Wednesday, November 27, 2013

Epiphone Acoustic Electric EJ-200SCE

Price List Rp.5.990.000
Epiphone Acoustic Electric EJ-200SCE
The Epiphone EJ-200SCE pushes the “King of the Flat Tops,” into the future with a spectacular cutaway for total upper fret access plus the eSonic2™ preamp system.

Originally introduced in 1937, the J-200 style set a standard for guitar excellence that others have been trying to match ever since. Today—over 70 years later—the legacy of the “King of the Flat-tops” lives on in our EJ 200CE.

The EJ-200 style is simply the world’s most famous acoustic guitar, known equally for its majestic look and focused, complex sound.

When the EJ-200 was first introduced, it immediately filled a need for a deeper, more balanced and powerful acoustic instrument that could project over stage and radio. The J-200 was a radical new design, bigger and bolder than any previous guitar, capable of projecting well beyond that of any other acoustic on the market—a fact that still holds true today with the EJ-200SCE.

Every great rhythm guitarist and singer of the last century made the J-200 their primary acoustic instrument on stage (and for record covers, too) including Don Everly, Bob Dylan, Robbie Robertson, Emmylou Harris, Elvis Presley, Gram Parsons, Buddy Holly, and Pete Townshend. The EJ-200SCE gives you everything great from this iconic and historic guitar without the headaches or the price tag of an original plus a modern pickup system so you can be heard anywhere.

Like all Epiphone instruments, the EJ-200SCE is covered by our Limited Lifetime Warranty and the Gibson Family of Instrument’s 24/7/365 customer service. Pick up an EJ-200SCE today and become a believer in the King of the Flat-tops

Product Features:
  • Classic J-200 style with cutaway
  • eSonic™ pickup system with built-in tuner
  • Grover® machine heads
Specification:
Body
Select maple
Top
Solid Spruce
Neck
Maple
Fingerboard
Rosewood with crown inlays
Bridge
Rosewood with synthetic bone saddle
Pickup
eSonic2™
Controls
Built-in Tuner, Master Volume, Master Tone, Phase, Treble, Bass, EQ Shape, Low battery indicator, Tuner On/Off/Mute
Power
Two 2032 Lithium Batteries
Output
1/4” mono 1/4” stereo blend
Pickguard
Tortoise shell style
Machine Heads
Gold Grover®
Colors
Black (EBK), Natural (NA), Vintage Sunburst (VS)

Epiphone Acoustic Electric PR-5E

Price List Rp.4.490.000
Epiphone Acoustic Electric PR-5E
For almost 20 years, the Epiphone PR-5E has been on stages all over the world with countless musicians. Designed by Epiphone in 1990, its distinctive body shape was patterned after Epiphone's classic ES-335 style guitars such as the Sheraton and Casino. But instead of a double-cutaway, the PR-5E features a unique, single "Florentine" or sharp cutaway. The large lower bout provides excellent lows and a solid mid-range with easy access to the upper frets on the neck.

As with all Epiphone instruments, the PR-5E features a Limited Lifetime Warranty backed by Gibson's 24/7/365 Customer Service. The eSonic system features Shadow's extended 5-year warranty giving you added peace of mind. Play the legend, join the club, and get yourself a PR-5E today!
Product Features:

  • Florentine cutaway
  • eSonic2™ preamp
  • Grover® machine heads
Specification:
Top
Select spruce
Body
Select mahogany
Bridge
Rosewood
Fingerboard
Rosewood
Scale
25.5”
Electronics
eSonic™ Preamp with NanoFlex™ pickup, Built-in Tuner, Master Volume, Master Tone, Phase, Treble, Bass, EQ Shape, Low battery indicator, Tuner On/Off/Mute
Nut width
1.68”
Power
Two 2032 lithium batteries
Machine Heads
Grover®
Hardware
Gold

ZOOM MS-60B MultiStomp Bass Pedal

Price List Rp.1.215.000
ZOOM MS-60B MultiStomp Bass Pedal
All-For-Bass.
Zoom's MS-60B MultiStomp Bass Pedal is the first of its kind. It offers the power of a multi-effects pedal and flexibility of an amp modeler in a single stompbox design. With 58 classic stompbox effects and amp models, an easy-to-use interface, auto-chromatic tuner and versatile power options, bass players will be astonished with how much this pedal offers.

