TASCAM TM-2X X-Y Stereo Microphone

Price List USD 120
TASCAM TM-2X X-Y Stereo Microphone 
Record high-quality audio for high-definition video straight to your camera X-Y stereo microphone for DSLR cameras: Includes: Noise Isolation Arm, Floating Support Structure & Furry Windscreen

The directional condenser microphones equipped on the TM-2X are the same mics used in our highly-regarded DR-series recorders. The X-Y pattern and two mic capsules are ideal for capturing a true representation of the sonic atmosphere, whether it's sound from a wide area or directly in front of the camera. As a result, the TM-2X records pristine sound that fits naturally with the recorded video.

Delivers high audio quality and the capacity to handle high sound pressures
We have consistently utilized our expertise in developing recording devices that focus on the design of the analog circuits behind the mic capsules. As a result, the TM-2X achieves a high performance rating and a frequency response of 50 Hz to 20 kHz. Furthermore, we designed the TM-2X with the capacity to handle high sound pressures up to 120 dB SPL to prevent distortion even in loud scenarios.

Built-in stereo mini plug output can be connected directly to the camera mic input for simple setup

Setup is as simple as connecting the cord from the TM-2X to the camera's mic input jack allowing you to add high-quality audio to video. The output can be set to one of two levels to enable compatibility with a variety of cameras.

Floating structure reduces handling noise
The floating support structure underneath the mics absorbs unwanted handling noise and sounds from cameras' mechanics.
Noise isolation arm to reduce lens operation noise includedWhen capturing video using changeable auto-focus lenses, the sounds produced from the lens itself can disrupt and interfere with recordings. In situations where this noise is a problem, you can reduce the interruptions by using the included noise isolation arm. The noise isolation arm physically increases the distance from the noise source to reduce its capture. The structure of the arm, including its length and height, was developed through extensive testing.

On-board Low-cut filter eliminates unwanted low frequencies
The unit includes an on-board low-cut filter to cut out low-frequency background noise. Depending on the video recording scenario, you can choose to turn this feature on or off (LOW CUT/FLAT).

Furry windscreen to reduce wind noise
When filming outdoors, even a slight breeze can enter the mic and cause wind noise. This unit comes with a furry windscreen that can physically prevent this noise from occurring. Wind noise can be reduced by simply covering the mic unit with this windscreen.

Features:

• Directional stereo condenser microphone in an X-Y configuration
• Designed with the capacity to easily handle high sound pressures up to 120 dB SPL
• Floating support structure used to reduce handling noise
• Included noise isolation arm to reduce lens operation noise
• Low-cut filter to eliminate any unwanted low frequencies
• Included furry windscreen
• Two-stage output level adjustment switch ensures compatibility with a variety of cameras
• Vari-angle microphone structure allows 180º rotation for optimal mic placement
• Included shoe adapter (ISO/JIS specification compliant) can be attached to the camera accessory shoe
• Tripod mounting threads enable the unit to be attached to a camera tripod
• 33cm connection cord supports connections in a variety of manners
• Lightweight design (75 g) that won't interrupt camera balance or handling
• Stereo mini-plug output jack
• Operates on plug-in power from the connected unit

Specification:

Microphone type	cardioid
Frequency range	50Hz to 20kHz
Input output ratings
Maximum input level	120dB SPL (at 1kHz, SENS:H, LCF=Flat, RL:2.2kΩ, Vcc:2.5V)
Output impedance	1.6k ohms (RL:2.2kΩ, Vcc:2.5V)
S/N ratio	74dB (at 1kHz, 1Pa, A weighted)
Mic sensitivity switch	SENS H:-37dB, SENS L:-52dB (at 1kHz, 0dB=1V/Pa, RL:2.2kΩ, Vcc:2.5V)
Connection cable/plug
Cable length	33cm
Plug	3.5 mm (1/8'") TRS stereo mini plug (Tip: left channel, Ring: right channel, Sleeve: GND)
Power	Plug-in power (JEITA standard CP-1203A)
Dimensions
TM-2X main unit	57(W)×59(H)×69(D)mm(not including cable and connectors)
Noise isolation arm	34(W)×57(H)×142(D)mm
Weigt
TM-2X main unit	75g
Noise isolation arm	41g
Operating temerature	-5 to 45˚C 23 to 142˚F
Accessories	Fur windscreen, noise isolation arm, Owner's Manual, warranty

TASCAM DR-44WL Portable Handheld Recorder With WIFI

Price List USD 381
TASCAM DR-44WL Portable Handheld Recorder With WIFI 
Groundbreaking Four-Track Recorder with Stereo Mics, XLR Mic Inputs and Wi-Fi
TASCAM's DR-44WL is the latest recording innovation from TASCAM. It starts with high-quality stereo condenser microphones, updated with a new XY pattern and high-performance mic components. Two locking XLR inputs feed TASCAM's latest microphone preamp design, with the lowest noise level and richest sound available in a portable recorder.

