Saturday, November 24, 2012

VOX StompLab IIG Guitar Effect

Price List Rp.1.120.000
VOX StompLab IIG Guitar Effect
Modeling Guitar Effect Processors VOX StompLab IIG Include Adaptor
Powerful sounds and a sophisticated appearance! The new StompLab series - shattering expectations for compact multi-effect units

Features

  • A total of 100 preset programs are categorized into styles such as rock, blues, metal, and pop
  • Easy to use interface; even novice users can instantly access the sounds they want!
  • StompLab IG provides 103 types of modeling effects, StompLab IIG provides 104 types, StompLab IB provides 60 types, and StompLab IIB provides 61 types
  • Each effect model boasts a sound engine that has been distilled from the worldwide best-selling VT+ series of modeling amps as well as the ToneLab series of multi-effect units.
  • Edit and save 20 of your own user programs
  • Up to 8 effect models can be used simultaneously
  • Sophisticated appearance that was unimaginable for older effect units.
  • The StompLab IIG and IIB provide an expression pedal that lets you control a variety of effect parameters including wah and volume
  • Two-way power; works on batteries or on the AC adapter (separately sold)
  • Built-in auto chromatic tuner with bypass and mute functions
The StompLab series of effect pedals are impressive new contenders that pack powerful sounds into compact and sophisticated looking metal bodies. Sound variations are categorized by style, such as rock, blues, and ballad, making it easy for even novice users to recall the desired sound. In addition to the StompLab IG’s dedicated guitar modeling and the StompLab IB dedicated bass modeling, the lineup also includes the StompLab IIG and IIB which provide an expression pedal. With high-quality looks, plus its high quality sound, the StompLab series will be a great companion for the guitarist or bassist for years to come.

First check out the sounds!
Multi-effects units contain an incredibly diverse array of sounds that range from distorted to clean, and the sheer number of these sounds can be staggering. Although having a large number of sounds is a great advantage, it can also overwhelm the novice user, causing difficulty or confusion. The StompLab series is designed to be easily usable, even by novice players. Since each program is named with a musical style, such as rock, blues, or metal. You’ll be able to find the perfect sound without being concerned with specific effect names. The musical styles are categorized into ten types, and cover everything from straight-ahead traditional styles to quirky, unusual sounds. There are ten variations for each category, so you're sure to find sounds you like.

Create your own original sounds!
Simply playing the preset sounds is a lot of fun, but you'll definitely want to create some of your own original sounds as well. The StompLab IG contains 103 types of modeling effects, the StompLab IIG has 104, the StompLab IB has 60, and the StompLab IIB has 61. These effects are categorized as pedal, amp, drive, cabinet, modulation, delay, and reverb effects. When noise reduction is included, you can use up to 8 of them simultaneously. Each effect type provides multiple parameters that you can deeply edit to create your perfect sound. Since the sound engine is equivalent to those featured on the worldwide best-selling VT+ series of modeling amps and the ToneLab series of multi-effect units, you need no further guarantee of quality. Sounds you create can be saved as 20 user programs.

It looks great!
The StompLab series was designed with great care, not only for its sounds, but also for its superb aesthetic. You'll never get tired of the cool metallic exterior. The pedal design is reminiscent of the vintage VOX wah pedals, which is sure to boost inspiration. One of the attractions of the StompLab series is the high-quality appearance, which is unheard of among other compact multi-effect units. It sounds excellent, it looks great and it’s compact enough to fit into a gig bag, so you can take it along with you anywhere your music takes you, quickly and easily.

Use the expression pedal for realtime control!
The StompLab IIG and IIB are equipped with an expression pedal that can be used to control wah and volume, and also the parameters of each effect. You'll be free to create unique original sounds that you've never heard before.

Packed with convenient functions including a tuner!
The StompLab series has a built-in chromatic tuner, so you won't need to provide one separately. The three-LED indicator makes tuning easy. For convenience on stage, there's a mute function that lets you tune without being heard by others. Headphones can also be connected, so you'll be able to play at home late into the night without disturbing anyone. Battery operation makes these units easily portable, letting you enjoy serious sound from your guitar or bass wherever you go.


