KORG MiniKP KAOSS PAD Dynamic Effect Processor

Price List Rp.1.630.000

KORG MiniKP KAOSS PAD
The Korg miniKP Effects Processor
Groove on the move with this DJ effects processor! Since it first appeared, the KAOSS Pad series effects processor has been enormously popular with artists around the world for its intuitive touch-pad interface and its revolutionary effect programs. Now, the series is joined by its smallest member, the Korg DJ effects processor called the miniKP.

While providing the same interface in which multiple parameters of the effect program are controlled by a single fingertip, the miniKP effects processor brings the advantages of battery operation and mobility, making it an ideal choice for DJ club performances, home studio applications, as well as outdoor live events or for use with a portable audio player. Wherever you are, the mini-KP brings new possibilities to any music scene.

The miniKP is a lightweight effects processor, yet offers tons of features like auto-BPM and Tap Tempo functionality, FX hold, FX depth selection, FX Release and more - all derived from its big brother, the KP3.

Meant To Be Touched
The miniKP's size and power make it a perfect multi-task effects processor. Keep it near your studio and patch it into the effects loop of a guitar amplifier, directly between a synth and mixer or some other creative position. No matter what you connect it to, from a mixer to an MP3 player or directly to your television set, the Korg miniKP provides the effects you need to get the job done - or simply have some fun!
Specifications:
Programs: 100
Effects:

• LPF (Low Pass Filter), HPF (High Pass Filter), BPF+ (Band Pass Filter+), 72dB/oct LPF, LPF & Delay, HPF & Delay, BPF+ & Delay, LPF & Reverb, HPF & Reverb, BPF+ & Reverb, Morphing Filter, Radio Filter, Radio Isolator, Isolator, Isolator & Distortion, Isolator & Delay, Jet (Manual Flanger), Manual Phaser, Talk Filter, Digi Talk, Ring Mod & HPF, Pitch Shifter & HPF, Mid Pitch Shifter, Pitch Shifter & Delay, Broken Modulation, Fuzz Distortion, Decimator, Decimator & HPF, LFO LPF, LFO HPF, LFO BPF+, LFO HPF+ & Delay, Infinite LFO HPF+, Random LFO LPF, Random LFO HPF+, Flanger, Deep Flanger, Mid Flanger, Flanger & LPF, Flanger & Delay, Infinite LFO Flanger, Phaser, Mid Phaser, Phaser & Delay, Step Phaser, Auto Pan, Mid Auto Pan, Slicer, Mid Slicer, Slicer & LPF, Slicer & HPF, Delay, Smooth Delay, Low Cut Delay, Ping Pong Delay, LCR Delay, 3 band Delay, Multi Tap Delay, BPF Time Slide, Reverse Delay & HPF, Reverse Delay Mix, Gate Reverb & Delay, Delay & Reverb, Tape Echo, Dub Echo, Feedback Echo, Reverb, Reverb 2, Spring Reverb, Gate Reverb, Reverse Gate Reverb, 3 band Gate Reverb, Grain Shifter, Mid Grain Shifter, Mid Grain Shifter+, Grain & HPF, Grain & HPF+, Looper Forward/Reverse, Vinyl Looper, Rewind Spin Looper, Looper & LPF, Looper & HPF, Looper & Flanger, Looper & Pitch Shifter, Looper & Decimator, Looper Isolator & HPF, Looper & Isolator+, Bass Looper, Looper & Oscillator, Looper & Noise, Unison Saw Bass, Unison Squ Bass, Unison Saw Synth, Unison Squ Synth, Metalic Synth, Siren, LFO Sin, LFO Squ, Noise, Synth & Looper

Connectors: LINE IN jacks (RCA phono jacks), LINE OUT jacks (RCA phono jacks), HEADPHONES jack (stereo mini jack)
Sampling Frequency: 48kHz
AD/DA: 24-bit linear
Power Supply: four alkaline AA (LR6) batteries (6 V)
Battery Life: approx. five hours (with alkaline batteries)