The DR-44WL revolutionizes handheld recorders with its new Wi-Fi feature. A free app for iOS or Android devices provides control, file transfer, and audio streaming to your smartphone. Start recording while on-stage or from anywhere in the room, while setting trim levels and check meters to make sure the transport is running. At the end of a performance, transfer recordings to your phone and instantly upload them to SoundCloud, Facebook, even email directly to fans.

With rugged construction, great sound quality, and TASCAM's famed ease of use, the DR-44WL is the ultimate portable recorder for anyone from beginning musicians to experienced professionals.
Main Features
High-Quality Condenser Microphones 
A pair of studio-quality condenser microphones top the DR-44WL, arranged in a true XY pattern for detailed imaging and phase coherence. The mic capsules are build to withstand up to 132dB SPL – as loud as a jet airplane – without distorting. Record concerts and rehearsals with the confidence that your recording won't be distorted.

In addition to the great-sounding new capsules, a new shockmounting system has been developed for lower handling noise and rumble. The capsules are suspended in a rubber mount that avoids low frequency noises when handheld, mounted on a camera, or used on a tripod. Cardioid Condenser Mics in an X-Y Pattern

Cardioid condenser capsules are mounted in acoustically-tuned housings. As with all TASCAM recorders, the mic capsules were selected after extensive listening tests. The true X-Y pattern captures the stereo field in phase-alignment, for perfect imaging during playback.

Designed To Handle High Sound Pressure Levels – Up to 132dB SPL
The design of the DR-44WL allows it to record loud sound sources, including rehearsals and concerts, without distortion. Up to 132 dB SPL means that a volume level 22 times higher than the 105dB SPL maximum sound pressure of a movie theater can be captured without clipping. The high level capability also makes the DR-44WL ideal for sound effects gathering.

Shockmount Design Reduces Handling Noise
Each mic capsule is cradled in its own shockmount to prevent vibrations from creating low frequency rumbling on the track. Inspired by high-end studio microphone mounts, the rubber material between the capsule and the body of the unit effectively absorbs movement from trucks passing by, handheld operation, or mounting on a camera or tripod.

Dual-Level Recording Feature Helps Prevent Overload
If levels get so high that your track is distorted, that recording can't be saved with any kind of mastering. The DR-44WL includes a limiter to keep levels under control, but an even more effective system is the Dual-Level Recording feature. Dual-Level Recording is a function that solves this problem by simultaneously recording two stereo files at different levels. If your recording is distorted, you have a lower level "safety track" that won't be distorted.
* When the Dual-level recording function is enabled, a maximum of two stereo tracks can be recorded simultaneously.

XLR Combo Jacks For Use With Professional Gear
The XLR/TRS external input jacks accept either microphone or line level sources. Balanced or unbalanced signals can be plugged in, at either +4 or -10 levels, using the locking XLR connector or the 1/4" jack. The DR-44WL supplies 48V Phantom Power for condenser or ribbon microphones that require it. Both the internal mics and external inputs are used during 4-channel recording, perfect for live recording. XLR/TRS

Inputs Support Balanced Line or Mic-Level Sources
Two XLR/TRS combo input jacks are included for external inputs. The External Inputs accept mic or line level sources. For condenser mics, 48V phantom power is available. When set for line level, the inputs can accept -10 or +4 signal levels, balanced or unbalanced. High-quality XLR connectors with locking mechanisms are available, as well as a balanced or unbalanced 1/4" input.

Superior Microphone Preamp and A/D Converter for Quiet Operation
A programmable gain amplifier (PGA) is used to adjust the level of the audio inputs. In many devices, the audio codec level is adjusted to control levels. In the DR-44WL, the mic gain circuit is independent from the A/D converter for low noise performance as well as programmable gain (manual, automatic, or controlled over Wi-Fi.)

