KORG Analog Synthesizer Volca Bass

Price List Rp.1.880.000

KORG Analog Synthesizer Volca Bass

Three true-analog synthesizers with built-in sequencers to generate the ultimate analog leads, basses, and rhythms
Following in the footsteps of the monotron, monotribe, and MS-20 Mini analog synthesizers, Korg announces the Volca series. volca is a new lineup of EDM production tools comprised of three distinct models: the Volca Keys lead synthesizer, the volca Bass synthesizer, and the Volca Beats rhythm machine. These powerful and fun-to-use true-analog devices deliver a diverse array of fat sounds that can be obtained only from an analog synthesizer. Each is also equipped with sequencing/recording capabilities for intuitively generating performances. Multiple volcas can be used in tandem via the vintage-style sync in/out, and with your favorite DAW software or MIDI keyboard via MIDI In. Battery operation and built-in speakers mean that you can conveniently play anywhere and anytime. These are the next-generation analog synthesizers, bringing you the ultimate sounds and grooves with ease and depth. Whether used together or by themselves, the volca series is poised to inject true analog power into any performance or studio setup!

Common Features

SYNC jack and MIDI IN connector allow synchronized performance with multiple units or with your DAW
By using the sync jack you can enjoy synchronized playback with multiple volcas or with a monotribe. You can also use the "SyncKontrol" iPhone app to wirelessly control tap tempo, swing settings, and synchronized playback with iOS music apps via WIST.

The MIDI IN connector lets you synchronize with other devices, as well as play the volca from any MIDI keyboard. You can also send note messages from your DAW and use the volca as an analog sound module.

Self-tuning function (Volca Bass and Keys only)
Until now, the problem with analog synthesizers has been that the pitch would drift over time, or because of changes in temperature. Volca solves this by providing a Self-tuning function that constantly tunes the oscillators. You'll never need to tune during a performance, or wait for the pitch to stabilize after turning the power on.

Compact size, battery-powered operation, and built-in speaker for enjoyment anywhere
With its compact size, battery operation, and built-in speaker, it's easy to take the volca anywhere and perform any time.

Analogue Bass Machine
Powerful analog bass sound creation and an Electribe-inspired sequencer for the ultimate bass lines
Powerful analog bass sound

• Three analogue oscillators for thick, huge bass line
• Newly designed analog filter for crisp, bright response
• Simple structure with single VCF, VCA, LFO, and EG 

Loop sequencer distilled from the Electribe series

• Electribe-style 16-step sequencer with eight memory patches 
• Slide function that’s indispensable for acid and other types of electronic music
• Active Step function generates new bass lines by removing or inserting steps 

Convenient functions for ease of use

• Self-tuning function for constant, stable pitch
• Sync In and Out allows clock sync of multiple instruments from the volca Series as well as Korg's Monotribe
• Go-anywhere analogue: play anywhere with the built-in speaker and optional battery power 

Aggressive sounds that stand up to the drums; fat sounds that support the rhythm; funky sounds that generate a groove - the volca Bass is an analog groove box that has what you need for a wide range of bass lines.

Although simple in structure, the analog sound engine has an unmistakable presence with subtle nuances that cannot be reproduced by a digital simulation; it's a great choice for acid house and many other styles of music. The step sequencer distilled from the Electribe is not only visually intuitive; it's also a powerful way to generate "free form" bass loops that will stimulate your inspiration.

Specification:

volca Bass

Keyboard 

Multi touch Keyboard / step key

Synthesizer

Type:

Analog synthesis

Structure: 

3VCO, 1VCF, 1VCA, 1LFO, 1EG

VCO Waves: 

Saw, Square

VCF: 

Cutoff, Peak, EG Intensity

VCF Type: 

Low Pass Filter, 12 dB/oct

VCA: 

EG on/of, Sustain on/off

LFO: 

Rate, Intensity, Target (Amp, Pitch, Cutoff), Wave (Triangle, Square)

EG: 

Attack, Decay/Release, Sustain

Sequencer 

Number of parts: 

3

Number of Steps: 

16

Number of Recording Patterns: 

8

Connectors

Audio Output: 

Headphones (1/8” stereo mini jack)

Sync: 

Sync In (1/8” monaural mini jack, Maximum input level: 20V)
Sync Out (1/8” monaural mini jack, Maximum Output level: 5V)

MIDI: 

In

Power

Power supply: 

6 AA alkaline or AA nickel-metal hydride batteries or KA-350 AC adapter (optional)

Battery Life: 

Approximately 10 hours (using alkaline batteries)

Dimensions (W x D x H) 

193 × 115 × 46 mm / 7.61 x 4.54 x 1.82 inches

Weight 

370 g / 0.82 lbs (Excluding batteries)

Others

Options: 

KA-350 AC adapter

Accessories: 

AA alkaline battery ×6 (for verifying operation)

Specifications and appearance are subject to change without notice for improvement.