Single stompbox design.
With a heavy duty, die-cast body, the MS-60B has the classic look of a single analog stompbox. It features a large LCD and analog-style cursor keys/parameter knobs that together form an easy-to-use graphical interface. This intuitive design makes creating, saving and rearranging the effect chain a breeze and provides easy navigation in live and studio settings.



Amp simulation.
A newly developed sigmoid curve clipper re-creates the smooth clipping of a tube amp’s waveform. This allows the MS-60B to simulate amplifier sounds, including clean, crunch and full-gain drive tones that are authentic to the original models while maintaining the nuances of fingering and picking techniques.

Model your sound.
The MS-60B’s six super-real amp models range from vintage gear to the latest trends in amp technology. In addition, you can pair any of the available amp models with any of the available stompbox effects and let you’re creativity run wild.

The most realistic sounds to date.
The all-new ZFX-IV DSP effects processor boasts amazing power and clarity, upgrading everything from sound to functionality and operability over previous ZFX versions. By using 32-bit floating-point processing, the MS-60B can produce sounds that are more realistic than ever before.

All the classic stomps in one.
The MS-60B offers 52 diverse types of effects, including some of the world’s most popular stompbox bass pedals and rack-mounted processors. The pedal’s wide range of effects includes distortion, compression, modulation, delay and reverb.


Up to four simultaneous effects.
With the MS-60B, you can use up to four stompbox and amp effects simultaneously and arrange them in any order you like. This allows you the freedom to build complex tones, as well as the ability to bring individual elements in and out of the effects chain as you like.

Presets… Right out-of-the-box.
Right out-of-the-box, the MS-60B allows you to create and store up to 50 of your original patches. To get you started, 30 of these patches are preprogrammed and form a versatile collection of bass sounds. These presets include some of the most popular stompbox and amp effects, as well as patches personally designed by some of the world’s top bassists.

Pick your patch order.
With the MS-60B, you can program which patches are recalled and the order in which they appear. For example, you could select three patches—(A) ROCK BASS, (B) FUNKY SLAP and (C) SYNTH BASS—and program the MS-60B to cycle through only those three tones each time you press the footswitch.

You can program the recall order of up to 26 patches (A-Z).

Smaller boards, bigger tones.
Perfect for use in combination with traditional stompboxes, the MS-60B can be added to your pedalboard to decrease the size and complexity of your setup, while expanding your system’s effects and modeling capabilities.


Precise tuning.
The pedal’s auto-chromatic tuner offers smooth, real-time response with precise bass tuning and accuracy. Whether you’re in the middle of a performance or practicing alone, simply hold down the pedal’s footswitch to start getting your strings back in tune. In addition, the MS-60B’s LCD makes the tuner easy to see on a dark stage. You can also tune silently in the tuner’s MUTE mode or with all effects bypassed in its BYPASS mode.

Power proof.
The MS-60B can operate on three different power sources: AC adapter (sold separately), batteries or USB bus power when plugged into your computer. Two AA alkaline batteries (included) provide seven hours of continuous use.


Firmware updates for the MS-60B can also be performed when plugged into your computer via USB.


Enjoy the world's first single stompbox multi-effects pedal for bass: the MS-60B MultiStomp Bass Pedal from Zoom.
Features:
  • Single stompbox design
  • Easy-to-use interface includes LCD, footswitch, and analog-style cursor keys/parameter knobs
  • 58 effects types (52 stompbox effects, 6 amp models) can be used in any combination
  • Use up to four effects simultaneously
  • 30 preset patches ready for immediate use
  • Create and store up to 50 original patches
  • Integrated auto-chromatic tuner
  • Tap tempo function
  • 1/4-inch input jack, two 1/4-inch output jacks
  • AC (adapter sold separately) and USB bus powered
  • Up to seven hours of operation using two AA batteries (included)

Tuesday, November 26, 2013

TC Helicon Mic Mechanic

Price List Rp.2.836.000
TC Helicon Mic Mechanic
Dead room? Flat mic? No sound guy? Call in Mic Mechanic – a complete vocal toolbox in a compact, easy-to-use pedal. As your personal sound engineer Mic Mechanic provides time-tested tone and effects you can take anywhere – and always sound your best.