VOX StompLab Specificaitons
Effect Type
StompLab IG
Pedal (8):
COMP, FIX WAH or WAH*IGFIX WAH, IIGWAH, AUTO WAH, BRN OCTAVE, ACOUSTIC, U-VIBE, TONE, RING MOD
Amp(44) :
BTQ CLEAN, PURE CLEAN, JAZZ CLEAN 1, JAZZ CLEAN 2, CALI CLEAN 1, CALI CLEAN 2, CALI CLEAN 3, CALI CLEAN 4, VOX AC4, VOX AC15TB, VOX AC15, VOX AC30TB, VOX AC30HH, VOX CRUNCH, US BLUES 1, US BLUES 2, US BLUES 3, US BLUES 4, US 2x12 1, US 2x12 2, US 2x12 3, US 2x12 4, UK ROCK 1, UK ROCK 2, UK ROCK 3, UK ROCK 4, BTQ OD, VOX NT15, VOX AC30BM, UK METAL 1, UK METAL 2, UK METAL 3, UK METAL 4, US HIGAIN 1, US HIGAIN 2, US HIGAIN 3, US HIGAIN 4, US METAL 1, US METAL 2, US METAL 3, US METAL 4, BTQ METAL 1, BTQ METAL 2, BTQ METAL 3
Drive (18):
TONE DRIVE, BLUE DRIVE, TREBLE BOOST, GOLD DRIVE, TUBE OD, BRIT LEAD, FAT, METAL DIST, ROCK PLANET, TUBE DX, ORANGE DIST, CLASSIC+, GERMANIUM FUZZ, BIG FUZZ, VOX TONE BENDER, OCTA FUZZ, TECHNO FUZZ, CRUSHER
Cabinet (12):
TWEED 1x8, TWEED 1x12, TWEED 4x10, BLACK 2x10, BLACK 2x12, VOX AC15, VOX AC30, VOX AD120VTX, UK H30 4x12, UK T75 4x12, US V30 4x12, CUSTOM
Modulation (9):
CE CHORUS, MULTI CHORUS, FLANGER, ORG PHASE, TWIN TREM, G4 ROTARY, PITCH SHIFT, FILTRON1 (AUTO), FILTRON2 (MANUAL)
Display (8):
ANALOG DELAY 1, ANALOG DELAY 2, ANALOG DELAY 3, ANALOG DELAY 4, ECHO 1, ECHO 2, ECHO 3, ECHO 4
Reverb (3):
ROOM, SPRING, HALL

Technical Specifications
The number of Effect:
StompLab IG103
The number of Program:
120 (User = 20 / Preset = 100)
Audio Input:
1 (Monaural Standard)
Audio Output:
OUTPUT/PHONES (Stereo Standard)
Signal processing:
A/D conversion: 24-bit / D/A conversion: 24-bit
Tuner:
Measurement Range: A0 - E6
Calibration Range:
A=438 Hz – 445 Hz
Power:
AA battery x 4 DC 9V (Option: AC Adapter)
Battery Life:
7.5 hours (Alkaline battery)
Dimensions (W x D x H): 

StompLab IIG / IIB = 207 x 125 x 64 / mm, 8.15 x 4.92 x 2.52 / inch
Weight:
StompLab IIG / IIB = 780 g / 1.72 oz
Included items:
AA battery x 4 for verifying proper operation
Options:
AC Adapter
*Specifications and appearance are subject to change without notice for improvement

VOX StompLab IG Guitar Effect

Price List Rp.910.000
VOX StompLab IG Guitar Effect
Modeling Guitar Effect Processors VOX StompLab IG include Adaptor
Powerful sounds and a sophisticated appearance! The new StompLab series - shattering expectations for compact multi-effect units
Features

  • A total of 100 preset programs are categorized into styles such as rock, blues, metal, and pop
  • Easy to use interface; even novice users can instantly access the sounds they want!
  • StompLab IG provides 103 types of modeling effects, StompLab IIG provides 104 types, StompLab IB provides 60 types, and StompLab IIB provides 61 types
  • Each effect model boasts a sound engine that has been distilled from the worldwide best-selling VT+ series of modeling amps as well as the ToneLab series of multi-effect units.
  • Edit and save 20 of your own user programs
  • Up to 8 effect models can be used simultaneously
  • Sophisticated appearance that was unimaginable for older effect units.
  • The StompLab IIG and IIB provide an expression pedal that lets you control a variety of effect parameters including wah and volume
  • Two-way power; works on batteries or on the AC adapter (separately sold)
  • Built-in auto chromatic tuner with bypass and mute functions
The StompLab series of effect pedals are impressive new contenders that pack powerful sounds into compact and sophisticated looking metal bodies. Sound variations are categorized by style, such as rock, blues, and ballad, making it easy for even novice users to recall the desired sound. In addition to the StompLab IG’s dedicated guitar modeling and the StompLab IB dedicated bass modeling, the lineup also includes the StompLab IIG and IIB which provide an expression pedal. With high-quality looks, plus its high quality sound, the StompLab series will be a great companion for the guitarist or bassist for years to come.

First check out the sounds!
Multi-effects units contain an incredibly diverse array of sounds that range from distorted to clean, and the sheer number of these sounds can be staggering. Although having a large number of sounds is a great advantage, it can also overwhelm the novice user, causing difficulty or confusion. The StompLab series is designed to be easily usable, even by novice players. Since each program is named with a musical style, such as rock, blues, or metal. You’ll be able to find the perfect sound without being concerned with specific effect names. The musical styles are categorized into ten types, and cover everything from straight-ahead traditional styles to quirky, unusual sounds. There are ten variations for each category, so you're sure to find sounds you like.

Create your own original sounds!
Simply playing the preset sounds is a lot of fun, but you'll definitely want to create some of your own original sounds as well. The StompLab IG contains 103 types of modeling effects, the StompLab IIG has 104, the StompLab IB has 60, and the StompLab IIB has 61. These effects are categorized as pedal, amp, drive, cabinet, modulation, delay, and reverb effects. When noise reduction is included, you can use up to 8 of them simultaneously. Each effect type provides multiple parameters that you can deeply edit to create your perfect sound. Since the sound engine is equivalent to those featured on the worldwide best-selling VT+ series of modeling amps and the ToneLab series of multi-effect units, you need no further guarantee of quality. Sounds you create can be saved as 20 user programs.

