KORG MS-20 Mini Monophonic Analog Synthesizer

Price List Rp.7.580.000
KORG MS-20 Mini Monophonic Analog Synthesizer
The classic MS-20 –recreated in mini size! An analog synthesizer featuring the original circuitry from 1978 
Korg’s MS-20 monophonic synthesizer, first introduced in 1978, is still a coveted instrument to this day, thanks to its thick, robust sound, its powerful, iconic analog filter, and its versatile patching options. Over 300,000 people have enjoyed the distinct MS-20 sounds from the original, from Korg’s MS-20 plug-in synth, or the iMS-20 iPad app.

Today, the sounds of the MS-20 have been reborn in hardware, as the MS-20 Mini. The same engineers who developed the original MS-20 have perfectly reproduced its circuitry and fit into a body that’s been shrunk to 86% of the original size, yet retains the distinctive look of the original.
The MS-20 mini will amaze you with its absolutely authentic analog synth sound.

Comments from the developers
Fifty years have passed since Korg was founded, and we have once again put our hand to an analog synthesizer. We took particular care to deliver smooth parameter adjustments, which are a distinctive feature of analog synthesizers. We also took special care to completely reproduce the original specifications of the MS-20. The analog circuits we designed 35 years ago still deliver the same unbeatable, powerful sound, from the ultra-low to the ultra-high range.

Read the full interview with the original developers here!
Highlights:

• Overseen by the engineers of the original MS-20, a complete replication of the original analog circuitry
• 2VCO / 2VCA / 2VCF / 2EG / 1LFO structure
• Self-oscillating high-pass/low-pass filters with distinctive distortion
• External signal processor (ESP)
• Extremely flexible patching system
• Miniature MS-20 that's 86% of the original size
• MIDI IN and USB connector
• Replicates every detail of the original, down to the package binding and the included manual

A complete replication of the original analog circuitry
The MS-20 mini painstakingly replicates the original MS-20. A development team led by the original engineers themselves worked to recreate the original circuitry, and when it was necessary to substitute a part, these engineers made the decisions based on careful listening, in order to reproduce the original sound faithfully. In fact, the sound of the MS-20 mini has a somewhat bright and extreme quality to it because its sound is that of an original MS-20 in mint condition at the time it went on sale, before any of the components aged.

2VCO / 2VCF / 2VCA / 2EG / 1LFO structure
The MS-20 mini reproduces the distinctive synthesis of the MS-20; two oscillators with ring modulation, and envelope generators with hold and delay. The VCA maintains the basic design of the original, but it’s been modified to produce less noise than the original.

Self-oscillating high-pass/low-pass filters with distinctive distortion
One of the greatest characteristics of the MS-20 was its powerful filters, which provided resonance on both the high-pass and the low-pass. Maximizing the resonance would cause the filter to self-oscillate like an oscillator, producing a distinctive and dramatic tonal change that was acclaimed as inimitable, and was later used on the monotron and monotribe. The filter circuit was changed mid-way through the production lifecycle of the MS-20; the MS-20 mini uses the earlier filter, which was felt to be superior due to its more radical sound.

External signal processor (ESP) for processing an external signal
The ESP carries on the experimental spirit of MS-20; it allows you to use the pitch or volume of an external audio source to control the synthesizer. For example you can input an electric guitar and use the MS-20 mini as a guitar synthesizer, or input a mic and use it as a vocal synthesizer.

Extremely flexible patching system
The patching system provided to the right of the panel lets you create complex sounds by plugging-in cables to change the connections between the various units. The possibilities are limited only by the user's imagination; different combinations of the modulation input/output and trigger, sample and hold, and noise generator can produce an incredible variety of sounds. By patching according to the MS-20 flow chart that’s printed on the panel, even the beginner can start taking advantage of these possibilities right away.

Miniature MS-20 that's 86% of the original size
MS-20’s design concept started by borrowing from the vertical layout found on larger and more expensive modular synths of its time, and then creating a more portable, inexpensive, and eaier to use version.

To make it even more approachable, the MS-20 mini has been shrunk to 86% of the size of the original MS-20. In spite of its smaller size, meticulous care has been taken to accurately reproduce the knob design and the printing. The patch cables have been changed from 1/4" phone plugs to mini-plugs, and the newly-designed keyboard is also 86% of the original size.

Replicates every details of the original
Our effort to remain faithful to the original is not limited to the unit itself. Even the package that contains the unit replicates the original as far as possible. Also included are the original MS-20 owner's manual and settings chart, explaining how to create sounds. Now you can experience the excitement of the MS20, just like it was during its original release in 1978.

