Focusrite Liquid Saffire 56

Price List USD 1.170
Focusrite Liquid Saffire 56
Two Liquid Preamplifiers and Massive I/O!
The Liquid Saffire 56 is an incredible new 24-bit/192kHz FireWire audio interface from Focusrite. Not only does it boast a staggering amount of I/O at its affordable price - 28-in/28-out - but Focusrite also managed to pack in their famous Liquid technology. On the Liquid Saffire 56's first two microphone channels - of its eight total - you can dial in the right sound using your choice of 10 famous preamplifier models, based on gear from Neve, Manley, Avalon, API, and Universal Audio - to name just half! DSP mixing is also onboard the Focusrite Liquid Saffire 56.

High Quality 24-bit/192kHz FireWire/Thunderbolt™* interface
Liquid Saffire 56 doesn’t just offer preamp variety; sonic integrity is also guaranteed throughout. Both the Liquid and Saffire preamps ensure low noise and distortion, whilst quality digital conversion and JetPLL™ jitter elimination technology ensure pristine audio quality as your audio flows between the analogue and digital domains.
 
A Host of I/O  
Alongside the two Liquid and six Saffire preamps are a host of I/O options; 10 analogue outputs, 16 channels of ADAT I/O, stereo S/PDIF, MIDI and two virtual ‘loopback’ inputs for routing digital audio between software applications — ideal for capturing audio playback within your computer. Mic, Line and Instrument inputs all use independent connectors, with the input type for each channel selectable via custom control software. Consequently, all the inputs can remain permanently connected, ready for whatever your recording session demands. In addition, word-clock I/O is provided on BNC connectors, allowing Liquid Saffire 56 to act as either a master clock for your studio, or as a slave to an existing sync system.

Every channel features an independent phantom power and a high-pass filter, switchable from the front panel, with the two instrument channels also featuring -9dB pads for additional headroom. Front panel five-step LED metering for all inputs, including ADAT and S/PDIF, offers accurate viewing of all levels.
 
Saffire Mix Control 
Saffire Mix Control, the zero-latency 18 x 16 DSP Mixer/Router software provided with Liquid Saffire 56 features powerful output routing and monitoring. It also provides intuitive one-click set-up options, a clear and concise mixing layout, large on-screen metering for inputs, outputs and submixes, and control over the choice of Liquid emulation.
 
Monitoring
Two independent headphone buses are provided, each with their own level controls available on the front panel. A dedicated stereo monitor mix output features pads for improved sound quality when connected to active monitor speakers. An 'anti-thump' circuit protects your monitor speakers from spikes when booting up or shutting down the unit.
Key Features:

• Two Liquid Preamps :The marriage of a hugely flexible analogue front end with cutting-edge dynamic convolution DSP, each Liquid Preamp lets you choose from ten different classic preamp emulations, with an eleventh ‘flat’ option.
• Six High Quality Award-winning Focusrite Preamps :Six award-winning Saffire preamps complement two Liquid preamps. All eight demonstrate the same wide bandwidth philosophy behind the early vintage Focusrite units.
• High Quality 24-bit/192kHz FireWire/Thunderbolt™* interface :Professional digital conversion and JetPLL™ jitter-elimination technology; pristine audio quality and reliable synchronisation are guaranteed.
• Total I/O Count of 28 Inputs and 28 Outputs : A host of I/O options are provided*, including a unique 'loopback' facility for routing audio between software applications via Saffire MixControl.
• Suite of Focusrite VST/AU plug-ins :Upgrade your standard sequencer effects and bring a touch of class to your session with Focusrite Compression, Reverb, Gating and EQ VST/AU plug-ins.
• Two separate headphone buses :Two artists can receive independent and fully customised monitor mixes. Each output has an independent level control available on the front panel.
• Saffire Mix Control Zero-latency DSP Mixer/Router :Routing flexibility and intuitive one-click setup solutions; Saffire MixControl provides an 18 x 16 DSP mixer with excellent output routing and monitoring capabilities.
• Front panel five-step LED metering :LED metering for each of the analogue, ADAT1, ADAT2 or S/PDIF inputs offers accurate viewing of levels direct from the front fascia.

