Martin Collectible OMC-16E Maple Guitar

Price List Rp.33.900.000

Martin Collectible OMC-16E Maple Guitar
What a Stunning LTD Martin!

Here's your collectible Martin! The OMC-16E takes Martin's acclaimed 14-fret cutaway body style to a new level of class (and collector's status!). That's because this beautiful LTD edition acoustic instrument features a striking highly figured Hawaiian koa body. Just take one look at the back and sides on the OMC-16E and you'll realize just how much of an instantly memorable instrument this is - perfect to really set yourself apart onstage. Rounding out the tonewoods, a premium Engelmann spruce top adds a touch of tonal magic, and a black ebony fingerboard and bridge complete the look. Add in the 6-point blue paua snowflake inlays, and you'll see that the Martin OMC-16E is the kind of instrument you'll never want to put down!
Martin OMC-16E LTD Edition Acoustic Guitar Features at a Glance:

• LTD edition 6-string acoustic guitar
• Body size: 000-size body, 14-fret cutaway
• Top: Engelmann spruce (premium)
• Top braces: Sitka/scalloped 5/16"
• Top binding: 5/32" East Indian rosewood
• Rosette: Single ring
• Pearl inlay: Blue paua 6-point snowflakes
• Back and sides: Solid figured koa
• Endpiece: East Indian rosewood
• Neck: Select hardwood
• Neck shape: Modified low oval
• Fingerboard and bridge: Black ebony
• Side dots: Blue paua pearl
• Included hardshell case: Custom Shop TKL

Martin Acoustic Electric DCX1E

Price List Rp.11.900.000

Martin Acoustic Electric DCX1E
Workingman's Stage or Studio Martin

The Martin DCX1E is a Dreadnought Cutaway with a bookmatched solid spruce top and a Mahogany grained high pressure laminate (HPL) back, sides, and headplate. Equipped with Fishman Presys Plus onboard electronics system, the DCX1E provides the working musician with an affordably priced stage or studio instrument.

Messa/Boogie Mark V Guitar Amp Head

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Price List Rp.33.750.000

Messa/Boogie Mark V Guitar Amp Head
Premium tones from Mesa/Boogie!

Far more than a single amplifier, the Mark V is a journey through Mesa/Boogie's illustrious history. The Mark V houses multiple circuits and sounds spanning the lifespan of the Mark series — from the high-gain cascading pre amp of the Mark I all the way to the amazing power and control of the Mark IV. The preamp offers numerous sounds, ranging from tweed-like tones to British crunch to blistering trademark Boogie overdrive. If you're looking for an amp with an amazing history and tone to match, it's the Mark V from Mesa/Boogie.
Mesa/Boogie Mark V Head at a Glance:

• Multi-channel mayhem
• Equalizer 
• Multi-Watt power
• Simul-Class Power
• Choose your bias

Multi-channel mayhem
The Mark V is loaded with a slew of sonic possibilities. Channel 1 contains the lowest gain sounds of the three channels and can be thought of as the rhythm or clean channel. The other two channels contain modes that work better for soft clip, medium crunch and high gain rhythm work. There is a tight, skinny Clean (toggle up), a warm, rich Fat clean sound with added lower fundamental (toggle center) and a higher gain pushed version of this architecture found in Tweed (toggle down). A channel-global Bold voicing switch adds punch and cut starting in the high mids to help you stand out in a dense mix and give you an increase in headroom.

Channel 2 is the transitional channel between the low gain sounds of Channel 1 and the high gain fury of Channel 3. This channel contains the biggest differences between modes and there is definitely dialing required as you toggle through the voicing modes. A stripped, British-inspired Edge (switch up) unleashes low to mid gain aggression.

Low mids are added for a thicker, throatier "Crunch" sound that travels up the gain scale while retaining a tight attack. And finally, Mark I flips the architecture to arrive at the iconic high gain voice that put Mesa on the map back in 1970 with the little Boogie amp. This creamy voice is infused with thick bottom end and works great for fattening up single note solo sounds. You may want to run the BASS control very low (off to 10:00) when the gain is high in this mode to retain the best attack characteristic and avoid flabbiness. There is also a Normal/Thick switch that affects the Mark I Mode only to add extra gain in the mids for added single note focus.

Channel 3 goes on from there to encompass the best of the Mark Series overdrive sounds. Beginning with the MK II C+ (switch up) the sound is pure, blistering focus and this is the classic Boogie voice of the 80's that became the foundation for players like John Petrucci, James Hetfield, Kirk Hammett, as well as a staple for L.A.'s first call session players of the day Steve Lukather, Mike Landau, Dean Parks, and many more.

