Friday, May 20, 2011

MACKIE Onyx 24.4 Mixing Console


Price List USD 2.694
MACKIE Onyx 24.4 Mixing Console

Better Mic Pres. More Headroom. Enhanced Routing. And Much More.
Building on the success of our legendary SR24•4 mixing console, Mackie is proud to introduce the new Onyx 24.4 24-channel / 4-bus live sound console. While retaining the same convenient footprint as its predecessor, the state-of-the-art Onyx 24.4 brings dozens of new features and enhancements to the table: 100mm Panasonic® faders, premium Onyx mic preamps, completely redesigned analog circuitry with more headroom, greater routing flexibility, new Perkins EQ, and a built-in assignable stereo compressor/limiter. And we're barely scratching the surface.


BETTER SOUND BY DESIGN
The Mackie Onyx 24.4 leaves the competition in the dust when it comes to sound quality. The difference starts with premium Onyx mic preamps on every channel (click here for an interactive tour of the Channel strip), which offer greater dynamic range and transparency versus any other mixer mic preamp on the market. Newly designed 4-band Perkins EQ offers the sweet, musical sound of the legendary British consoles of yesteryear, yet with greater filter control. And while the 24.4 is not the first mid-format console to offer an onboard compressor/limiter, we specified a THAT® Corporation 4301 assignable stereo compressor/limiter, and then had it custom tailored specifically for the Onyx 4-bus Series. Finally, overall mixer sound quality and headroom has also been raised, thanks to the use of premium components, completely redesigned summing bus circuitry, and an electronically balanced design throughout the entire signal chain. Add it all up, and the Onyx 24.4 gives you big, full-range sound and even lower noise than esoteric mixing consoles costing much more.

ONYX MIC PREAMPS: AFFORDABLE "BOUTIQUE" QUALITY
Although our highly-acclaimed XDR mic preamps set high standards for quality and performance, Onyx mic preamps offer even greater fidelity, headroom and transparency—as well as better radio frequency (RFI) rejection and wider dynamic range than ever before. Numerous magazine and online reviews have confirmed Onyx preamps sound just as good as many “boutique” standalone mic pres—with specs like 123dB total dynamic range, -129.5 dBm Equivalent Input Noise, and 0.0007% Total Harmonic Distortion. Click here to learn more about Onyx mic pres. Read more.

PERKINS EQ: SWEET "BRITISH" CONSOLE SOUND, ONLY BETTER
We called on veteran audio engineer Cal Perkins to develop the EQ circuitry for the Onyx Series, and in turn Cal designed an extremely effective and musical 4-band EQ, with sweepable low- and high-mids—perfect for live sound mixing. Called the Perkins EQ, Cal's new circuitry builds on the classic Wein Bridge circuit used in the British mixing desks of the '60s and '70s, providing greater filter and phase shift control. Perkins EQ offers more control over harmonic content than any other EQ on the market, and it's only available on Mackie products. Read more.

ASSIGNABLE ONBOARD STEREO COMPRESSOR/LIMITER SECTION

Compression is an indispensable tool in a sound engineer's arsenal. That's why we integrated a high-quality master compressor/limiter chip from THAT® Corporation into the Onyx 24.4. This assignable compressor/limiter is perfect for tightening up vocal harmony and balancing drum kits. Controls are provided for Threshold, Ratio and Fast/Slow Attack, and the compressor can be assigned post-fader to the L/R main mix (for system limiting and speaker protection) or pre-fader to Group 1/2 or 3/4 outputs (for grouped signal compression, like drums or background vocals).

MATRIX MIXER AND MASTER SECTION

If total control over signal routing, talkback/monitor mixing, and external effects processing is what you seek, then look no further—the Onyx 4-Bus Series Master section has everything you've come to expect from a Mackie mixing console, and more. The onboard 6 x 2 Matrix Mixer is the solution to the “not-enough monitor send” blues. Not only can you use the Aux Sends to generate up to six monitor mixes, but the Matrix Mixer can be used to generate two additional independent mixes—ideal for IEM (in-ear-monitor) systems, cry rooms, green rooms or other zoned outputs. Visual monitoring of Solo, Main output and compression/limiting is expertly handled via four, giant 12-segment LED ladders. And even the Sub Groups feature 4-segment LEDs, so you know what signal levels are at glance. Click here for a guided tour to the Master section.

BALANCED MIC/LINE DIRECT OUTPUTS

If you plan to use the Onyx 24.4 for live recording, we've included another invaluable feature: convenient balanced Mic/Line direct outputs for every channel. No longer will you need to run a splitter, or take individual direct outs from the board to your tape or hard disk recorder. Thanks to three DB-25 female connectors (configured with standard Tascam® pin outs) on the rear of the console, you can quickly route all mic/line signals to an external device. All of these balanced direct outs are pre-fader and switchable via internal jumpers as either pre- or post-EQ. So there's only three cables between the Onyx 24.4 and your recorder—it just doesn't get any easier than this.

