Roland STUDIO-CAPTURE UA-1610 USB 2.0 Audio Interface

Price List Rp.10.995.000
Roland STUDIO-CAPTURE UA-1610 USB 2.0 Audio Interface
Flagship 16x10 Interface with 12 Premium Mic Preamps
With the new STUDIO-CAPTURE, Roland once again raises the performance standard for computer-based audio production. The latest addition to the acclaimed CAPTURE family boasts 12 premium-grade mic preamps, an industry first for a compact USB audio interface. A total of 16 audio inputs, 10 audio outputs, and MIDI I/O offers massive connectivity for pro-level setups, all in a single, tabletop unit that fits easily into a travel bag. Other top-flight features include 24-bit/192 kHz audio quality, comprehensive front-panel metering, XLR monitor outputs with dedicated level control, dual headphone outputs, rock-solid drivers with VS STREAMING technology, and much more. Durable, portable, and ready to take on large-scale recording projects both in the studio and on the road, STUDIO-CAPTURE stands head and shoulders above all other USB audio interfaces on the market.

• High-performance USB 2.0 audio interface for studio and mobile production
• 16 audio inputs and 10 audio outputs, including 12 premium mic preamps (VS PREAMP)
• VS STREAMING delivers ultra-stable, low-latency driver performance for Windows and Mac
• AUTO-SENS intelligently sets optimal input levels for all preamps
• Individual input/output meters and input channel buttons
• Four independent, software-controlled monitor mixes
• XLR monitor out, direct monitor, and dual headphone outputs with independent front-panel level knobs
• Coaxial digital I/O; MIDI I/O with FPT
• Expand your I/O by using two STUDIO-CAPTUREs together, both controlled with a single driver
• 2U rackmount ears included

Top Quality For Modern Audio Production
Combining pro-level audio performance, abundant I/O, and a versatile mobile design, STUDIO-CAPTURE is a powerful solution for today’s musicians, composers, and recording engineers. It delivers quality equivalent to dedicated rackmount audio interfaces costing much more, all in a compact, go-everywhere package that’s equally suited for traveling production, tabletop use in home studios, or permanent installation in commercial studios with the included rack ears. The 16 audio inputs, 12 mic preamps, and flexible monitor mixing allow you to track most bands without adding any additional hardware, or simultaneously connect multiple synthesizers and other devices in large-scale composing setups. To take on really big projects, you can seamlessly expand your I/O to 32 inputs and 24 mic preamps simply by adding a second STUDIO-CAPTURE.

12 Premium Mic PreAmps
Among its many standout features, STUDIO-CAPTURE offers 12 digitally controlled mic preamps (VS PREAMPS), built with premium-grade components for exceptional low-noise performance, high headroom, and transparent sound quality. 12 XLR/TRS combo inputs are provided for the preamps, with four inputs conveniently located on the front panel for quick and easy access. Available on each channel is independent phantom power, a low-cut filter, phase invert, and digital compression, accessible via the included software control panel.

Generous And Flexible I/O
STUDIO-CAPTURE is equipped with a total of 16 input channels and 10 output channels. With the versatile, space-saving combo jacks, each of the 12 XLR mic inputs can alternately be used as a balanced/unbalanced ¼-inch line input, while inputs 13-16 have their own dedicated rear-panel TRS jacks. Inputs 1 and 2 can be switched to Hi-Z operation for connecting guitars and basses directly, while inputs 15/16 can be assigned to the coaxial digital input. Eight analog outputs are provided on TRS jacks, with the main stereo outputs mirrored on XLR jacks. Two additional outputs (9/10) are available via a coaxial digital jack. STUDIO-CAPTURE also features MIDI I/O, with Roland’s proprietary FPT processing for superior high-speed performance.

High-Performance VS Streaming Technology
STUDIO-CAPTURE offers high-resolution, 24-bit recording at rates up to 192 kHz, with incredible stability and industry-leading low-latency USB performance provided by Roland’s proprietary VS STREAMING technology. All current Mac and PC DAW platforms are supported through ASIO 2.0/WDM (Windows) and Core Audio (Mac) drivers. Thanks to VS STREAMING, you can expand your I/O by using two STUDIO-CAPTUREs on the same USB bus without compromising stability or audio quality.
AUTO-SENS: PERFECT LEVELS AT THE TOUCH OF A BUTTON

Unique to Roland’s CAPTURE family is the innovative AUTO-SENS feature, which makes it fast and easy to set perfect input levels every time. Just press the dedicated front-panel button, play your connected instruments, and STUDIO-CAPTURE automatically sets the ideal recording level for each input in seconds. Useful for pros and beginners alike, AUTO-SENS is great for quick, fail-safe audio capture when recording a fully mic’d drum kit or an entire band.