  • Top quality TC-Helicon Reverbs, Delays and Pitch Correction
  • Adaptive Tone for the perfect mix
  • Simple controls, easy to use, instant effect
  • Rugged all-metal construction

What every singer needs

With Mic Mechanic you get tried and true combinations of the Reverbs and Delays from our renowned VoiceLive series. These are classic sounds designed to enhance and complement the natural timbre of your voice, making Mic Mechanic the direct response to the singers who say “I don’t want to change my voice. I just want to sound great”.


Professional Reverb, simply controlled
Reverb is the essential vocal effect, loved by all singers and used in practically every venue and recording studio in the world. Picked from the flagship VoiceLive series, the lush Reverbs in Mic Mechanic surround your voice with a great sense of space – small or large.

Delay. Delay. And Tap.
From short slapback echoes to long repeating phrases, Delay adds that special “something” to your vocal sound. Use the Tap Tempo feature and time the delays to match your music perfectly.

Perfectly pitched
Auto Chromatic Pitch Correction gently guides you towards the “true” note you’re singing. When you’re just a bit flat or sharp, Mic Mechanic steps in and gives you a little – or a large – nudge in the right direction. It can be transparent or used as an effect, whichever you like.

Sound your best with Adaptive Tone

Mic Mechanic automatically adjusts EQ, Compression, De-Essing and Gating – providing you with great tone all the time. Get a great vocal sound regardless of your sound system or sound tech.

Control it with your Mic
You can control Mic Mechanic effects from anywhere on stage with TC-Helicon’s MP-75 Modern Performance Vocal Microphone (optional).

More Features
  • 8 high quality Reverb and Echo presets
  • Separate Reverb (Room, Studio, Hall) and Delay (Tap and Slap), with combinations of both
  • Footswitch tapping can match echoes to song tempo
  • Tone button for Adaptive EQ, Compression, De-essing and Gating
  • Auto Chromatic Pitch Correction
  • Easy connection between standard mic and mixer
  • Phantom power always available
  • Low noise microphone pre-amp
  • Mic Control for remote on/off switching with optional TC-Helicon MP-75 mic
  • Compact, easy to use
  • Rugged all-metal construction
  • USB connection to VoiceSupport application offering updates, product-specific news and more
Tech Specification:
Connections
Analog Inputs
Connectors, balanced: Mic.: XLR
Mic Input Level @ 0 dBFS: -42dBu to +1dBu
EIN @ Max Mic Gain Rg = 150 Ohm: -126 dBu
Mic input SNR: >104 dB
Phantom Power: 24V (always on)
Analog Outputs
Output Impedance, Bal./Unbal.: 200/100 Ohm
Output Full Scale: +1 dBu
Dynamic Range: >104 dB, 20 Hz to 20 kHz
Frequency Response: +0/-0.3 dB, 20 Hz to 20 kHz
Control
USB for firmware and control
Mic Control using TC-Helicon MP-75 Microphone
Details
Power
Power Supply (Supplied): 12V .4A
Power Consumption: 5.6W
Safety
EMC – Complies with EN 55103-1 and EN 55103-2 FCC part 15, Class B, CISPR 22, Class B
Safety – certified to IEC 65, EN 60065, UL6500 and CSA IEC 65, EN 60065, UL6500 and CSA
Operating Requirements
Operating Temperature: 32°F to 122°F (0°C to 50°C)
Storage Temperature: -22°F to 167°F (-30°C to 70°C)
Humidity: Max. 90 % non-condensing
Included with Mic Mechanic
Design Size
Height:
5.4 inches (140 mm)
Width:
3.5 inches (90 mm)
Depth:
2.3 inches (60 mm)
Weight
0.92 lb. (0.42 kg)
Construction
Two part dies cast metal
Rubberized base

