Saturday, April 30, 2011

Parker Guitar P-30


Price List Rp.6.300.000
Parker Guitar P-30
The P30 features the instantly recognizable Parker body and headstock silhouette. Although the body is slightly simplifi ed, with less three-dimensional sculpting than the upscale Parkers, its lens-like convex curve puts plenty of wood in the tone-sensitive center of the instrument while presenting a thinner edge to wrap your arm around. Our review model, in cream white with white pearloid pickguard, was immaculate and perfectly constructed. Like all P Series guitars, the P30 uses relatively conventional materials and construction approaches. Gone are the glued-on stainless steel fretwire and the “M&M shell” neck and fretboard construction (actually basswood sheathed in carbon-glass). Down at the bridge, the tremolo system is a traditional fulcrum design, not the clever springleaf found on domestic Parkers

FEEL
Like the USA-made Parker NiteFly guitars, the P30 features a true bolt-on neck with a half-round precision joint. “This design ensures optimum resonance from the body and neck tone woods,” Parker’s John Page explains. “It also resists the warping that may occur on guitars with a traditional square neck joint.” Along with the medium jumbo frets, the slightly chunky contour gives the maple neck a fi rm feel; it’s extremely friendly when exploring the upper frets and—most importantly— solid as a rock, even when we tried to nudge it from side to side in the pocket. Although the maple is somewhat plain-grained, the satin finish is babybottom smooth, and the conical form of the fretboard (10" at the nut, 13" at the 22nd fret) feels great for both low-posi- tion chord grips and stratospheric finger frenzies. It’s a pleasant change from the slinky neck silhouette of most single-coil guitars and, in spite of the added mass, the neck-body balance proved superb. The minimal headstock is angled, both for better string seating in the graphite nut and for better tone, and the low mass up top helps to keep string energy focused in the neck and body. At about 7-1/2 lbs., the P30 feels reassuringly substantial without digging into your shoulder, and we loved the thick-tothin contour of the poplar body’s edges. Quality hardware, attentively mounted, guarantees no spurious rattles, and the fretwork and setup on our reviewed model (strung with .009–.042 strings) was excellent

SOUND
This is no cheaped-down LiteFly. The combination of poplar body and maple neck gives the P30 a crisp, clear sound that generates tight bass notes, complex mids, and a glassy treble. We plugged it into a variety of amps, both clean and overdriven, and found the single-coil Parker Stinger pickups fully capable of providing the classic tone associated with this design. With a single Alnico magnet mounted behind the pole pieces, there’s a bit less chime and glassine transparency than you’d get from a sixmagnet pickup, but this proved a blessing in disguise when adding gain to the output. Whether we increased the overdrive with an amp’s gain circuit or a distortion pedal, the P30 delivered more heft and warmth than a more traditional vintage pickup would. And the Alnico magnet retained more detail and a wider frequency response than the ceramic magnets that are often used in budget single-coil pickups

PRS SE Mark Trimonti


Price List Rp.6.750.000
PRS SE Mark Trimonti
The Tremonti SE was designed with Mark Tremonti of Alter Bridge/Creed and features a solid mahogany body with plastic binding on the body, neck and headstock. This guitar features two humbuckers with a three-way pickup selector on the upper bout and a volume and tone control for each pickup.


BODY
Body Wood Mahogany with Binding


NECK
Number of Frets 22
Scale Length 25"
Neck Wood Mahogany
Fretboard Wood Rosewood
Neck Shape Wide Fat
Inlays Dots

HARDWARE
Bridge PRS Designed Stoptail
Tuners PRS Designed Tuners
Hardware Type Nickel
Treble Pickup PRS Designed Treble Humbucker
Bass Pickup PRS Designed Bass Humbucker
Pickup Switching Volume and Tone Control For Each Pickup and 3-Way Toggle Pickup Selector On Upper Bout

PRS SE Paul Allender


Price List Rp.8.950.000
PRS SE Paul Allender 
6 String Electric Guitar Designed with Paul Allender of Cradle of Filth, this new PRS Paul Allender SE model features a quilted maple veneer with a Custom Allender burst, Allender pickups and special bats in flight inlays. 
As with all our PRS Guitars we hand pick all our guitars to ensure the best guitar for you.

Features & Specification
BODY:
Mahogany back with maple top & quilt maple veneer

NECK:
25" scale length 24-fret maple neck with rosewood fretboard and bat inlays
Neck carve - wide thin

HARDWARE:
PRS designed tremolo
PRS designed tuners
Gold hardware

ELECTRONICS:
PRS designed Paul Allender treble & bass humbucking pickups
Volume and tone control with 3-way toggle pickup selector

PRS SE Zach Myers


Price List Rp.7.750.000
PRS SE Zach Myers 
“This model is based off of my two favorite PRS guitars. This SE holds up to both of those guitars as a player’s guitar that can take a beating. I put everything I am into this guitar and can’t wait for you to hear it.” - Zach Myers
As the lead guitarist of a band that has sold more than 6 million albums, Zach Myers of Shinedown needs a quality guitar. PRS is happy to offer that same quality to you through the SE Zach Myers Model. Featuring three humbuckers with dual volume and dual tone controls, this guitar provides excellent playability and precision.