The CIRRUS LOGIC CS42L52 is used in the DR-44WL, a premium-quality audio codec. The A/D - D/A chip features both great audio performance and low power use for longer battery life. The built-in mics and the external inputs both pass through this low-noise audio input circuit.

Four-track Recording Mode
The DR-44WL can record both the internal microphones and the external inputs simultaneously for a four-track recording. This makes it the ideal live recording rig: use the microphones to capture the sound in the room while recording a board mix from the PA mixer. Other 4-channel applications include drum set recording, surround recording, and film production.


Remote Wi-Fi Control
TASCAM has revolutionized handheld recording with the new Wi-Fi control and transfer features. The DR-44WL creates its own Wi-Fi network with your iOS or Android phone, and a free app called DR Control controls remote operation without touching the unit. The app allows recording to be started and stopped, and can be used to check and adjust input levels. Any of the recording controls on the DR-44WL can be controlled over Wi-Fi.

Wi-Fi transmission range is about 65 feet (20m) – well beyond the reach of infrared remotes – so the recorder can be placed wherever the recording sounds best. Audio from the DR-44WL can also be streamed over Wi-Fi to check the recording. Plug headphones into your smartphone and listen to a near-realtime feed from the recorder. Simple Wi-Fi Connections Without a Router

The DR-44WL connects with smartphones and other Wi-Fi devices directly. There is no need for a Wi-Fi router network or other external equipment. Wi-Fi connections can be established simply by inputting the information shown in the app. Connection status can be checked with an LED on the unit as well as the app screen. Even if the Wi-Fi connection is interrupted, recording will not stop.

Remote Control Using the Free DR Control App (iOS/Android)
The free DR Control app allows your iOS or Android phone to control the recorder from anywhere in the room. Start recording on-stage or from the back of the room, while placing the DR-44WL wherever the microphones sound best. Remote start also eliminates handling noise from pressing a button or moving the recorder.

In addition to recording, playback and other transport controls, DR Control can adjust the input levels, switch on the low-cut filter, change the mix, and more. A power-conservation mode is included to minimize battery consumption from Wi-Fi use.
* Functions that can hinder operation have been excluded from wireless control Wireless Streaming to Monitor the Recorder

With DR Control, audio from the DR-44WL can be broadcast via Wi-Fi to your smartphone for streaming playback. Even when the DR-44WL is in a place that is out of reach, this capability allows you to check audio from the headphone jack. Ensure that you're getting the sound you want without leaving your seat.
* The streaming playback function is intended for checking audio that has already been recorded.

Instantly Transfer Recordings to Your Smartphone or PC to Share Online
In addition to remote control, the DR-44WL allows you to wirelessly transfer recordings to your smartphone or laptop. Upload recordings to SoundCloud through the app, then publish that link to Facebook, Twitter, and other social media. Or simply email the file to friends.
* An Internet connection is necessary to upload files to the Internet from a smartphone.

Dual-Format Recording Function Records both WAV and MP3 Files
Dual Format Recording simultaneously records WAV and MP3 files to the card. This allows you to have instant access to the MP3 file for online sharing, while retaining the uncompressed WAV file master recording for later use.
* Due to MP3 file specifications, this function can only be used with 16-bit 44.1/48kHz WAV formats. This function cannot be used with 24-bit or 96kHz WAV/BWF file formats.

Share audio files from SoundCloud to other social networking services
After recording, transfer your files from the recorder to your smartphone using the TASCAM DR Control app. Files can be uploaded directly to SoundCloud, then you can share that link to Facebook, Twitter, or Google+ timelines with a single button. A free SoundCloud account can be created, giving you up to three hours of uploaded recordings.

• Your smartphone must support Wi-Fi connections. Since direct connection is used, connection with other Wi-Fi networks will not be possible when in use.
• After files are transferred, the smartphone must be connected to the internet in order to upload to SoundCloud. Wirelessly Transfer Files to Your Computer
• A free app for Mac and Windows called File Transfer allows you to move selected recordings from the DR-44WL to your computer over Wi-Fi.
• The computer must support Wi-Fi connections. Since direct connection is used, connection with other Wi-Fi networks will not be possible when in use.

Automatic Features Streamline Recording Setup
Even as a professional recording device, the DR-44WL has numerous automatic functions that can make recording easier for anyone. Numerous automatic recording functions combine with functions that simplify file management.