Monday, November 25, 2013

PreSonus Firestudio Mobile Studio Bundle

Price List Rp.6.300.000
PreSonus Firestudio Mobile Studio Bundle
A hardware/software recording system that you can take with you!
The professional FireWire recording kit with the Presonus FireStudio Mobile computer interface, intuitive Studio One Production Software, (2) quality SD7 “pencil” mics, a set of HD7 Professional Monitoring headphones, and (2) XLR cables.

FireStudio Mobile computer interface
The PreSonus FireStudio Mobile Recording System combines the superior analog-circuit design and advanced platform technology of PreSonus' acclaimed FireStudio rackmount interfaces with the ability to run on bus power in field applications. Now you can have enhanced audio performance for music recording and creation anywhere you can lug your laptop.

The FireStudio Mobile is a 10-input, 6-output professional audio recording system that combines 2 PreSonus XMAX Class A microphone preamplifiers; 6 line-level, analog input channels; S/PDIF digital input and output; MIDI I/O; and headphone monitoring with separate gain control. The FireStudio Mobile gives you tons of flexibility and a high input count making it possible to record a whole band. It's also bundled with PreSonus Studio One Artist, a groundbreaking music creation program, and over 4GB of virtual instruments, plug-ins, loops, and samples to get you started making music immediately.

True 48-Volt Phantom Power—Even When Powered By Your Laptop
Here's a dirty little secret: bus-powered mobile interfaces from other manufacturers deliver much less than the full 48 volts of phantom power that is specified by microphone manufacturers. This means even the finest condenser microphone can't work at optimal internal gain levels, potentially
compromising sound quality even before the signal gets to the mic preamp. To get around this, the PreSonus' team of engineers created an "internal switching power plant" that lets the PreSonus FireStudio Mobile convert computer bus power into a full 48 volts of phantom power, as well as delivering 30 volts to power the superb mic preamps you'll read about next.

XMAX Class A Preamplifiers to Go
PreSonus knows that the mic preamplifier is a key component in the sonic quality of a recording. The FireStudio Mobile includes custom-designed, high-voltage, discrete, XMAX Class A microphone preamplifiers that are suitable for use with all types of microphones.

The job of a microphone preamplifier in an audio interface is to boost a microphone-level signal to line level before conversion to the digital domain. A good preamp boosts the level to almost 400 times that of the original signal, making the preamp one of the most important stages in an interface. With XMAX preamps, the sonic quality is limited only by what microphone you plug into it.

XMAX preamplifiers are built with 3 key elements:
High Voltage: The XMAX preamplifier runs on power rails of 30V. These higher-voltage power rails deliver more headroom, deeper lows, smoother highs, and a richer overall sound.
Discrete components, not op-amps: PreSonus uses genuine transistors, resistors, and capacitors. Op-amps add noise, coloration, and harshness to a signal. The PreSonus' discrete design delivers ultralow noise and transparency
Class A: Class A circuits have no crossover distortion and deliver purer, clearer, and more musical results than the Class AB designs that are more common in other preamps.

The net result of the XMAX preamp design is high headroom, low noise, wide dynamic range, extended frequency response, and—most important—musicality and transparency, with smooth highs, solid deep lows, and everything in between.

On the Front
A pair of 3-LED level/clip indicators let you check the signal levels for channels 1 and 2, and a button enables 48V phantom power for the 2 mic channels. Also on the front panel are gain knobs for the 2 mic/instrument inputs and for the main stereo outputs and a stereo headphone output with gain knob. Gain for the mic inputs ranges from —10dB to +70dB; the high-impedance instrument inputs range from —30dB to +50dB of gain. Finally, a power/sync indicator LED shows whether the FireStudio Mobile is receiving adequate power and is correctly receiving word clock.

