Marshall MG15CFX Combo Amplifier

Price List Rp.1.875.000

Marshall MG15CFX Combo Amplifier

Marshall's MG15CFX combo amplifier packs more useful features than you'd usually expect from a 1 x 8" 15-watt combo. It starts with pure Marshall tone, tailored to your liking with the 3-band EQ. The MG15CFX sports four programmable channels - Clean, Crunch, Overdrive 1, and Overdrive 2. Dial in your tone, then save it for easy recall later. The tone is lively and in your face, as you'd expect from a Marshall, and you can add even more pizazz with the built-in effects. You get chorus, flange, phaser, delay, plus a separate reverb that can be combined with any other effect. And you can take complete control of the MG15CFX with the optional MG Footcontroller (sold separately). If you need an equally capable amp for practice and recording, you'll love the Marshall MG15CFX.
Marshall MG15CFX Combo Amplifier at a Glance:

• Perfect for practice or studio use
• Programmable channels
• Built-in FX

Perfect for practice or studio use:
The Marshall MG15CFX packs enough cool features to make practice fun, like built-in effects and a line input for playing along with your favorite songs. It also packs plenty of tone for great recordings. And even if it's late at night, or you just don't have the right mic and space to get the sound you want, you can use the MG15CFX's speaker-emulated line output for fantastic-sounding direct recordings.

Programmable channels:
Each of the Marshall MG15CFX's four channels can be programmed to recall your favorite settings instantly. Just dial in your ideal tone, press the Store button, and your settings are locked for that specific channel until you adjust and store them again.

Built-in FX:
You get four built-in effects plus a standalone reverb with the Marshall MG15CFX. Chorus, delay, phaser, and flanger are on tap and can be used in conjunction with the reverb. Best of all, the MG15CFX will store your effects settings with your channel settings for instant recall anytime.
Marshall MG15CFX Combo Amplifier Features:

• Marshall tone with smart features for a practice- or studio-ready combo amp
• Four programmable channels give you fast access to a wide tonal range
• Built-in FX give you even more options to customize your tone
• Speaker-emulated line output gives you great sounding direct recordings every time
• Compatible with Marshall's MG Footcontroller for maximum control (sold separately)

SONOR ProLite Walnut Brown Burst

Price List Rp.74.900.000

SONOR ProLite Walnut Brown Burst
ProLite Serie - the new trend-setting series from SONOR
The heritage of over 135 years of Drum making experience meets the passion, knowledge and creativity of SONOR’s international team of design engineers, professional players, distributors and retailers. Using only the finest hand-picked wood selections from eco-friendly resources, precision metal components, and a superior lacquering  process, each Drum is a piece of art. Made and assembled with care to meet advanced demands and set the bar for professional drums, ProLite combines superior tone, leading-edge design, function and precision to deliver the perfect tools for your musical inspirations. The perfect match for your gig, no matter what style you play!

SONOR ProLite Sound
The core of the ProLite series is the sound spectrum provided by the extremely thin Vintage Maple shells with reinforcement ring. These provide an unmistakably open sound and an enormously wide tuning range for practically all styles of music. SONOR’s Vintage Maple shell is characterized by a soft, warm tone that highlights the lower pitches and provides balance in the mid-range and treble, without sacrificing projection and power.

SONOR ProLite Shell Design
Cross Laminated Tension Free Process (CLTF) SONOR cross-laminates shells for superior stability, sonically enhanced resonance and spectacular tone. The CLTF process is a result of years of research by SONOR craftsmen. Optimum Shell Measurement (OSM) - SONOR implements a slightly narrow outside shell measurement for optimized head contact. This is a SONOR specialty, resulting in excellent tone, better sustain and controlled decay.

SONOR ProLite Shell Thicknesses

• 9 plies for tom toms, floor toms and snare drums = 4 mm + 2 mm Dynamic Edge reinforcement rings at the edge of the shells 
• 12 plies for bass drums = 6 mm + 2 mm Dynamic Edge reinforcement rings at the edge of the shells

Redesigned (T.A.R.) Total Acoustic Resonance Mounting System
Vibration free mounting results in pure tone and warm sustain. Enhanced by Total Acoustic Resonance and Advanced Projection System your Drum enjoys sonic freedom and stays mechanically stable, resulting in beautiful tone and unmatched projection.

Power Hoops – Clean Tuning and Crisp Attack!
2.3 mm SONOR Power Hoops on all snare drums, tom toms and floor toms. For 14” snare drums also die-cast hoops are available

Advanced Projection System (APS)
The patented Advanced Projection System (APS) prevents direct contact between wood and metal, and supports the powerful SONOR sustain. Equipped with the APS rubber insulators are the tom mounting system, the bass drum mount, the bass drum spurs and floor tom legs.

Bass Drum Mount – It’s Yours to Decide!
The standard ProLite Series bass drum ships without a mount. Optional mount is available.

SONOR ProLite Creme White

Price List Rp.57.900.000

SONOR ProLite Creme White
ProLite Serie - the new trend-setting series from SONOR
The heritage of over 135 years of Drum making experience meets the passion, knowledge and creativity of SONOR’s international team of design engineers, professional players, distributors and retailers. Using only the finest hand-picked wood selections from eco-friendly resources, precision metal components, and a superior lacquering  process, each Drum is a piece of art. Made and assembled with care to meet advanced demands and set the bar for professional drums, ProLite combines superior tone, leading-edge design, function and precision to deliver the perfect tools for your musical inspirations. The perfect match for your gig, no matter what style you play!

SONOR ProLite Sound
The core of the ProLite series is the sound spectrum provided by the extremely thin Vintage Maple shells with reinforcement ring. These provide an unmistakably open sound and an enormously wide tuning range for practically all styles of music. SONOR’s Vintage Maple shell is characterized by a soft, warm tone that highlights the lower pitches and provides balance in the mid-range and treble, without sacrificing projection and power.