KORG Kross Music Workstation

Price List Rp.9.880.000
KORG Kross61 Music Workstation
A mobile synthesizer keyboard with impressive features
With the KROSS, the sounds and songs that you've created at home and the system that you use every day can go with you onto the stage or into the street! Featuring rich sounds that exceed its class, yet remaining highly portable, the KROSS is designed for practical usability. There's a convenient mic input and a built-in audio recorder, and it can run on 6 x AA batteries. It's a distinctive new standard in music workstations, with specs and style that set it apart from all others. 
Product Highlights:

• Stylish and distinctive red and black two-tone color design
• The lightweight body is only 4.3 kg/9.5 lbs (61-key model) or 12.4 kg/27.3 lbs (88-key model), and can be powered by 6x AA batteries
• Piano, electric piano, and drum sounds that exceed its class
• A wide variety of sounds that utilize twice as much PCM memory as previous instruments, and meet the needs of a broad range of musical styles
• Sound Selector makes it easy to find the sound you're looking for
• Favorites function lets you register 64 selected sounds or audio songs for one-touch access - a great feature for live performances
• Pro-quality EDS-i sound engine built-in, with a total of seven effects available for simultaneous use
• External input jacks allow a mic or external audio source to be directly connected.
• Quick Layer/Split function for on-the-fly versatility
• Stereo audio recorder allows you to record and overdub your performances and vocals
• Step sequencer inherited from the Electribe, a 16-track MIDI sequencer, a drum track, and an arpeggiator
• Connects to your computer via USB for plug-in integration with your favorite DAW

Stylish Two Tone Color Design

The creative color and design will project a powerful presence whether you're performing on stage or anywhere else. The top panel as seen by the player is a sleek black color, while the rear and side panels visible by the audience use a bold, red color scheme. The two models feature different design concepts; the 61-key model is designed for active mobile use, while the 88-key model has a sophisticated design that looks great on stage.

A lightweight body that runs on AA alkaline batteries
In spite of being packed with functionality, the KROSS is lightweight and highly portable. The 61-key model with its distinctive rear bar is amazingly light; at only 4.3 kg/9.5 lb, it's the most portable in its category. The 88-key model packs a piano-touch hammer action keyboard into a mere 12.4 kg/27.3 lbs. Both models are highly portable and lightweight, and can operate on an AC adapter or on six AA alkaline or nickel-metal hydride batteries.

Sound That Exceed Their Class

Top professional musicians around the world use Korg synthesizers. The piano, electric piano, and drum sounds of the KROSS have been taken from the flagship instruments used by these pros, giving the KROSS a set of sounds that surpasses other instruments in its class. The grand piano features lavishly-sampled decays with three levels of velocity as well as reproducing the noises produced by the damper pedal, ensuring that every nuance of your performance is reflected in the sound. Also included are an upright piano (unusual for a PCM synth), as well as distinctive sounds from Korg's famed SG-1D Sampling Grand and M1 Music Workstation. The five classic electric piano sounds are just as expressive as the acoustic piano sounds; they also include effect settings, giving you a complete package of the performance-ready sounds that you want. In addition, careful attention has been paid to the drum sounds that are indispensable for song production on a workstation, making them realistic and fresh.

A wide variety of sounds
Because of its portability, the KROSS will be used in a wide range of situations, and that's why it provides a broad variety of sounds that surpasses even the flagship models of the previous generation. The PCM data is approximately twice as large as preceding models such as the X50 and the PS60. Staples such as the frequently-used rock/jazz organ, strings, brass, and synth sounds have been brushed up. There are also instruments such as toy piano, accordion, combo organ, church organ, and even vintage instruments such as a tape sampler, as well as bell-type sounds and the sounds you need for cutting-edge dance music and electronica - unique sounds that have not been included in a synth of this class. Our design goal has been to make KROSS the only instrument you need.

Sound Selector makes it easy to find the sound you're looking for
While the KROSS provides an extremely broad range of sounds, there are two dedicated dials that let you easily find the sound you need. First use the category dial to choose the broad category such as piano, electric piano, organ, bell, synths, basses, or strings. Then turn the select dial to find the sound you want. It's a quick way to focus on selecting the needed sounds without being distracted by sounds of another type.