BUILT MACKIE TOUGH 

Because we at Mackie know how tough the road can be on equipment, we designed the Onyx 4-Bus Series to handle almost anything you can throw at it. Vertical aluminum supports are placed strategically to maximize the structural integrity of the solid-steel chassis. And because these boards get moved around a lot, we designed comfortable carry handles right into the sides—even though they are portable enough to just tuck them under your arm and go.
Designed with a practical and easy to understand layout, anyone from a Sunday morning volunteer operator to a seasoned professional engineer can quickly learn to operate the Onyx 24.4 console. This makes it perfect for a wide range of live applications including churches, small- to medium-sized clubs, touring bands, and rehearsal facilities, just to name a few. With stunning sound quality and renowned Mackie engineering—combined in a full-featured, portable, highly affordable, mid-format mixing console—the Onyx 24.4 is destined to set the new standard.
Features:
  • 24-channel / 4-bus premium analog mixer designed for live sound
  • Onyx microphone preamps with class-leading fidelity and dynamic range on every channel
  • 4-band Perkins EQ on every channel for warm, musical sound
  • 6 x 2 Matrix Mixer provides 2 additional mixes for cry rooms, monitors, etc.
  • Built-in assignable stereo compressor/limiter designed by THAT® corporation
  • Giant 12-segment LED ladders for Main output and compressor/limiter
  • 6 Aux sends with Pre/Post switches
  • Two dedicated stereo channels
  • 100mm Panasonic™ faders on all channels, groups and mains
  • Same physical size as the popular SR24•4 mixing console
For more detailed specifications, click here.

KORG Monotron Analog Synth



Price List Rp.610.000
KORG Monotron Analog Ribbon Synth
Analog on the go!
Analog synths were once massive, temperamental monsters; but no more! The true analog monotron fits in your pocket and is ready to play – anytime, anyplace. Although small enough to hold in one hand, the amazing monotron delivers ginormous and dazzling sounds. Best of all, it's a blast to play. The controls have been streamlined for ease of use. Concentrating on the most important sound parameters, the panel contains only five knobs and one switch. With this level of simplicity, now anyone can easily enjoy the world of analog synthesizers.
Product Highlights:

  • Features the same classic analog filter found in the legendary Korg MS-10 & MS-20
  • Filter any external source using the audio input jack
  • Inspiring, easy-to-play ribbon keyboard
  • Intuitive, fun-to-tweak controls
  • Full-fledged, true analog synthesizer: VCO, VCF, LFO
  • LFO can modulate either pitch of filter cutoff
  • LFO Rate knob features cool LED visual indicator. 
  • Battery operation and palmtop size equals true portability
  • Internal speaker/headphone jack lets you enjoy the sound anywhere – alone or with friends!Ribbon controller keyboard offers easy expression
Borrowing the enjoyment of performing with a simple touch from Korg's wildly popular KAOSS products, the monotron's ribbon controller keyboard takes this ease of use even farther. Simple finger gestures can produce expressive effects such as vibrato and glide.

1VCO, 1VCF, 1LFO – Modular synthesis building blocks
The monotron's circuit is radically simple: one voltage-controlled oscillator, one voltage-controlled filter, and one low frequency oscillator. As a result, the process of sound creation is intuitive, and instantly understandable. And it's tons of fun. The monotron provides the joy of sonic creativity that's at the heart of analog synthesis.



Looking for the full schematics? Click here

The famous Korg filter
The monotron starts with the same highly acclaimed VCF circuit as KORG's classic MS-10 and original MS-20 semi modular synthesizers, and adds extra oomph to the resonance. Originally released over 30 years ago, these instruments are still coveted today for their aggressive, dynamic filters. The VCF Cutoff knob sets the frequency or tone of the filter; the VCF Peak (resonance) knob adds emphasis.

Semi modular satisfaction
Just as on the original MS-20, the monotron's filter can be "patched into," allowing any external audio source to be processed by the monotron's filter. The input jack (AUX input) built into the monotron's compact body inserts the AUX input into the signal path right before the VCF. This provides a great way to connect a KAOSSILATOR, a keyboard, a guitar, a digital audio player or even an un-mixed track to the monotron and enjoy tone-bending filter effects.

Versatile LFO provides audio – and visual – excitement!
The LFO (Low Frequency Oscillator) can affect either the oscillator pitch or the filter cutoff. Both the speed and the intensity are individually adjustable, so you can create anything from a gentle vibrato to swooping tone changes of galactic proportions. As you turn the LFO Rate knob – featuring an embedded LED – the speed of the modulation effect and the speed of the blinking LED will change in tandem.

Listen anywhere – alone or with friends
The ultimate in compactness, the monotron includes a built-in miniature speaker. Along with the battery operation, this feature allows you to enjoy the monotron everywhere. There's also a headphone output that you can use when creating sounds at home, for recording, or for connecting to an amplifier or PA system.


Specifications:

  • Audio Path:VCO, VCF, LFO
  • Knobs:VCO Pitch; LFO Rate; LFO Intensity; VCF Cutoff; VCF Peak
  • LFO Switch:Assignable to Oscillator Pitch or Filter Cutoff
  • Controller:Ribbon Controller
  • Volume:Headphone Volume
  • Aux Input:1/8" Stereo Jack
  • Headphone Output:1/8" Stereo Jack
  • Speaker:Miniature internal;Disabled when headphones are in use.
  • Power Supply:AAA Alkalines (x2)
  • Dimensions: (W x D x H)4.72” x 2.83” x 1.10”
  • Weight:3.35 oz. (without batteries)

KORG microKEY USB POWERED


Price List Rp.1.170.000
KORG microKEY USB POWERED 
The perfect choice for controlling your computer music software – in production or in performance
The microKEY is slim, lightweight, USB powered and compatible with all of your computer music software; use it to create your own compact and customized command center.
Product Highlights

  • USB MIDI keyboard – thin, lightweight, and USB-powered
  • 37 velocity-sensitive mini keys
  • Comfortable and easy-to-play Natural Touch keyboard
  • Octave Shift and Key Transpose features access the full MIDI note range
  • Pitch Bend and Modulation wheels add expression to your performance
  • Dual USB ports are ideal for adding Korg's nanoPAD or nanoKONTROL 
  • (or other USB devices) to your setup
  • Natural Touch mini keyboard
  • The microKEY features 37 velocity-sensing mini keys, using the same Natural Touch keybed found on the Korg microKORG XL and microSTATION. 
This keybed has been designed with careful attention to the touch and feel. The proportions of the black keys and white "waterfall" keys have been adjusted for optimal playability, and the key touch makes it easy to play chords, glissandos, and rapid-fire phrases. The microKEY accurately conveys the dynamics of your performance to any software plug in.