Features & Specification
SE Zach Myers Signature Model Specs

Body
Body Wood Thick Single-Cutaway Mahogany
Top Wood Maple Top with Flame Maple Veneer (except on opaque colors)

Neck
Number of Frets 22
Scale Length 25"
Neck Wood Mahogany
Fretboard Wood Ebony
Neck Shape Wide Fat
Fretboard Inlays Fleur-De-Lis at 12th Fret

Hardware
Bridge Tone Pros Adjustable Stoptail
Tuners PRS Designed Tuners
Truss Rod Cover "ZM"
Hardware Type Nickel
Treble Pickup PRS Designed Treble Humbucker
Middle Pickup PRS Designed Bass Humbucker
Bass Pickup PRS Designed Bass Humbucker
Pickup Switching Two Volume and Two Tone Controls (clear knobs) with 3-Way Toggle On Upper Bout

Ampeg B4R

Price List Rp.11.925.000
Ampeg B4R Head
At 1000watts, the Ampeg B4R is the most powerful amp in its class. Everything you need for today's music...Ultra-Mid circuitry, texture tube emulation, stereo/mono bridge operation, limiter and more. Let's get ready to rumble!
Straight-ahead power and tone so you can rock like a world class act—even before the royalty checks roll in. The 1000-watt B-4R is the most powerful head in its class. Introduced by Ampeg in 1999, this powerhouse head gives you everything you need for today's music. Not only is the B-4R powerful, it's loaded with tone-shaping features like nothing you've ever experienced.

The 9-Band Graphic EQ can either be used to custom tailor your sound to the room, or it can be used to set up a “second channel" for your show-stopping bass solo. In addition to B-4R's five-position Style switch, the Ultra Mid control provides tonal fine-tuning that should satisfy even the most finicky player. And if you want to really push the envelope, just engage the Texture switch to activate our patented tube emulation circuitry. The ultimate biamped bass head—the Ampeg B-4R.
B Series solid-state amps crank out extreme wattage and feature optocoupler limiters, effects loops, and XLR balanced line outputs. All B Series enclosures offer custom LF drivers and compression horn drivers with Level control.
Control panels



  1. 0dB INPUT: The signal output from an instrument (active or passive – typically passive) or a line level signal may be connected here by means of a shielded instrument cable. The signal at this jack is sent into the preamp at full amplitude.
  2. -15dB INPUT: The signal output from an instrument (active or passive – typically active) or a line level signal may be connected here by means of a shielded instrument cable. The signal at this jack is padded 15dB before it is sent into the preamp.
  3. MUTE: This switch, when depressed, mutes all outputs except the Tuner Out (#41). A footswitch can also control muting if the Mute switch on the front panel is left in the “out”position. (The front panel switch is still active with a footswitch connected.) This is excellent for tuning your bass with an electronic tuner without having to adjust any levels or turn down your house volume.
  4. TEXTURE: This switch adds a “tube emulation” stage which changes the tone for a more aggressive sound. Using the Texture switch, you can overdrive the amplifier without typical (and harsh-sounding) solid state clipping.
  5. GAIN: This control sets the level of the signal entering the preamp stage. Adjust this control until the Peak LED (#6) flashes on strong signal peaks (but is not illuminated constantly while playing). To obtain the best signal to noise ratio, set the Gain control as described above and adjust the Master (#14) to obtain the desired volume level.
  6. PEAK LED: This LED will illuminate when the signal entering the preamp stage is near the clipping level. Adjust the Gain control (#5) until a strong signal from your instrument causes this LED to flicker.
  7. STYLE: This five-position switch allows you to vary the tone of the amplifier. The following table lists each of the different settings – experiment with the Style and other EQ controls (#8,9,10,18,19) for the results which suit you best.
    POSITION 1: Fully “scooped” mids (mid cut)
    POSITION 2: Traditional passive tone setting
    POSITION 3: Basically flat
    POSITION 4: Boosted high end
    POSITION 5: Basically flat with low end roll off – for loud playing without “muddiness”
  8. BASS: This is the primary low frequency control which allows 12dB of cut or boost at 50Hz. The low frequency output is flat at the center position.
  9. ULTRA MID: This is the primary midrange control which allows 7dB of cut at 400Hz or boost at 800Hz. The midrange output is flat at the center position.
  10. TREBLE: This is the primary high frequency control which allows 18dB of cut or boost at 5kHz. The high frequency output is flat at the center position.
  11. EFFECTS MIX: This control varies the mix between the direct (dry) signal and the effects (wet) when the effects loop (#39,40) is used. Full counterclockwise results in all direct signal (no effect) and full clockwise gives all effect and no direct signal. The clockwise position is equivalent to a series effects loop and should be used with such devices as limiters and equalizers.
  12. GRAPHIC EQ: This switch activates the graphic equalizer.When a foots witch is used, this switch is disabled.
  13. LIMIT DEFEAT: The B4R employs internal limiter circuits to help keep the power amplifier’s output clean at extreme volume levels. (All amplifiers may begin to clip their output signals as they approach maximum output levels, resulting in potentially speaker-damaging distortion.) These circuits may be disabled by depressing this switch. This may result in an increase in output power, but also increases the possibility of distortion. Use discretion whenever playing with the Limit circuits off.
  14. MASTER: This control sets the overall output level of the amplifier. For the lowest possible noise level, adjust the Gain control as described in #5 and use this control to obtain the desired volume level.
  15. LIMIT LED: This LED will flash any time the internal limit circuit is called upon to keep the amplifier’s output signal clean. This indicates that the amplifier is nearing full output and the limiter is keeping it from clipping the output signal.
  16. FREQUENCY: This control sets the crossover point between the Biamp High and Biamp Low Outputs when using the amplifier in the biamp mode.
  17. BALANCE: This control adjusts the relative level between the low and high frequency biamp signals when using the amplifier in the biamp mode.
  18. 9-BAND GRAPHIC EQ: These sliders control the amplitude of the frequencies indicated above each control. The center position of each control is flat: sliding the control upward will increase the output level of that frequency; sliding the control downward will decrease it. The Graphic EQ can be used in two ways: 1) To fine tune your sound, make small adjustments at the desired frequencies and leave the EQ on throughout the entire session. (This is great for adapting to varying room acoustics when going from club to club, etc.) 2) For a completely different sound, make larger adjustments and only activate the EQ when you want a “second channel” sound (such as during bass solos).
  19. LEVEL: This is the output volume control for the Graphic EQ and only affects the signal when the EQ is engaged. If the EQ’d signal is too soft, slide the Level control up; if it’s too loud, slide the control down.
  20. POWER LED: This LED glows green when the Power switch (#22) is ON.
  21. ACTIVE LED: This LED illuminates when the EQ is on.
  22. POWER: This heavy-duty rocker switch applies the power to the amplifier: the amp is ON when the top of the switch is depressed, OFF when the bottom of the switch is depressed.