Equalizer
The onboard 5-band graphic EQ has been an iconic trademark of Mark series Boogies since they first appeared on the Mark I back in 1970. The shaping power of this feature can't be denied, especially when combined with the Mark II's tight, focused gain sound. In the '80's the classic "V" setting of the EQ on Mark II and III models became a new sound in heavy rock and etched the on-board graphic a place in rock history.

While the Mark V tone controls are accurate and effective over a wide range, they come earlier in the signal chain and can only achieve so much shaping before they produce possible imbalances in certain modes. The graphic EQ comes at the very end of the signal chain so you can shape the final sound with the only consideration being how much of a certain frequency your speakers, cabinets — and ultimately your ears — can handle. Each Channel is fitted with a mini-toggle to select the 5 Band Graphic EQ, but the fun doesn't stop there. The Mark V gives you the choice of two ways to utilize the power of the graphic EQ for each Channel!

Multi-Watt power
The bottom 3 position mini toggle in each channel is the Multi-Watt Power feature that determines the amount (wattage) and type (configuration) of power each preamp Channel will be coupled with to create a classic sound. Any amplifier's sound is 50% preamp and 50% power, so this switch is responsible for a large part of a given Channel's personality and feel. The choices repeat for all 3 Channels and they are 90 W, 45, and 10 W. Using the switch is simple... just select the power you want for each Channel, keeping in mind that the greatest headroom, focus and authority will always be found in the 90 watt position. That's how to use it, but for those who want the full story, here it is.

Simul-Class Power
There's no denying the sonic difference between Class A and Class A/B — but what if you could have both? Since 1981 Simul-Class Power has been the heart and soul of the Mark series amplifiers, imparting its sweet, musical character onto any sound in the vast library of the now classic Mark legacy. Cleans that shimmer with transparent layers of sweet delicate highs, while the bottom end breathes a warm fundamental under a bed of rich low mid ambience. Never harsh — always fat, the Simul lead tone is the quintessential single-note solo sound.

This patented way of wiring an output section with two (or more) pair of output tubes combines two different styles of wiring configurations to arrive at a blend that showcases the best attributes of both. In Simul-Class, one pair of output tubes is wired in the more efficient, cooler running Class A/B Pentode configuration, which produces the greater portion of power and headroom while running cooler. This was the popular way of wiring amplifiers from about the early '60's forward — chosen for its efficient use of tubes, greater power, and reliability. The only sonic penalty for its greater power (Class A/B Pentode wiring) is that it can have a tendency to bring forward the harsher odd-order harmonic content. The Simul solution — add a pair of tubes running in the less efficient, but infinitely sweeter Class A Triode configuration. This style of wiring produces far less power out of a pair of tubes while creating more heat, but it emphasizes the even- order sweeter harmonics and transitions to clip with a soft, rich purring quality like no other.

Keeping it cool
The cooling fan is fitted with an On/Off switch to allow silent running in the studio or late night practicing in the lower wattage settings. We recommend leaving the fan on whenever possible to increase the toneful life of your power tubes. Basically, if the sound doesn't bother you... leave the cooling fan on all the time.

Choose your bias
Finally a Bias Select switch is included that allows you to run EL34 power tubes in place of the stock compliment of 6L6's. You can run EL34's in just the outside pair or all 4 power tube spots. The EL34 style tubes will produce a brighter, skinnier sound that will clip with a whole different harmonic content that can be nice, especially for recording where you may not need the Channel switching performance of all 3 Channels and can dedicate the amplifier to one specific sound. The 6L6'S will most likely perform better for a wide range of sounds and certainly sound fatter and richer on most all the sounds and produce the greatest clean headroom.
Mesa/Boogie Mark V Head Special Features:

• Simul-Class Power Amp with Multi-Watt and Duo-Class technologies for 3 power and three operating class options
• Wattages are channel assignable via 10/45/90 Watt Power Switches 
• Choose 2 power tubes operating in pure vintage Class A (single-ended), producing 10 Watts
• 2 tubes running in time-honored Class A/B producing 45 Watts
• 4 tubes running in Mesa's patented Simul-Class Power that blends the best of Class A and Class A/B simultaneously to produce 90 Watts

Mesa/Boogie Mark V Head Features:

• 10/45/90 Watts
• 4x6L6 (or 4xEL34), 7x12AX7, 1x5U4
• Bias Select Switch (6L6/EL34)
• Fixed Bias for Consistent, Maintenance Free Performance
• Full Power/Variac Power Switch
• 3 Fully Independent Channels with 9 Modes 
• Footswitchable, Channel Assignable or True Bypassable All-Tube FX Loop with Send Level Control (over all channels when activated)
• Output Level Control (over all channels when activated)
• Footswitchable Solo Level Control
• True "Hard" Bypass Switch removes FX Loops, Output Level & Solo Level Controls from signal path
• Tuner Output w/Footswitchable Mute
• Slave Out w/Level Control
• Fan Cooled with On/Off Switch
• External Switching Jacks for Channels 2, 3 (channel 1 is default), EQ & Solo
• Aluminum Chassis
• 4x4 — 8 Button Footswitch
• Slip Cover

AKG C411 PP ( Phantom Powering )

Price List Rp.1.287.000

AKG C411 PP ( Phantom Powering )

Weighing only 18 grams (0.6 oz.), this ultra-light condenser pickup is ideal for acoustic guitar, mandolin, violin, and most other stringed instruments. The C 411 will give a clear and uncolored sound without changing the balance of the instrument. Attaching the C 411 on or near the bridge or anywhere else on the instrument is easy with the included non-marring, reusable, solventfree adhesive compound.

• C 411 PP: For hardwire applications, with standard XLR connector for phantom powering.
• Ultra-light vibration pickup
• Condenser transducer in sealed enclosure
• Cable with lockable miniature XLR connector

Specifications:

Frequency range	10 to 18,000 Hz
Sensitivity	2 mV/ms-2 (incl. MPA V L)
Max. SPL	100 dB (for 1% THD)
Impedance	200 ohms unbalanced
Recommended load impedance	>=1000 ohms
Supply voltage	9 to 52 V phantom power to DIN 45596 or battery powering from B 29 L or AKG bodypack transmitter
Powering	approx. 2.2 mA
Connector	C 411 PP: 3-pin XLR, C 411 L: 3-pin mini XLR
Cable	C 411 PP: 3 m (10 ft.), C 411 L: 1.5 m (5 ft.)
Finish	matte black
Dimensions	27 x 14 x 9.5 mm / 1.1 x 0.5 x 0.3 in.
Net weight	C 411 PP: 98 g (3.6 oz.), C 411 L: 18 g / 0.7 oz.
Shipping weight	C 411 PP: 225 g (7.9 oz.),

Polar Pattern:

Jodavi ZZYZX Snap Jack

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Price List Rp.375.000
Jodavi ZZYZX Snap Jack 

Quick Release Guitar Cable with Straight Plugs

The Snap Jack 20 foot Guitar Cable with Straight Ends uses high end cables and neodymium magnets with 24 carat gold plated connectors. Snap Jack magnets allow for quick separation when the cable is subject to excessive tension, thereby reducing the risk of personal injury and damage to your equipment, while eliminating any obnoxious popping or screeching sounds when it snaps. It also avoids the popping screeching sound during plugging or unplugging of the cable while the amplifier is on.
US Patent Pending Magnetic Precision Technology.

Specifications:

• 2 oz of Solid Metal Nickel Plated Shell
• Neodymium Magnet
• O.F.C. cable and gold plated contact
• 7.0mm PVC Jacket
• 0.12/144s Helical braided shield (100%)
• Conductive PVE (3.5mm)
• PE Conductor Insulator
• 0.08/60s OFC Conductor
• Eliminates popping sounds when plugging or unplugging the cable while amplifier is on
• Quick separation when cable is subject to extensive tension
• Sturdy neodymium magnet detaches only with excessive tension
• Prevents damage to guitar and amplifier
• Noise reduction technology

Gibson Les Paul Standard 2008 Gold Top

Price List Rp.35.900.000

Gibson Les Paul Standard 2008 Gold Top

The Gibson 2008 Les Paul Standard features a hand-carved figured maple top with matched chambered mahogany back outlined with single-ply binding.
The neck is crafted from a single piece of mahogany, making it function as a single unit with the body. Its asymmetrical shape is the most comfortable neck offered on a Les Paul Standard. The BurstBucker Pro humbuckers have Alnico V magnets with windings to deliver an enhanced tone with more bite and brilliance.

Product Description
Improving a legend isn't easy, but it's happened. Introducing Gibson USA's 2008 Les Paul Standard--an elegant revision of a true classic, with upgrades and new features that make it the best Les Paul Standard ever produced. Based on consumer feedback and a drive to uphold and enhance the legacy of the Les Paul Standard, Gibson USA's 2008 model sets a new guitar benchmark for excellence and achievement. Play the new 2008 Les Paul Standard from Gibson USA and experience the evolution of the greatest electric guitar of all time.