Extended Range and Expression
The Octave Shift buttons extend the range of the microKEY by four octaves in either direction – up or down. The Key Transpose allows you to play in any key instantly. Used together, these two features provide access to the entire MIDI note range. For adding tasty expression to your performance, the microKEY is also equipped with both a Pitch Bend wheel and a Modulation wheel.

USB versatility
Your new microKEY serves double-duty as a USB hub. The two USB ports (Type A) allow you to expand your custom control center by adding on a Korg nanoPAD or nanoKONTROL – or any other USB device!

Free Editing Software
Download the free "KORG KONTROL Editor" and customize the microKEY for your production or performance system. Using the editor software, you can set the keyboard to respond to one of eight distinct velocity curves, or set a fixed velocity value. In addition, the range of the modulation wheel can be customized by setting minimum and maximum control change values.

System Requirements
Mac

  • Supported Computer: Apple Macintosh with USB port, satisfying the operating requirements of Mac OS X or Apple Macintosh with Intel or PowerPC supported
  • Supported OS:Mac OS X10.4 or later
Windows

  • Supported Computer: Computer with USB port, satisfying the operating requirements of Windows XP/ Vista/7 (Intel USB chipset recommended)
  • Supported OS: Windows XP SP3 (32bit), Windows Vista SP2 (32bit, 64bit) or Windows 7 (32bit, 64bit)

Gibson Les Paul-STUDIO AW

Price List Rp.21.900.000
Gibson Les Paul-STUDIO AW
Gibson Les Paul Studio Guitar
The Gibson Les Paul is a guitar that speaks for itself. Whether in the hands of an able bluesman, a metal shredder, a snaky chordsman, or a pop strummer, the Les Paul has a sound and image immediately identifiable as pure attitude and power. Since the company began churning out mandolins in the late 1800's all the way until today, bearing an instrument with the name Gibson emblazoned on the headstock gives the performer a certain sense of gravitas, and the Les Paul Studio is no exception.

Gibson Les Paul Studio: Because Sometimes You've Just Gotta Dress It DownThe specs are exactly what you've come to know, expect, and respect from such a fine instrument as a Gibson Les Paul, without any of the frills or flair some guitarists look for in a stage axe.

Specifications of the Gibson Les Paul Studio
The Gibson Les Paul Studio guitars feature carved maple caps on mahogany bodies, '59 Les Paul Rounded Mahogany necks, 22 frets on a 24 and 3/4-inch scale length, and pearloid trapezoid inlays. Available in 4 striking finishes, the wine red, fireburst, and ebony Les Paul Studios all feature rosewood fretboards, while the alpine white packs a secret surprise on board. Normally reserved for instruments double in price, the alpine white Les Paul Studio features an ebony fretboard, adding a distinct cutting edge to the tone of an already very able tone machine. The pickups are capable of dishing copious amounts of tone, thanks to the Alnico magnets in the 490R and 498T pickups found in the neck and bridge positions, respectively, controlled by the standard 3-way toggle switch and array of dual volume and tone controls. The guitar ships strung up with Gibson Brite Wires, gauged .010 to .046, in a black reptile pattern hardshell Gibson case, with a dark grey plush interior.

A Road-Worthy Studio
Gibson markets this guitar as the instrument of choice for studio cats, but I found it to be perfectly suited to the gigging musician as well. If you fall into one of the following categories, the Les Paul Studio was made for you:
  • You completely dig the Les Paul mojo, but your wallet is a little light
  • You've already got a high-end Les Paul, and need a backup axe that doesn't compromise on tone
  • You've got a high-end Les Paul, but the thought of taking it out on the road breaks you out in a cold sweat
  • You're a seasoned road warrior and you want that killer Les Paul tone without the killer Les Paul weight
Specifications:

  • Manufactured in: Nashville, TN
  • Top Species: Carved Maple top
  • Back Species: Mahogany
  • Neck Species: Mahogany
  • Profile: '59 Les Paul Rounded
  • Peghead Pitch: 17 degrees
  • Thickness at 1st Fret: 0.818 in.
  • Thickness at 12th Fret: 0.963 in.
  • Heel Length: 0.625 in.
  • Neck Joint Location: 16th fret
  • Fingerboard Species: Rosewood; Ebony on Classic/Alpine White and Platinum
  • Scale Length: 24-3/4 in.
  • Total Length: 18.062 in.
  • Number of Frets: 22
  • Nut Width: 1-11/16 in.
  • Width at 12th Fret: 2.062 in.
  • Inlays: Pearloid trapezoid, none on Platinum
  • Hardware Plating Finish: Chrome
  • Tailpiece: Stopbar
  • Bridge: Tune-o-matic
  • Knobs: Black Speed
  • Tuners: Green Key
  • Neck Pickup: 490R Alnico magnet humbucker
  • Bridge Pickup: 498T Alnico magnet humbucker
  • Controls: 2 volume, 2 tone, 3-way switch
  • Case Interior: Dark Grey Plush with Black Shroud
  • Case Exterior: Black Reptile Pattern Hardshell
  • Case Silkscreen: Silver 'Gibson USA' logo
  • Strings: Brite Wires .010-.046

Behringer U-CONTROL UMX610


Price List Rp.2.800.000
Behringer U-CONTROL UMX610
The UMX MIDI Controller is an extremely flexible master keyboard with a control section for a wide range of applications. Do you need independent control of hardware synthesizers or general MIDI sound modules? How about control over effects devices? Maybe you just want to operate sequencing software or computer plug-ins from a convenient remote location? UMX Series controllers provide total flexibility and tremendous ease of use, allowing you to realize your ideas intuitively.