SONOR ProLite Shell Design
Cross Laminated Tension Free Process (CLTF) SONOR cross-laminates shells for superior stability, sonically enhanced resonance and spectacular tone. The CLTF process is a result of years of research by SONOR craftsmen. Optimum Shell Measurement (OSM) - SONOR implements a slightly narrow outside shell measurement for optimized head contact. This is a SONOR specialty, resulting in excellent tone, better sustain and controlled decay.

SONOR ProLite Shell Thicknesses

• 9 plies for tom toms, floor toms and snare drums = 4 mm + 2 mm Dynamic Edge reinforcement rings at the edge of the shells 
• 12 plies for bass drums = 6 mm + 2 mm Dynamic Edge reinforcement rings at the edge of the shells

Redesigned (T.A.R.) Total Acoustic Resonance Mounting System
Vibration free mounting results in pure tone and warm sustain. Enhanced by Total Acoustic Resonance and Advanced Projection System your Drum enjoys sonic freedom and stays mechanically stable, resulting in beautiful tone and unmatched projection.

Power Hoops – Clean Tuning and Crisp Attack!
2.3 mm SONOR Power Hoops on all snare drums, tom toms and floor toms. For 14” snare drums also die-cast hoops are available

Advanced Projection System (APS)
The patented Advanced Projection System (APS) prevents direct contact between wood and metal, and supports the powerful SONOR sustain. Equipped with the APS rubber insulators are the tom mounting system, the bass drum mount, the bass drum spurs and floor tom legs.

Bass Drum Mount – It’s Yours to Decide!
The standard ProLite Series bass drum ships without a mount. Optional mount is available.

ZOOM G3 Guitar Effect Amp Simulator

Price List Rp.1.730.000

ZOOM G3 Guitar Effect Amp Simulator
We’re Putting Our Foot Down.
Zoom’s G3 Guitar Effects and Amp Simulator combines the ease of a stompbox pedalboard with the power of a multi-effects processor and USB audio interface. With complete control over individual effects and amp modeling, you can change your tones on the fly in both stage and studio settings.

Three stomps. One pedal.
The G3 offers three large stomps with LCD displays and corresponding footswitches that form a graphical interface, allowing you to utilize up to three stompbox and amp effects simultaneously. The interface has also been simplified with three control knobs for each display. This intuitive design makes creating, saving and rearranging the effect chain of your own sounds a breeze and provides easy navigation in live and studio settings.

Evolution of tube amp simulation.
A newly developed sigmoid curve clipper re-creates the smooth clipping of a tube amp’s waveform. With its tube distortion, the G3 can simulate amplifier sounds, including clean, crunch and full-gain drive tones that are authentic to the original models while maintaining the nuances of picking and strumming.

Super-real amp modeling.
The G3’s 13 super-real amp models range from vintage heads to the latest trends in amp technology, each with its own distinct cabinet modeling that can be used to alter its tone characteristics. By combining amplifiers and cabinets, you can digitally design your own custom rig. The G3’s modeling technology provides the best tone for both live performance and direct recording.
Note: Only one amp model can be used at a time.

94 total stompbox models.
The G3 has 94 diverse types of stompbox effects, including some of the world’s most popular guitar pedals and rack-mounted processors. You can use up to three effects in any combination. The G3’s wide range of effects includes distortion, compression, modulation, delay and reverb. Its HD Reverb uses DSP power to produce a rich resonance that rivals outboard gear used in professional studios and live setups.

Note: Only two effects can be used in combinations that feature amp models or HD Reverb.

The newest generation of DSP: ZFX-IV.
The all-new ZFX-IV DSP effects processor boasts amazing power and clarity, upgrading everything from sound to functionality and operability over previous ZFX versions. By using 32-bit floating-point processing, the G3 can produce amplifier sounds that are more realistic than ever before.

Over 100 versatile effects on-board.
Select from over 100 built-in DSP effects to create your own sounds on the G3. Try its renowned compression and wah pedals, chorus effects with stunning depth and resonant reverbs. Or let your tonal imagination run free with dynamic flangers, tremolos, harmonized pitch shifters, multi-tap delays, reverse delays and much more. The G3 can store up to 100 of your original creations without a hitch.

Looper function with 40-second phrase recording/overdubbing.
The G3’s Looper capabilities include 40 seconds of phrase recording and overdubbing. The “sound-on-sound” function allows you to layer guitar sounds as many times as you want in real time and use looped sounds as simple backing tracks. You can even create a “full band” feel with the built-in drum machine and DSP effects for a live solo.
Note: When the UNDO/REDO function is enabled, the recording time is limited to 20 seconds.

Your personal drummer.
Every guitar player needs a drummer, and with the G3 you can choose from 40 different rhythm patterns, including 4, 8 and 16-beat, shuffle and many others. The tap key also makes it easy to set tempo and start a one-man jam session anytime.

USB audio interface for DAW recording.
The G3 operates as an audio interface, letting you record directly to your computer via USB.

All of your sound settings used during rehearsals or live performances can be recorded to your favorite DAW such as the included Steinberg Sequel LE recording software. The pedal’s direct monitoring capability eliminates any latency issues, assuring realistic studio conditions and hassle-free operation.

Balanced XLR output for DI use.
With its built-in XLR output, you can avoid DI boxes completely and directly connect the G3 to any mixing console and maintain a balanced, high quality signal. Its convenient Pre/Post switch can direct an effected sound to the main outputs while sending the original analog guitar signal directly to the XLR output without passing through an A/D converter.

Add a G3 to your pedalboard.
The G3 is perfect for use in combination with traditional stompboxes. By adding a G3 to your pedalboard, you will decrease the size and complexity of your setup, while expanding your system’s effects and modeling capabilities.