Specification:

< Control Section >

Keyboard: 

C - C 37-notes (3 octaves), mini keyboard designed specifically for the MS-20 mini

Voltage Controlled Oscillator 1 (VCO 1):

Scale (32', 16', 8', 4') (6 octaves, +cent, -cent)
Wave form (Triangle, Sawtooth, PW-Square, White Noise) (4 modes)
Pulse width adjust 1:1 - 1:infinity

Voltage Controlled Oscillator 2 (VCO 2):

Scale (16', 8', 4', 2') (6 octaves, +cent, -cent)
Wave form (Sawtooth, Square, Pulse, Ring modulator) (4 modes)
Pitch (± 1 octave)

VCO Master control: Master tune (± 100cent):

Portamento (max. 10sec)
Frequency modulation intensity by MG/T.EXT (-5V - +5V)
Frequency modulation intensity by EG1/EXT (-5V - 0V)

VCO Mixer:

VCO 1 Level
VCO 2 Level

Voltage Controlled High Pass Filter (VCF HPF):

Cutoff frequency (50Hz - 15,000Hz)
Peak (flat - self OSC)
Cutoff frequency modulation intensity by MG/T.EXT (-5V - +5V)
Cutoff frequency modulation intensity by EG2/EXT (-5V - +5V)

Voltage Controlled Low Pass Filter (VCF LPF):

Cutoff frequency (50Hz - 15,000Hz)
Peak (flat - self OSC)
Cutoff frequency modulation intensity by MG/T.EXT (-5V - +5V)
Cutoff frequency modulation intensity by EG2/EXT (-5V - +5V)

Envelope Generator 1:

Delay time (10sec)
Attack time (10sec)
Release time (10sec)

Envelope Generator 2:

Hold time (20sec)
Attack time (10sec)
Decay time (10sec)
Sustain level (0V - 5V)
Release time (10sec)

Modulation Generator (LFO):

Wave form (Positive Sawtooth - Triangle - Negative Sawtooth, Wide Pulse - Square - Narrow Pulse)
Frequency (0.1Hz - 20Hz)

Manual controller:

Control wheel (center click)
Momentary switch -->GND

Power switch and Volume:

Volume

Indicator:

LED (KBD trigger, Modulation Generator rate, Power ON )

< External Signal Processor >

Control section:

Input signal level
Low cut frequency (50Hz - 2,500Hz)
High cut frequency (100Hz - 5,000Hz)
CV adjust
Threshold level

Input and Output:

Signal In
Amplifier Out
Band pass filter Out
CV Out (0 - +8.4V)
ENV Out (0 - +5V)
Trig Out (+5V-->GND)

Indicator (LED):

Peak indicator
Trigger indicator

< Patch Panel >

Keyboard:

Keyboard control voltage output (Exponential) (0 - +8V)
Keyboard trigger output (+5V-->GND)
VCO-1 + VCO-2 control voltage input (Linear response)(0 - +8V)
VCO-2 control voltage input (Linear response) (0 - +8V)

VCO:

VCO-1 + VCO-2 external frequency control input (OCT/V) (-5V - +5V)

VCF:

External signal input (3Vp-p max.)
External High pass filter cutoff frequency control input (2OCT/V) (-5V - +5V)
External Low pass filter cutoff frequency control input (2OCT/V) (-5V - +5V)

VCO + VCF:

Total external modulation input (T.EXT)(-5V - +5V)

VCA:

External initial gain control input (0 - +5V)

EG:

EG 1 envelope signal normal output (-5V - 0V)
EG 1 envelope signal reverse output (+5V - 0V)
EG 1 + EG 2 trigger input (-->GND)
EG 1 trigger input (-->GND)
EG 2 envelope signal reverse output (+5V - 0V)

MG:

Triangle output (Positive Sawtooth - Triangle - Negative Sawtooth) (5Vp-p)
Rectangle output (Wide Pulse - Square - Narrow Pulse)(0 - +5V)

Noise Generator:

Pink noise output (5Vp-p)
White noise output (5Vp-p)

Sample and Hold:

Clock trigger input (-->GND)
Sample signal input (5Vp-p max.)
S/H output (5Vp-p max.)

Modulation VCA:

Control voltage input (0 - +5V)
Signal input (-5V - +5V)
Signal output (-5V - +5V)

Manual controller:

Control wheel output (-5V<--0V-->+5V)
Momentary switch output (-->GND)

Signal out:

Signal output (mono 1/8" mini phone jack, 2Vp-p output impedance 3.5k ?)

Head phones:

Head phones output (Stereo 1/8" mini phone jack, 33 ? 48mW)

USB:

Type B, USB-MIDI Input/Output

* Only note messages (velocity is not used) can be transmitted and received.

MIDI:

MIDI Input

*Only note messages (velocity is not used) can be transmitted and received.