• Peak Reduction and Limiter | These functions automatically adjust the recording level in response to the input level. The peak reduction function automatically lowers the level if an input overload is detected, optimizing the recorded sound. The limiter reduces excessive input levels without changing the input level setting.
• Automatic Track Creation by Time | The DR-44WL can automatically create a new file and continue recording without interruption when a set amount of time has elapsed. This function is convenient when recording for long periods of time. For example, when set to 5 minutes, a new file will be created automatically every 5 minutes when recording. These files can be combined later in your audio editing software for seamless playback. Manual file increment is also possible by pressing the Record button during recording.  
• Automatic Track Creation by Level | The DR-44WL can create a new track every time a level threshold is passed. This can split a concert recording into tracks, and can be useful when digitizing another recording like a cassette, DAT, or vinyl record. 
• Automatic Mark Function | Marks can be added to files when high levels or peaks are detected. When set to a level, marks can be added automatically at the points when songs end. When set to peak detection and used together with the peak reduction function, these marks will identify the points where peaks were detected – making it easy when using audio editing software on a computer. You can also add markers manually while recording. 
• File Divide | This function can divide files where marks are added. When used together with the automatic marking function, long recordings can automatically be divided into files with individual songs. Files can also be divided manually.

Multitrack Mode For Serious Demo Production
The DR-44WL is a powerful tool for songwriters. In Multitrack mode (MTR), the DR-44WL is able to overdub one track at a time. With multitrack functionality, you can produce studio-quality music files using just the portable DR-44WL. A reverb effect is also included to sweeten your mix. 

• MTR mode | MTR mode allows separate multitrack recording to four tracks. Record using the built-in mics to capture song ideas anywhere. Then plug into the external inputs to add amp simulator and keyboard overdubs. Use the mic inputs with +48V phantom power to bring in condenser mics for vocal recording. When you're finished recording your song, use the built-in mixer and reverb to mix, then record your mix as a stereo file.
• Internal Reverb Effect | A stereo reverb effect can be added from the internal mixer. Presets for halls, rooms and other standard environments can be utilized to suit the user and type of music. This effect can be applied during recording and playback to give your recordings a sense of space.

TASCAM Audio MIDI Interface US-20X20

Price List USD 633
TASCAM Audio MIDI Interface US-20X20
TASCAM’s Celesonic US-20x20 packs 20 channels of analog and digital I/O into a single rackspace with great sounding preamps and USB 3.0/2.0 connectivity. Eight Ultra-HDDA microphone preamps provide 56dB of gain and high headroom to make microphones sound their best. Up to ten channels of digital I/O are included on ADAT and S/PDIF connectors, with word clock also provided for use with external clocks like TASCAM’s CG-1000. MIDI I/O allows use with controllers and synthesizers, and sample rates up to 192kHz/24-bit are supported.

The TASCAM Celesonic US-20x20 is the first USB 3.0 interface to use class-compliant drivers for future-proof use with computers and tablets. A built-in DSP mixer includes parametric EQ and compression on every channel and a stereo reverb send for great-sounding monitor mixes. The DSP mixer can also be used as a live mixer or submixer with computer control. The US-20x20 has three operation modes – audio interface, digital mixer, and 8-channel digital mic preamp –for maximum flexibility.

Ultra-HDDA mic preamps provide high headroom for dynamic tracks
TASCAM's Ultra-HDDA mic preamps provide up to 57dB of gain with the highest headroom in their class. Meaning your tracks won't be distorted before they even hit your computer, resulting in sweeter mids and deep soundstaging. 

Popularized in TASCAM's HS-P82 professional broadcast and film recorders, Ultra HDDA preamps have the performance to handle condenser, dynamic, and ribbon microphones. These versatile preamps also feature line-level inputs for keyboards and other equipment.

Eight Ultra-HDDA Mic Preamps with 20dB of headroom
 Ultra-HDDA (High Definition Discrete Architecture) mic preamps, an original TASCAM design, use discrete construction for superior audio quality. TASCAM has achieved an EIN rating of -125 dBu (EIN is a value measurement of the absence of noise). The preamps have over 20dB of headroom, well above competing interfaces. This headroom is especially helpful on high SPL sources like drums and guitars

With other ratings that include a signal-to-noise ratio of 104 dB, we have achieved an extremely high level of audio performance. The key electronic components were selected through extensive listening tests.

Direct Inputs for Guitar and Bass
Two instrument-level inputs are provided for direct input of guitar or bass. Make the most of guitar effect plug-ins, such as the TH2 effect that is included with Cakewalk SONAR.