Dimensions:
4.17 (W) x 5.08 (D) x 1.14 (H) inches/
106 (W) x 129 (D) x 29 (H) mm
Weight:
154 g / 5.43 oz. (without batteries)
Included Item: Four AA batteries
Optional Accessories:
AC adapter model – 405012500/KA193 (Sold separately)
4.5V 500ma Center Pin (+)

KORG KAOSSILATOR Dynamic Phrase Synth

Price List Rp.1.630.000

KORG KAOSSILATOR Dynamic Phrase Synth
Create music anywhere life takes you!
The KAOSSILATOR is a new pocket-sized sketch pad that puts a world of sounds and effects in the palm of your hand. Rollover the KAOSSILATOR to get the lowdown
Meet your new musical addiction: the KAOSSILATOR from Korg. Play it alone or add it to your rig for over-the-top, music-making mayhem.
The KAOSSILATOR’s user-friendly touch-pad lets you create musical and rhythmic phrases using any of its 100 synth programs, such as leads, basses, realistic instrument sounds, playable drums and drum patterns. Each time you add a phrase, KAOSSILATOR stacks it on top of the previous phrases you created. The results are as simple – or complex – as you desire. Choose from the 31 available scales, and play in any key. Lay down your groove with any 50 gate-arpeggiator patterns for even more KAOSS!

Whether you play an instrument or not, you’ll want to get your hands on the KAOSSILATOR. It’s the ultimate sketchpad or performance instrument for anyone looking to get in “touch” with their musical ideas.
The portable, travel-friendly KAOSSILATOR runs on batteries or a 4.5v adapter. Use the it as a multi-instrumental musical instrument, sample source, live rig addition, or just a fun way to get your groove on!
Specifications:

• Programs: 100 including synth basses and leads, natural instruments, chorded sounds and drum sounds
• Drum Patterns: 10
• Musical Patterns: 31
• Types of Gated Arpeggiators: 50
• Key Range: ±12
• Connectors: Stereo line out (Dual RCA), mini headphone out
• Sampling Frequency: 48kHz
• DA Conversion: 24-bit linear
• Power Supply: 4 AA batteries (6V)
• Battery Life: Approx 5 hours (with alkaline batteries)
• Included Items: Owner's Manual, parameter sheet, four AA “test” batteries
• Dimensions: 4.17" W x 5.08" D x 1.14" H
• Weight: 5.43 oz. (without batteries)
• AC Adapter: Optional AC adapter-ready (DC4.5V – available from Korg)

Korg Kaossilator

From Wikipedia, the free encyclopedia

The Korg Kaossilator KO-1 is a portable dynamic-phrase synthesizer manufactured by Korg. It is capable of producing a wide range of sounds, can produce a continuous music loop, and can be tuned to various keys and scales.

Being related to the Korg Kaoss Pads, the Kaossilator is a synth that is played touching a pad that is not unlike a trackpad on laptop computers. For most sounds, moving horizontally on the touchpad changes the pitch over a range of two octaves (in one case, only one octave; for several sounds the range is much more than two octaves). For some sounds, horizontal movement affects a non-pitch parameter. Moving vertically usually modulates the sound in some way.

The Kaossilator is portable, running off of four AA batteries or a 4.5 volt adapter, with the dimensions 106 mm (W) x 129 mm (D) x 29 mm (H) (4.17" (W) x 5.08" (D) x 1.14" (H)). It weighs 154 g (5.43 oz) without batteries. There are spots to affix lanyards. Outputs consist of a pair of female RCA-style plugs and a stereo mini-phone 1/8-inch jack. It is nearly the same shape as the Korg mini-KP, differing only where the mini-KP has a pair of RCA-style input jacks. The Kaossilator casing is yellow with a silvery metal face-plate. A limited-edition pink casing was also produced, and for a time it was sold at a significantly lower price than the yellow model at many music shops.