Favorites function lets you register 64 selected sounds or audio songs for one-touch access
Sounds that you've created or that you use frequently can be registered to four banks of 16 buttons, giving you a total of 64 sounds that can be recalled at a single touch. This is a real convenience during live performances or song production. You can also register audio songs and recall them along with sounds.

Pro-quality EDS-i sound engine is built-in
The EDS-i sound engine is a high-quality sound engine distilled from the EDS/EDS-X sound engines found on Korg’s most advanced instruments. It allows you to use a total of seven effects simultaneously: five insert effects and two master effects. Ranging from standards such as delay, reverb, chorus, flanger, and rotary speaker, and also including amp modeling powered by Korg's proprietary "REMS" modeling technology, and even a robot voice vocoder, you can choose from 134 different high-quality effects.

Mic Or Audio Player Connectivity

The MIC IN jack (1/4" phone jack) lets you directly connect a mic. If you're a vocalist as well as a player, there's no need to obtain a separate mixer. In addition, there's a LINE IN jack (stereo 1/8" jack) for you to connect your audio player, giving you the option of performing along with the playback in a variety of situations on stage or anywhere else you go.

Quick Layer/Split function
Dedicated buttons are provided for Layer/Split settings. Start by selecting the first program you want to use; then press the dedicated button to enable Layer or Split. When this is on, a screen will appear in which you can choose the other sound and specify details such as the split point. Then simply write your settings and the layer/split sound will be saved as a Combination.

Stereo audio recorder allows you to overdub your performances and vocals
The built-in stereo audio recorder can record not only the performance of the KROSS itself, but also the sound of a mic or external input. You can play backing tracks that you created, or overdub onto them to create songs and demos. Audio can be imported and exported as WAV files using an SD card (separately sold), making it easy to exchange material with your computer.

Onboard Squencers

The KROSS features a step sequencer inherited from the popular Electribe series. It's a simple design in which you use the sixteen buttons to turn individual notes on or off, allowing you to quickly and easily create original rhythm patterns of up to 64 steps. The lightweight body of the KROSS contains all of the basic functionality you expect from a music workstation, including a full-featured 16-track MIDI sequencer with quantization, copy and paste, and individual note event editing. By using an SD card (sold separately), you can exchange SMF-format data with your computer. The KROSS gives you a full set of workstation and production tools, including a Drum Track function that lets you add rhythm simply by pressing a dedicated button, and an arpeggiator that can be used not only with synth sounds but also to generate guitar and bass riffs.

Connects to your computer via USB
You can connect the KROSS to your computer via USB for easy transfer of MIDI data. By using KROSS Editor and Plug-In Editor you can simultaneously view and edit large numbers of parameters on your computer, and use the KROSS within your DAW as if it were a software synthesizer.
*KROSS Editor and Plug-In Editor can be downloaded from the Korg website.

Specification:

Keyboard 

KROSS-61
61 key
*Velocity sensitive is supported, after touch is not supported
*Standard C2 - C7 (transposable in the range [C1...C6]-[C3...C8])

KROSS-88
88-key: NH (Natural Weighted Hammer Action) keyboard
*Velocity sensitive is supported, after touch is not supported
*Standard A0 - C8 (transposable in the range [A-1...C7]-[A1...C9])
*The NH keyboard reproduces the touch of an acoustic piano, with a heavier feel in the low register and a lighter feel in the upper register. 

System 

EDS-i (Enhanced Definition Synthesis-integrated)

Sounds 

Maximum Polyphony:

80 voices (80 Oscillators) / Single Mode
40 voices (40 Oscillators) / Double Mode
*The maximum simultaneous voice polyphony will vary depending on oscillator settings such as stereo multi-samples and velocity crossfading.

Preset PCM Memory: 

Approximately 112 MB (In case of 48 kHz, 16-bit Linear PCM converted)
421 multi-samples (including 6 Stereo multi-samples)
890 drum samples (including 49 Stereo drum samples)

Program: 

Oscillator

OSC1 (Single), OSC1 + 2 (Double): Stereo multi-samples are supported, and four levels of velocity switching/crossfading/layering are possible for each oscillator

Filters

Four types of filter routing (single, serial, parallel, 24 dB)
Two multi-mode filters per oscillator (low pass, high pass, band pass, band reject)

Modulation

For each oscillator: two envelope generators (Filter & Amp), Two LFOs, Two key tracking generators
(Filter & Amp), Two AMS mixers, Pitch EG, Common LFO, Two common key tracking generators