Specification:

Microphone Inputs

Dynamic Range (A-Weighted):

109dB

SNR (A-weighted):

-109dB

Frequency Response:

20Hz - 20kHz +/- 0.1 dB

THD+N:

0.001% (measured at 1kHz with a 20Hz/22kHz bandpass filter)

Noise:

EIN > 125dB (128dB analogue to digital) (measured at 60dB of gain with 150 Ohm termination (20Hz/22kHz bandpass filter)

Maximum level (A-weighted):

8dBu at 1%

Line Inputs

Dynamic Range (A-Weighted):

109dB

SNR (A-weighted):

-109dB

Frequency Response:

20Hz - 20kHz +/- 0.1dB

THD+N:

< 0.001% (measured with 0dBFS input and 22Hz/22kHz bandpass filter)

Noise:

-90dBu (22Hz/22kHz bandpass filter)

Maximum level (A-weighted):

28.5dBu at 1%

Instrument Inputs

Frequency Response 20Hz-20KHz +/- 0.1dB

Maximum Input Level min gain no pad +8dBu

Maximum Input Level max gain no pad -42dBu

THD+N, -1dBFS, min gain, no pad < 0.0015%

SNR 109dB "A"

DNR 109dB "A"

Input Impedance > 1MOhm

X-talk < -100dB

Adjustable Gain > 50dB

Pad Attenuation 10dB

Headphone Outputs

Frequency Response 20Hz-20KHz +/- 0.1dB

SNR 109dB "A"

DNR 109dB "A"

Maximum Output into 32R +12.4dBu (+10.2dBV)

Power into 32R 250mW

Output Impedance < 7Ohms

Load Impedance > 24Ohms

Line level Outputs

Dynamic Range (A-Weighted):

108dB

SNR (A-weighted):

-108dB

THD+N:

< 0.001% (measured with 0dBFS input and 22Hz/22kHz bandpass filter)

Maximum level (A-weighted):

15.7dBu at 0.883%

Additional Conversion Performance

Clock jitter < 250 picoseconds

THD+N AMPL (A-weighted)= -109dBFS

Connectivity

Analogue Channel Inputs (Inputs 1-8)

Mic inputs 1-8 on rear XLR’s. 

Line inputs 1-8 on rear 1/4” TRS. 

Instrument inputs on channels 3 and 4 (separate front panel 1/4” TRS). 

Notes

Individual switchable High Pass Filter on all inputs.

Phase switch on inputs 3, 5 and 7. 

Input Pad on inputs 3 and 4 = -10dB.

Analogue Outputs

Line level 10 x 1/4” TRS Jack.

Notes

Outputs Monitor 1 and 2 have anti-thump protection circuitry.

Digital I/O

SPDIF input and output (RCA phono) on rear panel, (24-bit, 44.1 - 192kHz),  output transformer isolated.

Optional AES output mode with professional channel status and voltage levels on SPDIF output.

2 x ADAT In / Out 16 channels (44.1 / 48kHz), 8 channels S-MUX (88.2 / 96kHz), 4 channels S-MUXII (176.4 / 192kHz).

ADAT Input and Output 2 can be re-configured to be optical SPDIF input / output via control panel.

BNC Word clock input and output (75 ohms).

MIDI I/O

1 in / 1 out (16 channels) on rear panel.

Headphone monitoring

2 x 1/4” TRS Jack on front panel (mirrors outputs 7-8 and 9-10). NOTE: These are high power headphone drivers.