It looks great!
The StompLab series was designed with great care, not only for its sounds, but also for its superb aesthetic. You'll never get tired of the cool metallic exterior. The pedal design is reminiscent of the vintage VOX wah pedals, which is sure to boost inspiration. One of the attractions of the StompLab series is the high-quality appearance, which is unheard of among other compact multi-effect units. It sounds excellent, it looks great and it’s compact enough to fit into a gig bag, so you can take it along with you anywhere your music takes you, quickly and easily.

Use the expression pedal for realtime control!
The StompLab IIG and IIB are equipped with an expression pedal that can be used to control wah and volume, and also the parameters of each effect. You'll be free to create unique original sounds that you've never heard before.

Packed with convenient functions including a tuner!
The StompLab series has a built-in chromatic tuner, so you won't need to provide one separately. The three-LED indicator makes tuning easy. For convenience on stage, there's a mute function that lets you tune without being heard by others. Headphones can also be connected, so you'll be able to play at home late into the night without disturbing anyone. Battery operation makes these units easily portable, letting you enjoy serious sound from your guitar or bass wherever you go.


VOX StompLab Specificaitons
Effect Type
StompLab IG
Pedal (8):
COMP, FIX WAH or WAH*IGFIX WAH, IIGWAH, AUTO WAH, BRN OCTAVE, ACOUSTIC, U-VIBE, TONE, RING MOD
Amp(44) :
BTQ CLEAN, PURE CLEAN, JAZZ CLEAN 1, JAZZ CLEAN 2, CALI CLEAN 1, CALI CLEAN 2, CALI CLEAN 3, CALI CLEAN 4, VOX AC4, VOX AC15TB, VOX AC15, VOX AC30TB, VOX AC30HH, VOX CRUNCH, US BLUES 1, US BLUES 2, US BLUES 3, US BLUES 4, US 2x12 1, US 2x12 2, US 2x12 3, US 2x12 4, UK ROCK 1, UK ROCK 2, UK ROCK 3, UK ROCK 4, BTQ OD, VOX NT15, VOX AC30BM, UK METAL 1, UK METAL 2, UK METAL 3, UK METAL 4, US HIGAIN 1, US HIGAIN 2, US HIGAIN 3, US HIGAIN 4, US METAL 1, US METAL 2, US METAL 3, US METAL 4, BTQ METAL 1, BTQ METAL 2, BTQ METAL 3
Drive (18):
TONE DRIVE, BLUE DRIVE, TREBLE BOOST, GOLD DRIVE, TUBE OD, BRIT LEAD, FAT, METAL DIST, ROCK PLANET, TUBE DX, ORANGE DIST, CLASSIC+, GERMANIUM FUZZ, BIG FUZZ, VOX TONE BENDER, OCTA FUZZ, TECHNO FUZZ, CRUSHER
Cabinet (12):
TWEED 1x8, TWEED 1x12, TWEED 4x10, BLACK 2x10, BLACK 2x12, VOX AC15, VOX AC30, VOX AD120VTX, UK H30 4x12, UK T75 4x12, US V30 4x12, CUSTOM
Modulation (9):
CE CHORUS, MULTI CHORUS, FLANGER, ORG PHASE, TWIN TREM, G4 ROTARY, PITCH SHIFT, FILTRON1 (AUTO), FILTRON2 (MANUAL)
Display (8):
ANALOG DELAY 1, ANALOG DELAY 2, ANALOG DELAY 3, ANALOG DELAY 4, ECHO 1, ECHO 2, ECHO 3, ECHO 4
Reverb (3):
ROOM, SPRING, HALL

Technical Specifications
The number of Effect:
StompLab IG103
The number of Program:
120 (User = 20 / Preset = 100)
Audio Input:
1 (Monaural Standard)
Audio Output:
OUTPUT/PHONES (Stereo Standard)
Signal processing:
A/D conversion: 24-bit / D/A conversion: 24-bit
Tuner:
Measurement Range: A0 - E6
Calibration Range:
A=438 Hz – 445 Hz
Power:
AA battery x 4 DC 9V (Option: AC Adapter)
Battery Life:
7.5 hours (Alkaline battery)
Dimensions (W x D x H): 
StompLab IG = 145 x 125 x 57 / mm, 5.7 x 4.92 x 2.24 / inch
Weight:
StompLab IG = 590 g / 20.8 oz
Included items:
AA battery x 4 for verifying proper operation
Options:
AC Adapter
*Specifications and appearance are subject to change without notice for improvement.

Thursday, November 22, 2012

VOX amPhones AC30 / amPhones Lead / amPhones Twin - Active Guitar Headphones

Price List Rp.1.210.000
VOX amPhones AC30 / amPhones Lead / amPhones Twin - Active Guitar Headphones
amPhones Bass - Active Bass Guitar Headphones
Plug in your guitar/bass into the amPhones and start playing!
Highlights
New concept - headphones with built-in amPlug technology that allows you to obtain full-fledged guitar/bass sounds immediately.
Headphones made by Audio-Technica, the trusted name in headphones. The headphone amp uses a new reactor circuit that’s based on the Valve Reactor technology featured in VOX amps, delivering incredibly dynamic amp sounds. Totally analog design that faithfully simulates the circuit response of the original amp .
Choose from a total of four different types of classic amp sounds, including:

  • The "AC30" version which faithfully reproduces the classic VOX AC30.
  • The "Twin" version which gives you the clean sound of a classic US-made amp.
  • The "Lead" version which delivers a heavy British crunch lead sound.
  • The "Bass" version which provides a wide-range sound, including a new Bassilator circuit that realistically simulates the resonance of the speaker cabinet and floor.
A full complement of effects are is provided: chorus/delay/reverb for the guitar versions, and a compressor for the bass version. 1/4" connector allows easy connection to any guitar or bass. When the power is off, the amPhones can be used as conventional headphones that offering the superb sound quality that you would expect from VOX. AUX input jack lets you jam along with your CD/MP3 player.