Accurate, real-time Tuner function.
The pedal’s Tuner function offers smooth, real-time response with precise guitar tuning accuracy. Whether you’re in the middle of a performance or practicing alone in your room, simply hold down the pedal’s center footswitch to start getting your strings back in tune. In addition, the G3’s LCD displays and LED indicators make the Tuner easy to see on a dark stage, where you can also mute the output for tune silently.

Runs on batteries, AC adapter or USB power.
The G3 can operate on three different power sources: AC adaptor (included), batteries or USB bus power when plugged into your computer. Four AA/LR6 alkaline batteries provide over six hours of continuous use. Whether on stage or in the studio, the G3 gives you reliable power options.

Super-low noise design.
The G3’s "noise floor" of -100dBm virtually eliminates background noise and the ZNR noise reduction removes feedback and other unwanted sounds, providing you with clear tones, along with natural decay and reverb tails.

World's fastest patch change speed: 1ms.
With the G3’s amazing 1ms patch change speed, you will never miss a beat. Change from rhythm playing to a solo in an instant by simply tapping a switch.

Optional expression pedal and footswitch.
Connect an optional FP02 expression pedal to the G3 and control effect parameters such as wah, pitch shift, volume, drive gain, modulation rate and delay/reverb mix in real time. Use an optional FS01 footswitch to tap the tempo used for the drum machine, looper and effects. You can also use an FS01 to mute the Delay/Reverb input or turn Delay Hold on or off.

Free Edit&Share software for Mac/PC.
Zoom’s Edit&Share software, which is available as a free download for the G3, allows you to create, edit and save your personalized amp and effect settings on your computer. Use its “radar charts” to access visual representations of each preset’s tone characteristics, amp/effect sorting feature to easily locate your sounds and drag-and-drop options to rearrange patches for editing purposes. With Edit&Share, you can download the latest patches online, as well as share your patches with others.

We’re putting our foot down with the first pedal to unite traditional analogue stomps with a multi-effects processor and amp simulator: G3.

Features:

• Three large LCD displays with intuitive amp and stompbox interface
• 13 amp or 94 stompbox models can be used in any combination
• Over 100 built-in ZFX-IV DSP effects
• Create and store up to 100 original tones
• Looper function with 40 seconds of phrase recording and overdubbing
• Integrated drum machine and auto-chromatic tuner
• USB audio interface for DAW recording
• Balanced XLR output and selectable modes for DI use
• Over six hours of operation using four AA batteries/USB bus power (AC adapter included)
• Includes Edit&Share and Steinberg Sequel LE recording software

TAMA SLP G-Maple LGM137STA

Price List Rp.4.950.000

TAMA SLP G-Maple LGM137STA
This very thick 13-ply 10mm Maple shell, combined with die-cast hoops creates a bright, powerful sound with surprising volume.
Specification:

• Shell: 13ply/10mm, Maple shell with Tamo Ash outer ply
• Size: 7 x 13"
• Finish: Satin Tamo Ash with Chrome hardware
• Hoop: Die-Cast Hoop
• Lug: Brass Tube Lug
• Snares: 20 strand Starclassic Hi-Carbon Steel Snappy snares

ZOOM G5 Guitar Effect Amp Simulator

Price List Rp.2.700.000

ZOOM G5 Guitar Effect Amp Simulator
Meet The Monster.
Zoom took the groundbreaking design of its G3 pedal and dialed it up a notch with the G5 Guitar Effects and Amp Simulator Pedal. The G5 combines the ease of a stompbox pedalboard and the power of a multi-effects pedal and USB audio interface, along with an extra LCD display/footswitch interface, Tube Booster, 3D Z-pedal and additional amp models and effects. While extremely easy to use, the G5 gives you the ultimate in control over your guitar tones in stage and studio settings.

Up to nine simultaneous stomps.
The G5 offers four large LCD displays and corresponding footswitches that form a graphical interface, allowing you to utilize up to nine stompbox and amp effects simultaneously. The interface has also been simplified with three control knobs for each display. This intuitive design makes creating, saving and rearranging the effect chain of your own sounds a breeze and provides easy navigation in live and studio settings.


Tube Booster for amp overdrive.
The G5’s Tube Booster (12AX7 tube) allows you to add sudden power and intensity to your performance, particularly when soloing. While its Boost control can add up to 16dB of amp overdrive, the Tone knob lets you control the EQ of your sounds with the added volume. The Tube Booster also offers extra power when recording directly to a line input.

Z-pedal offers 3D parameter control.
The expression pedal featured on the G5 supports 3D action by sensing not only up and down, but also side to side movement. This Z-pedal lets you build highly complex sound control patterns by allowing you to assign up to three parameters in each axis of pedal movement (vertical and horizontal). In addition, there are 20 effects specifically designed for use with the Z-pedal. Get creative in ways never imagined before, and explore a whole new realm of pedal performance.

Evolution of tube amp simulation.
A newly developed sigmoid curve clipper re-creates the smooth clipping of a tube amp’s waveform. With its tube distortion, the G5 can simulate amplifier sounds, including clean, crunch and full-gain drive tones that are authentic to the original models while maintaining the nuances of picking and strumming techniques.

Super-real amp modeling.
The G5’s 22 super-real amp models range from vintage heads to the latest trends in amp technology, each with its own distinct cabinet modeling that can be used to alter its tone characteristics. By combining amplifiers and cabinets, you can digitally design your own custom rig. The G5’s modeling technology provides the best tone for both live performance and direct recording.

123 world-renowned stompbox effects.
The G5 offers 123 diverse types of stompbox effects, including some of the world’s most popular guitar pedals and rack-mounted processors. You can use up to nine effects in any combination. The G5’s wide range of effects includes distortion, compression, modulation, delay, and reverb. Its HD Reverb uses DSP power to produce a rich resonance that rivals outboard gear used in professional studios and live setups. The G5 can store up to 297 (99 banks x 3 patches) of your original creations without a hitch.