  23. CIRCUIT BREAKER: The B4R employs an AC line circuit breaker to help protect against damage due to excessive current demands. If the amplifier stops working, check the circuit breaker. If it has opened, the button will be protruding and showing a contrasting color. You can reset the circuit breaker by pushing it in until it latches. The breaker must cool down for a short time before the button will latch. If the circuit breaker opens repeatedly, have the amplifier checked by a qualified service person.
  24. AC LINE IN: Firmly insert the supplied AC power cord into this socket until it is fully seated. Plug the male end of the cord into a grounded AC outlet. DO NOT DEFEAT THE GROUND PRONG OF THE AC PLUG!
  25. SPEAKER OUTPUTS: The 1/4” jacks offer a convenient method of connecting to speaker cabinets using cables terminated with 1/4” plugs. However, when using the amplifier at or near its full output power, using the five-way binding posts (domestic units) or Speakon® jacks (export units) is recommended. The binding posts/Speakon® jacks must be used when operating in the Mono Bridged mode. (See pages 8 and 9.)
  26. FULL RANGE/BIAMP: This switch determines how the signal is sent to the internal amplifiers. In the Full Range position (switch out), a full range signal is sent to both amp channels. In the Biamp position (switch in), the low frequencies are sent to Channel A and the high frequencies are sent to Channel B. (See pages 8 and 9.) NOTE: When Biamping, the Stereo/Mono switch (#27) must be set to Stereo. (See pages 8 and 9.)
  27. STEREO/MONO: This switch sets the operating mode of the amplifier. In the “out” position the amplifier is in the Stereo Mode; with the switch in the “in” position the amplifier is in the Mono Bridged Mode. (See pages 8 and 9.)
  28. POWER AMP INPUTS: These jacks connect directly to the power amp for use with external preamps. When using external sources, connect the OUTPUT of the sources to these jacks using shielded instrument cables to feed the signals into the power amp sections. The internal signal is disconnected when a plug is inserted. In the Mono Mode, Channel A = Input. In the Biamp Mode, Channel A = Low Input, Channel B = High Input. (See pages 8 and 9.)
  29.  PREAMP OUTPUTS These jacks are direct preamp outputs for use with external power amplifiers, mixing boards, external effects, etc. Connect the external unit inputs to these jacks using shielded instrument cables.
  30. See 28
  31. See 29
  32. FOOTSWITCH: Connect a two button footswitch to this jack for remote Mute and EQ On/Off control. On the stereo 1/4” plug, the tip controls Mute and the ring controls EQ On/Off. When a footswitch is connected, the Mute switch (#3) can still be used; however, the EQ switch (#12) is disabled.
  33. BIAMP HIGH/LOW OUTPUTS: When using the amplifier in the biamp mode, the Biamp High Out jack carries the high frequency signal and the Biamp Low Out jack carries the low frequency signal. (See pages 8 and 9.)
  34. LINE OUT LEVEL: This controls the strength of the signal at the Line Out jacks (#37,38) and works independently from the Master control (#14).
  35. LINE OUT PRE/POST SWITCH: The signal at the Line Out jacks can be set to either Pre or Post EQ with this switch. With the switch in the OUT position, the signal at the jacks will be Pre-EQ. This is a direct output not affected by any preamp tone settings. With the switch IN, the signal is Post- EQ and is controlled and modified by the tone controls, Graphic EQ and the effects loop.
  36. LINE OUT GROUND LIFT: This switch disconnects the ground pin of the line Out XLR jack (#37), which may help reduce residual hum and buzz sometimes picked up in line out signal cables. The ground is lifted when the switch is depressed.
  37. LINE OUT JACKS: These jacks supply a pre-Master, line level signal for connection to a house mixing board, recording console or external amplifier(s). The XLR-type jack (#37) provides a balanced signal; the 1/4” jack (#38) provides an unbalanced signal. The signal level at these jacks is controlled by the Line Out Level control (#34) and is governed by the Pre/Post switch (#35).
  38. See 37
  39. EFFECTS LOOP RETURN: When using external effects, connect the effect’s output into this jack using a shielded instrument cable.
  40. EFFECTS LOOP SEND: When using an external signal processor, connect this jack to the input of the effect using a shielded instrument cable.
  41. TUNER OUT: This jack is provided for connection to an electronic tuner and is always “live,” even when the Mute switch (#3) is engaged, allowing for “silent tuning” as well as a monitor feed which remains active when the house mix is muted.