Comprehensive Monitoring And Metering
Bright, responsive LED meters let you keep an eye on levels for individual input and output channels and the MONITOR OUT, while dedicated input channel buttons and other intuitive controls make it easy to navigate the built-in display. The MONITOR OUT section features a dedicated LEVEL knob for control room volume, plus a DIRECT MONITOR knob for listening to selected input signals. Two headphone jacks—each with their own level knob—allow a musician and engineer to monitor at the same time without additional hardware.

Flexible Monitor Mixing With Effects
Beyond traditional audio interfacing, STUDIO-CAPTURE offers four independent Direct Mixers for zero-latency monitoring, operated via the software control panel. Powered by STUDIO-CAPTURE’s internal DSP, each mix can be routed to any of the outputs, perfect for sending custom monitor mixes to headphones, speakers, or recording devices. Mix configurations can be saved for later use, providing quick setups for many different applications. A high-quality reverb processor is available for monitoring, allowing singers and instrumentalists to record dry tracks while listening to great-sounding ambience effects.

Specification:

Number of Audio Record/Playback Channels

Sampling Rate: 96 kHz, 48 kHz, 44.1 kHz
Record: 16 channels
Playback: 10 channels
Sampling Rate: 192 kHz
Record: 8 channels
Playback: 4 channels

Signal Processing

PC interface: 24 bits
AD/DA Conversion: 24 bits

Sampling Rate

AD/DA Conversion: 192 kHz, 96 kHz, 48 kHz, 44.1 kHz
DIGITAL (IN/OUT): 96 kHz, 48 kHz, 44.1 kHz

Nominal Input Level (variable)

Input 1–12 jacks (XLR type): -60 to -2 dBu
Input 1–12 jacks (1/4-inch TRS phone type): -54 to +4 dBu
Input 13–16 jacks (1/4-inch TRS phone type): -20, -10, +4 dBu

Nominal Output Level

OUTPUT 1–8 jacks: +4 dBu (balanced)

Headroom

18 dB

Output Impedance

OUTPUT 1–2 jacks (XLR type): 600 ohms (balanced)
OUTPUT 1–8 jacks (1/4-inch TRS phone type): 2k ohms (balanced)
PHONES: 47 ohms

Frequency Response

192.0 kHz: 20 Hz to 60 kHz (+0/-2 dB), 20 Hz to 90 kHz (+0/-8 dB)
96.0 kHz: 20 Hz to 40 kHz (+0/-2 dB)
48.0 kHz: 20 Hz to 22 kHz (+0/-2 dB)
44.1 kHz: 20 Hz to 20 kHz (+0/-2 dB)

Residual Noise Level

INPUT 1–2 -> OUTPUT 1–2: -90 dBu typ. (SENS = min., Input terminated with 600 ohms, IHF-A)
* Input channel fader = Unity

Dynamic Range

AD block INPUT 1–2: 105 dB typ. (SENS = min.)
DA block OUTPUT 1–2: 114 dB typ.

Display

Graphic LCD 128 x 64 dots

Connectors

INPUT 1–12 jacks *1: XLR type (balanced, phantom power *2: DC +48 V (unloaded maximum), 10 mA (maximum load))
INPUT 1–16 jacks: 1/4-inch TRS phone type (balanced)
PHONES jack: Stereo 1/4-inch phone type
OUTPUT 1–8 jacks: 1/4-inch TRS phone type (balanced)
COAXIAL IN jack: RCA phono type (conforms to IEC60958)
COAXIAL OUT jack: RCA phono type (conforms to IEC60958)
MIDI (IN, OUT) connectors
USB port: USB Type B
DC IN jack

*1 INPUT 1–2 jacks support high impedance
*2 Provided on all XLR-type input jacks. Current value is per channel. Total must not exceed 50 mA.