The Kaossilator features 100 programs, which are mostly synthesizer voices and sound effects, including acoustic (guitar, trumpet, piano), percussion, and electronic sounds. The last 10 programs are complete rhythm-patterns, but since percussion sounds are included in the programs, users can develop their own rhythm-patterns by layering multiple overdubbed sounds. Programs are indicated only by a letter-and-two-digit designation on the LED display but are given specific names in the instructions.[1] Most instruments can be locked into various keys and scales. The Kaossilator supports 31 different scale patterns including chromatic, blues and diatonic scales as well as more exotic scales such as Japanese and Egyptian.

The Kaossilator also has a gate arpeggiator and a loop function that allows the layering of instruments to produce loops. The loop recording function is somewhat limited, as the maximum length is two bars in 4/4 time. Despite this limitation, some artists have recorded full-length albums with the Kaossilator[2][3][4][5].

It is possible to overcome the two-bar limit as the Kaossilator records audio to memory. To do this the user sets the tempo to the desired value – 150 for example – and records his part. The tempo is then set to exactly half the tempo of before, in this case 75. When played back one hears the first two bars but then two more will be available afterwards.

Another way to fully overcome the two-bar limit is by powering up the Kaossilator while holding down the Tap and Loop Rec buttons. Doing this will make four bars available (by setting the Loop Length to 16), but this disables the Undo function[6]

Samson LIVE 4BUS Mixing Console L-3200

click image to enlarge

Price List Rp.12.150.000
Samson Live4BUS MixingConsole L3200
Mixing Makes the Music
A sound engineer should have the same relationship with his console that a musician has with his instrument: they should both be intuitive and comfortable in any situation. This was a major design goal during the two-year development of our L3200 mixing console.
So we put 100mm faders on all their channels and groups. Each fader feels tight with a smooth action for a studio-quality console feel. That means you’re at home in every situation with greater control over every nuance.

We’ve also designed large, backlit mute buttons that make console navigation in dimly lit club and theater settings easy and convenient. Additionally, there’s two large 12-segment LED meters for the main mix, groups and PFL/AFL. Finally, we gave these mixers the versatility to create a variety of effects settings so you can deliver a different set of effects to your performers whenever the situation demands it. And for additional effects needs, we made sure there’s plenty of sends so you can use your racks of effects along side our on-board DSP.

Flexibility for Today’s Live Sound Needs
Perfect for installation purposes, especially in clubs, schools, theaters and churches, the L3200 is a 32-channel / 4-bus professional mixing console. We understand the need for more aux sends, so we’ve provided 6 flexible aux sends that allow for up to 8 monitor and effects mixes.
A convenient talkback system makes communicating on stage no problem. Plus, both consoles offer XLR and 1/4-inch stereo main outputs and the XLR mono output has an adjustable low-pass filter specific for subwoofer output.
The L3200 offers 24 mic/line channels with preamps and 4-band EQ in addition to 4 stereo channels, of which 2 have mic preamps, providing great control and versatility.

It’s All About USB
We also recognize the presence of computers in contemporary audio, so we’ve included USB functionality for computer recording and playback. And while there are more than a few mixing consoles with USB, the L3200 provides the capabilities to build a completely independent stereo mix specifically for your USB digital I/O.
That means that unlike other mixers in this segment, your USB mix is not locked into your house mix. The combination of USB functionality and the amount of aux sends also allows for pre-recorded background tracks to be sent to the house and monitors as a stereo mix. Thanks to the USB connectivity, these background tracks can be pre-recorded on a DAW and played back directly from your computer.
Features:

• 32 Input Channels (24 mono)
• XLR Mic: 24 mono channels + 4 stereo channels
• Frequency Response: 20Hz – 20kHz
• Weight: 39.70 lbs (18.1kg)
• Dimensions (H x W x D): 6.38" x 39.92" x 20.98" (162mm x 1014mm x 533mm)
• 4 Stereo Line Inputs
• 24 Inserts
• Large Illuminated Mute Switches
• Stereo inserts
• 4 Groups with inserts
• 3-Band EQ with sweepable mids
• 6 Aux sends 
• Dual DSP with 100 digital multi-effects
• 2 Stereo aux return
• USB I/O (from aux sends or main mix)
• Input gain trim on each channel
• 24 dB Low cut filter at 75Hz
• 100mm faders
• PFL switches
• AFL switches
• Phantom power switch (+ 48V)
• Mono Out & LPF with sub-woofer containing variable frequency control
• 2 x 12-segment LED level meter for Main L/R, PFL/AFL. Group 1–4
• Talkback mic input

Technical Specifications Click Here

Samson C-Com16 ( 16 Preset Compressor )

Price List Rp.990.000

Samson C-Com16 Preset Compressor

A compact, full-featured compressor for the desktop.
A full-featured Stereo Compressor/Limiter with 16 settings. There are fifteen presets and a manual mode for more critical adjustments when required. The C-com 16's controls include variable threshold, ratio, attack, decay, release and output level. An enhancer provides the added character that is lost under heavy compression. Key output/input for outboard triggering or external filtering of the key signal. A 6-segment LED gain reduction meter and a 6-segment LED input/output meter provides visual monitoring of the circuit’s affect.

YAMAHA AUDIOGRAM6 USB Interface

Price List Rp.1.590.000
YAMAHA AUDIOGRAM6 USB Interface
The AUDIOGRAM Series has been carefully designed to make setting up your computer-based recording environment an absolute breeze. Coming as a complete kit, the AUDIOGRAM6 and AUDIOGRAM3 each bundle together a hardware interface that adds audio inputs and outputs to your computer, software for recording and producing music, and a USB cable for connecting the audio interface. As such, either package will instantly turn your computer into a powerful yet intuitive tool for recording and editing audio from virtually any microphone or audio input device. What's more, setup is as easy as installing the bundled music-production application, CUBASE AI, on your computer and connecting the audio interface using the USB cable provided! You're then ready to connect instruments, microphones, CD players, MP3 players, and even old record or tape players for recording straight into CUBASE AI.
Features:
Audio Interface Also With Mixer Functionality
MIC/INST select buttons
With the AUDIOGRAM6, you get a powerful mixer-type audio interface with two mono input channels and two stereo input channels. Each of the two mono channels features combo-type connectors for direct connection of a wide range of sound input devices. And because you can change the input sensitivity of each channel for direct connection of electric guitars and basses with a push of the MIC/INST select buttons, there's no need to study up on impedance and other specialist recording topics.

Set The Input And Output Levels And You're Ready To Go!
Even if you're a newcomer to the world of audio recording, setting up your own computerbased studio couldn't be easier with the AUDIOGRAM6. The audio interface has been designed with ease-of-use as a prime requirement, and you only need to set the input sensitivity and output volume before you can start recording. Using the GAIN knobs, simply adjust the sensitivity of the input channel to a level at which its PEAK lamp does not come on. In the same way, you set the master output volume using the MASTER knob, making sure that the left and right PEAK lamps do not light.

Mic Preamps For High-Quality Recordings
PHANTOM buttons
The AUDIOGRAM6 comes complete with high-quality microphone preamps on its two mono input channels, one of which can even supply 48-V phantom power to accommodate condenser microphones. Using this type of microphone, you can record narration and spoken word for podcasts, make studio-quality recordings of acoustic guitars, and much more.


Setting Compression Has Never Been Easier
COMP Knobs
Unlike normal compressors, which can be very difficult to adjust, the 1-knob compressors on the AUDIOGRAM6 are super simple. As the name suggests, you can adjust compression for smoother and more balanced recordings using just a single knob. Particularly when recording acoustic guitar, electric bass, and vocals, this intuitive feature will make your recordings much more stable and professional sounding.
One-Touch Switching Between Mono And Stereo Inputs
Using the PAN button, you can instantly turn the two mono input channels on your AUDIOGRAM6 into a fully-panned stereo channel and vice versa. For example, you can use this Stereo Coupling function when recording live performances, outdoor audio material, and many other stereo sources with a pair of dynamic microphones. In fact, Stereo Coupling also allows your interface to function beautifully as a simple mixer with three stereo input channels!