Ins and Outs
For a compact, portable unit, the FireStudio Mobile is loaded with I/O. It starts with a pair of combination XLR/TS mic/instrument jacks, which are in the inputs for channels 1 and 2. The XLR mic inputs are routed to the aforementioned XMAX solid-state mic preamplifiers. The high-impedance, TS instrument inputs let you plug guitars or basses directly into the front panel.

On the back are 6 more balanced, 1/4" line level inputs for channels 3 through 8, plus a DB9 connector that accepts a breakout cable (included) to provide stereo S/PDIF digital I/O and MIDI I/O. You get 2 FireWire 400 ports: one port connects to your computer, and the other can be used to connect a hard drive or to daisy-chain any FireStudio-family interface allowing you to integrate the FireStudio Mobile into a larger system.

Digital Converters and JetPLL Sync
PreSonus FireStudio Mobile's A/D/A converters have a dynamic range of 118dB for unbelievable clarity. Synchronization to your computer is stable and robust, thanks to JetPLL synchronization technology. JetPLL incorporates noise shaping to virtually remove all audio-band jitter, ensuring near-perfect clock performance and optimal converter performance when networking two or more digital-audio devices. JetPLL quickly locks to any digital format through a wide range of frequencies and is extremely robust and tolerant of wide variations in clock frequencies. As a result, you'll experience better stereo separation and clearer, more transparent audio.

Universal Control
Like all members of the PreSonus FireStudio family, the FireStudio Mobile comes bundled with Universal Control software. Universal Control is a powerful, flexible, and easy-to-use control-panel application that allows you to daisy-chain up to 4 FireStudio family devices for a maximum of up to 52 inputs and outputs (assuming your computer can handle that many tracks).

Universal Control consists of the Launch window and the Device window. In the Launch window, you can set the sample rate, clock source, safe mode, buffer size (PC only), and WDM routing (PC only) for all connected FireStudio Mobile-series interfaces. Each device is listed at the bottom of the window, along with Device Window buttons that open each interface's Device window.

The Device window provides level and routing controls for each FireStudio-series interface's internal mixer, enabling you to set up zero-latency cue mixes. Input and output metering have been optimized for ultrafast screen display and minimum CPU usage, and you can give each interface a custom name. You can use any device in the chain as the master clock source, or you can slave the entire chain to an external digital device using any of the available digital inputs in the chain.

Studio One Artist Software
No other entry-level recording and production software is this easy to use, yet is capable of creating studio-quality output. Studio One Artist lets you work quickly and stay focused on your inspiration. Incredibly easy to learn, it offers unlimited tracks and plug-ins and delivers features not normally found in entry-level DAWs. Access powerful editing tools without wading through menus. Load and save audio clips, MIDI files and, effects by drag-and-drop. Studio One makes it easy.

PreSonus Studio One Artist Software is a "light" version of Studio One Pro. The music creation and production application—for both Mac OS X and Windows XP/Vista—makes audio recording, MIDI sequencing, and audio mastering ridiculously simple right out of the box. Yet Studio One Artist provides a wealth of professional features despite its ease-of-use.

Studio One Artist is the next generation in audio software, and here are a few of the reasons why: fresh code, innovative drag-and-drop MIDI mapping and plug-in management, auto-configuration with PreSonus hardware, insanely good audio quality, unlimited tracks and plug-ins per track, and a powerful, inventive Start page that literally puts the whole project right in your hands.

Far from just another music production software program, PreSonus Studio One changes the rules of the game. You get a complete application, easy-to-use from raw audio tracks to finished master with support for the latest standards and technologies.

High-End Audio Engine
Studio One Artist is based on a cutting-edge audio engine that delivers 32-bit processing on the fly ensuring high quality audio at all times.

Compatible and easy to configure
Studio One Artist is compatible with any ASIO-, Windows Audio-, or CoreAudio-compliant audio interface, including, of course, the entire line of PreSonus interfaces. It recognizes your PreSonus interface, and preprogrammed templates automatically create software inputs and assign them to the appropriate hardware inputs on your PreSonus interface. You don't have to configure your music software to work with your hardware&mdashStudio One Artist does it for you.