The newest generation of DSP: ZFX-IV.
The all-new ZFX-IV DSP effects processor boasts amazing power and clarity, upgrading everything from sound to functionality and operability over previous ZFX versions. By using 32-bit floating-point processing, the G5 can produce amplifier sounds that are more realistic than ever before.

Looper function with 60-second phrase recording/overdubbing.
The G5’s Looper capabilities include 60 seconds of phrase recording and overdubbing. The “sound-on-sound” function allows you to layer guitar sounds as many times as you want in real time and use looped sounds as simple backing tracks. You can even create a “full band” feel with the built-in drum machine and DSP effects for a live solo.
Note: When the UNDO/REDO function is enabled, the recording time is limited to 30 seconds.

Your personal drummer.
Every guitar player needs a drummer, and with the G5 you can choose from over 40 different rhythm patterns, including 4, 8 and 16-beat, shuffle and many others. The tap key also makes it easy to set tempo and start a one-man jam session anytime.

USB audio interface for DAW recording.
The G5 operates as an audio interface, letting you record directly to your computer via USB. All of your sound settings used during rehearsals or live performances can be recorded to your favorite DAW such as the included Steinberg Cubase LE recording software. The pedal’s direct monitoring capability eliminates any latency issues, assuring realistic studio conditions and hassle-free operation.

Balanced XLR output for DI use.
With its built-in XLR output, you can avoid DI boxes completely and directly connect the G5 to any mixing console and maintain a balanced, high quality signal. Its convenient Pre/Post switch can direct an effected sound to the main outputs while sending the original analog bass guitar signal directly to the XLR output without passing through an A/D converter.

Accurate, real-time Tuner function.
The pedal’s Tuner function offers smooth, real-time response with precise guitar tuning accuracy. Whether you’re in the middle of a performance or practicing alone in your room, simply hold down the pedal’s center footswitch to start getting your strings back in tune. In addition, the G5’s LCD displays and LED indicators make the Tuner easy to see on a dark stage, where you can also mute the output to tune silently.

Super-low noise design.
The G5’s super-low noise design virtually eliminates background noise and the ZNR noise reduction removes feedback and other unwanted sounds, providing you with clear tones, along with natural decay and reverb tails.

Super-fast patch change speed.
With the G5’s amazing 1.6ms patch change speed, you will never miss a beat. Change from rhythm playing to a solo in an instant by simply tapping a switch.

Optional expression pedal and footswitch.
Connect an optional FP02 expression pedal to the G5 and control volume in real time. Use an optional FS01 footswitch to tap the tempo used for the drum machine, looper and effects. You can also use an FS01 to mute the Delay/Reverb input or turn Delay Hold on or off.

Free Edit&Share software for Mac/PC.
Zoom’s Edit&Share software, which is available as a free download for the G5, allows you to create, edit and save your personalized amp and effect settings on your computer. Use its “radar charts” to access visual representations of each preset’s tone characteristics, amp/effect sorting feature to easily locate your sounds and drag-and-drop options to rearrange patches for editing purposes. With Edit&Share, you can download the latest patches online, as well as share your patches with others.
Finally, a monster guitar pedal that’s easy to use: The G5.

Features:

• Tube Booster (12AX7 tube) for up to 16dB of amp overdrive
• 3D Z-pedal for multi-dimensional parameter control
• Four large LCD displays with intuitive amp and stompbox interface
• 123 stompbox presets and 22 amp models
• Simultaneous use of up to nine effects
• ZFX-IV effects processor
• Create and store up to 297 (99 banks x 3 patches) original tones
• Looper function with 60 seconds of phrase recording and overdubbing
• Integrated drum machine and auto-chromatic tuner
• USB audio interface for DAW recording
• Balanced XLR output and selectable modes for DI use
• Powered via AC adaptor (included)
• Includes Edit&Share and Steinberg Cubase LE recording software

B&C 18TBX100 1200W LF Driver

Price List Rp.4.219.000
B&C 18TBX100 1200W LF Driver
B&C Speakers is a major supplier to the pro audio market in midrange, woofer and subwoofer cone drivers. We have made a strong commitment to provide a well-balanced line of LF drivers that range from 6” to 21” .

We have made refinements in our cone geometry, magnet assemblies and speaker production lines to create a dynamic and powerful lineup of speakers. The models that are included in this catalog all have:

• increased sensitivity
• increased power handling capacity
• increased excursion capabilities
• lower distortion levels

Our engineers have optimized each design with Finite Element Analysis (FEA) software to ensure each speaker operates to its fullest potential time and time again.

As one of the leaders in the development of neodymium woofers for the pro audio market, we first launched the HPL series 10 years ago. Based on its success, we have created three series of neodymium woofers (NDL, NW, SW). New baskets have been designed to maximize the power handling capacity, Xmax, and heat dissipation.

The NDL series works with an inside slug of high-energy neodymium magnet assembly. It has been developed with a new ventilated magnet assembly to assist the cooling of the voice coil. The NDL woofers strike a balance between light weight and performance. We have expanded the line to include 3” voice coil versions that offer tremendous weight savings yet are extremely powerful and durable to handle the power requirements of the pro audio market.

The NW series features a very highenergy neodymium ring magnet assembly. We have carried over similar basket designs as the TBX series but created 4” voice coil versions for the 12”, 15” and 18” woofers. The new 4” coil woofers are rated at 1000W. The NW series ranges from an 8” woofer up to an 18” subwoofer. A specially designed double silicon spider is utilized to create excellent excursion control and minimize the distortion levels. Superb bass performance in small box applications are one of the key strengths of the NW series.