    Specification:
     
Specification:

Sleishman Double Pedal

Price List Rp.4.250.000
Sleishman Twin Pedal
Like most revolutionary inventions, the twin pedal was seemingly ahead of it's time. Phrases and figures that drummers could now achieve on one bass drum were not yet called for in the music of the day. 

This did not stop a tenacious Don from taking on the world with his original design.
1972 saw the first production line pedals take to the market place. Due to their way too early introduction, response was not as Don would have liked. Music was to take some time before it demanded drummers made the double pedal a must have inclusion in their kits.

During all of this time, Don's mind never wandered far from the drums and ways in which to enhance their natural sound.

Traben Phoenix


Price List Rp.4.850.000
Traben Phoenix
A timeless classic? The Phoenix is one of the land-mark, easy to recognize Traben designs. Easy to recognize visually and sonically, the Phoenix makes a HUGE statement. Flame inlays lapping up the neck and a brilliant chrome plated flame Bigger Bridge set the visual tone – “there is something big going down”….. With Traben’s larger body design coupled with massive bridge to body contact the Phoenix more than holds down the sonic end of the equation. Make a statement!
SPECS:

  • BRIDGE traben phoenix flame bigger bridge
  • SCALE 34” four string | 35" five string 
  • CONSTRUCTION bolt on
  • PICKUPS traben custom combo | one humbucker and one j-bass style 
  • ELECTRONICS traben t3 active pre-amp 
  • CONTROLS three-band eq with volume and blend
  • BODY basswood 
  • TOP quilt maple
  • FRETBOARD rosewood
  • NUT chrome plated brass 
  • INLAY phoenix flame

Hagstrom Ultra Swede Absolut Vodka LTD


Price List Rp.4.900.000
Hagstrom Ultra Swede Absolute Vodka LTD
The Hagstrom Ultra Swede Absolut Vodka LTD features a striking and stylish design, a result of the Absolut Vodka Rock Edition design competition. The Hagstrom Ultra Swede Absolut Vodka LTD's workmanship and features are remarkable as well. The Hagstrom Ultra Swede Absolut Vodka LTD's 2-piece basswood body has a maple top and the set mahogany neck has an ultraslim profile and a resinator wood fingerboard. The sound is captured by the Hagstrom Ultra Swede Absolut Vodka LTD's two Custom 62 humbuckers that can be coil-tapped via a mini switch.
Hagstrom Ultra Swede Absolut Vodka LTD:
  • Top: maple
  • Body: 2-piece basswood
  • Neck: mahogany, set
  • Profile: ultraslim
  • Fretboard: resinator wood
  • Inlays: Hagstrom Select pearl/abalone blocks
  • Scale length: 628 mm
  • Pickups: 2 x Hagstrom Custom 62 humbuckers
  • Bridge: Long Travel tune-o-matic with 6 individual brass string blocks
  • Tail piece: Hagstrom stop tail piece with Absolut Vodka cover
  • Tuners: Hagstrom 15:1
  • Controls: 1 x volume, 1 x tone
  • Electronics: 3-way toggle, mini switch for pickup split
  • Finish: Absolut Custom Design
  • Free check and setup service after one year

Schecter S-1 Royal Air Force RAF

Price List Rp.8.950.000
Schecter S-1 Royal Air Force RAFYou are bidding on a BRAND NEW Schecter S-1 Spitfire guitar. The custom graphics on this guitar are really cool. Looks like a WWII Bomber plane. With 2 Humbucking Pickups, all hardware on guitar is a polished (made to look old) brass. Has bomber target inlays and RAF at 12th Fret.