The VOX amPlug Series of palm-sized headphone guitar amplifiers enables musicians to easily plug their amPlug into any guitar, and attach a pair of headphones to achieve high quality guitar sounds anywhere. Now, amPhones make it even easier for you. While the amPlug required the user to provide the headphones, the amPhones are headphones that have the amPlug technology already built in! Just plug in your instrument, and enjoy serious guitar/bass sound and superb comfort. amPhones are created using headphone technology from Audio-Technica, the name you trust for headphones. amPhones can also be used as conventional headphones when the amplifier simulator is switched off. You can connect your guitar/bass to these headphones, or use them for listening to music. amPhones are what you need, whether you're practicing by yourself in your room, or listening to your portable audio player on the way to the studio. amPhones are a must-have item for any VOX enthusiast.


Choose from four different versions
amPhones come in four models: the "AC30" faithfully reproduces the sound of the classic VOX AC30 amplifier, the "Twin" simulates the sound of a famous US-made clean combo amp, the "Lead" covers lead guitar sounds ranging from UK-made amps to US-made high-gain boutique amps, and the "Bass" models VOX's classic AC100 bass amp with a wide-range design to meet the needs of today’s modern electric bass players. Each uses a completely analog design in order to faithfully model the circuit response of the original amp, and will satisfy even the most critical listener.

Numerous high-quality effects are built-in
The amPhones series contains numerous effects that add variety to the sound. The "AC30," "Twin," and "Lead" provide reverb/chorus/delay, and "Bass" provides a compressor. Each effect is adjustable, giving you sound with superb presence that will bring out your best performances.

Also usable as headphones
When you disconnect your guitar/bass and power-off your amPhones, they will function as a conventional set of headphones that offer the superb sound quality that you would expect from VOX. The headphones themselves are made by Audio-Technica, the name you trust in headphones. You'll enjoy optimum sound quality and a comfortable fit that will not produce listener fatigue, even during extended listening sessions. Their folding design allows easy portability, and the extension cable and adaptor plug are also included, making these units an excellent choice for their stand-alone headphone functionality.

Consumer channels
More and more these days, headphones are used by many music lovers as a “must have” accessory and fashion statement. Introducing the iconic Vox brand into this segment will allow Vox to be “seen and heard” in mainstream consumer markets as well as existing music industry channels.


Audio Samples

 Specifications
< Headphones section >
Type:
Closed-air dynamic headphones
Driver diameter:
40 mm
Output sound pressure level:
97 dB
Playback frequency range:
20 Hz – 20,000 Hz
Maximum input:
1,000 mV
Impedance:
49 Ω
Cable length:
1.3 m
< Amp section >
Output:
1.4 V (Maximum)
Controls:
Dials (Gain, Tone, Volume, Effect), Switch (Standby)
Input Terminals:
*Guitar Input (for “amPhones AC30 / amPhones Lead / amPhones Twin”)
*Bass Input (for “amPhones Bass”)
*AUX Input
Power supply:
AAA battery x 2
Battery life:
*amPhones AC30, *amPhones Lead, *amPhones Twin
Approximately:
7 hours (Manganese) / 16 hours (Alkaline)
*amPhones Bass
Approximately:
8 hours (Manganese) / 20 hours (Alkaline)
< General section >
Dimensions (W x D x H):
195x 160 x 50 mm / 7.68" x 6.30" x 1.97"
Weight:
230 g / 8.11 oz. (Not Batteries included)
Included items:
AAA battery x 2 for trying product, a pug adapter “3.5mm <-> 6.3 mm” 
*Specifications and appearance are subject to change without notice for improvement.
*Audio-Technica is registered trademarks of Audio-Technica Corporation.

Wednesday, November 21, 2012

Marshall JVM410H Joe Satriani Edition

Price List Rp.29.800.000
Marshall JVM410H 1960AJSB Joe Satriani 

Marshall JVM410H +Cabinet 1960AJSB Joe Satriani Edition
Built to please Joe Satriani himself, the Marshall JVM410H Joe Satriani Edition amp head lets you plug into the exact same tone machine as Satch does. When Joe returned to playing Marshall amps in 2009, he quickly decided the JVM410H was the amplifier for him - allowing a few tweaks of course. Joe requested custom-voiced channels, noise gates instead of reverb, feedback that was more controllable, and a more dynamic sound - and Marshall came through in spades. Built to please one of the most iconic guitarists in music history, you'll love playing through the Marshall JVM410H Joe Satriani Edition amp head.
Marshall JVM410H Joe Satriani Edition Amplifier Head at a Glance:

  • Four channel versatility, voiced by Joe Satriani
  • Built-in noise gates
  • A more dynamic JVM410

Four channel versatility, voiced by Joe Satriani
When it comes to tone, Satch knows what he likes. For the JVM410H Joe Satriani Edition, Joe took his favorite tonal blend and put them all in one amplifier. The clean channel is actually the same design featured in Marshall's LM6100. The orange crunch channel is the same design as the JCM800 (2203), and the red crunch channel is similar to the AFD100 amp head in AFD mode. And the overdrive channels have been tuned to sound less compressed and more dynamic and open. Once the tonal palette was perfect, Joe put his stamp of approval on the JVM410H Joe Satriani Edition.