The SW series is the next generation of neodymium magnet subwoofers. We focused our energy on long, large diameter voice coils (115-150 mm) for greater power handling capability and low power compression. In addition, we have developed new suspension systems to offer superb linearity with low DC offset, and excellent durability.

From nightclubs, to stadiums, to concert halls around the world, our speakers are chosen based on their reliability, consistency and most of all for their outstanding sound quality. B&C Speakers is front and center in the development of cone speakers.

Features:

• 2400 W continuous program power capacity
• 100 mm (4 in) copper voice coil
• 35 - 1000 Hz response
• 97 dB sensitivity
• Aluminium demodulating ring allows a very low distortion figure
• Double silicone spider with optimized compliance
• Ventilated voice coil gap for reduced power compression

Specification:

Nominal Diameter

460 mm (18 in)

Nominal Impedance

8 ohm

Minimum Impedance

6.2 ohm

Continuous Power Handling

2400 W

Nominal Power Handling (AES)

1200 W

Sensitivity (1W/1m)

97 dB

Frequency Range

35 - 1000 Hz

Voice Coil Diameter

100 mm (4 in)

Winding Material

Copper

Former Material

Glass Fibre

Magnet Material

Ceramic Ring

Winding Depth

25 mm (1 in)

Magnetic Gap Depth

12 mm (0.5 in)

Flux Density

1.1 T

Design

Surround Shape

Triple Roll

Cone Shape

Radial

Magnet Type

Ceramic Ring

Spider

Double Silicone

Pole Design

T-Pole

Recommended enclosure volume

200 dm3 (7.06 ft3)

Recommended tuning frequency

34 Hz

Parameters

Fs

34 Hz

Re

5.1 ohm

Qes

0.37

Qms

7.2

Qts

0.35

Vas

212 dm3 (7.50 ft3)

Sd

1210 cm2 (187.60 in2)

η0

2.2 %

Xmax

± 9 mm

Xvar

± 11 mm

Mms

209 g

Bl

25.5 Txm

Le

1.6 mH

EBP

91 Hz

Mounting and Shipping info

Overall Diameter

460 mm (18 in)

Bolt Circle Diameter

440 mm (17.3 in)

Baffle Cutout Diameter

422 mm (16.6 in)

Depth

209 mm (8.2 in)

Flange and Gasket Thickness

16 mm (0.62 in)

Air volume occupied by driver

10.5 dm3 (0.37 ft3)

Net Weight

13 kg (28.6 lb)

Shipping Weight

14.4 kg (31.7 lb)

Shipping Box

500x500x250 mm (19.7x19.7x9.8 in)

Service kit

RCK18TBX1008

MIDAS VeniceF32 Live Sound Console

Price List USD 9.700
MIDAS VeniceF32 Live Sound Console

At MIDAS, we know what it takes to design and build live sound consoles for the world’s most demanding tours and installations. One look at the VeniceF confirms that this console is continuing the legacy established by the groundbreaking XL3 and XL4 consoles, then consolidated in the industry-leading Heritage series. From the VeniceF’s horizontal fader panel, through the class-leading parametric EQ filters, to the latest expression of that legendary MIDAS mic pre, this is a console without compromise. Features are apparent everywhere, some of which are unheard of on consoles of this modest footprint.
The bus structure remains true to the original Venice concept. Six aux sends, four groups and stereo masters. The F model adds an additional mono bus and a 7 x 2 matrix. All bus outputs feature XLR connectors and insert capability. Routing options have been expanded from the outgoing model too. VeniceF has individual routing to groups, all six aux sends are individually switchable pre or post fade, and the two aux buses designated as monitor (foldback) sends are also switchable pre/post EQ on an individual channel basis. 

Mono Input 

Mono inputs pack a host of features, starting with the indispensible MIDAS mic pre, still crafted from discrete components, rather than the cheaper IC option. The 15mm gain pot is surrounded by a quartet of switches, +48V, -20dB pad, polarity reverse and 80Hz hi-pass. A further pair of switches select analogue or digital (FW) input and analogue or digital (FW) direct out pre or post EQ. Switches with LED status indicators are provided for insert and EQ in/out. The equaliser section is an updated XL3 design, featuring four bands of swept MIDAS eq, with the addition of variable bandwith on the two midrange filters. All input channels, groups and masters feature high precision 100mm faders.

Stereo Input 

Stereo inputs have two mic and two line inputs each. Mic inputs feature separate gain for left and right inputs, and the same mic amp functions as the mono inputs. Both mic and line inputs can be used simultaneously, with the line inputs routed direct to masters, while the mic inputs route via the channel. Stereo channels have four-band fixed frequency eq, and a sum-to-mono switch.
Hybrid VeniceF bridges the gap between analogue and digital audio consoles, and offers the user the ease-of-use, warmth, feel, and zero-latency of analogue, combined with the power, choice and flexibility of outboard digital processing.

FireWire® 

The FireWire interface can be used with any computer fitted with a 1394 port, and is effectively a 64-channel (32x32) digital audio snake, which connects directly to your computer, allowing the use of any 3rd party audio processing software in conjunction with the console. Applications include multitrack recording from the VeniceF’s digital direct outputs, software-generated FX processors driven from aux sends or direct outputs, “plug-ins” inserted on input channel FireWire send/returns. All with a heart of pure MIDAS.

Software 

Although the FireWire interface will work with nearly all computer-based audio processing software, included in every VeniceF package is a free 60-day trial version of RECORD, by Propellerhead. This software suite includes multitrack recording (up to 64 tracks), virtual racks full of FX and dynamics processing, and even a software mixer, which can be patched in parallel with the analogue VeniceF permitting full external digital processing of each VeniceF input channel. 