The software stores I/O configurations with each song, for each computer, and for each device driver. As a result, you can take a song to a friend's studio, use Studio One Artist with their interface, and when you get back to your studio, it will recall the original I/O configuration for the song, as if you never left. This capability works regardless of interface.

Innovative Start Page

A powerful tool that will appeal to professionals and hobbyists alike, the Studio One's Start page allows you to access recent songs and projects, create new ones, configure external devices, and access tutorial information, demo songs, and a special PreSonus news feed. You can download updates and support materials directly from the Start page, without ever leaving Studio One Artist.

Easy to Navigate
Unlike most music production programs, PreSonus Studio One's single, straightforward workspace allows you to track, edit, and mix in one easy-to-navigate window that you can access with a single click. Or if you wish, you can separate the Console and Arrange views and can even drag them to separate displays. A compact Console view allows you to mix while viewing the arrangement so you don't have to bounce back and forth between windows. You also can switch to a larger Console view—yet another way that Studio One Artist helps you work quickly while giving you maximum flexibility.

The Arrange view employs a waveform display with user-selectable color-coding and sample-level zoom. The Arrange view shows you the big picture, while the Edit view shows you the up-close details; used together, they virtually eliminate the need to zoom in and out. The Console view contains faders, solos, mutes, pans, and other expected elements. It also includes extensive sidechaining capability.

PreSonus Studio One Artist's Browser provides instant access to effects, loops, instruments, and other key elements. You can preview any audio clip, and if the clip has tempo information encoded, it will play synced to the song tempo.

Powerful Drag-and-Drop Features
Here's where it gets really interesting: Studio One Artist's powerful drag-and-drop function allows you to drag an audio clip, effect, or a virtual instrument from the Browser directly onto a track in the Arrange or Console view. Timestretching enables Studio One Artist to automatically match tempo-encoded audio clips with song tempo. You can copy an effect or a whole chain of effects—including settings—by simply dragging to a new track in the Console view. These are just a few of the many ways that Studio One Artist's Browser and drag-and-drop implementation allow you to work quickly, without scrolling through pages of menus. It's a lot more fun too! No other music production software program even comes close.

Awesome Plug-Ins
Studio One Artist comes with 19 plug-ins from PreSonus' proprietary Native Effects Suite plug-ins, which include a wide variety of built-in effects, such as compressors, EQs, distortion, delay effects, amp modeling, and reverb. It also comes with three PreSonus virtual instruments are also bundled with Studio One, including SampleOne, a virtual sampler that offers the fastest sample mapping available. To also help your inspiration you get
PreSonus Instruments Vol. 1 (200 Instruments for built-in Presence
sample player), Ueberschall Impact Drums (32 Kits for built-in Impact drum sampler, PreSonus Loops Vol. 1 (approx. 1500 high-quality loops), Native Instruments KORE Player with factory content, Native Instruments Guitar Rig LE 3, and Toontrack EZDrummer Lite.