Schecter Guitar Research started out making spare parts as a sub contractor to the big guitar manufacturers in the 1970’s but after a huge success with making guitars for Pete Townshend and other world famous guitarists they were quickly established as an alternative with uncompromising quality in their price range. Today the guitars are used mainly by the rock players. However, the models with retro look and –sound are also very popular. Several artists that put quality and playability first have chosen to play Schecter. Among them are Papa Roach, The Cure and Danish Hatesphere. They all put their trust in an instrument that can stay in tune and sounds good. At StringSite.com we are happy to offer Schecter’s quality products to our customers – even at attractive prices!

Casio Standard Keyboard WK-7500

Price List Rp.5.250.000
Casio WK-7500 Standard Keyboard
Turn Your Inspiration Into Music, Instantly
The new Casio WK-7500 offers powerful and extensive features at a price that is unheard of in the portable keyboard market. It offers 800 world-class tones, 250 preset rhythms, 17 track sequencer, 32 channel mixer, as well as audio recording capabilities. Any piece of music you create can be recorded as an audio file on an SDHC card. 9 sliders extend your versatility and provide an impressive 50 drawbar organ tones. Whether you are an amateur or professional musician, the WK-7500 will allow you to create, edit and play your compositions at home, in the studio or on the stage.

Tones That Will Inspire Your Music
The WK-7500 provides 800 world class tones organized by category in a new easy-to-use interface. Dynamic stereo pianos, vintage electric pianos, strings, drums and a wealth of synths and acoustic instruments are at your fingertips. Each of those 800 voices can be edited with control over filters, envelopes and more. For added depth and realism, an extensive set of DSP effects are available to enhance these tones, providing you with pure inspiration at your fingertips


.
Sliders Galore
You can’t miss them, nine strategically placed sliders on the front panel. Just press the Drawbar Organ button and start playing. The sliders allow you to control the level of each harmonic overtone to produce a powerful and rich organ sound. Rotary speaker effects and percussion control are all instantly accessible. For the final touch, you can dive deeper into edit mode to customize key click, overdrive, rotary speeds and more for the ultimate drawbar organ experience.
Capture The Moment
With the new WK-7500 you can capture those moments of creativity so they’ll never get lost. Featuring a powerful 17-track sequencer, you can even edit and tweak your performances enabling you to turn out broadcast ready, professional tracks. Once you’ve created your masterpiece you can save your song file to an SDHC card. Better yet, you can save it as an audio recording. That’s right, this new keyboard can mix down internally and save your new song to an SDHC card as an audio file. This allows you to share your music with the world. Utilizing Casio’s free DATA Manager 6.0 computer software your recording can be converted into a .WAV file, so you can burn your song to a CD, put it in your favorite music player, send it to friends or a record producer. Making music and sharing it has never been this easy or affordable.
A Full Band: Included
A total of 250 preset rhythms with full accompaniment are built-in. One button click brings you access to styles from rock, pop, Latin, jazz, country, classical and everything in between. You can choose to have just a drummer or full virtual band at your disposal, so now you can play and write music with more speed and sophistication than ever before.
Mix Your Masterpiece
Whether you’re playing live or in the studio, you have total control over your mix. The front panel sliders provide quick control over volume, pan, effect sends for each channel including the MIC and instrument inputs.
Get Connected
The back panel provides 1/4 ” (L/MONO, R) outputs, MIC and Instrument inputs and a stereo audio in. There is also a class-compliant USB MIDI port. This means you can easily use your favorite computer music application without the need for drivers.
Ready For The Stage



The WK-7500 is ready to conquer the stage. You can easily create splits, layers or both simultaneously. You can store this combination of three tones as a registration for instant recall on stage. The 96 registration slots will let you cover any gig, or save those magic sounds that define a new hit song. If you’re a solo performer, registrations can also recall rhythms and accompaniments for you to play along with. The WK-7500 features a piano-style touch- response keyboard that provides a realistic piano experience.

Casio Standard Keyboard WK-6500


Price List Rp.4.600.000
Casio WK-6500 Standard Keyboard
Discover the Musician in You!
The Casio WK-6500 features a piano-style touch-response keyboard, song sequencer, tone editor, multiple digital effects, mixer, performance registration memory, USB MIDI interface, SD card storage and hundreds of editable tones. The WK-6500 offers a pitch bend wheel, a back lit display, music presets and 670 individual tones in a portable design.

The Casio WK-6500 has all the tools you need to practice, compose and perform. The extensive list of features and the sound from the high-output 2-way bass reflex sound system found in this music workstation will give you the chance to bring your musical ideas to life and discover the musician in you.

Sequencer and 32 Channel Mixer
16 track song sequencer + 1 system track supports recording of up to 5 songs or approximately 30,000 notes. Choices of editing tools include event insert, copy and delete, quantize note locator and a step recording function. The mixer can be used in conjunction with instrument input feature.

Rhythm Editor
Allows you to combine instrumental parts from multiple built-in rhythms, turn individual instrumental portions on or off and adjust volume, pan reverb and other parameters to create your own personal rhythms. The rhythm editor can store up to 10 original rhythms in memory for recall at any time.