The Ultimate Studio in a Box: 

61-Key USB/MIDI Controller Keyboard with USB/Audio Interface, 100 Software Instruments, 50 VST Effects and NI KorePlayer Software Sound Module

  • Unleash your creativity with 100 virtual instruments and take off with 50 VST effects plus an unlimited number of sound creations
  • Velocity-sensitive USB/MIDI keyboard featuring 61 high-quality full-size keys and unbeatable programming versatility, real-time control and playability
  • USB/Audio interface included for recording and playback of any digital music file. Works with your PC or Mac computer—no setup or drivers
  • Intuitive sound module NI KorePlayer with production-ready 300 MB sound library, includes sounds of nearly all categories/kinds, ranging from synths to acoustic instruments to drums
  • Plug and play with Mac OS X, Windows XP and Vista operating systems
  • 8 real-time rotary controls plus 10 assignable switches
  • Freely assign MIDI control changes to the modulation wheel, volume fader and pedal port for ultimate flexibility
  • Full 128 tone range via the octave shift function with multi-purpose LED status indication
  • Separate MIDI Out allows controlling external samplers, synths and other equipment
  • Runs via USB, batteries or a power adapter (not included)
  • High-quality components and exceptionally rugged construction ensure long life
What is a MIDI Controller?
Simply put, a MIDI controller gives you the power to take command of any hardware device or software that understands MIDI (Musical Instrument Digital Interface). This means that MIDI addressable effects processors (such as delays, reverbs, etc.) and audio recording and editing software can be controlled with a single piece of hardware, a MIDI controller. This can be very handy indeed when you have lots of devices spread The UMX MIDI Controller is an extremely flexible master keyboard with a control section for a wide range of applications. Do you need independent control of hardware synthesizers or general MIDI sound modules? How about control over effects devices? Maybe you just want to operate sequencing software or computer plug-ins from a convenient remote location? UMX Series controllers provide total flexibility and tremendous ease of use, allowing you to realize your ideas intuitively.

22 assignable controllers
When it comes to remote control, you get 8 knobs, 10 assignable switches, 2 wheels (Pitch Bend & Modulation), 1 pedal port and 1 fader, for a total of 22 assignable controllers — which means total control of your operating environment. Once you’ve assigned the parameters for a particular scenario, simply store it in your user preset.

Playability
All UMX Series controllers feature our custom-designed key-bed, which has been praised by some of the industry’s top product reviewers and players alike for its responsiveness and playability.

More Than Just MIDI
As an added bonus, we’ve included our UCA222 USB Audio Interface to access your PC or Mac computer’s audio capability. You can use the UCA222 to connect sound modules directly to any free computer USB port and listen to either the input or output signal via headphones or through active studio monitors. The UCA222 also features an additional S/PDIF optical output for direct digital conversion and is completely powered via USB—no external power supply needed. With its dual analog mono inputs, any line-level device, such as a mixer or tape deck, can be connected hassle-free to your computer.

Here are a just few reasons you need a UMX controller
For playing external sound modules, rack synthesizers and virtual instruments
For editing sound parameters of synthesizers, sound samplers and GM/GS/XG sound generators Controlling parameters on outboard equipment and software plug-ins, such as effects processors, compressors and digital equalizers
Remotely controlling software mixers (functions for volume, pan, mute, etc.)
Live control of volume and sound parameters of sound modules on stage

Unleash Your Creativity With More Than 100 Instruments and Effects Plug-Ins
We’ve included over 100 virtual instruments plus more than 50 effects plug-ins to get you rockin’ right out of the box! Jam with a virtual e-piano or take off with breathtaking synthesizer sounds. Tweak your sounds with creative tube amps and multi-FX plus high-end studio reverbs, equalizers, compressors, choruses and many more.

Even More Ready-to-Play Sounds
Included with each UMX controller is the Native Instruments’ KORE PLAYER with a production ready 300MB sound library. KORE PLAYER includes six Native Instruments sound engines and provides ready-to-play sounds that can be browsed and tweaked via its ultra-intuitive interface. We’ve also included a coupon, which can be used to download even more sounds.

Power supply options
Because they need to be ready for action in a variety of venues, UMX Series controllers can draw operating power from any free USB port on your PC or Mac computer, 3 AA batteries or the optional external power supply.If you need help with your live or recording MIDI environment, the UMX Series puts total control right at your fingertips.


UMX Series Features

UMX610

UMX Series Recording Hookup Example

UMX610

UMX Series Live Performance Hookup Example

UMX610
Construction / CraftsmanshipVersatilityEffectsUSB

Behringer U-CONTROL UMX490


Price List Rp.2.200.000
Behringer U-CONTROL UMX490
The UMX MIDI Controller is an extremely flexible master keyboard with a control section for a wide range of applications. Do you need independent control of hardware synthesizers or general MIDI sound modules? How about control over effects devices? Maybe you just want to operate sequencing software or computer plug-ins from a convenient remote location? UMX Series controllers provide total flexibility and tremendous ease of use, allowing you to realize your ideas intuitively.