Other I/O

2 x 6 pin FireWire 400 socket - also compatible with FireWire 800 and Thunderbolt

2 Standard 5-pin DIN MIDI connectors: In and Out

IEC mains power input connector

Weight and Dims

5kg / 11 Ibs

480mm / 19" (W) x 90mm / 3.6" (H) x 235mm /9.3" (D)

Focusrite VRM Box

Price List Rp.1.500.000
Focusrite VRM Box
USB interface with headphone output featuring Virtual Reference Monitoring technology

If you thought that reference mixing had to be complicated and expensive, think again. Focusrite's Virtual Reference Monitoring technology transports you into the perfect mixing environment through any pair of headphones. VRM lets you choose your mixing environment from a living room, a bedroom studio, or a professional studio. You then simply choose from a list of industry-standard studio monitors and speakers.

We’ve all burned CDs of our mixes so that we can listen to our latest creation on as many different systems as we can: the living room HiFi, the television, our friends’ studio monitors and so on. Then the process of improving the mix based on what we’ve heard begins. We might burn another CD to check the updated mix on the same systems in the hope that it sounds better second time around. We may not realise it but we are now ‘reference mixing’. This is why most studios have multiple pairs of speakers; so the engineer can reference the mix on more than one monitor. For most of us this is tough, due to space or budget constraints. That is until now…

The Solution?
Introducing VRM Box. The high-quality USB headphone interface with a difference. VRM stands for Virtual Reference Monitoring. It gives you the option of listening to your mix on multiple sets of speakers, in different rooms, just using headphones. This helps to overcome the problems associated with creating a mix that translates well on many speakers. Burning CDs to listen to your mix in different environments will become a thing of the past.

Mix anywhere, any time
There’s no substitute for mixing on high-quality monitors in a well treated room, however sometimes this ideal scenario is not possible; we might be on a train, in a plane, in a hotel room, on the tour bus or simply at home late at night not wishing to disturb anyone. VRM allows you to make critical decisions on your mix, knowing for certain that it will translate well in many environments.

Small but perfectly formed
Compact enough to fit in the palm of your hand, and USB bus-powered, VRM Box is the ideal high-fidelity portable headphone interface. With a measured dynamic range of 108dBA, VRM Box provides a huge improvement for headphone listening when compared with the on-board sound of all laptops, as well as many far more expensive audio interfaces. Added with the Virtual Reference Monitoring technology, VRM Box represents incredible value for money.

Choose from 15 industry-standard studio monitors and speakers, in three different rooms

Key Features

• Three virtual rooms and 15 virtual speakers: Monitor in a virtual professional studio, living room or bedroom. With 15 different speaker models, you get multiple perspectives on your mix. From the Genelec 1031A, to the KRK VXT8 and the BBC-designed LS3-5a, we have meticulously measured each of the speakers to bring their characteristics to your headphones. There’s even an LCD television to use for reference!
• Use alongside any interface: VRM Box can be used in conjunction with any interface that has an S/PDIF output, including Pro Tools HD and Pro Tools HD Native. This makes switching between VRM headphone monitoring and speaker monitoring painless. VRM Box can receive S/PDIF signals at any standard sampling frequency (44.1 to 192 KHz) meaning you don't need to change your session setup – just route your mix to the S/PDIF out.
• High-quality monitoring anywhere: Sometimes it’s not possible to take your interface with you, as it’s too large or because it’s wired into your studio. The portable format of VRM Box allows you to take it anywhere – just sling it in your laptop bag and be safe in the knowledge that its robust case will stand up to the rigors of the road. It’s even bus powered so all you need is the USB cable.
• A great upgrade for headphone listening: If you like to listen to music on your computer with headphones, VRM Box provides a great improvement when compared with on-board sound and indeed many other audio interfaces. With a dynamic range of 108 dBA and very low noise and distortion figures, VRM Box delivers pristine sound with or without the optional room and speaker modelling.