Combination: 

The Number of Timbre

Max: 16 Timbres,
Key zone and velocity zone settings can be used to switch sounds, and the Tone Adjust function allows Program settings to be modified

Master Keyboard Functionality

External MIDI device control

Drum Kit: 

Stereo and mono drum samples
4 velocity zones switch (crossfades and layers)

The number of Combination / Program / Drum Kit: 

User: 640 Program (512 Preload)
User: 384 Combination (256 Preload)
User: 48 Drum Kit (32 Preload)
Preset: 256 GM2 Program + 9 GM2 Drums Program

Favorite: 

User: 64 (16 favorite x 4 bank)

Effects 

Insert Effects: 

5 Insert Effects (stereo in/out)

Master Effects: 

2 Master Effects (stereo in/out)

Effect Types: 

Total: 134 types
*74 types for Insert Effect
*101 types for Master Effect 1
*120 types for Master Effect 2

Modulation: 

Dynamic Modulation

Effects Control Busses: 

Stereo side chain (Limiter, Gate, Vocoder, etc)

Polyphonic Arpeggiator

Program Mode: 

1 unit

Combination, Sequencer Mode: 

2 units

Number of pattern: 

1,028 User Arpeggio patterns (916 Preload)
5 Preset Arpeggio patterns

Number of Tone: 

12 tones

Number of step: 

Max: 64 steps

Step Sequencer

Program Mode: 

1 unit

Combination Mode: 

1 unit

Sequencer Mode: 

1 unit

Number of Tone: 

12 tones

Number of step: 

Max: 64 steps
*Step sequencer settings can be created independently for each program, combination, and song.

Drum Track 

Preset: 700 patterns (shared with sequencer patterns)
Trigger Mode/Sync/Zone settings

Sequencer 

Tracks: 

16-track MIDI Sequencer

Number of Songs: 

Max; 128 Songs

Resolution: 

1/480

Tempo: 

40.00 - 300.00 (1/100 BPM resolution)

Maximum memory: 

210,000 MIDI events

Counter: 

Measure / Beat / Tick

Template Song: 

16 preset / 16 user template songs

Preset: 

700 Patterns (shared with Drum Track patterns)

Format: 

KORG (KROSS) format, SMF format 0 and 1

Audio recorder 

Recording format: 

PCM Audio format (48 kHz / 16-bit)

Import: 

WAV (.wav): 44.1 kHz* / 16-bit, 48 kHz / 16-bit, Stereo
*Automatic conversion from 44.1 kHz to 48 kHz

Export: 

WAV (.wav): 48 kHz / 16-bit,

Continuity recording time: 

Max: 3 hours

Recording time: 

Depends on the SD card that is used; approximately 90 minutes per 1 GB

Number of Songs: 

Max; 200 Songs

Number of multi-track recordings: 

Depends on the amount of space remaining on the SD card

Counter: 

Hour / Min / Sec

Media

File, Utility, Information

Controllers

General Control:

Pitch bend wheel, Modulation wheel, SW [1], SW [2], TEMPO knob, TAP button

Step Sequencer/Favorite: 

1-16 buttons, STEP SEQ button, SET UP button for Control, RUN button, FAVORITE button,
BANK button for Control, LED: A/B/C/D (It uses both as “STEP SEQ” and “FAVORITE”), 

Drum track: 

DRUM TRACK button

Arpeggiator: 

ARP button

Effect On/Off: 

MASTER FX button 

Audio Recorder: 

SETUP button, PLAY/PAUSE (> / II) button

User Interface 

Display: 

240 x 64 pixel LCD w/backlight, with adjustable contrast (hold the EXIT button and turn the Value dial)

Category: 

[CATEGORY], [SELECT] dials

Mode:

 [COMBI], [PROG], [SEQ], [GLOBAL/MEDIA] buttons

VALUE controller: 

[VALUE] Dial, [Cursor (Left/Right/Up/Down)], [EXIT], [ENTER],[FUNCTION],[PAGE+],[PAGE-],[MENU] buttons

SEQUENCER: 

[PAUSE], [REW], [FF], [LOCATE], [REC], [START / STOP] buttons

TEMPO: 

[TEMPO] knob, [TAP] button

Split/Layer: 

[SPLIT], [LAYER] buttons

Others: 

[AUDIO IN] button, [VOLUME] knob

Control Input

DAMPER (Half Damper is supported)
ASSIGNABLE SWITCH
ASSIGNABLE PEDAL

Outputs 

AUDIO OUTPUT (L/MONO, R) 

6.3mm Phone jack, Unbalanced
Output Impedance: 1.1kO (L / Mono terminal: in case of Mono output, = 550O)
Maximum level: +10.0 dBu, Load Impedance: more than 10 kO.