The Ultimate Studio in a Box: 

49-Key USB/MIDI Controller Keyboard with USB/Audio Interface, 100 Software Instruments, 50 VST Effects and NI KorePlayer Software Sound Module

  • Unleash your creativity with 100 virtual instruments and take off with 50 VST effects plus an unlimited number of sound creations
  • Velocity-sensitive USB/MIDI keyboard featuring 49 high-quality full-size keys and unbeatable programming versatility, real-time control and playability
  • USB/Audio interface included for recording and playback of any digital music file. Works with your PC or Mac computer—no setup or drivers
  • Intuitive sound module NI KorePlayer with production-ready 300 MB sound library, includes sounds of nearly all categories/kinds, ranging from synths to acoustic instruments to drums
  • Plug and play with Mac OS X, Windows XP and Vista operating systems
  • 8 real-time rotary controls plus 10 assignable switches
  • Freely assign MIDI control changes to the modulation wheel, volume fader and pedal port for ultimate flexibility
  • Full 128 tone range via the octave shift function with multi-purpose LED status indication
  • Separate MIDI Out allows controlling external samplers, synths and other equipment
  • Runs via USB, batteries or a power adapter (not included)
  • High-quality components and exceptionally rugged construction ensure long life
What is a MIDI Controller?
Simply put, a MIDI controller gives you the power to take command of any hardware device or software that understands MIDI (Musical Instrument Digital Interface). This means that MIDI addressable effects processors (such as delays, reverbs, etc.) and audio recording and editing software can be controlled with a single piece of hardware, a MIDI controller. This can be very handy indeed when you have lots of devices spread The UMX MIDI Controller is an extremely flexible master keyboard with a control section for a wide range of applications. Do you need independent control of hardware synthesizers or general MIDI sound modules? How about control over effects devices? Maybe you just want to operate sequencing software or computer plug-ins from a convenient remote location? UMX Series controllers provide total flexibility and tremendous ease of use, allowing you to realize your ideas intuitively.

22 assignable controllers
When it comes to remote control, you get 8 knobs, 10 assignable switches, 2 wheels (Pitch Bend & Modulation), 1 pedal port and 1 fader, for a total of 22 assignable controllers — which means total control of your operating environment. Once you’ve assigned the parameters for a particular scenario, simply store it in your user preset.

Playability
All UMX Series controllers feature our custom-designed key-bed, which has been praised by some of the industry’s top product reviewers and players alike for its responsiveness and playability.

More Than Just MIDI
As an added bonus, we’ve included our UCA222 USB Audio Interface to access your PC or Mac computer’s audio capability. You can use the UCA222 to connect sound modules directly to any free computer USB port and listen to either the input or output signal via headphones or through active studio monitors. The UCA222 also features an additional S/PDIF optical output for direct digital conversion and is completely powered via USB—no external power supply needed. With its dual analog mono inputs, any line-level device, such as a mixer or tape deck, can be connected hassle-free to your computer.

Here are a just few reasons you need a UMX controller
For playing external sound modules, rack synthesizers and virtual instruments
For editing sound parameters of synthesizers, sound samplers and GM/GS/XG sound generators
Controlling parameters on outboard equipment and software plug-ins, such as effects processors, compressors and digital equalizers
Remotely controlling software mixers (functions for volume, pan, mute, etc.)
Live control of volume and sound parameters of sound modules on stage

Unleash Your Creativity With More Than 100 Instruments and Effects Plug-Ins
We’ve included over 100 virtual instruments plus more than 50 effects plug-ins to get you rockin’ right out of the box! Jam with a virtual e-piano or take off with breathtaking synthesizer sounds. Tweak your sounds with creative tube amps and multi-FX plus high-end studio reverbs, equalizers, compressors, choruses and many more.

Even More Ready-to-Play Sounds
Included with each UMX controller is the Native Instruments’ KORE PLAYER with a production ready 300MB sound library. KORE PLAYER includes six Native Instruments sound engines and provides ready-to-play sounds that can be browsed and tweaked via its ultra-intuitive interface. We’ve also included a coupon, which can be used to download even more sounds.

Power supply options
Because they need to be ready for action in a variety of venues, UMX Series controllers can draw operating power from any free USB port on your PC or Mac computer, 3 AA batteries or the optional external power supply. If you need help with your live or recording MIDI environment, the UMX Series puts total control right at your fingertips.


UMX Series Features

UMX490

UMX Series Recording Hookup Example

UMX490

UMX Series Live Performance Hookup Example

UMX490
Construction / CraftsmanshipVersatilityEffectsUSB

Behringer U-CONTROL UMX250


Price List Rp.1.780.000
Behringer U-CONTROL UMX250
The UMX MIDI Controller is an extremely flexible master keyboard with a control section for a wide range of applications. Do you need independent control of hardware synthesizers or general MIDI sound modules? How about control over effects devices? Maybe you just want to operate sequencing software or computer plug-ins from a convenient remote location? UMX Series controllers provide total flexibility and tremendous ease of use, allowing you to realize your ideas intuitively.