Multiple Digital Effects
A wide range of built-in effects include 10 reverbs, 5 choruses and 100 DSP types. You can create your own DSP effects and store up to 100 unique styles.

Registration
The WK-6500 can store 4 sets & 8 banks for a total of 32 set ups. The simplicity of the registration process makes it a great feature for live performances.

Tone Editor
Attack and release time, cut off, vibrato, reverb, chorus and DSP can be adjusted based on your preferences.

Casio WK-6500 76-key Portable Keyboard Features at a Glance:

  • 76 piano-style keys
  • Touch Response (2 sensitivity levels, off)
  • 48-note polyphony (maximum)
  • 670 built-in tones
  • 200 rhythms including 85 ethnic rhythms and 20 patterns for piano play
  • Rhythm Editor: 10 user rhythms
  • Auto-accompaniment
  • Music Preset (305 presets) with chord progression, chord edit
  • Registration (8 banks x 4 sets for 32 setups)
  • One Touch Preset (200 presets)
  • Digital Effects: Reverb 10 types, chorus 5 types (Simultaneous use with DSP not supported.), DSP 100 preset / 100 user (Simultaneous use with chorus not supported.)
  • Metronome
  • Auto Harmonize (12 types)
  • Arpeggiator (150 types)
  • MIDI: 16 channel multi-timbre received, GH Level 1 standard
  • Amplifier: 12W (2 x 6W)
  • Batteries: D-size x 6
  • Included AC adaptor: AD-A12150LW
  • Dimensions (W x D x H): 45.9" x 15.7" x 5.866"
  • Weight: 17.51 lbs.


Friday, April 29, 2011

HBE UnoMos Single Mosfet Pre-Amp


Price List Rp.1.335.000
HBEUnoMos Single Mosfet Pre-Amp
The Homebrew Electronics HBE UnoMos Single Mosfet Pre-Amp.
The HBE UnoMos pre-amp is a single channel version of the discontinued DosMos. It provides up to 30db of clean boost, allowing you to boost your signal for solos or push an amp into overdriven saturation.

Controls:
  • Input-Instrument in. Unplug when not in use to conserve battery life.
  • Out-Ouput to amplifier.
  • Gain-Variable gain control from -10db to +30db.
  • Level-Adjusts volume without affecting the gain.
  • 9VDC Jack-For use with -(Negative) center, 9VDC, filtered, and regulated power supply.

HBE Paul Gilbert Signature Detox EQ


Price List Rp.1.600.000
HBEPaul Gilbert Signature Detox EQ
The HomeBrew Electronics Paul Gilbert Signature Detox EQ.
The Detox EQ is a three band EQ built around the ultra quiet and warm Burr Brown IC. All three bands are very musical and useful with no harsh or missing frequencies. Master output Level control allows the user to set the Detox at unity, boost or cut. True bypass, 9 volt battery or DC adapter operation.

Here's what Paul Gilbert has to say about the Detox:

Hello!
Let’s get straight to my favorite setting for the DETOX EQ:
Treble = 4
Bass = 8
Mid = 4
Level = 2
THE IDEA: is to have your amp set to a distorted rock sound, and use the DETOX EQ to give you a foot-switchable CLEAN sound.
Why use a pedal?
For years, I have used my guitar’s volume control to “clean up” my sound, by just turning it down. The problem is that some guitars get muddy or harsh when you turn them down. The DETOX EQ allows you to clean up your sound, but also add a “sparkle” or any other EQ adjustments that your specific guitar requires. I also prefer using the DETOX EQ for my clean tone, rather than using a channel-switching amp. Single-channel amps always feel more natural to me. The DETOX EQ allows me to keep things simple, and retain the character of my favorite amp.
Tips:
Most rock guitar players use the bridge pickup 90% of the time. When you switch on the DETOX EQ, try switching to other pickup combinations. On guitars with two humbuckers, I recommend using both pickups at once. This sound is great for strumming big, clean chords. As you experiment with the controls on the DETOX EQ, try to use the Treble and Mid, and Bass and Level as “either-or”. In other words, If you crank up the Treble, turn down the Mid. If you crank up the Bass, turn down the Level. And vice versa. (The DETOX EQ will still sound great with all the controls on “10”, but your sound won’t be clean anymore.) Try using a compressor pedal before the DETOX EQ. This will increase the sensitivity and attack of your guitar, but still retain the cleanliness and sparkle. You will be amazed to hear such clean sounds coming from your rock amp. (I recommend the H.B.E. CPR compressor.)
Play good notes.

Thank you,
Paul Gilbert


Controls:

  • Input: Instrument in. Unplug when not in use to conserve battery life.
  • Out: Output to amplifier.
  • Treble: Adjusts the amount of treble boost or cut.
  • Bass: Adjusts the amount of bass boost or cut.
  • Mid: Adjusts the amount of mid boost or cut.
  • Level: Controls overall output level of the Detox EQ
  • 9VDC Jack-For use with -(Negative) center, 9VDC, filtered and regulated, UL or CE listed power supply.