Headphone Output: 

3.5mm Stereo mini phone jack
Output Impedance: 33O, Maximum level: 40 + 40 mW

Inputs 

AUDIO INPUT (Line In): 

3.5mm Stereo mini phone jack
Input Impedance: 1.1 kO
Maximum level: -42 ~– 0 dBu

MIC IN: 

6.3mm Phone jack, Unbalanced
Input Impedance: 33 O
Maximum level: -48 ~ -6 dBu

MIDI 

IN, OUT

USB 

Type B x 1 (USB-MIDI Interface)

SD Card Slot 

1 slot
Max: 2 GB SD Memory Card is supported
Max: 32 GB SDHC Memory Card is supported
(SDXC Memory Cards are not supported)

Power Supply

AC Adaptor (DC9V), POWER button
AA alkaline battery x 6 or AA Ni-MH: Nickel metal hydride battery x 6

Battery Life:

In case of AA alkaline battery x 6 = Approximately 4 hours*
In case of AA Ni-MH: Nickel metal hydride battery (1900 mAh) x 6 = Approximately 5 hours*
*Varies according to the batteries used and the conditions of usage

Power Consumption

5 W

Dimensions (W x D x H) 

KROSS-61 = 37.09 x 11.06 x 3.58 inches / 942 × 281 × 91 mm
KROSS-88 = 57.01 x 15.08 x 5.32 inches / 1,448 × 383 × 135 mm

Weight 

KROSS-61 = 9.48 lbs. / 4.3 kg
KROSS-88 = 27.34 lbs. / 12.4 kg

Accessories

AC Adapter
Quick Start Guide

Option

XVP-10 Expression/Volume pedal
EXP-2 Foot Controller
DS-1H Damper Pedal
PS-1, PS-3 Pedal Switch

Computer System Requirements for the KORG USB-MIDI Driver

Windows

OS:
Microsoft Windows XP Home/Professional Edition SP3
Windows Vista SP2 (all editions including 64-bit edition)
Windows 7 SP1 (all editions including 64-bit edition)
Windows 8 (all editions including 64-bit edition)

Computer: 

USB port (Intel USB Host Controller recommended)

Macintosh

OS:
Mac OS X 10.5, 10.6, 10.7, 10.8

Computer: 

Apple Macintosh that satisfies the operating requirements of Mac OS X and is equipped with an Intel processor and a USB port

* Specifications and appearance are subject to change without notice for improvement.

iKlip Stand for iPad and iPad Mini

Price List Rp.1.090.000

iKlip Stand for iPad and iPad Mini
Rise above your desktop
iKlip Stand is a new tabletop holder that raises your iPad and iPad mini above the desktop, positioning it for perfect access while using keyboards, mixers, controllers and other equipment.

Tower over your gear
iKlip Stand is a tabletop holder that puts your iPad right where you need it. It elevates your iPad or iPad mini, making room for keyboards and other equipment below, and provides a more comfortable and ergonomic workspace when using your iPad at a desk. Originally developed for musicians to place their iPad above music keyboards, mixers, or other studio hardware, iKlip Stand also offers a wide range of applications for office, home and school.

In your face
Designed for ideal weight balance, and constructed from rugged thermoplastic material, iKlip Stand provides a secure and flexible perch for the iPad. Two independent articulation points allow you to adjust both height and viewing angle, in either portrait or landscape mode, with a simple turn of the hand.

Good posturing
The iKlip Stand naturally promotes good posture while composing, playing or working, by allowing you to dial in the perfect alignment and positioning for your task. This helps eliminate fatigue and strain, making you more productive for longer periods of time. Good posture = more production = fame and fortune. It's that simple.

Portable and quick
Setup is a breeze. Simply place the stand on the flat surface, slide your iPad into the sure-grip clips, place your gear under your iPad, power up and you're ready to go! Average setup times may vary, but in our independent test labs, we were able to start composing in just under 6.7 seconds. Your average Barista can't pour a cup of coffee that fast!

Also for iPad mini
The iKlip Stand is also available for the iPad mini(iKlip Stand for iPad mini) and securely holds your iPad mini at the perfect viewing and performing angle.