Easy Balancing Of Audio Inputs And Playback
DAW Knob
Using the AUDIOGRAM6 interface's Monitor Mix function, you can conveniently balance the volume of audio input from external sources and the volume of audio recorded on the USB-connected computer. Because the volume of audio playback from the computer can be adjusted using the DAW knob while the overall volume for the headphones or stereo output can be set using the MASTER knob, it is easy to achieve the perfect balance between external audio devices and tracks already recorded.

USB Bus-Powered Interface
Powered via USB, the AUDIOGRAM6 requires no external power supply. As long as your computer is powered up and connected via the bundled USB cable, the interface will be fully functional, making it ideal for mobile situations or when few power sockets are available.
Specifications:
Size/Weight

Dimensions	Width	170mm (6-3/4")
	Height	59mm (2-3/8")
	Depth	192mm (7-5/8")
Weight	Weight	770g (1.7 lbs.)

General Specifications

Sampling Frequency Rate

USB AUDIO 1.1, 16bit/44.1kHz

Storage and Connectivity

Connectivity	Headphones	Stereo Phone connector x 1
	Microphone	Mic/Hi-Z input x 2
	LINE OUT	Phone connector x 2 (L, R)
	USB TO HOST	USB (TO HOST)

Power Supply

Power Supply

USB powered

System Requirements

Windows	PC	<Windows® Vista>Windows-based computer with built-in USB interface <Windows® XP>Windows-based computer with built-in USB interface
	CPU	<Windows® Vista>1 GHz or better Intel Core / Pentium / Celeron processor <Windows® XP>750 MHz or better Intel Core / Pentium / Celeron processor
	Support OS	Windows Vista / Windows XP Professional / XP Home Edition
	Memory	<Windows® Vista>More than 1 GB <Windows® XP>More than 128 MB
Macintosh	PC	Macintosh computer with built-in USB interface
	CPU	Intel CPU / Macintosh G3 processor 300 MHz or better
	Support OS	Mac OS X 10.3.3 or higher
	Memory	More than 128 MB

Accessories

Included Accessories	Cable	USB Cable
	Others	CUBASE AI DVD, Owners Manual

Effects

Types

Dynamic

1-knob Compressor (COMP) x 2

Storage and Connectivity

Connectivity

LINE IN

Phone connector x 4 (L/MONO x 2, R x 2)

YAMAHA Audiogram3 USB Interface

Price List Rp.1.290.000
YAMAHA AUDIOGRAM3 USB Interface
The AUDIOGRAM Series has been carefully designed to make setting up your computer-based recording environment an absolute breeze. Coming as a complete kit, the AUDIOGRAM6 and AUDIOGRAM3 each bundle together a hardware interface that adds audio inputs and outputs to your computer, software for recording and producing music, and a USB cable for connecting the audio interface. As such, either package will instantly turn your computer into a powerful yet intuitive tool for recording and editing audio from virtually any microphone or audio input device. What's more, setup is as easy as installing the bundled music-production application, CUBASE AI, on your computer and connecting the audio interface using the USB cable provided! You're then ready to connect instruments, microphones, CD players, MP3 players, and even old record or tape players for recording straight into CUBASE AI.

Features:
STREAMLINED AUDIO INTERFACE
With a focus on simplicity and ease-of-use, the AUDIOGRAM3 delivers a compact audio interface complete with both a mono and stereo input channel. Providing maximum flexibility for recording from almost any audio source, the mono input channel features a combo-type connector that can be set for microphone or line level input, while the stereo channel has both phone and RCA connectors. Of course, as this interface is USB bus-powered, it needs no external power supply and is an ideal solution for mobile applications.