Specification:

Headphone Outputs (Outputs 1-2)

Output impedance:

< 10 Ω

Power output into 150Ω:

15mW

Power output into 50Ω:

30mW

THD+N:

-100dB (0.001%) (-1dBFS input, 20Hz/22kHz bandpass filter, 150Ω load)

Signal to Noise Ratio:

> 105dB

S/PDIF Digital Input

Automatic Sample Rate conversion
Supported sample rates: continuous from 32kHz to 192kHz

THD+N: < -110dB any sample rate

Crosstalk (Channel Isolation)

Any output to output: > 100dB
DIGITAL PERFORMANCE

D/A Dynamic Range:

120dB (A-weighted)

Measured D/A Dynamic Range:

108dB (A-weighted)

Clock Source:

Internal Clock only Clock jitter < 250 picoseconds

Supported Sample Rates:

44.1kHz & 48kHz

Input channels to computer:

S/PDIF (stereo)

Output channels from computer:

Headphones (stereo)

Connectors and Controls

Stereo S/PDIF input on RCA

Stereo Headphone Output on 1⁄4” TRS

Headphone Output Level control (analogue)

4-pin USB2.0 compatible socket
Indicators

Green LED Indicator:

Flashing: Unit not installed correctly on host

Off: VRM effects turned off

On: VRM effects turned on

Power

Bus power from USB bus

Operating System Requirements

Windows

XP (service pack 3), Vista, 7 (32 and 64-bit)

Mac

OS X 10.5 Leopard (Intel only), OS X 10.6 Snow Leopard.

For customers running computers with Intel's Core i-series chipsets, please checkhere.

To use our OS Checker, please click here
Weight and Dimensions

Dimensions

Unboxed: 68mm x 25mm x 68mm (W x H x D)
Boxed: 155mm x 210mm x 75mm (W x H x D)

Weights

NetWeight: 123g
Gross Weight: 380g

Focusrite Scarlett 18i20 Audio Interface

Price List USD 625

Focusrite Scarlett 18i20 Audio Interface
USB 2.0 audio interface with eight Focusrite mic preamps
Focusrite’s Scarlett 18i20 is the latest in the company’s new generation of multi-channel USB-based audio interfaces, featuring eight award-winning Focusrite microphone preamplifiers, designed specifically for the computer interface environment, delivering legendary Focusrite sound quality.

Focusrite’s mic preamps are found in the world’s top studios and give the 18i20 an unequalled level of performance, with low noise, minimal distortion and enormous dynamic range. The Scarlett preamps offer exceptional headroom, and two front-panel inputs also offer 10dB pad buttons to handle the highest-level inputs without distortion.

Comprehensive inputs/outputs
With 18 inputs and 20 outputs, Scarlett 18i20 includes enough I/O to handle the vast majority of day-to-day studio tasks at maximum quality, with maximum flexibility. Scarlett 18i20 features six combo XLR/jack mic/line inputs plus two front-panel XLR/jack mic/line/instrument inputs with 10dB pad buttons, 10 analogue line outputs, two independent headphone outputs on the front panel, and ADAT and S/PDIF digital I/O, plus MIDI I/O and Word Clock out for digital synchronisation when required.

The ADAT interface can be used to bring in digital sources or to add extra preamps such as Focusrite’s OctoPre Mk II, bringing the mic pre complement to 16 channels, ideal for recording a complete band and minimising overdubs.

Class leading digital conversion
This prodigious I/O capability is backed by Focusrite’s class-leading precision digital conversion technology at sample rates up to 96 kHz, 24-bit, to ensure that you get the very highest quality into and out of your audio software – all major DAWs are supported.

High channel count and Focusrite quality – now on USB 2.0 and iOS
Scarlett 18i20 is the USB complement of the tried and tested Saffire PRO 40 Firewire interface. Suitable for Windows, Mac and even iOS (with the Camera Connection Kit*) platforms, Scarlett 18i20’s USB 2.0 connection suits almost any computer, helping you build a setup in which external storage and audio interfaces do not have to share the same computer bus (recommended for the best performance) – if you have Firewire drives, for example, a USB audio interface is the best choice.
*Camera Connection Kit not included