Built-in noise gates
Each of the four channels on the JVM410H Joe Satriani Edition amp head feature a noise gate (from the 2203KK Kerry King signature amp head), instead of the reverb normally found on the stock JVM410. So for every tone setting you create, you can fine-tune the noise gate for the perfect response. There's an added benefit to the noise gate too - faster switching! The complex circuit switching in the JVM410 meant switching channels took around 50 milliseconds - not a problem, but noticeable to ultra-fast players like Satch. Marshall says adding the noise gate circuitry enabled faster switching, only 5-10ms. So even if your playing style requires fast and constant channel switching, the JVM410H Joe Satriani Edition amplifier is ready to keep up.

A more dynamic JVM410
Tight, compressed-sounding guitar tone was in style for a while, one of the reasons the JVM410 is such a popular amp. Joe Satriani wanted a more dynamic, open sound for the JVM410H Joe Satriani Edition. Marshall modified the power supply, added a choke, and voila - the sound opened up, with a powerful voice that retained the dynamics of Satch's playing. If you like your guitar tone to sound expansive, you'll love playing through the JVM410 Joe Satriani Edition.

  • Marshall JVM410H Joe Satriani Edition Amplifier Head Features:
  • Modified version of the classic JVM410 amp, voiced to Joe Satriani's tonal specifications
  • Four noise gates help you dial in a defined tone on every channel
  • Clean channel is the same design found in the Marshall LM6100
  • Orange crunch channel is the same design found in the Marshall JCM800 (2203)
  • Red crunch channel is similar to the Marshall AFD100 in AFD mode
  • Overdrive channels sound more dynamic and open, thanks to a re-designed power supply
  • "Mid Shift" control on OD1 and OD2 shifts the midrange focus for extra tonal versatility
  • 12AX7 preamp tubes, EL34 power tubes
  • Footswitch included
  • MIDI input for configurable switching and control

Tuesday, November 20, 2012

Sennheiser Multimedia Headset PC230

Price List Rp.1.200.000
Sennheiser Multimedia Headset PC230

The multimedia headset with cutting-edge stereo sound and added comfort for pristine telephony and an inspirational entertainment experience.
Automatic microphone mute, left/right reversibility and on-ear cup volume control put the PC 230 in a comfort class of its own.



With its high-quality speakers and Sennheiser stereo sound, the PC 230 combines first-class performance with compact design. Despite its modest dimensions, the headset reproduces music, soundtracks and dialog with clarity and detail at any volume – while advanced noise canceling microphone technology ensures crisp conversations every time you chat over the net.
Outstanding innovations put the PC 230 right at the top of its class. Whether you are sampling new music or skyping with friends, intuitive controls and clever ergonomic design make using your headset a breeze. The volume control is now integrated in one of the ear cup, so you no longer have to change position to adjust the settings on your computer – or waste time looking for an in-line control.

The ergonomic microphone boom on the PC 230 effectively allows you to customize your headset. The boom is designed to swivel almost 360° so you can choose which side to wear the microphone and adjust the boom with your right or left hand, as you prefer. What’s more, the boom automatically mutes when you push it up away from your face and a special hinge makes it easy to make even tiny adjustments – so you always have your microphone just where you want it.

When you spend a lot of time on your computer at home, comfort is a top priority – and this is where the PC 230’s lightweight design comes into play. Even after hours of continuous use, the PC 230 won’t start to feel heavy and super-soft pads mean sore ears are a thing of the past. Thanks to its excellent ergonomics and intuitive user-friendly features, you’re likely to forget you’re wearing a headset at all.

The PC 230 enters the market in a really impressive style as it was already awarded with the outstanding international product design award – red dot design award 2010. This year, judges received submissions from close to 60 countries in all and selected award winners across 17 different product categories. Winning the red dot awards once more highlights Sennheiser Communications’ ability to combine superb audio expertise with excellent design capabilities.


Features
  • Superb Sennheiser stereo sound – Sennheiser quality speakers deliver clear, detailed sound reproduction and supreme acoustic performance
  • Noise canceling clarity – the microphone reduces ambient noise for crystal-clear internet telephony without raising your voice
  • Lightweight comfort – soft ear pads and ergonomic microphone design guarantee uninterrupted enjoyment
  • Intuitive design – the volume control is integrated in the ear cup for quicker access
  • Automatic microphone mute – automatically mute the microphone by raising the boom arm
  • Right/left customizable – choose which side to wear the microphone thanks to the full-swivel boom arm
  • Peace of mind – thanks to the 2-year international warranty

Technical Data
Wearing styleHeadband, double sided
Cable length3 m
Connector2 x 3.5 mm for desktop/laptop
Weight85 g
Headphone
Frequency response18 – 22,000 Hz
Impedance32 Ω
Sound pressure level (SPL)113 dB
Microphone80 – 15,000 Hz
Pick-up patternNoise canceling
Impedance2 kΩ
Sensitivity as per 121 TR 9-5-40dBV/Pa