HIGH-QUALITY MICROPHONE PREAMP
Also supporting microphone-level input, the AUDIOGRAM3 mono channel features a microphone preamp offering excellent audio quality. And should you want to connect a condenser microphone for higher-quality recordings, this channel can even be phantom powered. Regardless of what type of microphone you choose, however, the professionalmixer technologies integrated into this preamp will deliver perfect recordings every time.

DIRECT CONNECTION OF ELECTRIC GUITARS AND BASSES
With one touch of the MIC/INST select button, you can set the sensitivity of the AUDIOGRAM3 mono channel for direct connection of either microphones or instruments. When set to instrument-level sensitivity, for example, you can directly record electric guitars, basses, and many other input devices. And all audio recorded using either of the MIC/INST settings can then be processed to give professional-sounding results using CUBASE AI's built-in effects.

STEREO CHANNEL FOR PRACTICALLY ALL SOUND INPUT DEVICES
With the AUDIOGRAM3, you also get a stereo input channel with both phone and RCA pin connectors that can be used to conveniently connect not only synthesizers, portable keyboards, and electronic pianos, but also a diversity of other sound sources such as CD players, MD players, portable audio players, and even old record and tape players. Providing maximum flexibility for many different recording situations, the AUDIOGRAM3 even supports simultaneous recording of the instrument or vocal on the mono channel with the audio being input via the stereo channel. For example, you could easily use this feature to record yourself playing along to a CD or MD backing track or singing to a karaoke track created on a portable keyboard.

Specifications:

Size/Weight

Dimensions	Width	180mm (7-1/8")
	Height	61mm (2-1/2")
	Depth	112mm (4-1/2")
Weight	Weight	490g (1.1 lbs.)

General Specifications

Sampling Frequency Rate

USB AUDIO 1.1, 16bit/44.1kHz

Storage and Connectivity

Connectivity	Headphones	Stereo Phone connector x 1
	Microphone	Mic/Hi-Z input x 1
	LINE OUT	Phone connector x 2 (L, R)
	USB TO HOST	USB (TO HOST)

Power Supply

Power Supply

USB powered

System Requirements

Windows	PC	<Windows® Vista>Windows-based computer with built-in USB interface <Windows® XP>Windows-based computer with built-in USB interface
	CPU	<Windows® Vista>1 GHz or better Intel Core / Pentium / Celeron processor <Windows® XP>750 MHz or better Intel Core / Pentium / Celeron processor
	Support OS	Windows Vista / Windows XP Professional / XP Home Edition
	Memory	<Windows® Vista>More than 1 GB <Windows® XP>More than 128 MB
Macintosh	PC	Macintosh computer with built-in USB interface
	CPU	Intel CPU / Macintosh G3 processor 300 MHz or better
	Support OS	Mac OS X 10.3.3 or higher
	Memory	More than 128 MB

Accessories

Included Accessories	Cable	USB Cable
	Others	CUBASE AI DVD, Owners Manual

Effects

Types

Dynamic

No

Storage and Connectivity

Connectivity

LINE IN

Phone connector x 2, RCA connector x 2 (Parallel)

ZOOM ZFX S2t Audio USB Interface

Price List Rp.2.175.000
ZOOM ZFX S2t Audio USB Interface
Click here to watch the Zoom ZFX Video!
ZFX Plug-In + S2t USB Audio Interface + Cubase LE
Intuitive Modeling Software for Guitar and Bass
ZFX Packages give guitarists and bassists the ability to create the ultimate tone solutions with an intuitive software/hardware setup. Incredibly easy and fun to use, ZFX combines sophisticated amp modeling software with a USB audio interface. Faithfully capturing the distinct tone of legendary amps, cabinets and effects, ZFX puts an impressive library a mere mouse-click away. With 12 classic guitar amps, 5 amazing bass amps, 16 cabinets, 4 types of recording mics and 41 stompbox effects, the tone possibilities are virtually limitless. And with drag-and-drop simplicity, you can choose any combination of amplifier, cabinet and effects while positioning the mic anywhere in the room, giving you complete control over your sound.