Stand or desk clamp — You’re covered
Use your iPad with SampleTank for iPad and iRig MIDI to create the perfect mobile music creation workstation. For an even more sturdy stand, the iKlip Stand is available with a convenient “desk clamp” system for securing the stand to your desktop, providing a more stable, permanent solution.

Whether reading, studying, checking email, surfing the web or composing your next big hit, iKlip Stand for iPad and iKlip Stand for iPad mini will help make the task easier and more enjoyable.
Features:

• iKlip Stand for iPad: Desktop riser stand for iPad 2 & iPad 3rd and 4th Generation
• iKlip Stand for iPad mini: Desktop riser stand for the iPad mini
• Sturdy, robust thermoplastic with metal reinforced base
• Tall enough to fit a keyboard, mixer or other studio device underneath
• Two independent articulations for maximum flexibility
• Adjustable viewing angle
• iPad orientation can switch from portrait to landscape
• Available as a stand or desk clamp system

iRig PRO Universal Audio-MIDI Interface for iPhone, iPad, and Mac

Price List Rp.1.995.000
iRig PRO Universal Audio-MIDI Interface for iPhone, iPad, and Mac
The all-in-one audio/MIDI interface that fits in your pocket.. The only Interface you need for making music on the go.
Wouldn't it be great to have one compact portable interface for your iPhone, iPad or Mac that you could use to connect your studio mics, your guitar or bass, your keyboards and your MIDI controller, and play, practice and record on the go? Ta Da! Now you can with iRig PRO.

iRig PRO is the first full-featured compact audio and MIDI interface you can use with your XLR microphones, your guitar and bass, your keyboard or other line-level source and your MIDI controllers. It features an XLR/1/4" combo jack for connecting microphones and instruments (accepts XLR and 1/4" TS cables), and a MIDI input for plugging in your favorite controller.

Now when you're on the go, you can record vocals, harmonies, acoustic instruments, electric guitar/bass, keyboards and more without changing your interface and disrupting your creative flow. You will find iRig PRO to be the most versatile iPhone and iPad accessory in your gig bag. And when you get back to your Mac, plug iRig PRO into your USB port and keep jamming away on your laptop or desktop.

Compact
You'll be amazed by the compact design of the unit and what it actually delivers. About the size of a travel tube of toothpaste, iRig PRO fits nicely into small spaces like your gig bag, the accessory compartment of your hardshell case or the side pocket of your cargo shorts. Just don't forget about it and run it through the laundry.

Multiple personalities, universal connectivity
iRig PRO can handle all of your stuff, including XLR condenser mics, guitars and basses, keyboards and other line-level sources, and MIDI controllers. Whatever you're connecting to your device, iRig PRO has you covered. And iRig PRO comes with 3 connector cables: Lightning, 30-pin and USB, to ensure that you've got the right connections.

Input control
We've included a nifty little control feature on iRig PRO – an input gain control knob. This lets you dial in just the right amount of input gain to give your sounds and tones just the right amount of sparkle, thump and headroom… as if we musicians NEED more headroom! Cowbell? Yes. Headroom? Maybe not.

Ultra-low-noise preamp
One thing you'll notice with lesser (and sometimes even greater) mobile interfaces is the noise factor. Some interfaces actually introduce unwanted noise and interference into your signal for no reason at all… not a cool thing. In iRig PRO, we've virtually eliminated noise with our new high-definition preamp design. We can't tell you how we did it, but you'll dig it. You'll have to hear it to believe it. And trust us, you won't hear it. It's that transparent.

Highest quality A/D conversion
So what is this A/D conversion, and why should I care? A/D conversion is what happens when the analog signal from your instrument, like your guitar, bass or keyboard, is "converted" into a format that digital devices (like your iPhone/iPad/Computer) can read, understand and modify. It's like having a foreign language translator right there plugged into your iPhone. As you can guess, not all language translators are the same. Some are better, and some not so good. In the digital world, the quality of the translator is indicated by the "bit" number. 24-bit conversion is outstanding, and it accurately and completely converts the entire range of your signal and transients, preserving all of the nuances of your instrument. In plain terms, you'll get the same warm sound of your beloved instrument in the digital realm of your mobile device that you fell in love with at the store.

Power of the phantom – Use your studio mics
High-quality studio condenser microphones require 48V of external power to function. It's part of what makes them sound so good, crisp and ultra-accurate. With iRig PRO, you can plug your condenser mic in, flip the phantom power switch and record until your heart's content. Through our magic circuitry wizardry, you don't need to purchase 48 volts worth of batteries… a simple standard (and included) 9V will work just fine for this. It's magic. Really.