High-grade Components Selected Through Careful Listening Tests

The TASCAM US Series interfaces have been engineered using the finest components available. Critical electronics such as the Audio4pro ADDA Converter by AKM Corporation enable the interface to boast a 104dB S/N ratio. TASCAM continues the legacy of creating products with professional high-end audio performance.
* Audio4pro is a brand name of AD converter by Asahi Kasei Microdevices Corporation - utilized in audio mixers and sound reinforcement equipment.

20 Inputs and 20 Outputs To Handle the Biggest Sessions
With (8) XLR/TRS inputs, (2) TRS inputs, multi-channel digital inputs via S/PDIF coaxial, and optical digital connectors, the US-20x20 provides a total of twenty simultaneous inputs when operating at 44.1kHz or 48kHz. Twenty simultaneous outputs are also transmitted from your DAW at 44.1kHz or 48kHz utilizing the (10) TRS line outputs, S/PDIF coaxial and optical digital outputs. The ADAT optical input/output support SMUX2 and SMUX4 - required for high sampling rates. Using (2) US-20x20 and the optical digital connections, it is possible to configure a (16) microphone recording system.

8 XLR/TRS inputs and 2 TRS inputs

The 8 XLR/TRS mic inputs have switchable +48V phantom power in banks of 4, making it possible to use 8 condenser mics at the same time. The 2 balanced line inputs on the rear of the unit are switchable between -10dBV and +4dBu. The user is able to interface an instrument of any level - balanced or unbalanced.

S/PDIF coaxial input/output 

The product is equipped with S/PDIF coaxial input and output connectors for connection to effects processors, digital synths, or an external AD/DA converter. For a high-quality monitoring environment, the TASCAM DA-3000 Master Recorder / ADDA converter is recommended.Word input/output enables connection with an external clock generator

With word clock BNC connection, synchronization with word clock BNC connection, with an external digital device is possible. A highly precise generator - such as one from the TASCAM CG Series - is recommended for complex system setups.

3 switchable modes - Interface, Mic Preamp and Mixer
The versatile Celesonic US-20x20 is an Interface for multitrack recording using a personal computer and DAW, a standalone mic preamp, or a mixer for live performances or mixing keyboards.

Mic Preamp Mode enabling use as a mic pre with analog & digital output

Mic Preamp Mode enables the use of the product as a standalone mic pre. In this mode, the XLR/TRS signal from the from panel flows through the Ultra-HDDA mic preamp, and is output through the TRS jack and the digital output on the rear panel. This is perfect for use into a mixer for live performances. It is not necessary to connect the interface to a personal computer via USB.

[Note] 

In Mic Preamp Mode, the sampling rate of the digital output is set to 44.1kHz. To change the sampling rate, a digital connection from a word clock master device must be established to the digital input connector.

[Note]

 When operating at 88.2kHz, 96kHz, 176.4kHz or 192kHz, the number of channels available from the optical digital connector is limited. At 88.2kHz and 96kHz, the output is limited to (4) channels - only the signals of IN1 through IN4 are available. At 176.4kHz and 192kHz, the output is limited to (2) channels - only the signals of IN1 and IN2 are available. And you can use only Optical or Coaxial. (All analog TRS output channels are available - IN1 through IN8) 

Mixer mode enabling use for PA/SR and use as a keyboard mixer

Utilizing a 32-bit processing DSP mixer, the product can be used as a 6-bus mixer for PA/SR. In mixer mode, the US-20x20 provides an output patch bay and reverb effect. In mixer mode, the product is connected to a computer and the mixer is controlled from the computer. When (2) US-20x20 are connected, the result is a (16) channel digital mixer useful for live performances. In digital mixer mode, the motion of solo button provides "pre-fader-listen (PFL)". 

Interface Mode for recording with a DAW

In Audio Interface Mode, the US-20x20 is used as a general audio interface connected to a personal computer, and used for recording with a DAW. The DSP mixer is enabled, and adjustment of dynamics such as balance, EQ, compression is possible during recording. In digital mixer mode, the motion of solo button provides "solo-in-place (SIP)". 

Advanced DSP mixer with EQ and compression on each channel
An obstacle with computer-based recording is latency (delayed audio signals). New USB 3.0 driver software has been developed to eliminate latency issues and driver set-up problems.

In addition, the built-in mixer provides near-zero latency monitoring while recording. It utilizes the high-performance Dual Core BlackFin DSP making it possible to offer 4-band EQ and compression on each channel. A stereo reverb is also provided for great-sounding headphone mixes.