New Asymmetrical Neck ProfileThe 2008 Les Paul Standard debuts Gibson's newest neck profile--an asymmetrical design that makes it one of the most comfortable and playable necks ever offered on any guitar. The new ergonomically-correct profile is tapered, and designed to be thicker on the bass side, and thinner on the treble side, closely outlining the natural form of the hand as it grips the neck. The 2008 Standard necks are machined in Gibson's rough mill using wood shapers to make the initial cuts. Once the rosewood fingerboard gets glued on, the rest--including the final sanding--is done by hand. That means there are no two necks with the exact same dimensions. So while it still has the basic characteristics of its respective profile, each neck will be slightly different, with a distinct but traditional feel. 

Gibson Burstbucker Pro pickups and chrome Tune-o-matic bridge.

Locking Grover tuners for tuning stability.

Custom-made, gold-plated potentiometers manufactured by Bourns.

Chambered Mahogany Body
Every new 2008 Les Paul Standard will benefit from Gibson's proven chambering technique, which leaves each guitar with perfect tone, balance, and weight. Prior to gluing the maple cap on top of the mahogany body, the expert craftsmen at Gibson USA carve out carefully mapped-out chambers in the body using a Computer Numeric Controlled (CNC) router. The positioning of the routes was established after careful examination of the resonant characteristics of the Les Paul. Gibson approached this process with the awareness that every change to the formula would have repercussions on the instrument's sound. So, in addition to relieving the stress on a player's back and shoulder, these lighter Gibson guitars also enhance the tone palette in a manner unique only to these guitars. The results are comfortable, lightweight guitars that are acoustically louder, with increased sustain and resonance. 

TonePros Locking Tune-o-matic Bridge and Locking Stopbar Tailpiece
The Tune-o-matic bridge was the brainchild of legendary Gibson president Ted McCarty in 1954, setting the standard for simplicity and functionality that has never been bettered. The 2008 Les Paul Standard features TonePros locking Nashville Tune-o-matic in a chrome finish, which has saddle adjustment screws on the pickup side, and pre-notched saddles for quick installation. The chrome locking stopbar tailpiece is also from TonePros. These parts come with locking studs designed to secure both components firmly to the body so that there is no lean, yielding a great union between the strings and body which results in excellent tone and sustain. 

Pickups: Gibson Burstbucker Pros
Gibson's drive to recapture the magic of the original "Patent Applied For" humbucker pickups of the 1950s culminated with the introduction of the Burstbucker line in the early 1990s. In 2002, Gibson followed up this innovative accomplishment with yet another breakthrough in pickup design--the Burstbucker Pro, designed specifically for the new Les Paul Standards. The Burstbucker Pro features an Alnico V magnet (instead of the Alnico II), which offers slightly higher output and allows preamps to be driven a little harder to achieve a more natural break-up. Like all Burstbuckers, the Burstbucker Pro has asymmetrical coils--true to the original PAFs--which supply a more open sound. The Burstbucker Pro Neck is wound slightly less than the original PAFs, while the Burstbucker Pro Bridge is slightly overwound for increased output. The Burstbucker Pro pickups are also wax potted to allow loud volume pressures with minimal feedback. 

Revolutionary Plek Set Up
The 2008 Les Paul Standard is one of the first models from Gibson USA to utilize the revolutionary Plek machine in setting up the guitar. The Plek is a German-made, computer controlled machine that carefully measures each fret, along with the fingerboard height under each string, and then automatically dresses each fret, virtually eliminating string buzz and greatly improving the overall playability of the guitar. This pioneering process does in minutes what it takes a luthier several hours--sometimes even days--to accomplish. Every fret is accurately aligned, and the guitar is properly intonated, leaving the instrument "Plek'd" and amazingly playable. 

Locking Neutrik JackNeutrik has been making superior electronic interconnection products since 1975, making them the logical choice to supply the performance safeguarding jack in Gibson's 2008 Les Paul Standard. Like many Neutrik products, the jack in the 2008 Les Paul Standard is manufactured from strong, high-grade thermoplastics and housed in a rugged diecast nickel shell. A retention spring inside the jack ensures optimum grip on any guitar cable, thus avoiding the chance of lost connection. 

Locking Grover TunersThe 2008 Les Paul Standard is outfitted with locking tuners from Grover, which deliver ease of use through a standard tuner and positive locking mechanism that securely locks each string in place. Simply insert each string through the string hole, turn the dial on the bottom of the tuner to lock the string, and begin tuning. Each string can be tuned to pitch in less than one complete revolution of the post. These Grover machine heads feature completely sealed components with an improved 18:1 tuning ratio. 

Gold-Plated, Custom-Made Potentiometers by Bourns
The 2008 Les Paul Standard features all newly designed controls, including custom-made, gold-plated potentiometers manufactured by Bourns, one of the industry's leading makers of guitar electronics. These new potentiometers deliver accuracy and high reliability, while giving the Standard '08 a new level of sonic clarity and intensity never before seen in a Les Paul.