30 pins of Lightning USB
Anywhere you play, you can use iRig PRO. It comes with three (3) cables to connect to all of your playing/recording devices: a Lightning cable for newer iPhones, iPads and the iPad mini; a 30-pin dock connector for "older" devices; and a USB cable for connection to your Mac laptop or desktop. No need to thank us… it's just who we are. Start a song on the bus or in the hotel room, polish it on the plane, finish it at home or in the studio… iRig PRO is truly the only interface you'll need.

All this and MIDI, too
In addition to all the great audio functionality you get with iRig PRO, it also functions as a plug-and-play MIDI interface. Use the included MIDI cable to connect any MIDI keyboard or other controller to your iOS device or Mac and play virtual instruments or change parameters in Core-MIDI-compatible apps and software. When you use iRig PRO with an IK MIDI-capable iOS app like AmpliTube or VocaLive, the app's premium MIDI functionality — which otherwise requires an in-app purchase to activate — is included free.
Features

• Balanced input for a mic, unbalanced input for line-level or Hi-Z source, via XLR/1/4" combo jack connector
• Preamp gain control
• High-quality mic and instrument preamp, low noise, high definition
• High-quality A/D conversion
• MIDI IN, compatible with iRig MIDI cables
• +48V phantom power provided by included 9V battery
• Sturdy, durable construction
• Powered by mobile device or USB when plugged into Mac
• 30-pin, Lightning, USB, and MIDI cables included
• Comes with complete suite of music-making software and apps: 
• For Mac: AmpliTube Metal, T-RackS CS Classic mastering suite, SampleTank XT sound workstation 
• For iOS: AmpliTube FREE for iOS (including Metal W amp, Metal 150 amp, Wharmonator stomp, X-Flanger stomp after registration); SampleTank FREE, a sonic workstation with 48 additional exclusive sounds (after registration); iGrand Piano FREE (includes Grand Piano 1 with Upright Piano 1 and Rock Grand 1 available after registering the app and hardware, respectively). And with the FREE iGrand Piano app, registering your iRig PRO instantly removes the 4-octave range limitation giving you access to all 88-notes of the instrument as in the full version.

Exclusive models & free software
iRig PRO comes with some serious music-making tools, all compliments of… you guessed it, us. On the iPhone, iPad and iPod touch side of things, you get (from the App store) AmpliTube FREE including an additional 4 exclusive gear models (Metal W and Metal 150 amps, Wharmonator and X-Flanger stomp effects). AmpliTube is the ultimate guitar and bass effects, amp and recording studio for iPhone/iPad, expandable with gear from the top manufacturers like Fender®, Ampeg®, & Soldano®, and players like Slash and Jimi Hendrix. You also get VocaLive FREE, the professional practicing, performing and recording vocal processor with 2 effects and single-track recorder, expandable to 12 effects and 4-track recorder (up to 8-tracks on VocaLive FREE for iPad). Also included is SampleTank FREE, the ultimate virtual instrument and sound workstation featuring a complete expandable collection of instruments and effects. SampleTank FREE comes with an additional 48 sounds to supplement the 20 sounds originally included. What's more? iRig PRO Also includes iGrand Piano FREE with 3 world-class, multi-velocity stereo grand and upright piano instruments (1 included, 1 after registering iRig PRO, 1 after registering iGrand Piano FREE)., expandable to 15 additional studio-grade instruments.

On the Mac side, you'll get full expandable versions of AmpliTube Metal with Custom Shop, SampleTank XTprofessional sound workstation and T-RackS Classic mixing and mastering suite, with 4 classic effects processors.

SampleTank XT is a fully operational, complete version of our award winning SampleTank sound workstation engine. The only difference between SampleTank XT and the full version of SampleTank is the size of the sound library. Once you have SampleTank XT, you don't need to reinstall it if you decide to purchase additional libraries. You simply install the new libraries into the same directory and all of your sounds are instantly available. You can read more about the SampleTank Engine here, but here are a few quick features in SampleTank XT.