Easy, Intuitive MIDI Mapping
When it comes to MIDI mapping, Studio One Artist changes the rules yet again. Of course, you can record MIDI parts and then tweak them in a piano-roll editor. But the real fun starts with Control Link, the PreSonus DAW software's intuitive MIDI-mapping system. Simply move the hardware and software controls to be linked and click the Link button for instant mapping. In Global mode, hardware and software controls maintain a one-to-one relationship, so a hardware control is linked directly to one software control for the entire program. In Focus mode, control maps only apply to a particular plug-in, so you can make different control maps for each plug-in, and the Focus map is stored with the plug-in, giving you no-sweat, context-sensitive MIDI mapping.
Features
Presonus FireStudio Mobile Interface
  • 8 analog input channels, including mic, line, and instrument inputs
  • 2 front-panel mic/instrument inputs with high-headroom Class A XMAX mic preamplifiers
  • 6 line-level inputs
  • Individual channel-trim controls with -30 dBV to +50 dBV line/-10 to +70 dBu mic gain range
  • 48V phantom power for condenser microphones
  • Headphone jack with level control
  • Main-output gain control
  • 3-segment, fast-acting LED input metering
  • Power/Sync LED (indicates unit is synced to word clock)
  • Daisy-chain multiple FireStudio-family products to create a large, custom system
  • 2 FireWire 400 ports
  • 2 combo XLR/¼” mic/instrument inputs
  • 6 balanced ¼” line inputs
  • 2 balanced ¼” main (L/R) line outputs
  • 1 stereo ¼” headphone output with volume control
  • S/PDIF in/out
  • MIDI in/out
Digitalia:
  • 24-bit resolution and up to 96 kHz sampling rate
  • High-definition A/D/A converters (+118 dBu dynamic range)
  • JetPLL Jitter Elimination Technology (improved stereo imaging and clarity)
  • Zero-latency monitoring via 10x3 DSP matrix mixer/router
  • Mac- and Windows-compatible, including Mac OS X 10.6 Snow Leopard and Windows 7
  • Supports ASIO, Core Audio, Direct Sound (Windows XP), Windows Audio Session API (Windows Vista and Windows 7)
  • Physical:
  • 1/3U rack-mountable (with optional 3UMR rack-mounting system)
  • Road-rugged construction with shockproof, reinforced metal chassis, sealed rotary controls, military-grade circuit board, chassis-mounted input/output sockets, and full EMI shielding
  • Powered via FireWire bus or included 12 VDC external power supply
PreSonus Studio One Software
  • Elegant single-window work environment
  • Powerful drag-and-drop functionality
  • Unlimited audio tracks, MIDI tracks, virtual instruments, buses, and FX channels
  • Content browser with convenient sort options and preview player
  • Most intuitive MIDI-mapping system available
  • Real-time audio timestretching and resampling
  • Automatic delay compensation
  • Advanced automation
  • Instantly configures to PreSonus audio interfaces
  • 25 Native Effects 32-bit effects and virtual instrument plug-ins
  • 4+ GB of third-party software, loops, and instruments
SD7 Condenser Microphone
  • Small-diagram “pencil” design
  • Stereo X/Y mic-stand adapter
  • Power via FireStudio Mobile
  • 9’ / 3 m cable included
  • Cloth carrying bag
HD7 Headphones Professional Monitoring Headphones
  • High neodymium resolution drivers
  • Precision-tuned acoustic chamber
  • Extended bass response
  • Built tough to withstand abuse
  • Auto-fit head pads
  • Comfortable and long-lasting ear pads
  • 98" / 2.5m single-side cable
  • Optimized pressure
  • Lightweight

SansAmp Bass Driver Deluxe

Price List Rp.4.414.000
SansAmp Bass Driver Deluxe
For bassists who like to switch it up on stage, the SansAmp Bass Driver Deluxe is the ultimate live tool for the bass-hopping, preset-stomping player. The Deluxe is all about fast delivery of monster Tech 21 bass tones in the fray of a live performance. Dual inputs enable two instruments to be on-line and ready to go with a pop-free selector. You can program three custom tones for each input, or use all six for a single instrument. You can also program the FX loop to engage your favorite effect with a particular setting and the Deluxe will bring it every time that preset is selected.

The fat, funky tones of the SansAmp Bass Driver series are legendary. With an all-analog signal path, two inputs, six presets, a programmable effect loop, and parallel/tuner out, the stage-optimized Deluxe is all that with cheese and pickles.
Additional Features

  • Take a SansAmp Bass Driver into the studio and plug directly Into the board for premium tones without miking.
  • Gig with a SansAmp Bass Driver running it directly through the house PA without using a separate amp.
  • Set-up with a SansAmp Bass Driver, power amp and speaker cabinet, and simultaneously run directly through the house PA for planet-dominating sound.
  • Operable with a 9V alkaline battery, optional Tech 21 DC2 power supply, and via phantom power.
  • Measures 9.75"l x 5.25"w x 2.0"h