New Enlarged Neck Tenon
The 2008 Les Paul Standard sports a revolutionary enlarged neck tenon designed by Gibson's team of pioneering engineers. The expanded neck tenon features an innovative interlocking joint that allows the neck to be dropped into the body from the guitar's top side, as opposed to sliding the neck in from the rim. When the glue is added, a solid unyielding bond is created that maximizes the wood to wood contact between the neck and the body, offering increased stability and superb transfer of vibration for enhanced tone, improved sustain, and superior resonance. It is also the largest neck tenon in the history of the Les Paul.

Gibson 2008 LES PAUL STANDARD features include:

• Finish: Gold top
• Top Species: Carved AA maple
• Back Species: Mahogany
• Binding: Single-ply
• Fingerboard Species: Rosewood
• Scale Length: 243/4"
• Number of Frets: 22
• Inlays: Trapezoid
• Fingerboard Binding: single-ply
• Pickups: BurstBucker Pro pickups with Alnico V magnets
• Controls: Two volume, two tone, three-way switch
• Nut Width: 1.695"
• Hardware: Chrome
• Tailpiece: Stopbar
• Bridge: Tune-o-matic
• Knobs: Gold Top
• Tuners: Green Keys
• Strings: Brite Wires .010-.046
• Includes Hard Case

Mortarbo MP6 Keyboard Amplifier

Price List Rp.16.740.000
Mortarbo MP6 Keyboard Amplifier
The MP6 was designed as a powerful and versatile PA system in a portable keyboard amplifier with a number of professional features and a level of quality unmatched by similar products.
MP6 allows you to perform at your best wherever you go. Perfect for voice, keyboards, accordions, electroacoustic guitar and drum machines, it is ideal for one-man-bands, piano-bar and many other situations. As usual with Montarbo products, you can count on sonic accuracy, ease of use and top reliability.

• Dedicated class AB MosFet power amplifier controlled by an active processor optimizing the linearity of the frequency response as well as the working performance of the system. Output power: 300 W.
• 127 dB max spl.
• Built-in 6-channel mixer and digital effects processor (16 real-time alterable programs).
• 15" high efficiency woofer
• 1” dynamic compression driver loaded by a moulded-in 90 x 60-degree high-frequency horn.
• Compact rugged and stylish two-way enclosure made from one-piece recyclable, HD polyethylene. Maximum transportability is guaranteed by two side handles moulded in the cabinet's shell, a telescopic handle and wheels.

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Specifications:

6-channel mixer
Channels. 1-2

• Micro sensitivity -52dB/ impedance 2,2 kohm 
• Line sensitivity -32dB/ impedance 10 kohm 

Channels. 3-4-5-6

• Mic/Line sensitivity -32dB/ impedance 10 kohm 

All Channels

• Channel gain range: 34dB
• Equalization: 
• - HF ± 15dB@15kHz
• - MF ± 15dB@600Hz 
• - LF ± 15dB@50Hz 
• Equivalent input noise < -112dB
• Peak LED indicator +17dB, 6dB before clipping 
• Aux output nom. level 0dB / max level +22dB 
• Pre-out/Main-in nom. level 0dB 
• Phones output load impedance 200÷600 ohm 
• Digital effects processor 16 presets (alterable) 
• Conversion 24- bit Delta-Sigma
• Bandwidth 40Hz ÷ 15kHz

Enclosure	2-way bass reflex
Frequency response	40Hz ÷ 20kHz
Sensitivity (1W,1m)	101,5 dB
Max SPL	127 dB
Components (custom)	15" high efficiency woofer 1" compression dynamic driver loaded by a 90° x 60° horn
Construction	Rotationally moulded high density polyethylene Telescopic handle and wheels. Steel protection grille
Amplifier	MosFet, processor controlled
Max. output power	300 W
Dimensions (WxHxD)	46 x 68 x 36 cm
Weight	27 kg

Montarbo MP4 Keyboard Amplifier

Price List Rp.8.580.000
Montarbo MP4 Keyboard Amplifier
Ideal for keyboards, accordions, one-man-bands, piano-bar and many other situations, the though lightweight and compact MP4 offers a host of professional features and a level of quality unmatched by similar products. Powerful and versatile PA systems with built-in amplifier and mini-mixer: all in one unique package. As usual with Montarbo products, you can count on sonic accuracy, ease of use and top reliability.

