. Specifications are, therefore subject to change without notice