Monday, November 19, 2012

KORG Krome61 Music Workstation

Price List Rp.13.800.000
KORG Krome61 Music Workstation
On Stage. On the Go. On Top.
Offering full-length, unlooped samples of every key for a spectacular piano sound, this new keyboard redefines your expectations for an instrument in this class. Taking its name from the Greek word meaning "color," Krome is the new standard for sonic excellence in a gigging musician’s keyboard, providing a limitless palette of sound to bring vivid inspiration your music. Introducing the Krome Music Workstation.
Product Highlights: 

  • The Korg workstation ideal for any style of piano playing
  • Kronos-derived full length, unlooped piano and drum sounds, plus new electric pianos designed to shine on stage
  • Electric pianos with eight-level velocity switching for unmatched expressive power
  • Clear, intuitive control with Korg’s exclusive 7-inch color TouchView™ display
  • Drums offering separately mixable direct and ambient sounds for studio-grade quality
  • Drum Track plays back realistic, inspiring grooves at the touch of a button
  • Expertly created, in-demand sounds including 640 Programs and 288 Combinations
  • Powerful Effects with 5 Inserts, 2 Master, and 1 Total FX, plus per track/timbre EQ
  • Distinctive aluminum panel design exudes a sense of quality
  • USB connection to your computer, plus an SD Card slot for data storage
  • You can use the Krome editor to edit sounds on your computer
  • Available in 61, 73, and 88 key models.
In addition to Korg’s well-proven workstation features, Krome features a carefully chosen selection of the top sounds available today for bread-and-butter keyboard instruments such as piano and electric piano, as well as vital and dynamic drum kits, giving you the best of the basics. These highly usable piano, electric piano, and drum sounds by themselves set Krome apart from any other keyboard in its class. With sound quality and features normally found in much more expensive instruments, Krome aspires to set a whole new value standard, and become a unique and irreplaceable partner for real-world musicians.

Piano sounds are critically important for nearly every keyboard instrument. Krome borrows the impressive "German D Grand" that was created for the Kronos flagship. In addition to the rich sound of 88 full-length unlooped stereo samples, damper resonance is also included. In fact, the PCM memory used for just this "German D Grand" alone occupies several times – even several tens of times – more memory capacity than the entire PCM memory used in a typical workstation or PCM synthesizer. Unless the original sound is impeccable, no amount of parameter editing can create an enjoyable playing experience. The Krome’s piano is an example of Korg's passion for every musician to enjoy great sounds played on great instruments. This resonant, authentic, and realistic piano represents a major increase in quality for this class of keyboard.

Electric pianos offering expressive warmth and realism
For many keyboardists, the electric piano sound is just as critical as the acoustic piano sound. Krome features three types of electric pianos. Eight velocity levels have been used to ensure faithful response to the player's expression. Lavish amounts of PCM memory have been used for this purpose, to the extent that just one of these electric piano types contains more sample data than the entire sound memory of a typical PCM synthesizer. In addition, the vintage amps, cabinets, and classic effects so important to these timeless sounds have been realistically modeled, ensuring that everything from the touch to the final sound will be utterly enjoyable.

Studio-quality drum sounds
The built-in drum kits play a major role in song production on any music workstation. Krome contains the same "Jazz Ambience Drums" that can be found on the Korg Kronos. Taking advantage of the high-capacity PCM memory, these sounds capture a dramatically high level of response and realism. Adjusting the mix balance between the direct sound (a mic placed near the head or cymbal) and the ambient sound (recorded from a distant mic to capture the resonance of the room), allows you to create a rich drum sound that has exactly the balance and character that you want.

Colorful palette of sounds

In addition to piano, electric piano, and drums, Krome has a plentiful array of sounds to cover a broad range of styles that will meet a wide variety of needs. Stimulate your creativity by selecting any of the 640 Programs or 288 Combinations. Each one has been carefully created by professional studio and performing musicians to provide exceptional real-world use for both rich clean backing parts or soaring solos. Plus you can tweak, customize, create, and save your own sounds as well


Simply pressing a single button turns on the Drum Track feature, providing realistic grooves played by professionals using the Krome’s studio-quality drum sounds. Play along or incorporate them into your music production. In addition to more than 600 preset patterns inherited from Kronos, there's plenty of space for saving user patterns as well. Drum patterns can be created and used with the sequencer, as well as providing a rhythm guide while you play, or they can be used creatively in your live performances.

Dual polyphonic arpeggiators
In Combination mode or Sequencer mode, two arpeggiators can be running simultaneously. In addition to standard arpeggio patterns, these arpeggiators can generate guitar or bass riffs, drum patterns, or they can even be used as building blocks for sound design, to create pads, synth sounds, and sound effects that include subtle motion. You're also free to edit any of the patterns to create your own custom originals.


Krome has a full complement of the features you've come to expect from a Korg workstation, starting with the 16-track sequencer. But there's much, much more. Krome comes complete with a rich suite of tools to jumpstart your creative urges. There's the convenient Auto Song Setup function; if inspiration strikes while you're playing a program or combination, simply press the REC switch to start recording immediately. Each Template Song assigns popular sounds to sequencer tracks through pre-routed effects to match a specific musical genre. Achieve lightning-fast arrangements using Korg's Cue List, and build an armada of instant-access patterns using the RPPR (Realtime Pattern/Play Recording) feature. Go back and you can make any changes using the convenient piano-roll editing.