High resolution recording up to 192Hz/24-bit
Record up to 192kHz/24-bit - which far exceeds CD quality (44.1kHz/16-bit). The product supports not only the increasing 24bit/96kHz recordings but also recordings at higher sampling rates, so it can be used for a long time in the future.

USB 3.0 computer connection, a leading transmission standard
USB 3.0 is used in the US-20x20 for (24) channels transmission at 192kHz/24-bit. 

This is not possible with USB 2.0.
USB OSUSB3.0/USB2.0 Windows 10
OSX El Capitan (10.11.2 or later)
USB2.0 Windows 8, Windows 7,
OS X Yosemite(10.10), OS X Mavericks(10.9),
OS X Mountain Lion(10.8)

Advanced DSP mixer with 4-band equalizer and compressor on each channel

Utilizing an Analog Devices BlackFin processor, the US-20x20 offers an advanced digital mixer. Every input has 4-band EQ, compressor, and low-cut filter. The DSP mixer can store up to (10) snapshots as scenes - making it easy to recall mixer settings

Reverb effect to enhance performance and recorded tracks.

The DSP mixer features reverb that can be used to enhance vocal and instrument recordings. The effect can be added to the monitored audio to enhance the performance while recording.

Driver software can be installed without connecting the interface

The Windows driver software can be installed without connecting the interface. The installation can be completed by simply following the on-screen instructions. On a Mac, the interfaces can be used without installing a driver, but it is recommend that the Setting Panel software be installed so useful settings can be made.

Sleek industrial design that inspires creativity
We have applied the engineering expertise from years of making audio interfaces to create products that are both pioneering and practical. With their distinctive styling, these interfaces fit perfectly on the desktops of musicians and stimulate creativity.

Tascam’s new US series satisfies the needs of musicians from an aesthetic as well as ergonomic perspective. With its unique honeycomb structure on the side panels, the main body has a sense of weight, while also maintaining a delicacy that matches the user’s needs. Honeycomb structures are a feature of modern architecture, but are also a vital resource whose exceptional technical structure we can use in design. As this structure is found in nature, it has a stability and flexibility which comes with being an organic form.
-Axel Hartmann@ designbox

designbox (Official Website) : A German audio design company founded by Axel Hartmann and Stephan Leitl in 1995 which has worked on several design projects for famous music industry products such as synthesizers, effect pedals and amp simulators.

Angled design provides excellent usability on a desktop
The angled design of the US-20x20 makes desktop viewing and operation much easier than a flat box on a table. No more stretching the neck or twisting the wrist to operate an interface.

Built to tough robust full metal body

The durable metal jacket is employed for heavy duty use.

Separate volume controls for headphones and line output
The interfaces are designed with separate headphone and line output volume controls so even when both powered monitors and headphones are connected, the user can set an optimum level for each during operation.

Dual 70mW+70mW Headphone Outputs

The high-output 70mW+70mW (into 32ohms) headphone amplifiers makes headphone monitoring easy, during loud sessions. This assures you enough monitoring volume even while recording in the same room of a rehearsal studio.

Class-compliant Drivers Support iPads and other Tablets
You will not need another audio interface if you decide you want to make music using an iPad or other iOS device. The performance of these interfaces has been tested with major DAWs - you can continue to use them even if you change DAW software. Since these units include MIDI inputs and outputs, they can also be used as MIDI interfaces.

Connect with an iPad or another iOS device
Use a genuine Apple Lightning-USB camera adapter to connect the unit to an iPad or other iOS device. 

Tested with Sonar, Pro Tools, Cubase, Live, Studio One, and GarageBand
TASCAM has tested the interface operation with popular DAWs.

MIDI input and output enable connection with keyboards and other MIDI devices
MIDI input and output connectors allow connection with keyboards and other sound sources that employ MIDI connectors. The interfaces can also be used for synchronized operation of multitrack recorders and other external recording equipment.

Rackmount Adapters and hex keys are included
The US-20x20 is supplied with the biocell side panels, but TASCAM also includes rack ears and a hex wrench - making it easy to remove the side panels and rackmount the interface if desired.