Presonus Eris E5 5" High Definition Monitor

Price List Rp.5.422.000 / Pair
Presonus Eris E5 5" High Definition Monitor
When mixing music you want a pair of studio monitors that will accurately reveal the truth about what you're listening to, and the Eris series from PreSonus are designed to do just that. With its 5" Kevlar low-frequency transducer, the compact Eris E5 sports a 45W, Class AB amplifier; and a 1-inch (25 mm), silk-dome tweeter powered by a 35W, Class AB amplifier. It can crank out a clean 102 dB SPL, peak. Frequency response is rated at 53 Hz to 22 kHz. For a studio monitor in its size and price class, that’s impressive.Thanks to well-designed Kevlar® low frequency transducers, low-mass silk-dome tweeters, responsive Class AB amplification, and professional acoustic-adjustment controls, Eris delivers the goods.

Both Eris models provide balanced XLR, balanced ¼” TRS, and unbalanced RCA line-level inputs. When both balanced connections are in use, the TRS input will supersede the XLR input. The RCA input is summed into the signal path. With this selection, you’ll have no problem hooking your Eris speakers up with virtually any line-level source. (If your signal source has unbalanced, ¼” TS outputs, simply use a ¼”-to-RCA adapter or adapter cable.)

You’re in control!
Today’s music producers deal with a wide variety of musical genres and often work in more than one location. It’s easy to take your Eris speakers with you when you want to work in a different space. It’s almost as easy to customize their sound for your room and type of music.

The most basic control is the Input Gain, which determines the signal level before it reaches the power amp. This is part of gain-staging your overall system—that is, setting the levels for every part of the recording chain in order to get the optimal level of clean audio all the way through. Once you’ve gain-staged your system, you can leave this control alone.

The Eris E5/E8 provides three EQ controls in its Acoustic Tuning section: High, Mid, and Low Cutoff. These controls enable you to fine-tune the monitors and even to broadly approximate the sounds of different types of speakers so you can hear what your mix might sound like, for instance, on a car stereo or portable radio. The Low control also is useful when using the E5 or E8 with a subwoofer.

Safety Matters
Any loudspeaker is subject to an assortment of environmental and performance problems, and Eris monitors offer protection from most common of these. RF shielding protects against radio frequencies that could be induced into the signal and become audible. (If you’ve ever heard a radio broadcast unexpectedly coming out of a guitar amp, that’s the result of RF interference.)

Eris monitors also provide over-temperature protection to avoid heat-related issues, current-output limiting (to prevent damage should there be a short circuit on the speaker terminals), and subsonic protection to filter out extremely low-frequency vibrations that could interfere with the woofer’s performance.
Finally, Eris’ power amplifiers have a “soft startup” so that you don’t get damaging pops in the speakers when you power them up.

Features:
  • 4.5-inc (E4.5) / 5.25-inch (E5) / 8-inch (E8) Kevlar® low-frequency transducer
  • 1-inch (25 mm), ultra-low-mass, silk-dome, high-frequency transducer
  • 50 (E4.5) / 70 (E5) /130 watt (E8), Class AB biamplification
  • Front-firing acoustic port for superior bass-frequency reproduction
  • Midrange (±6 dB, continuously variable), HF (±6 dB, continuously variable), High-Pass (Off, 80 Hz, 100 Hz) and Acoustic Space settings (flat, -2, -4 dB) for accurate mixing contour
  • RF interference, output current limiting, over-temperature, transient, and subsonic protection
  • Optimized, resonance-suppressing internal bracing
  • Balanced ¼-inch TRS and unbalanced 1/8-inch TS, RCA inputs (E4.5)
  • Balanced XLR/¼-inch and unbalanced RCA inputs (E5 / E8)
  • 1/8-inch stereo headphone output (E4.5)
  • 100 dB (E4.5) / 102 dB (E5) / 105 dB (E8) maximum continuous SPL
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