Interface

Hi-Speed USB

Power Supply

AC adaptor

Current Draw

1.6 A

Accessories

Owner's Manual
Block Diagram leaflet
AC adaptor
STUDIO-CAPTURE Driver CD-ROM
Rack mount angle x 2
USB cable
License agreement

SIZE AND WEIGHT

Width

284 mm
11-3/16 inches

Depth

162 mm
6-7/16 inches

Height

89 mm
3-9/16 inches

Weight

1.9 kg
4 lbs. 4 oz.

* 0 dBu = 0.775 Vrms

ZOOM H1 Handy Recorder

Price List Rp.1.780.000

ZOOM H1 Handy Recorder

Introducing the H1 Handy Recorder.
It’s our smallest recorder ever. But don’t let its size fool you. The H1 Handy Recorder has our renowned recording technology and studio-quality microphones in our easiest, most portable device ever.
Now Zoom recording technology is available to everyone. And with an infinite variety of applications, you’ll want to take your H1 everywhere. From musical performances, songwriting sessions and rehearsals to seminars, conferences, journalism or capturing audio for video, the H1 gives you clean, clear stereo sound effortlessly.

What sets us apart?
Like all Zoom recorders, the H1’s onboard microphones are configured in an X/Y pattern, for stunning stereo imaging. Because both mics are arranged on the same axis, they are equidistant from the sound source for perfect localization and no phase shifting. The result is great stereo recordings with natural depth and accurate imaging.

Under your thumb…
With its newly designed user interface, the H1 is also our easiest recorder to use. All its functions are at your fingertips, such as track marker, auto record, low cut filter, level and volume controls with on-board buttons… No menus required!

Intuitive controls make it easy to capture the audio you need with ease. But we still provide the versatility you’ve come to expect from Zoom. So you get total recording format flexibility from 16-bit/44.1 kHz to 24-bit/96 kHz WAV, or MP3 from 48 kbps to 320 kbps and enough tools onboard to make impeccable recordings.

Secure your digital memories.

The H1 records on microSD cards and comes with a 2GB microSD card. Using a 32GB microSDHC card allows over 50 hours of recording time at 16-bit/44.1 kHz. 

MicroSD cards were specifically designed for the ever-evolving mobile technology market. Approximately the size of a fingernail, the microSD card is a significant advance in technology and its size and capacity are a major reason why the H1 is able to deliver so much recording technology in such a small package.

Share the love.
With its Hi-Speed USB 2.0 port, the H1 allows for fast transfer of your audio files to your computer. Listen, edit and share with your fans on your Mac or PC. It also includes a reference speaker to ensure your recordings are being captured as you desire.

Applications:
Musicians – Shorten the Learning Curve.
With stereo recording so precise and so easy, musicians will love the H1. An indispensible part of any serious musician’s arsenal, the H1 makes recording rehearsals and practice sessions easier than ever. And the best part is, because your performance is captured with crystal clear audio, you can really critique your own ….

Peter Erskine, Educator, Grammy-Winning Drummer and Alan Pasqua, Chair of Jazz Studies, USC

Songwriters – More Hit Wonders.

Isn’t it time you heard your masterpieces in beautiful stereo that rivals a professional recording studio? We know you’re the creative type, not an engineer. That’s why we made the H1 so easy to setup and navigate. So you can keep the inspiration going. Your most creative ideas can now be recorded and shared with your co-writers anywhere and at anytime the music hits you. Just be sure you have your H1 on at all times!

Mike Inez and Jerry Cantrell - Alice in Chains

Bands – On the Road, On the Run.

There are so many applications for your band and the H1. Start with learning new songs. If you’re the guy who teaches the songs, record each part on an H1 and email it to the members of your band. If you’re the one who books the band, you band needs to get heard. And everyone in the group needs to hear their performance to get better. The H1 makes capturing your performance easy, even when you’re cranking out 

.

Shinedown live in New York City

Video and Film Professionals – Indie Shoots That Don’t Sound Indie.

With DSLR cameras that shoot incredible HD video, the need for a better audio solution has emerged. The H1 will easily shoe mount on top of a video or DSLR camera. And because it has a standard ¼-20 mount on the bottom, you can place the H1 anywhere on your rig. Use the stereo output jack to connect directly to the audio input on your camera, or bring the audio into your editing suite using the USB connection. The H1 is the perfect entry point for those getting started with dual source shooting

 .