Mechanical 

Many manufacturers cut quality when they design small mixers. At MIDAS we understand that modest channel count doesn’t have to mean compromised performance and a poor feature set. The VeniceF embodies quality, from its rugged construction and top-of-the-range components through to the unmistakable MIDAS sound, it is obviously a truly professional audio console. The frame is a typical MIDAS steel section, providing sufficient strength and rigidity for a hard life on the road. Potentiometers are metal-shafted, and individually nutted to the steel fascia panel. The console is finished in the well-known MIDAS livery, with the addition of striking metallic corner protector inserts.
Although specifically designed for live sound, the audio performance, and the addition of a FireWire digital audio interface mean that the VeniceF is equally at home in recording and remixing applications.

Overview

• Frames: 32 Channel Rackmount
• Overload tolerant MIDAS mic-pre
• Up to 32x32ch. FireWire interface
• XL3 EQ – four-band swept eq with two parametric mids
• Input polarity switch
• Insert in/out switch with LED
• Direct out with pre/post EQ switch
• Discrete mono bus
• Individual routing to stereo, mono and groups with pan-to-groups enable switch
• 7 x 2 Matrix
• 4 audio subgroups
• 100mm faders

Midas Venice F32 Specification

Mic inputs:

24 mono plus 4 stereo XLRF

Line inputs:

24 mono plus 4 stereo TRS

Aux returns:

2 stereo TRS

Playback input:

1 stereo RCA

Talkback mic input:

1 XLRF

Aux mix busses:

6 XLRM

Audio subgroups:

4 XLRM

Matrix:

7 x 2 XLRM

Stereo master output

XLRM

Mono master output

XLRM

FireWire

(1394) 1 (64ch) FW400 (6 pin)

Dimension

Width 1007mm / 39.64"
Depth 669.30mm / 26.35"
Height 286.28mm (Including feet) / 11.27"
Weight 37.5kg / 82.67lbs 

TASCAM RC-SS20 Remote Controler

Price List USD 1.230

TASCAM RC-SS20 Remote Controler

TASCAM's RC-SS20 is a remote control for the SS-CDR200, SS-R200, HS-8 and HD-R1 solid-state recorders. A panel of 20 illuminated buttons provides instant access to tracks on TASCAM recorders. The RC-SS20 supports the Flash Play mode on the SS-CDR200, SS-R200 and HS-8, so effects and announcements can be preloaded for instant playback. An "End Of Message" indicator shows when the end of the track is approaching.

 

Specification:

• Remote control for the SS-CDR200/SS-R200/HD-R1/HS-8 solid-state recorders
• 20 Illuminated Buttons
• Supports Flash Play Mode on SS-CDR200, SS-R200 and HS-8
• Load/Stop Button
• End Of Material indicator lights when end of track is approaching
• Includes 15' cable

MIDAS VeniceF24 Live Sound Console

 

Price List USD 7.800
MIDAS VeniceF24 Live Sound Console

At MIDAS, we know what it takes to design and build live sound consoles for the world’s most demanding tours and installations. One look at the VeniceF confirms that this console is continuing the legacy established by the groundbreaking XL3 and XL4 consoles, then consolidated in the industry-leading Heritage series. From the VeniceF’s horizontal fader panel, through the class-leading parametric EQ filters, to the latest expression of that legendary MIDAS mic pre, this is a console without compromise. Features are apparent everywhere, some of which are unheard of on consoles of this modest footprint.

 
The bus structure remains true to the original Venice concept. Six aux sends, four groups and stereo masters. The F model adds an additional mono bus and a 7 x 2 matrix. All bus outputs feature XLR connectors and insert capability. Routing options have been expanded from the outgoing model too. VeniceF has individual routing to groups, all six aux sends are individually switchable pre or post fade, and the two aux buses designated as monitor (foldback) sends are also switchable pre/post EQ on an individual channel basis. 

Mono Input 

Mono inputs pack a host of features, starting with the indispensible MIDAS mic pre, still crafted from discrete components, rather than the cheaper IC option. The 15mm gain pot is surrounded by a quartet of switches, +48V, -20dB pad, polarity reverse and 80Hz hi-pass. A further pair of switches select analogue or digital (FW) input and analogue or digital (FW) direct out pre or post EQ. Switches with LED status indicators are provided for insert and EQ in/out. The equaliser section is an updated XL3 design, featuring four bands of swept MIDAS eq, with the addition of variable bandwith on the two midrange filters. All input channels, groups and masters feature high precision 100mm faders.
Stereo Input Stereo inputs have two mic and two line inputs each. Mic inputs feature separate gain for left and right inputs, and the same mic amp functions as the mono inputs. Both mic and line inputs can be used simultaneously, with the line inputs routed direct to masters, while the mic inputs route via the channel. Stereo channels have four-band fixed frequency eq, and a sum-to-mono switch.

Hybrid 

VeniceF bridges the gap between analogue and digital audio consoles, and offers the user the ease-of-use, warmth, feel, and zero-latency of analogue, combined with the power, choice and flexibility of outboard digital processing.

FireWire® 

The FireWire interface can be used with any computer fitted with a 1394 port, and is effectively a 64-channel (32x32) digital audio snake, which connects directly to your computer, allowing the use of any 3rd party audio processing software in conjunction with the console. Applications include multitrack recording from the VeniceF’s digital direct outputs, software-generated FX processors driven from aux sends or direct outputs, “plug-ins” inserted on input channel FireWire send/returns. All with a heart of pure MIDAS.

Software 

Although the FireWire interface will work with nearly all computer-based audio processing software, included in every VeniceF package is a free 60-day trial version of RECORD, by Propellerhead. This software suite includes multitrack recording (up to 64 tracks), virtual racks full of FX and dynamics processing, and even a software mixer, which can be patched in parallel with the analogue VeniceF permitting full external digital processing of each VeniceF input channel. 