The Ultimate Studio in a Box: 

25-Key USB/MIDI Controller Keyboard with USB/Audio Interface, 100 Software Instruments, 50 VST Effects and NI KorePlayer Software Sound Module

  • Unleash your creativity with 100 virtual instruments and take off with 50 VST effects plus an unlimited number of sound creations
  • Velocity-sensitive USB/MIDI keyboard featuring 25 high-quality full-size keys and unbeatable programming versatility, real-time control and playability
  • USB/Audio interface included for recording and playback of any digital music file. Works with your PC or Mac computer—no setup or drivers required
  • Intuitive sound module NI KorePlayer with production-ready 300 MB sound library, includes sounds of nearly all categories/kinds, ranging from synths to acoustic instruments to drums
  • Plug and play with Mac OS X, Windows XP and Vista operating systems
  • 8 real-time rotary controls plus 10 assignable switches
  • Freely assign MIDI control changes to the modulation wheel, volume fader and pedal port for ultimate flexibility
  • Full 128 tone range via the octave shift function with multi-purpose LED status indication
  • Separate MIDI Out allows controlling external samplers, synths and other equipment
  • Runs via USB, batteries or a power adapter (not included)
  • High-quality components and exceptionally rugged construction ensure long life
What is a MIDI Controller?
Simply put, a MIDI controller gives you the power to take command of any hardware device or software that understands MIDI (Musical Instrument Digital Interface). This means that MIDI addressable effects processors (such as delays, reverbs, etc.) and audio recording and editing software can be controlled with a single piece of hardware, a MIDI controller. This can be very handy indeed when you have lots of devices spread The UMX MIDI Controller is an extremely flexible master keyboard with a control section for a wide range of applications. Do you need independent control of hardware synthesizers or general MIDI sound modules? How about control over effects devices? Maybe you just want to operate sequencing software or computer plug-ins from a convenient remote location? UMX Series controllers provide total flexibility and tremendous ease of use, allowing you to realize your ideas intuitively.

22 assignable controllers
When it comes to remote control, you get 8 knobs, 10 assignable switches, 2 wheels (Pitch Bend & Modulation), 1 pedal port and 1 fader, for a total of 22 assignable controllers — which means total control of your operating environment. Once you’ve assigned the parameters for a particular scenario, simply store it in your user preset.

Playability
All UMX Series controllers feature our custom-designed key-bed, which has been praised by some of the industry’s top product reviewers and players alike for its responsiveness and playability

More Than Just MIDI
As an added bonus, we’ve included our UCA222 USB Audio Interface to access your PC or Mac computer’s audio capability. You can use the UCA222 to connect sound modules directly to any free computer USB port and listen to either the input or output signal via headphones or through active studio monitors. The UCA222 also features an additional S/PDIF optical output for direct digital conversion and is completely powered via USB—no external power supply needed. With its dual analog mono inputs, any line-level device, such as a mixer or tape deck, can be connected hassle-free to your computer.

Here are a just few reasons you need a UMX controller
For playing external sound modules, rack synthesizers and virtual instruments
For editing sound parameters of synthesizers, sound samplers and GM/GS/XG sound generators Controlling parameters on outboard equipment and software plug-ins, such as effects processors, compressors and digital equalizers
Remotely controlling software mixers (functions for volume, pan, mute, etc.)
Live control of volume and sound parameters of sound modules on stage

Unleash Your Creativity With More Than 100 Instruments and Effects Plug-Ins
We’ve included over 100 virtual instruments plus more than 50 effects plug-ins to get you rockin’ right out of the box! Jam with a virtual e-piano or take off with breathtaking synthesizer sounds. Tweak your sounds with creative tube amps and multi-FX plus high-end studio reverbs, equalizers, compressors, choruses and many more.

Even More Ready-to-Play Sounds
Included with each UMX controller is the Native Instruments’ KORE PLAYER with a production ready 300MB sound library. KORE PLAYER includes six Native Instruments sound engines and provides ready-to-play sounds that can be browsed and tweaked via its ultra-intuitive interface. We’ve also included a coupon, which can be used to download even more sounds.

Power supply options
Because they need to be ready for action in a variety of venues, UMX Series controllers can draw operating power from any free USB port on your PC or Mac computer, 3 AA batteries or the optional external power supply.If you need help with your live or recording MIDI environment, the UMX Series puts total control right at your fingertips.



UMX Series Features

UMX250

UMX Series Recording Hookup Example

UMX250

UMX Series Live Performance Hookup Example

UMX250
 Construction / CraftsmanshipVersatilityEffectsUSB

MACKIE CFX20.mkII Live Mixer


Price List USD 1.178
MACKIE CFX20.mkII Live Mixer
20 CHANNELS OF MACKIE MIXING WITH SUPERB BUILT-IN EFFECTS
Designed to take the hassle out of mixing live performances, Mackie's CFX.mkII Series compact live sound mixers feature genuine Mackie mic preamps, four subgroups, precise nine-band stereo graphic equalizers for greater sonic control, and onboard EMAC™ 32-bit digital effects—eliminating the need for outboard effects processors and cables. Combined with Mackie Active loudspeakers, the CFX.mkII mixers are part of a complete, easy-to-use Mackie sound system.

What's new in CFX.mkII? New impact-resisting rubber side panels for better durability. New ergonomic updates including sturdier, more precise Onyx Series knobs. And new graphics, for better visibility in less-than-ideal lighting conditions. Best of all, the new CFX.mkII mixers come at a suggested retail price significantly lower than the original CFX Series.