H1 mounted on a Canon T2i

Journalism – Scoop Central…

These days, a journalist needs be able to capture broadcast ready interviews whenever or wherever they occur. Imagine being able to spontaneously capture the kind of audio your producer needs and send it remotely via email. That’s what the H1 provides. It’s literally a recording studio in your pocket! And the files are Broadcast Wave Format (BWF) so your producer has time and date stamping as well as any markers .you set for total editing ease

Business – Content Management.
Whether it’s a sales meeting, training conference or a seminar, the ability to capture and distribute the content is a big part of the ROI when you do events. Use the H1 to record your content for your company website or distribute it by email to your peers. Edit and turn it into a podcast. The possibilities are endless. Whatever the use, the H1 is perfect for legal, business and medical field use.

Accessorize the size…

Everything you need to get started recording is included. Your H1 comes with an AA battery for 10 hours of operation and a 2 GB microSD card.

In addition, an H1 accessory package (APH-1) is also available with an array of accessories that make your recordings even more pristine and easier to capture. The accessory kit includes a windscreen, AC adapter (USB type), USB cable, adjustable tripod stand, padded-shell case and a mic clip adapter.

Brilliant Stereo Recording.Now in your pocket.

Combining powerful recording capability with elegance and simplicity, the H1 Handy Recorder is our smallest, most affordable recorder ever.

Click here to watch the Zoom H1 Basic Product Overview Video!
Features:

• Stereo X/Y mic configuration captures perfect stereo images
• Same frequency and SPL handling as popular Zoom H2
• Records Broadcast WAV (BWF) at 96kHz/48kHz/44.1kHz at 16-bit or 24-bit
• Records MP3 from 48 to 320kbps for maximum recording time
• Hi-Speed USB 2.0 port
• Built-in reference speaker
• Includes 2GB microSD memory card and one AA battery
• One AA size battery allows 10 hours operation
• Accommodates up to 32GB microSDHC memory cards
• Track marker function
• Low cut filter
• Built-in tripod mount
• 1/8-inch external mic input
• 1/8-inch stereo line output
• Auto record level
• Optional accessory package (APH-1) includes windscreen, AC adapter (USB type), USB cable, adjustable tripod stand, padded shell case and mic clip adapter

H1 Features at a glance:
The H1 Handy Recorder puts all its functions at your fingertips. No menus! Its backlit display features recording levels, file format, time elapsed, remaining battery life and recording time.

Its intuitive transport puts all the controls on the side with no menus on the screen. A large record button gives you complete control. Playback and pause, marker, forward and rewind buttons are all accessible by your thumb. Volume for playback and monitoring can be adjusted using your index finger.

On the back, you’ll find a single AA battery compartment, a tripod mount, low cut filter, auto level setting and recording format selectable switches. There’s also convenient mount for a strap or lanyard clip.

All the transport controls are on right side of the H1 and you can adjust recording levels on the fly. A 1/8" stereo line input is located on this side and its USB port is also accessible here as is its power on and hold switch.On the left side, you can replace your microSD card by folding down the rubberized door. There’s also a 1/8" stereo line/headphone output with adjustable volume control for monitoring playback. The built-in reference speaker is on the bottom of the unit.

Download a list of "approved" microSD cards that have been comfirmed for operation with H1 (PDF file).
Specification:

Track
_________________________________________________________________
Simultaneous recording tracks:	2
Simultaneous playback tracks :	2
Functions:
_________________________________________________________________
Functions:	Lo-cut Filter, Auto REC Level, Marker
Recording/playback format:	WAV: 44.1 / 48 / 96kHz, 16- / 24-bit MP3: 44.1kHz 48/56/64/80/96/112/128/160/192/224/256/320kbps
A/D conversion:	24-bit, 128x oversampling
D/A conversion:	24-bit, 128x oversampling
Signal processing:	32-bit
Recording media:	microSD card (16MB - 2GB) microSDHC card (4GB - 32GB)
Display:	127 segment custom LCD (with backlight)
Built-in stereo mic:	Unidirectional condenser
Gain:
_________________________________________________________________
Gain:	0 to +39dB
Minimum gain with digital attenuation:	-28dB
Maximum sound pressure level:	120dB SPL
Mic/line input:	1/8" stereo phone jack (Plug-in power supported)
Input Impedance:	2kΩ (Input level: 0 to -39dBm)
Phones/line output:	1/8" stereo phone jack
Output load impedance:	10kΩ or more
Rated output level:	-10dBm
Phones output level:	20mW + 20mW into 32Ω load
Output load impedance:	10kΩ or more
Rated output level:	-10dBm
USB interface:	Type: Mini-B type (USB 2.0 High Speed compatible), Mass Storage Class operation Format: 44.1 kHz/16-bit or 48 kHz/16-bit
Power requirements:
_________________________________________________________________
Power requirements:	Alkaline or Ni-MH AA battery x 1, or AC adapter (AD-17, USB to AC type)
Battery life (alkaline batteries):	10 hours (MP3), 9.5 hours (WAV)
Dimensions:	44(W) x 136(D) x 31(H)mm
Weight:	60g (without batteries)