Features at a glance

• Ultra-HDDA (High Definition Discrete Architecture) mic preamps with −125dBu EIN
• Eight Ultra-HDDA micpres with XLR/TRS and connector, two TRS inputs
• 3 mode switching of Interface/Mic preamp/Mixer
• Up to 192kHz/24-bit recording
• Support for Windows and Mac
• USB 3.0/2.0 computer connection (USB3.0 requires Windows 10 or OSX 10.11.2 (or later))
• Connect with iPads and other iOS devices
• +48V phantom power for all inputs
• High-impedance inputs available
• Input level specifications boast a range of 56 dB for using dynamic mics
• Tough metal casing for durability
• Angled design provides excellent usability on a desktop
• Two standard TRS headphones output jack with 70mW + 70mW output power
• Separate controls for line and headphones output volumes
• MIDI input and output
• Low-latency monitoring via on-board DSP mixer
• DSP mixer with 4-band EQ and compression on each input channel(Can be used in Interface/Mixer mode)
• On-board Reverb effect ideal for monitoring on interface mode or PA/SR on mixer mode
• Patch bay allows outputs to be assigned freely(Can be used in Interface/Mixer mode)
• Scenes can store DSP mixer settings (up to 10+1 scenes can be stored and named）
• Ten TRS analog outputs
• S/PDIF coaxial digital input/output connectors
• TOS LINK optical digital multichannel input/output connectors (supporting SMUX2 and SMUX4)
• BNC word clock input/output connectors
• USB class compliant 2.0 support
• Confirmed operation with major DAW software (SONAR, Pro Tools, Cubase, Live, Studio One, GarageBand）
• RoHS certified
• Rack-mount adapter included
• Dedicated AC adapter included
• USB2.0 cable and USB3.0 cable included

Specification:

US-20X20 SPECIFICATIONS

	US-16x08		US-20x20
Sampling frequency
USB2.0	44.1k/48k/88.2k/96k Hz
USB3.0	-		44.1k/48k/88.2k/96k/176.4k/192k Hz
Quantization bit rate	16/24bit
Analog audio inputs (Front)
MIC IN (BALANCED)	IN 1-8
Connector	XLR-3-31(1:GND, 2:HOT, 3:COLD)
Input impedance	2.4k ohms
Nominal input level
GAIN:MAX	-68dBu (0.0003Vrms)
GAIN:MIN	-12dBu (0.195Vrms)
Maximum input level	+8dBu (1.947Vrms)
Gain	56dB
INST IN (UNBALANCED)	IN 9-10		IN 1-2
Connector	6.3mm(1/4") TS-jack(T:HOT, S:GND) (When set to "INST" at LINE/INST switch)
Input impedance	1M ohms or more
Nominal input level
GAIN:MAX	-57dBV (0.0014Vrms)		-68dBV (0.0004Vrms)
GAIN:MIN	-12dBV (0.251Vrms)
Maximum input level	+8dBV (0.2512Vrms)
Gain	45dB		56dB
LINE IN (BALANCED)	IN 9-10 (When set to "LINE" at LINE/INST switch)		IN 3-8
Connector	6.3mm(1/4") TRS-jack(T:HOT, R:COLD, S:GND)
Input impedance	10k ohms
Nominal input level
GAIN:MAX	-41dBu (0.0069Vrms)
GAIN:MIN	+4dBu (1.228Vrms)
Maximum input level	+24dBu (12.282Vrms)
Gain	45dB		56dB
Analog audio inputs (Rear)
LINE IN (UNBALANCED)	IN 11-16		IN 9-10
Connector	6.3mm(1/4") TS-jack(T:HOT, S:GND) (When set to "-10dBV" at LEVEL switch)
Input impedance	10k ohms or more
Nominal input level	-10dBV (0.3162Vrms)
Maximum input level	+10dBV (3.162Vrms)
LINE IN (BALANCED)	IN 11-16		IN 9-10
Connector	6.3mm(1/4") TRS-jack(T:HOT, R:COLD, S:GND) (When set to "+4dBu" at LEVEL switch)
Input impedance	10k ohms
Nominal input level	+4dBu (1.228Vrms)
Maximum input level	+24dBu (12.1282Vrms)
Digital audio inputs
COAXIAL
Connector	-		RCA pin jack
Format	-		IEC60958-3(S/PDIF)
Input impedance	-		75 ohm
Input level	-		0.5Vp-p / 75 ohm
OPTICAL (S/MUX)
Connector	-		OPTICAL (JEITA RC-5720C)
Format	-		Multi-channel optical format (S/MUX4 is available in 88.2k/96k/176.4k/192k Hz)
Analog audio outputs
LINE OUT (BALANCED)	OUT 1-8		OUT 1-10
Connector	6.3mm(1/4") TRS-jack(T:HOT, R:COLD, S:GND)
Output impedance	100ohms
Nominal output level	+4dBu (1.228Vrms)
Maximum output level	+24dBu (12.277Vrms)
Digital audio outputs
COAXIAL
Connector	-		RCA pin jack
Format	-		IEC60958-3(S/PDIF) / IEC60958-4(AES/EBU)
Input impedance	-		75 ohm
Input level	-		0.5Vp-p / 75 ohm
OPTICAL (S/MUX)
Connector	-		OPTICAL (JEITA RC-5720C)
Format	-		Multi-channel optical format (S/MUX4 is available in 88.2k/96k/176.4k/192k Hz)
MIDI IN / OUT
Connector	Din 5-pin
Format	Standard MIDI format
WORD IN
Connector	-		BNC Permissible frequency deviation at the time of external synchronization
Input voltage	-		2.0Vpp to 5.0Vpp
Input impedance	-		75 ohm +/-10%
Input level	-		+/-100ppm
WORD OUT
Connector	-		BNC with OUT/THRU select switch
Output voltage	-		2.0Vpp (75ohm loaded)
Output impedance	-		75 ohm +/-10%
Sampling frequency	-		44.1k/48k/88.2k/96k/176.4k/192k Hz
USB
Connector	USB B type 4-pin		USB3.0/2.0 B type
Format	USB2.0 HIGH SPEED mass storage class		USB3.0 SuperSpeed (5Gbps)/USB2.0 HIGH SPEED (480Mbps)
PHONES
Connector	6.3mm(1/4") stereo phone jack
Maximum output level	70mW+70mW or more (THD+N 0.1% or less, 32ohms loaded)
Power	Dedicated AC adapter (GPE248-120200-Z, included)
Power consumption	12W		20W
Dimensions	52(W) ×2.32(H) ×8.62(D) inch 445(W) ×59(H) ×219(D) mm		52(W) ×2.32(H) ×8.7(D) inch 445(W) ×59(H) ×222(D) mm
Weight	2.8kg / 6.11lb		2.7kg / 5.95lb
Operating temperature	5 to 35˚C
Accessories	Rack mount adapter, USB cable, User's manual, warranty card, dedicated AC adapter (GPE248-120200-Z)	Rack mount adapter, USB2.0 cable, USB3.0 cable, User’s manual, warranty card, dedicated AC adapter