• 1GB sounds included
• 16 part multitimbral sound module with layerable parts
• 3 synth engines: newly enhanced STRETCH™ and Pitch-Shift/Time-Stretch (PS/TS) plus traditional Resampling
• Powerful multi-effects section that includes 5 effects per Part, 5 Send and 5 Master effects
• 33 built-in DSP effects
• Part and Master Loop Sync
• Independent Part and Master Volume/Pan controls
• Works as a standalone application as well as a plug-in in Mac OS (Universal Binary), and Windows (XP/Vista)
• Supported plug-in formats: VST, RTAS, and AU
• Imports WAV, AIFF, SDII, AKAI S-1000/3000 and SAMPLECELL instruments directly from the plug-in

Marshall NEW DSL100H 100-Watt 2-Channel Tube Head

Price List Rp.9.975.000

Marshall NEW DSL100H 100-Watt 2-Channel Tube Head

Marshall's Legendary DSL is Back in Action
The Marshall DSL100H 100-watt guitar amp head gives you the definitive essence of British tubularity. Reigning supreme for a decade, the DSL series enjoyed worldwide acclaim. So with a nod to to pent-up player demand, Marshall presents their new, all-tube DSL Series. Amazingly affordable, the DSL100H Dual Super Lead head fortifies your tone arsenal with fearsome power and the tastiest tonal qualities and features of both modern and vintage Marshals - in one highly tweakable package. From glassy cleans to bone-rattling crunch to blistering high gain, your wish is the Marshall DSL100H's command.
Marshall DSL100H 100-watt All-tube Guitar Amp Head at a Glance:

• The DSL Series - a revered tonal heritage 
• A 100-watt tone beast
• Two channels, and all the trimmings

The DSL Series - a revered tonal heritage
The Marshall DSL100H hails from a revered lineage. Marshall introduced the JCM2000 Dual Super Lead (DSL) series amps in 1997. Right from the get-go, these all-tube monsters enjoyed enthusiastic approval by guitarists and the press alike, forming the backlines of top acts in all musical genres and bludgeoning audiences worldwide for a decade before being replaced by Marshall's JVM series (a musical powerhouse in its own right). Considered the "go-to rock amp" by many tone-savvy guitarists, there is considerable pent-up demand for Dual Super Leads. Marshall hears you, and is proud to introduce the new-and-improved DSL series.

A 100-watt tone beast
Marshall's DSL100H is an all-tube, twin-channel beast capable of conjuring any classic Marshall sound - past or present. Four ECC83s in the preamp section (in concert with the amp's gain/master volume arrangement) give you stunning tone-shaping mojo, and with four EL34s in the engine room, you've got the volume to rule any stage in the world. Sporting, in fact, precisely the same tube compliment and feature set as the original DSL100, Marshall has gone on to fit this monster with critical upgrades that give you even more control over your sound. You now get a Resonance control (as opposed to the original's fixed Deep switch), letting you dial in your preferred amount of low-end girth. You also get studio-grade digital Reverb (instead of spring), a rear-panel Pentode/Triode switch that drops the amp's power to a club-and-studio-friendly 50 watts, and a bypassable rear-panel Series FX loop. Marshall's even included a 2-way footswitch for channel switching and Reverb on/off.

Two channels, and all the trimmings
The Marshall DSL100H sports two footswitchable channels: Classic Gain and Ultra Gain. Each channel boasts two modes: Clean/Crunch and Lead 1/Lead 2, respectively. With the DSL100H, you can go from glassy Plexi-esque cleans, to JCM800-style snarl, hot-mod 2203, face-melting high gain - and everything in-between. To shape all this delectable Marshall tone, you get flexible shared 5-way EQ (Treble, Middle, Bass, Resonance, and Presence) juiced with the thoughtful inclusion of a Tone Shift button - ideal for scooped modern metal mojo. The DSL100H is ready to rock. Are you?
Marshall DSL100H 100-watt All-tube Guitar Amp Head Features:

• This beast is capable of conjuring any classic Marshall sound - past or present
• Two channels: Classic Gain and Ultra Gain
• Each channel boasts two modes: Clean/Crunch and Lead 1/Lead 2, respectively
• Highly effective Resonance control replaces the original's fixed Deep switch
• Tone Shift button gives you incredible tonal flexibility
• Studio-grade digital Reverb
• Rear-panel Pentode/Triode switch drops the amp's output to a club-and-studio-friendly 50 watts
• Bypassable rear-panel Series FX loop
• Included 2-way footswitch for channel switching and Reverb on/off

Specification:

Type

Tube

Number of Channels

2

Power

100/50 watts

Effects

No effects

Reverb

Yes (digital)

EQ

5-way (Treble, Middle, Bass, Resonance, and Presence)

Amp Modeling

No modeling

Number of Models

0

Number of Tubes

8

Preamp Tubes

4 (ECC83)

Power Tubes

4 (EL34)

Inputs

1 x TS

Footswitch I/O

Yes (footswitch included)

Effects Loop

Yes

Manufacturer Part Number

DSL100H