Key Features

• Eight high-quality award-winning Focusrite preamps: Scarlett 18i20 is the best sounding interface in its class. Focusrite’s unparalleled reputation for audio excellence forms the foundation of this new interface, with eight award-winning Focusrite preamps.
• High-quality 24-bit/96kHz USB 2.0 interface compatible with Mac, Windows and iOS: Features high quality A-D / D-A at up to 96kHz, 24bit. Pristine audio quality and rock-solid synchronisation are guaranteed on Mac and Windows as well as driver-free operation on the iOS platform.
• 18 inputs & 20 outputs: Scarlett 18i20 boasts an extensive range of analogue and digital I/O capabilities including ADAT I/O which can enable an additional eight inputs and outputs.
• Dual independent headphone buses: Give two artists independent, fully-customised monitor mixes – each with an independent front-panel level control.
• Scarlett MixControl ultra-low-latency DSP mixer/router: Maximising routing flexibility and intuitive one-click set-up solutions, Scarlett MixControl provides an 18 x 8 DSP mixer with powerful routing and monitoring capabilities.
• Unmatched routing flexibility: Scarlett 18i20 is the most flexible interface in its class, enabling you to intuitively adapt it immediately to the needs of any recording session. Route any input signal or DAW output, or a mix of both, to any output.
• Comprehensive bundle of included software: Comes with Ableton Live Lite – ground-breaking production and performance software, Scarlett Plug-in Suite – EQ, compression, gating and reverb, Novation Bass Station - software model of the classic Novation analogue mono-synth, and 1GB of Loopmasters samples.

Specification:

Digital Performance
A-D Dynamic Range	109 dB A-weighted (all inputs)
D-A Dynamic Range	108 dB A-weighted (line outputs)
Supported sample rates	44.1 kHz, 48 kHz, 88.2 kHz A 96 kHz
Clock jitter	<250 ps
Microphone Inputs
Frequency Response	20 Hz ± 0.5 dB, 20 kHz ± 0.1 dB (min. gain)
THD+N	0.001% (1 kHz, –1dBFS, 20 kHz BW)
Noise EIN	–122 dBu CCIR-RMS (measured at 60 dB of gain with 150 ohm termination)
Maximum input level	+8 dBu (without pad)
Line Inputs
Frequency Response	20 Hz – 20 kHz ± 0.1 dB
THD+N	0.007% (1 kHz, –1dBFS, 20 kHz BW)
Noise (NiPoS)	–105 dBFS CCIR-RMS (measured at min. gain with 50 ohm termination)
Maximum input level	> +28 dBu
Instrument Inputs
Frequency Response	20 Hz – 20 kHz ± 0.1 dB
THD+N	0.007% (1 kHz, –1dBFS, 20 kHz BW)
Noise (NiPoS)	–103 dBFS CCIR-RMS (measured at min. gain)
Maximum input level	+8 dB (without pad)
Line Outputs 1 & 2
Maximum Output Level (0 dBFS)	+16 dBu, balanced
THD+N	0.001% (1 kHz, –1dBFS, 20 kHz BW)

Focusrite Scarlett 6i6 USB Audio Interface

Price List Rp.3.000.000
Focusrite Scarlett 6i6 USB Audio Interface
6 in / 6 out USB 2.0 audio interface with two Focusrite mic preamps
Scarlett 6i6 is a 6 in / 6 out audio interface that connects to your PC, Mac or iPad via USB 2.0. It has two award winning Focusrite microphone preamplifiers, which deliver superb quality recordings from microphones and instruments, straight into your computer or iPad (Apple Camera Connection Kit required with iPad).

Focusrite: Over 25 years of audio excellence
Focusrite was commissioned to make its first ‘no-holds-barred’ microphone preamps by Sir George Martin for his Air Studio facility in London. Over the following 25 years Focusrite designed some of the finest mic preamps in the music industry, and in recent years has developed a series of best-selling audio interfaces for people who really care about sound.