Audio performance
Frequency response
LINE OUT(BALANCED)
44.1k/48k Hz	20Hz to 20kHz, +/-0.3dB(JEITA)
88.2k/96k Hz	20Hz to 40kHz, +/-0.3dB(JEITA)
176.4k/192k Hz	-	20H to 80kHz、+/-0.5dB(JEITA)
THD	0.008% or less	0.005% or less
S/N ratio	100dB or more	104dB or more
Crosstalk	100dB or more

Computer system requirements
Windows
OS	Windows 7(32-bit SP1, 64-bit SP1), Windows 8.0(32-bit, 64-bit), Windows 8.1(32-bit, 64-bit) * For further information of the latest OS version, please click here.	Windows 7(32-bit SP1, 64-bit SP1), Windows 8.0(32-bit, 64-bit), Windows 8.1(32-bit, 64-bit), Windows 10(32-bit, 64-bit) * For further information of the latest OS version, please click here.
Compatible computers	Windows-compatible computer with a USB 2.0 port	Windows-compatible computer with a USB 2.0 or USB3.0 port
CPU type/speed	Dual core/2 GHz or faster
Memory	2GB or more
DRIVER	ASIO2.0, WDM(MME), MIDI	USB Audio Class 2.0, ASIO2.0, WDM(MME), MIDI Note: When using WDM driver, number of output channels from an application has limitation less than 8 channels.
Screen resolution	1280 x 800 Dot or more
Macintosh
OS	OS X Mountain Lion(10.8), OS X Mavericks(10.9), OS X Yosemite(10.10) * For further information of the latest OS version, please click here.
Compatible computers	Apple Mac computer with a USB 2.0 port	Apple Mac computer with a USB 2.0 or USB3.0 port
CPU type/speed	Dual core/2 GHz or faster
Memory	2GB or more
DRIVER	Core Audio, Core MIDI
Screen resolution	1280 x 800 Dot or more
iOS
OS	iOS 7 * For more information about the OS compatibility on each models, please click here.