Tone Worship
Zoom’s newly developed modeling algorithms use precise analysis of impulse response and frequency response to perfectly emulate the sonic characteristics of tubes and transistors found on classic amps. And we’ve duplicated all the internal circuit processes as well, so you can tweak your tone in exactly the same way as the knobs and switches on the actual amp. For even more tone control, you can move the accurately modeled condenser and dynamic mics to any position: close miking for a grittier sound, or off-cabinet miking for more room ambience.
GUITAR AMPS
12 guitar amplifiers made famous throughout 50 years of rock history.

BASS AMPS
5 bass amplifiers for classic bass tones.

CABINETS
16 cabinets to be used in any combination you need.

MICROPHONES
4 professional recording mic models found in every studio microphone locker.

STOMP EFFECTS
41 stompbox effects to add depth and color to your sound.


Intuitive Operation
With its intuitive user interface, we’ve made ZFX easy to setup and change while you play. Changing amp settings, cabinet layout, mic position and rearranging the stompbox effects is simple with our unique drag-and-drop operation. So you can alter your setup quickly and get immediate results, unleashing your creativity in ways that were previously unimaginable.


Catalog
Begin with its easy-to-read catalog view of all the models available and double-click to bring up detailed descriptions to find just the right component for your desired tone. Adding or changing amps is easy via drag-and-drop.

Preset Patches
More than 300 tone presets are included, offering a wealth of amp, cabinet, mic and effects setting combinations. Choose from vintage rock tones, country, jazz and blues to ultra modern or heavy metal setups with a double-click of your mouse. And we’ve also pre-programmed 50 specific artist sounds from rock, jazz, blues and heavy metal.

Miking
With ZFX, you have complete control over the mic position within the recording booth. Whether you want a tight, gritty sound from the center of the speaker cone, a smooth sound from the edge of the cone or more room ambiance by pulling the mic away from the cabinet, you can get the setting you want.

Effects
Click and drag your mouse to tweak the switches and knobs on each stomp box. Zoom in on an effect by double-clicking on it. By inserting tools such as a splitter or mixer, you can place multiple amps for even more flexible routing.

Guitar Tuner
The built-in chromatic tuner lets you quickly tune at any time. Special tunings are on-board and you can drop tune by a semitone or two as well.

S2t: The Audio Interface for Guitarists
The S2t USB audio interface is specifically designed for the needs of guitarists. With a cool, amp head design, the compact S2t looks great on your desktop. Connect guitars, basses, vocal mics or keyboards and get high quality, 24-bit/48 kHz recording resolution. And since it's USB bus powered, an external power supply is not necessary.

The Hi-Z input section features a 12AX7 tube, the classic guitar preamp tube. Blending the clarity of solid-state sound with the natural compression and saturation of a vacuum tube creates a warm, organic tone that only comes from ZFX interfaces. Two balanced XLR inputs with 48V phantom power are on board for use with condenser microphones to record vocals or acoustic instruments. The FP02 expression pedal or FS01 footswitch can be connected to the S2t, giving access to additional controller functions. (Available separately.)

Bundled Software
Cubase LE 4 is a powerful music production system that can handle recording, editing, and mixing tasks both for audio and for MIDI. It incorporates the same audio engine as the multi-award winning, higher-level version Cubase 4, and is ideal as an entry into computer-based music production. VST plug-in support means that you can get started right away, creating amazing tones to record your guitar or bass using ZFX.

ZFX for OS X
The S2t now ships with plug-in software for Mac OS X. If you already have the unit, you may download ZFX for OS X from Zoom.
OS X System requirements:

• Intel® Mac
• Mac OS X 10.4.8 or later / 10.5 or later
• Intel Core Duo processor 1.66 GHz or more
• 512MB RAM minimum ( 1GB or more recommended )