Perfect for producers and bands
Scarlett 6i6 is perfect for producers, recording artists or small bands. Featuring two award-winning Focusrite mic preamps and a stereo line input, 6i6 is great for recording vocals, guitar and a stage piano simultaneously. With the four balanced outputs, connect up to two sets of stereo monitors, and use the S/PDIF I/O for connecting digital sources. There are also two built-in headphone outputs with separate volume controls so multiple recording artists can listen to the mixes they need to get the best take. The inputs and outputs feature precision 24 bit A-D, D-A conversion at up to 96KHz in order to get the most accurate signal possible into and out of your computer.

Hardware features
The outer case is a tough aluminium extrusion, which protects the components inside. There is a large main monitor control knob as well as two dedicated gain knobs for each mic input, each with two colour ‘gain halos’ which light up green to indicate that sound is detected, and red if the level is too high. Both mic inputs can be switched between instrument, line and microphone, and a pad can be switched-in to cope with high-level inputs.

Included software
Scarlett 6i6 works with Mac, PC and iPad (using an Apple camera Connection Kit - available separately from Apple). It comes with a bundle of included software. Scarlett MixControl is a software control panel for routing the inputs and outputs, and accessing additional features on the hardware. It also comes with Ableton Live Lite: revolutionary production and performance software that can be used to record and playback audio in a totally unique way. The Scarlett Plug-in Suite is also included, supplying EQ, compression and reverb to professionalise your mixes.

Key Features:

• Two award-winning Focusrite mic preamps: The best sounding interface in its class. Focusrite's 25-year underpins this new interface with two award-winning preamps
• High quality 24bit 96KHz audio interface for Mac, PC and iPad: 6i6 features professional conversion technology guaranteeing pristine audio quality and reliable synchronization on Mac, PC and iPad (or any iOS device)
• 6 inputs and 6 outputs: All of the analogue and digital inputs you need for home multi-track recording. No need for breakout cables - every analogue input & output has a dedicated socket
• Two headphone outputs with seperate level controls: With two headphone mixes the engineer and the artist can both listen to the mix levels they need
• Rugged metal unibody chassis: Whether you are in the studio or on the road your Scarlett 6i6 will not only look great, but also withstand the impacts sustained by a mobile recording rig
• Unique gain halos for safeguarding your levels: Unique gain halo indicators make it clear when you have a good signal for recording. When the halos are green you have a good level, and when they turn red it means you need to turn the gain down.
• Large main monitor control: A large main monitor control knob keeps your volume level right at your fingertips
• Scarlett MixControl ultra-low-latency DSP mixer and router: Scarlet MixControl Provides a 6 x 6 DSP mixer with flexible routing capabilities, intuitive one-click presets, and lower than 1.4 ms latency
• Powerful software bundle: Scarlett 6i6 comes with Ableton Live Lite, the Scarlett Plug-in Suite, the Novation Bass Station soft-synth and Loopmasters sample content

Specification

Digital Performance
A-D Dynamic Range	109 dB A-weighted (all inputs)
D-A Dynamic Range	106 dB A-weighted (line outputs 1-2) 108 dB A-weighted (line outputs 3-4)
Supported sample rates	44.1 kHz, 48 kHz, 88.2 kHz A 96 kHz
Clock jitter	<250 ps
Microphone Inputs
Frequency Response	20 Hz ± 0.5 dB, 20 kHz ± 0.1 dB (min. gain)
THD+N	-96 dB (1 kHz, –1dBFS, 20 kHz BW)
Noise EIN	–122 dBu CCIR-RMS (measured at 60 dB of gain with 150 ohm termination)
Maximum input level	+9 dBu (without pad)
Line Inputs
Frequency Response	20 Hz ± 0.5 dB, 20 kHz ± 0.1 dB (min. gain)
THD+N	-80 dB (1 kHz, –1dBFS, 20 kHz BW)
Noise (NiPoS)	–105 dBFS CCIR-RMS (measured at min. gain with 50 ohm termination)
Maximum input level	> +28 dBu
Instrument Inputs
Frequency Response	20 Hz ± 0.3 dB, 20 kHz ± 0.1 dB (min. gain)
Noise EIN	–103 dBFS CCIR-RMS (measured at min. gain)
Maximum input level	+8 dBu (without pad)
Line Outputs 1 & 2
Maximum Output Level (0 dBFS)	+11 dBu, balanced
THD+N	-100 dB (1 kHz, –1dBFS, 20 kHz BW)