Mechanical 

Many manufacturers cut quality when they design small mixers. At MIDAS we understand that modest channel count doesn’t have to mean compromised performance and a poor feature set. The VeniceF embodies quality, from its rugged construction and top-of-the-range components through to the unmistakable MIDAS sound, it is obviously a truly professional audio console. The frame is a typical MIDAS steel section, providing sufficient strength and rigidity for a hard life on the road. Potentiometers are metal-shafted, and individually nutted to the steel fascia panel. The console is finished in the well-known MIDAS livery, with the addition of striking metallic corner protector inserts. 

Although specifically designed for live sound, the audio performance, and the addition of a FireWire digital audio interface mean that the VeniceF is equally at home in recording and remixing applications.

Overview:

• Frames: 16, 24, 32 and 
• 13U 16 Channel Rackmount
• Overload tolerant MIDAS mic-pre
• Up to 32x32ch. FireWire interface
• XL3 EQ – four-band swept eq with two parametric mids
• Input polarity switch
• Insert in/out switch with LED
• Direct out with pre/post EQ switch
• Discrete mono bus
• Individual routing to stereo, mono and groups with pan-to-groups enable switch
• 7 x 2 Matrix
• 4 audio subgroups
• 100mm faders
• 3 year warranty

F-24 Specification:

Mic inputs:

16 mono plus 4 stereo XLRF

Line inputs:

16 mono plus 4 stereo TRS

Aux returns:

2 stereo TRS

Playback input:

1 stereo RCA

Talkback mic input:

1 XLRF

Aux mix busses:

6 XLRM

Audio subgroups:

4 XLRM

Matrix:

7 x 2 XLRM

Stereo master output

XLRM

Mono master output

XLRM

FireWire

(1394) 1 (64ch) FW400 (6 pin)

Dimension

Width 801mm / 31.53"
Depth 669.30mm / 26.35"
Height 286.28mm (Including feet) / 11.27"
Weight 30.5kg / 67.2lbs 

TASCAM SS-CDR200 Solid State Recorder

Price List USD 979
TASCAM SS-CDR200 Solid State Recorder
The TASCAM SS-CDR200 Solid State Recorder - designed for the Broadcast and Contractor markets - records in WAV & MP3 to Compact Flash, SD/SHC and USB memory. MP3 and audio CD formats are recorded to CD via a slot-loading transport. Parallel and RS-232C serial control - along with up to 20 tracks of flash start, balanced & unbalanced I/O, and coaxial digital I/O – make the SS-CDR200 an ideal one rack-space media solution.

• Solid state recoding to any available Media (CF, SD/SDHC, USB Memory, and CD-R/CD-RW)
• Record in MP3, audio CD, or convert WAV files to audio CD 
• One-rack-space compact design
• Up to 20 tracks of flash start with RC-20 and RC-SS20 remote control devices
• PS/2 or USB keyboard connection for file name edit, transport control, edit and flash start
• Coaxial S/PDIF & AES/EBU (Auto-detect on Input)
• Multiple playback modes for situations requiring continuous, single, programmed and random playback
• Playback speed control without pitch change
• RS-232C serial control
• XLR balanced I/O, RCA unbalanced I/O, coaxial S/PDIF, or AES/EBU digital I/O
• Dimensions (W x H x D): 19 x 1.8 x 11.9 (in) 482.6 x 44.5 x 301 (mm)
• Weight: 8.16 (lbs) 3.7(kg)

Focusrite Liquid Saffire 56 Multi Channel

Price List Rp.11.300.000
Focusrite Liquid Saffire56 Multi Channel
Liquid Saffire 56 is Focusrite’s new flagship 2U multi-channel firewire audio interface. Liquid technology combines with Saffire PRO Firewire interfacing to deliver a host of authentic preamp flavours, seamless software integration, excellent routing flexibility and future-proof, rock-solid driver stability.

In addition to six of Focusrite's legendary mic pre's, two of Liquid Saffire 56’s preamps uses the third generation Focusrite’s Liquid Pre amp, providing the choice of ten different preamp emulations. These include emulations based on the Neve 1073, the Pultec MB-1, Telefunken V72 and seven more. A harmonics dial on each Liquid preamp lets you account for variance in vintage originals of the same model, or use levels of 2nd, 3rd and 5th Harmonic distortion creatively to shape your sound.

Liquid Saffire 56 doesn’t just offer preamp variety; sonic integrity is also guaranteed throughout. Both the Liquid and Saffire preamps ensure low noise and distortion, whilst quality digital conversion and JetPLL™ jitter elimination technology ensure pristine audio quality as your audio flows between the analogue and digital domains.

Alongside the two Liquid and six Saffire preamps are a host of I/O options; 10 analogue outputs, 16 channels of ADAT I/O, stereo S/PDIF, MIDI and two virtual ‘loopback’ inputs for routing digital audio between software applications — ideal for capturing audio playback within your computer. Mic, Line and Instrument inputs all use independent connectors, with the input type for each channel selectable via custom control software. Consequently, all the inputs can remain permanently connected, ready for whatever your recording session demands. In addition, word-clock I/O is provided on BNC connectors, allowing Liquid Saffire 56 to act as either a master clock for your studio, or as a slave to an existing sync system.

Every channel features an independent phantom power and a high-pass filter, switchable from the front panel, with the two instrument channels also featuring -9dB pads for additional headroom. Front panel five-step LED metering for all inputs, including ADAT and S/PDIF, offers accurate viewing of all levels. Saffire Mix Control, the zero-latency 18 x 16 DSP Mixer/Router software provided with Liquid Saffire 56 features powerful output routing and monitoring. It also provides intuitive one-click set-up options, a clear and concise mixing layout, large on-screen metering for inputs, outputs and submixes, and control over the choice of Liquid emulation.