Power Consumption:

9W

Power Supply:

DC9V

Dimensions (W x D x H): a

493 ×257 ×208 mm / 19.41 x 10.12 x 8.19 inches

Weight:

4.8 kg / 10.58 lbs.

Accessories:

AC adaptor (9V/1.7A), Patch Cord x 10

*Specifications and appearance are subject to change without notice for improvement.

BOSS MO-2 Multi Overtone

Price List Rp.1.615.000
BOSS MO-2 Multi Overtone
Expressive Compact with Distinctive, All-New Tones
Powered by Multi-Dimensional Processing technology (MDP), the MO-2 Multi Overtone uses your guitar’s harmonic characteristics to create a wide range of extraordinary new sounds.

• Next-generation BOSS compact pedal with innovative Multi-Dimensional Processing, realized with proprietary technology and custom DSP
• Impressive, harmonically rich sounds that compliment and enhance your straight guitar sound
• Works well with both clean and distorted guitar tones, and also bass guitar
• Ultra-responsive to volume changes and playing dynamics
• Three different sound modes; wide range of tonal adjustment with simple controls
• Mono or stereo output

Multi-Dimensional Processing for Superior Tone
Roland’s innovative Multi-Dimensional Processing (MDP) analyzes audio signals in many dimensions and applies ideal effects to each. By giving different dynamic changes relative to the input signal in real time, MDP can create bold, all-new sounds with a previously unattainable range of expression.

MO-2: An Expressive New Voice
The MO-2 produces incredibly distinctive and expressive tones only possible with the magic of MDP. Using your guitar’s rich harmonic characteristics as a starting point, the MO-2 builds completely new voices that enhance and thicken your normal sound. Three different modes offer diverse tone-shaping options, while the DETUNE knob unlocks a wide range of impressive modulation effects. From shimmery multi-string resonance to flute-like transparency to powerful textures reminiscent of organs and synths, the MO-2 brings you an array of unique sonic tools that add all-new dynamic resonance characteristics to your guitar.

Specification:

Nominal Input Level

20 dBu

Input Impedance

1 M ohm

Nominal Output Level

20 dBu

Output Impedance

1 k ohm

Recommended Load Impedance

10 k ohms or greater

Controls

Pedal switch
BALANCE knob
TONE knob
DETUNE knob
MODE knob

Indicator

CHECK indicator (Serves also as battery check indicator)

Connectors

INPUT jack
OUTPUT-A (MONO) jack
OUTPUT-B jack
AC adaptor jack (DC 9 V)

Power Supply

Alkaline battery (9V, 6LR61) or Carbon-zinc battery (9V, 6F22)
AC adaptor (sold separately)

Current Draw

40 mA
* Expected battery life under continuous use
Alkaline: Approx. 10 hours
Carbon: Approx. 3 hours
These figures will vary depending on the actual conditions of use.

Accessories

Owner's Manual
Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTE," and "Information")
Alkaline battery (9V, 6LR61)

Option (sold separately)

AC adaptor (PSA series)

Size and Weight (including battery )

Width

73 mm
2-7/8 inches

Depth

129 mm
5-1/8 inches

Height

59 mm
2-6/16 inches

Weight

430 g
0 lbs. 16 oz.

* 0 dBu = 0.775 Vrms

MAPEX Horizon HZB Big City Drums Kit

Price List Rp.8.964.000
MAPEX Horizon HZB Big City Drums Kit

The Mapex Horizon HZB Big City shell kit is designed for the gigging drummer who needs a great sounding set that is sets up and breaks down quickly. The Mapex Horizon HZB Big City Kit is ideal for clubs and events where space is tight and loading and unloading needs to be quick and efficient. Once you're playing, you'll be completely knocked out with the tone and response that the birch and basswood shells deliver. From subtle brush work to lively pop licks, the Big City Kit performs flawlessly.
Mapex Horizon HZB Big City Shell Kit Features

• Birch/Basswood Shells for incredible tone
• High-gloss Lacquered Finishes
• Double Tom Holder with auxiliary cymbal placement position
• Re-engineered Mapex Isolated Tom Mount System (ITS)
• Low profile cushioned bass drum claw hooks
• Remo drum heads and self-muffling bass drum head
• The Horizon HZB Big City Kit features classic lacquer finishes plus the 18-inch kick drum features a distinctively designed retro-style front white head. 

  

click image to enlarge

Specification:

• Bass Drum: 18 x 14 inch
• Tom Toms: 10 x 8 inch and 12 x 8 inch
• Floor Toms: 14 x 14 inch
• Snare Drum: 5 x 14 inch
• Tom Holder: TH657 L-Arm Clamp