Focusrite Scarlett Studio

Price List Rp.3.500.000
Focusrite Scarlett Studio
Get it right from the start – with Scarlett Studio. The complete professional recording package for musicians
Whether you’re just starting out on your musical career or you’re a seasoned professional, Scarlett Studio gives you everything you need to start recording studio-quality music right away – right down to the microphone cable. Just add your computer.

Now you can record guitar, vocals, bass or other instruments directly into your computer, complete your recordings with studio effects and create a master mix.

Focusrite has been making high-end recording systems, used in the world's top studios, for over 25 years. That same precision engineering is now available in a compact, high-quality system for you to connect to your computer and start recording now – and it’s all inside this box.

The Scarlett Studio audio interface
The audio interface is the key to making professional recording. At the heart of Scarlett Studio is the Scarlett 2i2. This interface connects to your Mac or PC via the USB port and provides 2-inputs and 2-outputs to your music software. Scarlett 2i2 delivers the superb quality and legendary Focusrite sound that audio industry professionals have relied on for decades. Plug your instrument – bass, guitar, keyboard, synth, you name it – and the included studio microphone straight into the front panel and 2i2 brings them into your computer at the highest possible quality. You can record, edit and mix until you have just the sound you want, with the best possible playback quality so you can hear exactly what you’re doing.

Studio-quality microphone and headphones
Scarlett Studio really does give you everything you need to start recording. There’s a studio condenser microphone, the CM25, that’s specially designed to catch the life and soul of your vocals and acoustic instruments. Clean, smooth and sensitive, it captures every nuance. If you can hear it, you can record it. There’s even a high-quality, low-noise microphone cable included, to connect the CM25 to the Scarlett 2i2.

The included HP60 studio monitor headphones tell it like it is. Accuracy is number one when it comes to monitoring. Unlike many headphones that flatter the sound, making it sound better than it really is, the HP60s give you a clear and accurate impression of exactly how your music sounds, so you can get it just the way you want it. And when you play it back elsewhere, it’ll sound great.

Professional recording software
Scarlett Studio includes all the software you need to get you going straight away. Cubase LE 6 is powerful music production software for recording and mixing. Focusrite Scarlett plug-ins are a set of essential tools for polishing your mix, like compression to tighten up that bass or keep your vocals smooth and even; equalisers to bring out the character in your sound, gating to help remove noises, and reverb to give your music the space it needs. The Novation Bass Station is a software synthesizer that you can use to add additional bass or melody sounds to your music. Because it is a synth you can create totally new sounds that no one has ever heard before, or recreate classic sounds. There is also a sample pack from Loopmasters to add drum loops or sound effects to your track.
Features:

• Studio-quality recording package for your Mac or PC - Scarlett Studio contains everything you need to make professional recordings with your laptop or desktop computer
• Focusrite recording technology - The Scarlett 2i2 audio interface is at the heart of the Scarlett Studio Bundle, employing two of Focusrite’s award winning microphone pre-amps to record at the best quality in its class
• Microphone, headphones and cable included - High-quality condenser microphone and referencing headphones are included to ensure you have all the necessary tools to record and playback studio-grade sound
• All the software you need to record and produce music - Scarlett Studio includes Cubase LE 6 for recording and mixing, the Focusrite Scarlett plug-ins to add extra effects and processing, Bass Station soft-synth and Loopmasters samples
• Truly portable – no power supply - The package is totally portable: if you are using a laptop you can transport your studio in a backpack to your rehearsal space or venue with no need to plug into the mains
• Professional audio quality - Focusrite sound quality is second to none. In technical terms Scarlett 2i2 offers 24-bit performance at up to 96kHz sampling, with better than 105dB dynamic range on record; better than 102dB on playback. That’s true studio quality
• Unique LED ‘halo’ indicators - Know instantly whether you’re recording at the right level. LED “haloes” around the input knobs show green when the level’s right and red if it’s too loud