Awesome Effects
The all-important effect section provides up to five Insert effects, two Master effects, and one Total effect. In addition to great choruses, flangers, phasers, delays, and reverbs, the 193 effect types include dynamic processing effects such as compressor and limiter, evocative effects like the Grain Shifter and Talking Modulator, as well as amp modeling and speaker simulation effects using Korg’s proprietary "REMS" modeling technology.


Krome 61 and 73 models feature a semi-weighted natural-touch keyboard; the great feel and response are ideal for playing everything from any style of piano, to dynamic organ performance, to pyrotechnic synthesizer solos. Krome 88 is equipped with Korg’s NH (Natural Weighted Hammer Action) keyboard, ensuring that every nuance of your playing dynamics will be expressively reflected when playing sounds such as piano or electric piano.

Distinctive design
The dramatic dark colored body provides Krome with an elegantly curved profile. The top control panel is made using two aluminum panels of differing design. The result is a distinctive appearance that projects an unmistakable presence, even on a cluttered stage. In both looks and sound, Krome will make a strong impression on the audience.


Krome’s huge 800 x 480 pixel TouchView Color display can show numerous parameters at once, ensuring great visibility. Simply touch the screen to change sounds or edit parameters. Finger-drag editing is also supported, allowing you to use the on-screen sliders and knobs directly. Numerous functions take advantage of the TouchView interface, such as the piano roll editor, a stopwatch that’s convenient for keeping track of a live performance, and a calculator keypad that is convenient for entering numerical values.

USB and SD Storage
You can connect Krome to your computer via USB to easily transfer MIDI data. You can also use an SD card (commercially available) to manage the Krome’s data files.

The Krome Editor and Krome Plug-In Editor allow you to edit your Krome from your computer while viewing large numbers of parameters simultaneously, or to use Krome in your DAW as if it were a software synthesizer.

Specification:
Keyboard
Krome 61:
Semi-weighted keyboard
*velocity-sensitive supported, after touch is not supported
*Standard C2-C7 (transposable in the range [C1...C6]-[C3...C8])
Krome 73:
Semi-weighted keyboard
*velocity-sensitive supported, after touch is not supported
*Standard C1-C7 (transposable in the range [C0...C6]-[C2...C8])
Krome 88:
NH keyboard (Natural Weighted Hammer Action] keyboard
*velocity sensitive is supported, after touch is not supported
*Standard A0-C8 (transposable in the range [A-1...C7]-[A1...C9]
*The NH keyboard reproduces the touch of an acoustic piano, with a heavier feel in the low register and alighter feel in the upper register.
System
EDS-X (Enhanced Definition Synthesis-eXpanded)
Sounds
Maximum Polyphony:
120 voices (120 Oscillators) / Single Mode
60 voices (120 Oscillators) / Double Mode
*The maximum simultaneous voice polyphony will vary depending on oscillator settings such as stereo multisamples and velocity crossfading.
PCM Memory:
3.8 GB, 48kHz/16-bit linear equivalent
583 Multisamples (Including 12 Stereo multisamples)
2,080 Drumsamples (Including 474 Stereo Drumsamples)
Program:
Oscillator
OSC1 (Single); OSC1 + 2 (Double): Stereo multisamples are supported
8 velocity zones per oscillator with switching, crossfades and layers
Filters
Four types of filter routing (single, serial, parallel, 24 dB)
Two multi-mode filters per oscillator (low pass, high pass, band pass, band reject)
Driver
Per-voice nonlinear driver and low boost
EQ
Three bands, with sweepable mid
Modulation
For each oscillator:
two envelope generators (Filter & Amp)
Two LFOs
Two key tracking generators (Filter & Amp)
Two AMS mixers
Pitch EG
Common LFO
Two common key tracking generators
Combination:
Timbres:
16 maximum, each with split/layer/velocity switching with crossfading, plus modifications via Tone
Adjust function