HBE ParaDrive Overdrive Boost


Price List Rp.2.455.000
HBEParaDrive Overdrive Boost
The Homebrew Electronics ParaDrive Overdrive/Boost.
The HBE ParaDrive is two pedals in one. It's based on the popular Power Screamer and features both an overdrive and a boost. Each feature can be used independently or together. Never run the ParaDrive through an effects loop.
Controls:
  • Input-Instrument in. Unplug when not in use to conserve battery life.
  • Out-Out to amp
  • 9VDC jack-for use with -(Negative) center, 9VDC, filtered, and regulated power supply.
  • Gain control-Varies the amount of overdrive.
  • Level control-Varies the amount of output. Capable of driving an amp in to saturation. Sounds best when ran a little above unity. (Louder with the pedal on)
  • Tone control-Varies the amount of treble.
  • Boost- Adjustable boost that can be used independently or with the overdrive.
  • On/Off-True bypass of effect. (Note: a small pop may occur when effect is switched on/off. This is normal and is a trait associated with true bypass.
  • Diode Select: Left-Classic overdrive - tight and controlled
  • Center-More bass, gain and volume, slight compression
  • Right-A little more dirt and low end than the Left position
  • FD:Fat Drive-Fat Drive toggle can be engaged to increase low end gain. Works only on the overdrive side of the pedal.

HBE Hematoma Bass Overdrive Pre-Amp


Price List Rp.2.155.000
HBEHematoma Bass Overdrive Pre-Amp
The Homebrew Electronics HBE Hematoma Bass Overdrive Pre-Amp.
The HBE Hematoma is a dual effect for bass. It's both an overdrive and a pre-amp. Both effects can be used by individually or you can use them together for an even wider range of tonal possibilities. The circuitry is constructed so as to leave your signal path unaltered and your low end as full as it would be without the Hematoma in your signal chain.
Controls:
  • Input-Instrument in. Unplug when not in use to conserve battery life.
  • Out-Out to amp
  • 9VDC jack-for use with -(Negative) center, 9VDC, filtered, and regulated power supply.
  • Pre-Gain control-Varies the level of the pre-amp up to 5db boost.
  • Gain control-Varies the amount of overdrive.
  • Level control-Varies the amount of output for the overdrive channel.
  • Tone control-Varies the amount of bass or treble for the overdrive channel.
  • EQ-Shift switch-Changes the sweep of the tone control and provides a warmer smoother tone when engaged. (Switched to the right)
  • BO-Switches on and off the overdrive effect.
  • BP-Switches on and off the bass pre-amp effect

HBE Germania Treble Booster


Price List Rp.1.470.000
HBEGermania Treble Booster
The Homebrew Electronics Germania Treble Booster.
The HBE Germania is a Treble Booster providing up to 20db of gain. A recreation of the classic Rangemaster Treble Booster, the Germania features true bypass switchis built with NOS germanium transistors. The Germania sounds best when ran through the input of a tube amp. Never run the Germania thru an effects loop. Extreme temperatures can affect the performance of the pedal.
Controls:
  • Gain control-Varies the amount of gain and treble boost. (Note: It is normal for the gain control to make a “scratchy” noise when turned.)
  • Input-Instrument in. Unplug when not in use to conserve battery life.
  • Out-Out to Amp
  • +9VDC jack-for use with +(positive) center 9VDC, filtered and regulated power supply.
  • On/Off- True bypass of effect. (Note: A small pop may occur when effect is switched on/off. This is normal and is a trait associated with true bypass.)
  • Hi/Low Fi Switch- Switches between a stock treble boost sound and a more open, brighter sound. (Note: Only switch the Hi/Low Fi switch with Gain know down or pedal off! A loud pop will occur if switched with pedal on and gain up.) 

HBE Germania 44 Treble Booster


Price List Rp.1.850.000
HBEGermania 44 Treble Booster
The Homebrew Electronics HBE Germania 44 Treble Booster.
The HBE Germania 44 is a Treble Booster providing up to 20db of gain. A recreation of the classic Rangemaster Treble Booster, the Germania features true bypass switchis built with NOS European OC44 germanium transistors. The Germania 44 sounds best when ran through the input of a tube amp. Never run the Germania 44 thru an effects loop. Extreme temperatures can affect the performance of the pedal.
Controls:
  • Gain control-Varies the amount of gain and treble boost. (Note: It is normal for the gain control to make a “scratchy” noise when turned.)
  • Input-Instrument in. Unplug when not in use to conserve battery life.
  • Out-Out to Amp
  • +9VDC jack-for use with +(positive) center 9VDC, filtered and regulated power supply.
  • On/Off- True bypass of effect. (Note: A small pop may occur when effect is switched on/off. This is normal and is a trait associated with true bypass.)
  • Hi/Low Fi Switch- Switches between a stock treble boost sound and a more open, brighter sound. (Note: Only switch the Hi/Low Fi switch with Gain know down or pedal off! A loud pop will occur if switched with pedal on and gain up.) 