• MP4 is equipped with a 100 W, class AB, MosFet amplifier.
• 123 dB max SPL.
• 4-channel mixer with built-in digital effects processor (Reverb/Chorus).
• 12” high-efficiency woofer.
• 1” dynamic compression driver loaded by a moulded-in 90 x 60-degree high-frequency horn.
• A unique package ready for use and easy to carry thanks to the side handles moulded in the HD polyethylene cabinet.

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Specifications:

4-channel mixer:
Channel. 1

• Micro sensitivity -52dB / impedance 2,2kohm
• Line sensitivity -32dB / impedance 10kohm

Channels. 2-3-4

• Mic/Line sensitivity -32dB /impedance 10kohm

All Channels

• Channel gain range: 34dB
• Equalization: 
• - HF ± 15dB@15kHz
• - MF ± 15dB@600Hz
• - LF ± 15dB@50Hz
• Equivalent input noise < -112dB
• Peak LED indicator +17dB, 6dB before clipping
• Aux output nom. level 0dB / max level +22dB
• Pre-out/Main-in nom. level 0dB
• Phones output load impedance 200÷600 ohm
• Digital effects processor (Reverb, Chorus)
• Conversion 24-bit Delta/Sigma
• Bandwidth 40Hz ÷ 15kHz

Enclosure	2-way bass reflex
Frequency response	46Hz ÷ 20kHz
Sensitivity (1W,1m)	101 dB
Max SPL	123 dB
Components (custom)	12" high efficiency woofer 1" compression dynamic driver loaded by a 90° x 60° horn
Construction	Rotationally moulded high density polyethylene. Steel protection grille
Amplifier	MosFet, processor controlled
Max. output power	100 W
Dimensions (WxHxD)	38 x 60 x 30.5 cm
Weight	16.5 kg

Dean MAB-1 Michael Angelo Batio Armor Flame

Price List Rp.13.500.000
Dean MAB-1 Michael Angelo Batio Armor Flame

Get your hands on the new Dean MAB-1 Armor Flame. Inspired and Co-designed by Michael Angelo Batio. You can't go wrong with this gem. Michael is actually playing this model on tour.

Features:

• Alder Top / Body
• 25-1/2" Scale
• Michael Angelo Batio Spec. Maple Neck
• Ebony Fingerboard
• Abalone Block Inlays
• Grover Tuners
• Nickel Hardware
• Floyd Rose Bridge
• EMG 81, EMG 85, & EMG SA Pickups

Mackie Onyx Black Bird recording Interface

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Price List USD 777
Mackie Onyx Black Bird Recording Interface
Studios, regardless of size, can’t usually afford to buy all the gear they want at once. That’s why investing in gear designed with performance, flexibility and expandability in mind is critical. Mackie’s Onyx Blackbird Premium 16x16 FireWire Recording Interface delivers industry-leading recording quality via eight boutique-quality Onyx preamps and high-end 24-bit/96kHz conversion in a sleek, rackmount design. Two front panel “Super Channels” provide quick access to crucial recording tools and feature true analog hardware monitoring, in both mono and stereo, for hassle-free zero-latency recording. The additional mic inputs, onboard 8x8 ADAT and word clock I/O provide easy integration into any digital or analog setup. For more complex sessions, the powerful Blackbird Control DSP Matrix Mixer allows for quick mix creation and routing of any input to any output. Plus, since Blackbird works as a standalone 8-channel preamp rack, you’ve got a single box solution ready for integration into your studio or digital live setup.

BOUTIQUE-QUALITY ONYX PREAMPS
Great recordings start with high-quality preamps and you will simply not find preamps at this price range better than Blackbird’s Onyx preamps. We invested significant R&D efforts into developing our flagship Onyx mic preamps. Found on our most expensive studio consoles, Onyx pres are designed to meet or surpass expensive, esoteric standalone mic pres in terms of fidelity, headroom and transparency – as well as improved radio frequency (RFI) rejection and ultra-wide dynamic range. And with a full 60dB of available gain, would-be competitors are left in the dust.

HIGH-QUALITY AD/DA CONVERSION
Quality doesn’t stop at the boutique Onyx preamps. The Onyx Blackbird uses Cirrus Logic® converters offering 114dB dynamic range (A-weighted) – a specification other companies sometimes charge thousands of dollars to achieve. Our preamp circuitry is aligned precisely with the onboard analog-to-digital conversion to always provide you with the most headroom and the lowest noise and distortion possible, a real sonic benefit that is often ignored on interfaces.

PROFESSIONAL DIGITAL I/O
Studio growing? Blackbird can work into your studio in a number of ways. It’s the perfect front end to your DAW using the FireWire connection. Plus, if you get more preamps later (like another Onyx Blackbird), you can simply connect them via Blackbird’s integrated 8x8 ADAT I/O, delivering a full 16-channel 24-bit/96kHz resolution recording solution. There’s also onboard word clock I/O perfect for any scenario incorporating multiple pieces of analog/digital gear. That means Blackbird is also an ideal standalone 8-input preamp unit for integration into a larger studio or digital live setup.