THE FEATURES YOU NEED TO GET THE JOB DONE 

All CFX.mkII mic/line channels feature genuine Mackie mic preamps, renowned for their high-headroom, low-noise operation. Additional channel features include unbalanced inserts and input Trim controls with individual Zero Level LEDs, 3-band EQ with swept midrange, and 100Hz low cut filters for eliminating mic rumble. Each channel strip has a 60mm log-taper fader, one external, and one internal/external effects send; plus two Aux sends, pan, mute, solo (PFL), and bus assigns. The mixers also offer phase-accurate 9-band stereo graphic EQ for easy tonal shaping (and feedback supression). All three models allow two separate stage monitor mixes to be created with their own effects levels. See how its done here. (JPG or PDF)

Sweet touches abound on the CFX.mkII Series — like a simple, yet utterly handy Break Switch, that lets you mute all the channels, and instantly play any souce you've plugged into the Tape inputs. (Perfect for those moments when you have to take care of business offstage, and don't want some overzealous fan grabbing a mic to belt out "Free Bird.")

NOT JUST ANY OLD EFFECTS
Thanks to our massive digital R&D efforts of the past seven years, we've developed sophisticated 32-bit digital effects that rival dedicated outboard processors. Our EMAC effects sound clean and realistic — especially compared to the crude, jangling 16-bit effects on most of the other "effects" mixers on the market. Read more.

TOUGH ENOUGH FOR LIVE
Like all Mackie mixers, the CFX.mkII Series is designed for rugged, day-in and day-out road use. Their sturdy-yet-light steel monocoque construction houses rugged, double-sided SMT-plated fiberglass circuit boards, and 60mm faders with ultra-tight lip seals for keeping out contaminants. Onyx mixer-style knobs are mounted so they "ride" just above the steel chassis and absorb impacts without transferring damage to the internal components. And like all Mackie mixers, the CFX.mkII feature co-molded potentiometers that don't get brittle and scratchy sounding with age.

Features:
  • High-headroom mic preamps with RF rejection
  • 20 channels (16 mic/line mono, and 2 stereo line channels)
  • 32-bit EMAC(tm) digital effects with 9 reverbs, 4 delays, phaser, chorus, flange; 2 parameter controls + EFX wide spatial expander
  • External and internal EFX sends
  • EFX to Monitor control
  • 9-band stereo graphic equalizer
  • Inserts on all mic channels and main mix
  • True 4-bus design with direct sub outs and L/R assign
  • 2 Pre/Post Aux sends and internal/external FX level sends on each channel
  • 3-band EQ with swept mid (100Hz to 8kHZ) on mic/line channels
  • 4-band EQ on stereo line channels
  • Pan, Mute, PFL solo on each channe
  • Inserts and 100Hz low-cut filters on all mic/line channels
  • Subwoofer output from built-in 18dB/oct. 75Hz crossover
  • Ingenious BREAK switch
  • Headphone output with level control
  • Tape/CD inputs with level control assignable to Main Mix via Break switch
  • Logarithmic taper 60mm faders
  • 48V phantom power
  • 12V BNC lamp jack
  • Specification Sheet

MACKIE CFX16.mkII Live Mixer


Price List USD 1.053
MACKIE CFX16.mkII Live Mixer
16 CHANNELS OF MACKIE MIXING WITH SUPERB BUILT-IN EFFECTS
Designed to take the hassle out of mixing live performances, Mackie's CFX.mkII Series compact live sound mixers feature genuine Mackie mic preamps, four subgroups, precise nine-band stereo graphic equalizers for greater sonic control, and onboard EMAC™ 32-bit digital effects—eliminating the need for outboard effects processors and cables. Combined with Mackie Active loudspeakers, the CFX.mkII mixers are part of a complete, easy-to-use Mackie sound system.

What's new in CFX.mkII? New impact-resisting rubber side panels for better durability. New ergonomic updates including sturdier, more precise Onyx Series knobs. And new graphics, for better visibility in less-than-ideal lighting conditions. Best of all, the new CFX.mkII mixers come at a suggested retail price significantly lower than the original CFX Series.

THE FEATURES YOU NEED TO GET THE JOB DONE 

All CFX.mkII mic/line channels feature genuine Mackie mic preamps, renowned for their high-headroom, low-noise operation. Additional channel features include unbalanced inserts and input Trim controls with individual Zero Level LEDs, 3-band EQ with swept midrange, and 100Hz low cut filters for eliminating mic rumble. Each channel strip has a 60mm log-taper fader, one external, and one internal/external effects send; plus two Aux sends, pan, mute, solo (PFL), and bus assigns. The mixers also offer phase-accurate 9-band stereo graphic EQ for easy tonal shaping (and feedback supression). All three models allow two separate stage monitor mixes to be created with their own effects levels. See how its done here. (JPG or PDF)

Sweet touches abound on the CFX.mkII Series — like a simple, yet utterly handy Break Switch, that lets you mute all the channels, and instantly play any souce you've plugged into the Tape inputs. (Perfect for those moments when you have to take care of business offstage, and don't want some overzealous fan grabbing a mic to belt out "Free Bird.")

NOT JUST ANY OLD EFFECTS
Thanks to our massive digital R&D efforts of the past seven years, we've developed sophisticated 32-bit digital effects that rival dedicated outboard processors. Our EMAC effects sound clean and realistic — especially compared to the crude, jangling 16-bit effects on most of the other "effects" mixers on the market. Read more.

TOUGH ENOUGH FOR LIVE
Like all Mackie mixers, the CFX.mkII Series is designed for rugged, day-in and day-out road use. Their sturdy-yet-light steel monocoque construction houses rugged, double-sided SMT-plated fiberglass circuit boards, and 60mm faders with ultra-tight lip seals for keeping out contaminants. Onyx mixer-style knobs are mounted so they "ride" just above the steel chassis and absorb impacts without transferring damage to the internal components. And like all Mackie mixers, the CFX.mkII feature co-molded potentiometers that don't get brittle and scratchy sounding with age.