HBE Full Metal Jacket FMJ Distortion


Price List Rp.2.155.000
HBEFull Metal Jacket FMJ Distortion
The Homebrew Electronics Full Metal Jacket distortion.
The HBE FMJ is a simple, yet fantastic sounding distortion pedal. It adds all the gain, sustain and output you could want without affecting the tone of your guitar or amp. Even order harmonics, jfet based construction, and it produces a distortion similar to over driven pre-amp tubes.
Controls:
  • Input-Instrument in. Unplug when not in use to conserve battery life.
  • Out-Out to amp
  • 9VDC jack-for use with -(Negative) center, -9VDC, filtered, and regulated power supply.
  • Gain control-Varies the amount of distortion. Higher settings may cause noise.
  • Level control-Varies the amount of output. Capable of driving an amp in to saturation.
  • Sounds best when ran a little above unity. (Louder with the pedal on)
  • Tone control-Varies the amount of treble or bass. Output is increased with higher settings. Suggest setting it as flat as possible and using your amp's tone controls for EQ'ing
  • Boost-Increases the amount of distortion. Similiar to adding an extra pre-amp tube making the FMJ like a two channel tube amp. (Note: a small pop may occur when the boost is switched)
  • On/Off-True bypass of effect. (Note: a small pop may occur when effect is switched on/off. This is normal and is a trait associated with true bypass.)

HBE CPR Compressor Retro


Price List Rp.1.960.000
HBECPR Compressor Retro
The Homebrew Electronics CPR Compressor Retro.
The HBE CPR is modeled after a coveted vintage compressor circuit. It's a pedal you may want on all of the time. The CPR is extremely transparent and quiet. Use it on any instrument to obtain the singing sustain without the hiss, noise and annoyances associated with other compression pedals. The CPR sounds best when ran thru the input of a tube amp. Never run the CPR thru an effects loop

Controls:
  • Input-Instrument in. Unplug when not in use to conserve battery life.
  • Out-Out to amp
  • 9VDC jack-for use with -(Negative) center, 9VDC, filtered, and regulated power supply.
  • Sustain-Raising the sustain control will increase the amount of compression and sustain from subtle to a poppy, percussive attack. Volume goes up as the sustain control is increased so you may have to adjust the level control accordingly.
  • Level -Varies the amount of output.
  • Attack-Controls how quickly the compressor acts to compress the signal. With the Attack knob all the way down the CPR has a more open sound. As the control is turned up the compression effect becomes more evident. It seems like a subtle control at first but with a little experimenting you will find the sweet spot for your sound.

HBE Bytchn Swytchn A/B/C Switcher


Price List Rp.1.960.000
HBEBytchn Swytchn A/B/C Switcher.
The A/B/C Switcher allows the ability to switch between three outputs. Both output A and B are buffered with output A also being transformer isolated to alleviate ground loop hum when using more than one amp. Output C is a direct out. The buffer is completly transparent and no signal is lost when using the American made Jensen transformer isolated out. Completly passive switching, no relays are used.
Controls:
  • Input-Instrument in. Unplug when not in use to conserve battery life.
  • Ouput A-Buffered and transformer isolated output.
  • Ouput B-Buffered output.
  • Output C-Direct out- C can also be used as an additional input that will output to A or B.
  • 9VDC jack-for use with UL or CE listed (Negative) center, 9VDC, filtered, and regulated power supply.
  • A/B Footswitch- toggles between output A and B
  • C Footswitch- turns on/off the C ouput jack.




HBE Big D / Overdrive Distortion


Price List Rp.2.445.000
HBEBig D / Overdrive Distortion
The Homebrew Electronics Big D Overdrive/Distortion.
The HBE Big D is an extremely versatile overdrive/distortion capable of achieving many different sounds ranging from light bluesy overdrive to modified hi-gain tube amp distortion.
Controls:
  • Input-Instrument in. Unplug when not in use to conserve battery life.
  • Out-Out to amp
  • 9VDC jack-for use with -(Negative) center, 9VDC, filtered, and regulated power supply.
  • Gain control-Varies the amount of overdrive.
  • Level control-Varies the amount of output. Capable of driving an amp in to saturation. Sounds best when ran a little above unity. (Louder with the pedal on)
  • Tone control-Works backwards from a traditional tone control. Increase the tone control for more bass response.
  • Bigger-(footswitch) Switches in and out the "Bigger" control.
  • Bigger-(control) Variable boost gain stage, switchable with "Bigger" footswitch.
  • On/Off-True bypass of effect. (Note: a small pop may occur when effect is switched on/off. This is normal and is a trait associated with true bypass.)
  • 5-Way Diode Select: (left to right) 

  1. Classic overdrive-tight and controlled 
  2. More output and gain than position one. 
  3. More output and gain than position two, increased bass response. 
  4. More output than position three, less clipping, open sound. 
  5. Less output than positions one thru four verging on fuzz with slight compression.
  • Clip: Changes the dynamic response of clipping section. Hard: Increased output, reduced clipping.
  • Soft: Less output, more clipping. (Will not function on diode select positions four and five.)
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