TWO FULL-BLOWN SUPER CHANNELS
Even though there’s tons of available I/O on Blackbird, the two front-panel “Super Channels” offer extremely useful features, right within your reach. First off, both channels utilize combo inputs, allowing you to easily swap between mic, guitar, keys, drum machines or whatever comes up during the session. Dedicated 48V phantom power is perfect for any studio-quality condenser microphone. And because these inputs feature true analog hardware monitoring, in either mono or stereo, you can route the signals directly to your studio monitors or headphone, bypassing the need for a matrix mixer, so you and your artists can get right to work. Zero-latency overdubs have never been easier to setup or control.

POWERFUL BLACKBIRD CONTROL DSP MATRIX MIXER
The Onyx Blackbird is powerful all on its own. However, for more complex applications, Mackie provides you with the custom-designed 18x16 Blackbird Control DSP Matrix Mixer application. This powerful graphic user interface (GUI) allows for customization and ease-of-use that the competition is simply unable to achieve:

• Route any input to any output at any volume and pan orientation
• Apply custom names to all channels and output mixes for quick, at-a-glance reference and control
• 18x16 design, offering a stereo playback stream routable to all monitoring paths
• All DSP mixer I/O is fully customizable in this powerful, one-click solution

This intuitive software looks and operates just like an actual mixer, with the ability to pan, solo, mute and control various output levels. Each stereo output is controlled by a dedicated 18x2 mixer, with each output mixer accessible at the touch of a button. Blackbird Control also indicates input levels and peaks, allows for mono/stereo linking of adjacent channels…and more. It not only simplifies the engineer’s job, it is powerful, sleek and fun to use.

TOUGH BUT FRIENDLY
In true Mackie tradition, Onyx Blackbird features a “Built-Like-A-Tank” design, with a powder-coated, all-steel chassis that can get bumped around with the best of them. It’s ultra-compatible, working with any DAW that supports WDM/ASIO (PC) or Core Audio (Mac). This includes popular applications like Logic®, SONAR™, Cubase®, Ableton® Live, and Final Cut Pro®. It also comes with Mackie’s Tracktion 3™ Music Production Software to get rolling right out of the box.So, if you are looking for a new mothership for your studio, or want to expand upon the setup you already have, consider the Onyx Blackbird. Tons of boutique-quality pres, unmatched AD/DA conversion and a host of flexible, professional features…it’s the perfect solution for any studio.
Features:

• Eight boutique-quality Onyx mic preamps with class-leading fidelity and dynamic range
• High-headroom design with ultra-low noise and distortion
• Professional 16x16 24-bit/96kHz recording/playback
• » Flexible FireWire routing
• » 8x8 ADAT I/O for ultimate expandability
• » Onboard wordclock I/O for studio and live integration
• » Acclaimed JetPLL™ jitter elimination technology
• High-end Cirrus Logic® AD/DA converters with 114dB dynamic range (A-weighted)
• Compatible with most major DAWs
• » Pro Tools® 9
• » Logic®
• » SONAR™
• » Cubase®
• » Ableton® Live
• » Final Cut Pro®
• » ...and more
• Powerful and flexible “Super Channels”
• » Front panel connectivity for easy access
• » True analog hardware monitoring of inputs, in mono or stereo, for easy zero-latency recording
• » 80Hz low-cut switches
• » Dedicated 48V phantom power
• » Built-in DI for direct connection of guitars, bass, etc.
• » Inserts for outboard processing gear
• Ideal eight input standalone preamp unit with up to 96kHz ADAT (S/MUX II) outputs
• 48V phantom power on all inputs for use with condenser microphones
• Studio monitor, main and alternative outputs with independent level control and source selection
• Two headphone outputs with independent level control and source selection
• Includes powerful Blackbird Control DSP Matrix Mixer
• » Route any input to any output
• » Zero-latency tracking of all inputs
• » Quickly set up independent mixes for headphones and more
• Easily aggregate up to four units on Mac or PC
• “Built-Like-A-Tank” sleek and ergonomic chassis design
• Includes Tracktion 3™ Music Production Software for Mac or PC

Mackie Onyx Black Jack Recording Interface

Price List USD 330
Mackie Onyx Black Jack Recording Interface
Let's face it. If you could fit one of our flagship Onyx 1640i consoles into your workspace and budget, you probably would do it. But that shouldn't mean you have to settle for the cheapest, plastic 2x2 interface available. We've spent serious time and research creating the Onyx Blackjack Premium USB Recording Interface. It delivers the same proven Onyx preamps as our other flagship Onyx products in an ultra-compact, ergonomic desktop design perfect for your home studio. Other professional features include high-end AD/DA converters, built-in DIs, phantom power and true analog hardware monitoring of inputs for hassle-free zero-latency tracking, in either mono or stereo. The USB connection provides bus-power to the Blackjack, eliminating the need for another cable run. Plus, it's Mac/PC friendly and ready for most major DAWs right out of the box. So, don't settle. Be smart and check out the Onyx Blackjack - the utmost in sonic quality and simplicity.