MIDI Controller Functionality: Customizable MIDI channel and Internal/External/Both settings per timbre
Master Keyboard Functionality
It’s available for controlling external MIDI devices
Drum Kit:
Stereo and mono drum samples
8 velocity zones switch (crossfades and layers)
Sounds:
Program:
640 preload, 768 total locations
Combi:
288 preload, 512 total locations
Drumkits:
32 preload, 48 total locations
The number of Combination / Program / Drum Kit:
User:
512 Combination (288 Preload)
User:
768 Program (640 Preload)
User:
48 Drum Kit (32 Preload)
Preset:
256 GM2 Program + 9 GM2 Drums Program
Effects
Insert Effects:
5 Insert Effects (stereo in/out)
2 Master Effects (stereo in/out)
1 Total Effect (stereo in/out)
Timbre / Track EQ:
3-band EQ per timbre/track
Effect Types:
193, useable as Insert, Master, or Total effects. Note that a double-size effect cannot be used as a total effect.
Modulation:
Dynamic Modulation, 2 Common LFO
Effects Control Busses:
Stereo sidechain (Limiter, Gate, Vocoder, etc)
Effect Preset:
32 preset per effect
Polyphonic Arpeggiator
Program Mode:
Single polyphonic arpeggiator
Combination, Sequencer Mode:
Dual polyphonic arpeggiators
Number of pattern:
900 preload, 1028 total locations
5 preset arpeggio patterns
Drum Track
637 preload, 1000 total locations
Configurable Trigger Mode/Sync/Zone
Sequencer
Tracks:
16 MIDI tracks + 1 master track
Number of Songs:
128 Songs
Resolution:
1/480 PPQ
Tempo:
40.00- 300.00 (1/100 BPM resolution)
Maximum memory:
210,000 MIDI events
Template Song:
16 preset / 16 user template songs
Cue List function:
20 Cue Lists
99 steps
Pattern:
605 Preset / 100 User patterns
RPPR (Realtime Pattern Play and Recording):
1 pattern set per song
Format:
KORG (KROME) format, SMF format 0 and 1
Media
Load, Save, Utility, data filer functionality (Save and Load MIDI System Exclusive Data)
Controllers
*Joystick, SW [1], SW [2]
*Realtime Control
[SELECT] Switch:
REALTIME CONTROL (TONE, USER), ARP
4 Knobs;
REALTIME CONTROL: Real-time Modulation, Arpeggio control
*Drum Track
[DRUM TRACK] Switch On/Off
*Arpeggiator
[ARP] Switch On/Off
User Interface
Display:
TouchView(tm) Graphical User Interface
7-inch color TFT LCD, 800 x 480 pixels
Onboard LCD brightness control
Mode Switch:
[COMBI], [PROG], [SEQ], [GLOBAL], [MEDIA] switch
VALUE controller:
[VALUE] Dial, [INC], [DEC] Switch, 10 key block ([0] - [9], [-], [.], [ENTER], [COMPARE])
BANK Switch:
[A], [B], [C], [D], [E], [F] switch (in Combination mode, [A], [B], [C], [D] switch are available)
SEQUENCER switch:
[PAUSE], [REW], [FF], [LOCATE], [REC], [START / STOP]
TEMPO:
[TEMPO] knob, [TAP] switch
Others:
[PAGE] switch, [WRITE] switch, [EXIT] switch, [VOLUME] knob, Contrast knob
Outputs
AUDIO OUTPUT (L / MONO, R):
6.3mm (Mono) Phone jack, Unbalanced
Output Impedance:
1100Ohm, 550Ohm with Mono output
Maximum level:
+16.0 [dBu], Load Impedance: more than 10Ohm.
Headphone Output:
3.5mmStereo phone jack
Output Impedance:
33Ohm
Maximum level:
60 + 60mW with 33Ohm load"
Control Input
DAMPER pedal (Half Damper supported)
ASSIGNABLE SWITCH
ASSIGNABLE PEDAL
MIDI
IN/OUT
USB
USB-MIDI Interface (TYPE B) x 1
SD Card Slot
Max:
2 GB / SD memory card
Max:
32 GB/ SDHC memory card
Note:
SDXC memory cards are not supported.
Power
Power supply (DC12V 3.5A), POWER switch
Dimensions (W x D x H)
KROME-61 =
40.43 x 12.32 x 3.66 inches / 1,027 × 313 × 93 mm
KROME-73 =
46.89 x 12.32 x 3.66 inches / 1,191 × 313 × 93 mm
KROME-88 =
57.01 x 15.08 x 5.16 inches / 1,448 × 383 × 131 mm
Weight
KROME-61 =
15.87 lbs. / 7.2 kg
KROME-73 =
18.08 lbs. / 8.2 kg
KROME-88 =
32.41 lbs. / 14.7 kg
Power Consumption
13 W
Accessories
AC Adapter
Quick Start Guide
Accessory Disc (Operation Guide PDF, Parameter Guide PDF, Video Manual)
Option
XVP-10:
Expression/Volume pedal
EXP-2:
Foot Controller
DS-1H:
Damper Pedal
PS-1, PS-3:
Pedal Switch
PC System Requirements for Krome Editor/Plug-In Editor
Windows
OS:
Windows Vista SP2 and later (32- and 64-bit, all editions),Windows 7 (all editions, including 64-bit)
Computer:
USB port required
Macintosh
OS:
Mac OS X 10.4.11 or later
Computer:
USB port required
PC System Requirements for Krome Editor/Plug-In Editor
Windows
OS:
Windows Vista SP2 and later (32- and 64-bit, all editions),Windows 7 (all editions, including 64-bit)
CPU:
Intel Pentium 4/ Greather than 1 gHz, later Core Duo recommended.
Memory:
More than 512MB (Greater than 1 GB recommended)
Monitor:
1,024x768, at least 16-bit color
Others:
Computer with USB port, running Windows 7, Windows XP, or Windows Vista
Macintosh
OS:
Mac OS X 10.5 or later (32-bit and 64-bit kernel modes supported)
Note:
This plug-in is not 64-bit.
CPU:
Intel Mac supported
Later Core Duo recommended
Memory:
More than 512MB (at least 1 GB recommended)
Monitor:
1,024x768, at least 32,000 colors
Others:
Apple Macintosh computer with USB port, running Mac OS X.
*Krome Plug-In Editor supports VST/RTAS in Windows, VST/ Audio Unit/RTAS in Macintosh.
*Only a single instance of the Krome Editor or Krome Plug-In Editor can be used at once.
*All other product and company names are trademarks or registered trademarks of their respective holders.
*Specifications and appearance are subject to change without notice for improvement.
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