Specifications:
  • High-headroom mic preamps with RF rejection
  • 16 channels (12 mic/line mono, and 2 stereo line channels)
  • 32-bit EMAC(tm) digital effects with 9 reverbs, 4 delays, phaser, chorus, flange; 2 parameter controls + EFX wide spatial expander
  • External and internal EFX sends
  • EFX to Monitor control
  • 9-band stereo graphic equalizer
  • Inserts on all mic channels and main mix
  • True 4-bus design with direct sub outs and L/R assign
  • 2 Pre/Post Aux sends and internal/external FX level sends on each channel
  • 3-band EQ with swept mid (100Hz to 8kHZ) on mic/line channels
  • 4-band EQ on stereo line channels
  • Pan, Mute, PFL solo on each channel
  • Inserts and 100Hz low-cut filters on all mic/line channels
  • Subwoofer output from built-in 18dB/oct. 75Hz crossover
  • Ingenious BREAK switch
  • Headphone output with level control
  • Tape/CD inputs with level control assignable to Main Mix via Break switch
  • Logarithmic taper 60mm faders
  • 48V phantom power
  • 12V BNC lamp jack
  • Specifications Sheet

MACKIE CFX12.mkII Live Mixer

Price List USD 892
MACKIE CFX12.mkII Live Mixer
12 CHANNELS OF MACKIE MIXING WITH SUPERB BUILT-IN EFFECTS 
Designed to take the hassle out of mixing live performances, Mackie's CFX.mkII Series compact live sound mixers feature genuine Mackie mic preamps, four subgroups, precise nine-band stereo graphic equalizers for greater sonic control, and onboard EMAC™ 32-bit digital effects—eliminating the need for outboard effects processors and cables. Combined with Mackie Active loudspeakers, the CFX.mkII mixers are part of a complete, easy-to-use Mackie sound system.

What's new in CFX.mkII? New impact-resisting rubber side panels for better durability. New ergonomic updates including sturdier, more precise Onyx Series knobs. And new graphics, for better visibility in less-than-ideal lighting conditions. Best of all, the new CFX.mkII mixers come at a suggested retail price significantly lower than the original CFX Series.

THE FEATURES YOU NEED TO GET THE JOB DONE 

All CFX.mkII mic/line channels feature genuine Mackie mic preamps, renowned for their high-headroom, low-noise operation. Additional channel features include unbalanced inserts and input Trim controls with individual Zero Level LEDs, 3-band EQ with swept midrange, and 100Hz low cut filters for eliminating mic rumble. Each channel strip has a 60mm log-taper fader, one external, and one internal/external effects send; plus two Aux sends, pan, mute, solo (PFL), and bus assigns. The mixers also offer phase-accurate 9-band stereo graphic EQ for easy tonal shaping (and feedback supression). All three models allow two separate stage monitor mixes to be created with their own effects levels. See how its done here. (JPG or PDF)

Sweet touches abound on the CFX.mkII Series — like a simple, yet utterly handy Break Switch, that lets you mute all the channels, and instantly play any souce you've plugged into the Tape inputs. (Perfect for those moments when you have to take care of business offstage, and don't want some overzealous fan grabbing a mic to belt out "Free Bird.")

NOT JUST ANY OLD EFFECTS

Thanks to our massive digital R&D efforts of the past seven years, we've developed sophisticated 32-bit digital effects that rival dedicated outboard processors. Our EMAC effects sound clean and realistic — especially compared to the crude, jangling 16-bit effects on most of the other "effects" mixers on the market. Read More

TOUGH ENOUGH FOR LIVE
Like all Mackie mixers, the CFX.mkII Series is designed for rugged, day-in and day-out road use. Their sturdy-yet-light steel monocoque construction houses rugged, double-sided SMT-plated fiberglass circuit boards, and 60mm faders with ultra-tight lip seals for keeping out contaminants. Onyx mixer-style knobs are mounted so they "ride" just above the steel chassis and absorb impacts without transferring damage to the internal components. And like all Mackie mixers, the CFX.mkII feature co-molded potentiometers that don't get brittle and scratchy sounding with age.

Features:
  • High-headroom mic preamps with RF rejection
  • 12 channels (8 mic/line mono, and 2 stereo line channels)
  • 32-bit EMAC™ digital effects with 9 reverbs, 4 delays, phaser, chorus, flange; 2 parameter controls + EFX wide spatial expander
  • External and internal EFX sends
  • EFX to Monitor control
  • 9-band stereo graphic equalizer
  • Inserts on all mic channels and main mix
  • True 4-bus design with direct sub outs and L/R assign
  • 2 Pre/Post Aux sends and internal/external FX level sends on each channel
  • 3-band EQ with swept mid (100Hz to 8kHZ) on mic/line channels
  • 4-band EQ on stereo line channels
  • Pan, Mute, PFL solo on each channel
  • Inserts and 100Hz low-cut filters on all mic/line channels
  • Subwoofer output from built-in 18dB/oct. 75Hz crossover
  • Ingenious BREAK switch
  • Headphone output with level control
  • Tape/CD inputs with level control assignable to Main Mix via Break switch
  • Logarithmic taper 60mm faders
  • 48V phantom power
  • 12V BNC lamp jack
  • Specification Sheet
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