BOUTIQUE-QUALITY ONYX PREAMPS
Great recordings start with high-quality preamps and you will simply not find preamps at this price range better than Blackjack’s Onyx preamps. We invested significant R&D efforts into developing our flagship Onyx mic preamps. Found on our most expensive studio consoles, Onyx pres are designed to meet or surpass expensive, esoteric standalone mic pres in terms of fidelity, headroom and transparency – as well as improved radio frequency (RFI) rejection and ultra-wide dynamic range. And with a full 60dB of available gain, would-be competitors are left in the dust.

HIGH-QUALITY AD/DA CONVERSION
Quality doesn’t stop at the boutique Onyx preamps. The Onyx Blackjack uses Cirrus Logic® converters offering 114dB dynamic range (A-weighted) – a specification other companies sometimes charge thousands of dollars to achieve. Our preamp circuitry is aligned precisely with the onboard analog-to-digital conversion to always provide you with the most headroom and the lowest noise and distortion possible, a real sonic benefit that is often ignored on smaller interfaces.

ZERO-LATENCY RECORDING
Latency is evil and must be punished. If you have recorded with digital gear, chances are you feel the same way. It’s a pesky computer-induced delay that can quickly kill the vibe of any recording session. Blackjack puts this issue to rest once and for all, featuring a true analog monitoring path directly from the preamps to your studio monitors and headphones. This means you can track while listening to the direct analog source with zero routing. Not only that, it also means you can adjust your buffer settings to maximize your computers processing ability. Oh yeah, Blackjack also allows you to track with zero latency in either mono or stereo, so you can get the right vibe when recording stereo signals like acoustic guitars and keyboards.

PROFESSIONAL TOOLS
No other ultra-compact desktop interface delivers as many professional features as the Onyx Blackjack. Both channels double as built-in DIs for direct connection of guitars, basses, keyboards, drum machines, etc. Both channels also deliver 48V phantom power, so you can use studio-quality condenser mics with no problem. The studio monitor and headphone outputs have independent level controls for maximum flexibility. Plus, the Onyx Blackjack is bus-powered via USB, so there’s no power supply to lose or another cable cluttering your workspace. It also comes with Mackie’s Tracktion 3 Music Production software, so you can get started recording right away.

ERGONOMICALLY INCLINED
Most desktop interfaces have a serious flaw: their construction. First off, most are made of cheap, breakable plastic. Onyx Blackjack features a sleek, powder-coated all-metal chassis that is truly “Built-Like-A-Tank”. You could literally use it as a hammer to smash the competition (not recommended at your local store). Second, when they are sitting on your desk, the competition lies flat, with no way to read the markings on the front panel. Have you ever accidently turned the wrong knob during your session? Not fun. The Onyx Blackjack sits with a 25-degree inclination, allowing for full view of all controls at all times, meaning more recording time and less hassle. A good idea – right?
So there you have it. An extremely simple, but very powerful desktop interface that delivers all the features you want in a design that could fit in your man purse. Small studio. Big solution. Onyx Blackjack.

Features:

• Two boutique-quality Onyx mic preamps with class-leading fidelity and dynamic range
• High-headroom design with ultra-low noise and distortion
• Professional 24-bit recording/playback via 2x2 USB
• High-end Cirrus Logic® AD/DA converters with 114dB dynamic range (A-weighted)
• True analog hardware monitoring of inputs, in mono or stereo, for easy zero-latency recording
• Compatible with most major DAW
• » Pro Tools® 9
• » Logic®
• » SONAR™
• » Cubase®
• » Ableton® Live
• » Final Cut Pro®
• » ...and more
• Built-in DI on each input for direct connection of guitars, basses, etc.
• 48V phantom power for use with studio-quality condenser microphones
• USB bus-powered, eliminating need for separate power cable
• Separate studio monitor and headphone outs with independent level control
• Sleek, ergonomic “Built-Like-A-Tank” desktop design
• Includes Tracktion 3™ Music Production Software for Mac or PC