Specification:
Scarlett Studio HP60 Headphones

• Reference quality headphones
• Extended frequency response
• Adjustable fit
• Closed back design to prevent audio spill when recording
• Mini-jack to 1/4" jack adapter included

Scarlett Studio CM25 microphone

• Large-diaphragm condenser microphone
• 3 m red cable included
• Mic stand adaptor

Scarlett Studio Scarlett 2i2

• 2 in / 2 out USB audio interface
• 96 KHz, 24-bit conversion
• 2 Focusrite microphone preamplifiers
• Red anodised aluminium unibody chassis

Front panel

• 2 line/mic/instrument combination inputs – high quality XLR/¼” TRS Jack Combo
• 2 Line/Instrument switches
• 2 Gain knobs
• 2 Gain halo signal indicators
• 48V Phantom power switch
• Direct monitor switch
• Large monitor level dial
• USB Connection LED indicator
• Headphone output - ¼” TRS Jack
• Headphone level knob

Rear panel

• 2 balanced monitor outputs – ¼” TRS Jack
• USB 2.0 Port
• Kensington Lock slot
• Included software

Steinberg Cubase LE 6

• Focusrite Scarlett plug-in suite

Technical Specification:

Analogue Input Performance
Mic
Frequency Response	20Hz - 20kHz +/- 0.1 dB
THD+N	< 0.002% (minimum gain, -1dBFS input with 22Hz/22kHz bandpass filter)
Equivalent Input Noise (EIN)	< -120dB: measured at 55dB of gain with 150Ω termination (20Hz/22kHz bandpass filter)
Gain Range	+10dB to +55dB
Max Input Level	-3dBu
Line
Frequency Response	20Hz - 20kHz +/- 0.1dB
THD+N	< 0.002% (measured with -1dBFS input and 22Hz/22kHz bandpass filter)
Noise	-90 dBu (22 Hz/22KHz bandpass filter)
Signal to Noise Ratio	> 100dB
Gain Range	-10dB to +35dB
Max Input Level	+20dBu
Instrument
Frequency Response	20Hz - 20kHz +/- 0.1dB
THD+N	0.005% (measured with -8dBu input and 22Hz/22kHz bandpass filter)
Noise	-87dBu (22Hz/22kHz bandpass filter)
Gain Range	+10dB to +55dB
Max Input Level	-3dBu
Analogue Output Performance
Nominal Output Level	0dBFS = 10dBu, balanced
Frequency Response	20Hz - 20kHz +/- 0.2dB
THD+N	< 0.001% (measured with 0dBFS input 22Hz/22kHz bandpass filter, un-weighted)
Output Impedance	< 10Ω
Power Output into 150Ω	15mW
Power Output into 50Ω	30mW
Digital Performance
Clock sources	Internal clock only
A-D Dynamic Range	105dB 'A-weighted' (all inputs).  Converter chipset A-D dynamic range 114dB
D-A Dynamic Range	104dB 'A-weighted' (all outputs).  Converter chipset D-A dynamic range 114dB
Supported sample rates	44.1 KHz, 48 KHz, 88.2 KHz, 96 KHz
Crosstalk
Input to Input	Better than 90dB
Output to Output	Better than 90dB
Input to Output	Better than 85dB
Input Metering
Ring LED lit Green	Signal present (-24 dBFS)
Ring LED lit Red	Signal overload (0dBFS), peak held for approximately 1 second
Weight and Dimensions
Height	45 mm / 1 ¾ “
Width	175 mm / 7”
Depth	100 mm / 4”
Weight	580 g / 1.3 lbs