TASCAM DR-40 Handy Recorder

Price List USD 270
TASCAM DR-40 Handy Recorder
The adjustable mics, four-track recording and extended battery life of the TASCAM DR-40 give you the flexibility you need to record tracks anywhere.

The DR-40 captures up to four tracks from built-in, high-quality condenser microphones, XLR mic or line inputs. The internal mics are adjustable from XY to AB position, helping you to tailor your recording to the sound of the room. A pair of great-sounding TASCAM microphone preamps welcome condenser microphones with phantom power, recording at up to 96kHz/24-bit resolution. It accommodates balanced XLR or 1/4" line inputs using locking Neutrik Combo jacks. The DR-40 accepts SD or SDHC cards up to 32GB, and a 2GB card is included.

Once recorded, play back your takes with EQ and the optional Level Align feature to avoid volume jumps. A stereo reverb effect is also built-in, as well as a speaker and chromatic tuner. Transfer recordings to computer using the USB 2.0 jack. Other features include overdub mode, variable speed playback, limiting and low cut filter, and much more – all with TASCAM’s simple-to-use interface. No other recorder makes home or live recording as simple as the TASCAM DR-40.

"DR-05", "DR-07MK2" and our brand new "DR-40" Linear PCM Recorders are part of TASCAM's handheld recorders. Select a model based on your functional needs.

Features:

• Handheld 4-track Portable Recorder
• Built-in condenser microphones, adjustable to XY or AB position
• XLR / 1/4” mic/line input with phantom power
• Record the built-in microphones with the XLR mic or line input for a four-track recording
• Dual recording mode captures a safety track at a lower level to avoid distortion
• Overdub mode allows recording along with a previous take
• Peak reduction automatically sets the ideal recording level
• 15-hour battery life from three AA batteries
• Up to 96kHz/24-bit WAV/BWF or MP3 recording resolution
• 2-second pre-recording buffer
• Variable speed playback from 50-150% speed without changing the pitch
• Adjustable limiter and low cut filter (40 / 80 / 120 Hz)
• Built-in speaker and chromatic tuner
• 1/8” headphone/line output
• Playback EQ and level align
• Stereo Reverb effect
• Tripod mounting hole
• SD/SDHC card slot supports up to 32GB media (2GB card included)
• Locking Neutrik Combi jacks
• USB 2.0 jack and cable for transferring recordings to computer
• Powered by three AA batteries, AC adapter (optional PS-P515U), external battery pack (optional BP-6AA), or USB bus power

DR-40 APPLICATIONS
Four-channel recording

• The DR-40's four-track recording mode gives you several options to record, indicated by LEDs on the front of the unit. The 4-channel recording modes include:
• DUAL - Record a stereo signal with a copy of that stereo signal at a lower level. This gives you a safety track you can use in case the main recording is distorted. (See next section for more info)
• 4CH€“ - Record the built-in microphones along with a pair of external mics, like close-up and ambient microphones. Or record the built-in mics along with a balanced line input, such as the feed from a mixer along with the sound in the room.
• OVERDUB - Play along with a recording you’ve already made to build up a full production or song demo
• You can record up to four channels of 96kHz/24-bit audio. Mono and stereo recording is also available. Recording formats include MP3 (from 32 to 320kbps), WAV and Broadcast WAV formats.

Dual Recording Mode

• Dual Recording records a second copy of your performance up to -12dB lower as a safety track. This mean if your recording gets accidentally distorted, you'll have a backup copy that isn't distorted.
• Dual Recording works in addition to the peak limiting and low cut filter features which also prevent distortion.
• The Dual Recording mode is perfect for recording your band live. Just set the unit to record and hit the stage without worrying about the recording getting blown out.