Two independent headphone buses are provided, each with their own level controls available on the front panel. A dedicated stereo monitor mix output features pads for improved sound quality when connected to active monitor speakers. An 'anti-thump' circuit protects your monitor speakers from spikes when booting up or shutting down the unit.
Features:

Two Liquid Preamps 

The marriage of a hugely flexible analogue front end with cutting-edge dynamic convolution DSP, each Liquid Preamp lets you choose from ten different classic preamp emulations, with an eleventh ‘flat’ option.

Six High Quality Award-winning Focusrite Preamps

Six award-winning Saffire preamps complement two Liquid preamps. All eight demonstrate the same wide bandwidth philosophy behind the early vintage Focusrite units.

High Quality 24-bit/192kHz Firewire Interface

Professional digital conversion and JetPLL™ jitter-elimination technology; pristine audio quality and reliable synchronisation are guaranteed.

Total I/O Count of 28 Inputs and 28 Outputs 

A host of I/O options are provided*, including a unique 'loopback' facility for routing audio between software applications via Saffire MixControl.

Suite of Focusrite VST/AU plug-ins

Upgrade your standard sequencer effects and bring a touch of class to your session with Focusrite Compression, Reverb, Gating and EQ VST/AU plug-ins.

Two separate headphone buses

Two artists can receive independent and fully customised monitor mixes. Each output has an independent level control available on the front panel.

Saffire Mix Control Zero-latency DSP Mixer/Router

Routing flexibility and intuitive one-click setup solutions; Saffire MixControl provides an 18 x 16 DSP mixer with excellent output routing and monitoring capabilities.

Front panel five-step LED metering

LED metering for each of the analogue, ADAT1, ADAT2 or S/PDIF inputs offers accurate viewing of levels direct from the front fascia.

Specification:

Microphone Inputs

¶         Dynamic Range (A-Weighted): 109dB

¶         SNR (A-weighted): -109dB

¶         Frequency Response: 20Hz - 20kHz +/- 0.1 dB

¶         THD+N: 0.001% (measured at 1kHz with a 20Hz/22kHz bandpass filter)

¶         Noise: EIN > 125dB (128dB analogue to digital) (measured at 60dB of gain with 150 Ohm termination (20Hz/22kHz bandpass filter)

¶         Maximum level (A-weighted): 8dBu at 1%

Line Inputs

¶         Dynamic Range (A-Weighted): 109dB

¶         SNR (A-weighted): -109dB

¶         Frequency Response: 20Hz - 20kHz +/- 0.1dB

¶         THD+N: < 0.001% (measured with 0dBFS input and 22Hz/22kHz bandpass filter)

¶         Noise: -90dBu (22Hz/22kHz bandpass filter)

¶         Maximum level (A-weighted): 28.5dBu at 1%

Instrument Inputs

¶         Frequency Response 20Hz-20KHz +/- 0.1dB

¶         Maximum Input Level min gain no pad +8dBu

¶         Maximum Input Level max gain no pad -42dBu

¶         THD+N, -1dBFS, min gain, no pad < 0.0015%

¶         SNR 109dB "A"

¶         DNR 109dB "A"

¶         Input Impedance > 1MOhm

¶         X-talk < -100dB

¶         Adjustable Gain > 50dB

¶         Pad Attenuation 10dB

Headphone Outputs

¶         Frequency Response 20Hz-20KHz +/- 0.1dB

¶         SNR 109dB "A"

¶         DNR 109dB "A"

¶         Maximum Output into 32R +12.4dBu (+10.2dBV)

¶         Power into 32R 250mW

¶         Output Impedance < 7Ohms

¶         Load Impedance > 24Ohms

Line level Outputs

¶         Dynamic Range (A-Weighted): 108dB

¶         SNR (A-weighted): -108dB

¶         THD+N: < 0.001% (measured with 0dBFS input and 22Hz/22kHz bandpass filter)

¶         Maximum level (A-weighted): 15.7dBu at 0.883%

Additional Conversion Performance

¶         Clock jitter < 250 picoseconds

¶         THD+N AMPL (A-weighted)= -109dBFS 

Connectivity

Analogue Channel Inputs (Inputs 1-8)

¶         Mic inputs 1-8 on rear XLR’s. 

¶         Line inputs 1-8 on rear 1/4” TRS. 

¶         Instrument inputs on channels 3 and 4 (separate front panel 1/4” TRS). 

Notes

¶         Individual switchable High Pass Filter on all inputs.

¶         Phase switch on inputs 3, 5 and 7. 

¶         Input Pad on inputs 3 and 4 = -10dB.

Analogue Outputs

¶         Line level 10 x 1/4” TRS Jack.

Notes

Outputs Monitor 1 and 2 have anti-thump protection circuitry.

Digital I/O

¶         SPDIF input and output (RCA phono) on rear panel, (24-bit, 44.1 - 192kHz),  output transformer isolated.

¶         Optional AES output mode with professional channel status and voltage levels on SPDIF output (isolated and balanced).

¶         2 x ADAT In / Out 16 channels (44.1 / 48kHz), 8 channels S-MUX (88.2 / 96kHz), 4 channels S-MUXII (176.4 / 192kHz).

¶         ADAT Input and Output 2 can be re-configured to be optical SPDIF input / output via control panel.

¶         BNC Word clock input and output (75 ohms).

MIDI I/O

¶         1 in / 1 out (16 channels) on rear panel.

Headphone monitoring

¶         2 x 1/4” TRS Jack on front panel (mirrors outputs 7-8 and 9-10).

NOTE: These are high power headphone drivers.

Other I/O

¶         2 6-pin Firewire sockets

¶         2 Standard 5-pin DIN MIDI connectors: In and Out

¶         IEC mains power input connector

Weight and Dims

¶         5kg / 11 Ibs

¶         480mm / 19" (W) x 90mm / 3.6" (H) x 235mm /9.3" (D)