Locking XLR Inputs

• The DR-40 has a set of Neutrik® locking combination XLR & 1/4" inputs. These external inputs can accept balanced microphone or line inputs. The microphone preamp includes phantom power and plenty of gain for detailed recordings with condenser microphones.
• The DR-40 is one of the only handheld recorders with a balanced line input, for recording the output of a console or other pro audio source. In 4-channel recording mode, you can record the output of a live console while capturing the sound of the room with the built-in microphones.

Adjustable Condenser Microphones

• Attached to the DR-40 are a pair of cardioid condenser microphones. The stereo microphones can be arranged in an XY recording pattern for tight stereo imaging or in an AB pattern for a more ambient recording.
• When flipping the microphone orientation, the left and right channels automatically flip for correct stereo placement.

Useful Playback Features

• Like most TASCAM handheld recorders, the DR-40 includes playback modes to loop a section of playback or slow it down without changing the pitch, perfect for learning new music. A built-in speaker is included for checking recording without headphones. The Level Align feature smooths out level jumps during playback to help you monitor your raw, unmastered recordings.
• A stereo reverb effect is available during playback or recording. Another handy additions include a chromatic tuner and tripod mount.

Specification:

Recording Media 

SD card（64MB～2GB）, SDHC card（4GB～32GB）
Recording and Playback Format 

WAV / BWF 

44.1kHz/48kHz/96kHz, 16/24 bit (Stereo or Mono)

MP3 

44.1kHz/48kHz, 32k/64k/96k/128k/192k/256k/320kbps

Power Consumption 

2.5W（Max.）

Battery Operation Time 

15 hours (continuous operation, phantom power off)

Dimensions (W x H x D) 

2.76" x 6.1" x 1.38"
70 × 155 × 35 mm（Mic Closed）
3.54" x 6.1" x 1.38"
90 × 155 × 35 mm（Mic Opened）

Weight 

7.51 oz. / 213g（Without Batteries）

Number of Channels 

4 Channels（2 Stereo）

Playback Speed Control ( VSA )

50-150% without changing pitch

※  Only with 44.1kHz/48kHz

Built-In Microphone 

Cardioid Condenser microphones

Supporting both X-Y/A-B microphone settings

EXT MIC/LINE IN 

Connector 

XLR/TRS Combo Jack (1:GND,2:HOT,3:COLD)

Input Impedance 

2.2kΩ(MIC)/10kΩ(LINE)

Nominal Input Level 

-19dBV(MIC) / +4dBu (LINE)

Maximum Input Level 

-3dBV (MIC) / +20dBu (LINE)
PHONES/LINE OUT 

Line Connector 

1/8(3.5mm) Stereo mini-phone jack, unbalanced

Output impendence 

12Ω

Nominal output level 

－14dBV（10kΩ loaded）

Maximum output level 

＋2dBV（10kΩ loaded）
Headphone 

Maximum output 

20mW＋20mW（32Ω loaded）

Built-in Speaker Output 

0.3W (mono)

Low Cut Filter 

Cut Off Frequency 

40Hz/80Hz/120Hz

USB 

Connector 

Mini B type

Format 

USB2.0 HIGH SPEED Mass Storage Class

Power 

Three AA batteries (alkaline batteries or NiMH batteries)
Provided by the USB bus power
AC100 ~ 240V ,50-60Hz (AC adapter optional PS-P515U)

Power Consumption 

2.5W（Max.）

Included Accessories 

2GB SD Card
Mini USB Cable

Audio Performance

Frequency Response 

20Hz～20kHz +1dB/-3dB（Fs 44.1kHz、EXT IN→LINE OUT、JEITA）
20Hz～22kHz +1dB/-3dB（Fs 48kHz、EXT IN→LINE OUT、JEITA）
20Hz～40kHz +1dB/-3dB（Fs 96kHz、EXT IN→LINE OUT）

Total Harmonic Distortion 

Less than 0.05%（Fs 44.1/48/96kHz、EXT IN→LINE OUT）

S/N Ratio 

Greater than 92dB（Fs 44.1/48/96kHz、EXT IN→LINE OUT）
Computer Requirements

Windows

OS
Windows XP
Windows Vista
Windows 7

CPU/Clock 

Pentium 300MHz Min.

Memory 

128MB Min.

USB Port 

USB2.0 recommended

Macintosh

OS
Mac OS X v10.2 or later

CPU/Clock 

Power PC、iMac、G3、G4 、G5 266MHz Min.

Memory 

64MB Min.

USB Port 

USB2.0 recommended