Roland BK-5 OR Backing Keyboard Oriental

Price List Rp.13.860.000
Roland BK-5 OR Backing Keyboard Oriental

A World of Magical MusicContinuing a long tradition of successful world-music products, Roland proudly announces the BK-5 OR, addressing the sounds of the Middle East as well as Turkey and North Africa. The BK-5 OR retains all characteristics and features of the recently announced BK-5 and adds newly created sounds and rhythms.* Sold exclusively in Europe and Middle East.

• Sounds and rhythms from the Middle East, Turkey, and North Africa
• 12 scale-tuning buttons with dedicated scale memories
• Instant playback of backing tracks directly from USB memory
• Friendly graphical user interface
• Onboard effects, including reverb, chorus, EQ, multi-band compressor, and dozens of multi-effects
• Video output to share SMF/MP3 Lyrics with friends or the audience on an external screen

Sounds and Rhythms
The BK-5 OR is loaded with dozens of expressive and exotic new instruments, drum sounds, and rhythms from the Middle East, Turkey and North Africa regions.

Scale Tuning Controls
For fast and easy control of scale tunings, the BK-5 OR is equipped with 12 front-panel buttons to instantly manage each note of a scale, plus three buttons for storing/recalling the related settings.

Rhythm Composer
The onboard Rhythm Composer can instantly add rhythmic backing tracks to your music. Additional rhythms can be imported from USB memory. More than one drum track can be used for rhythms and SMFs.

Audio Recorder
The BK-5 OR lets you record directly to a USB memory. It's a great way to listen back and evaluate your performances, and share your creations with others.

USB Accompaniment
Add full backing accompaniment to your performances directly from USB Flash memory. The BK-5 OR lets you import and control rhythm files, SMFs, MP3s, and WAV files.

Specification

Keyboard

61 keys (with velocity)

Display

160 x 160 dots Graphic LCD (with backlit)

Sound Generator

Max. Polyphony

128 voices (GM2/GS/XGlite compatible)

Sounds

Over 1,100 tones
Over 50 Drum Sets

Multitimbral parts

3 keyboard parts (UP1, UP2, LWR) + 16 song parts

Master Tuning

415.3 to 466.2 Hz

Key Control (Transpose)

–6 to +5 in semitones (for audio/MIDI data)

Tempo change

20 to 250 BPM for SMF and rhythms
75 to 125% for mp3 and WAV files

Part mute functions

TRACK MUTE: Rhythms, SMF
CENTER CANCEL: mp3, WAV, AUDIO INPUT signals

Effects

Keyboard parts (UP1, UP2, LWR), Rhythms/SMF section

Reverb: 8 types (selectable via Makeup Tools)
Chorus: 8 types (selectable via Makeup Tools)
MFX: 84 types for keyboard parts (selectable via Tone Part MFX), A & B for rhythm and SMF section (selectable via Makeup Tools)
Parametric EQ: 6 presets + 1 User memory
Multi-band compressor: 6 presets + 1 User memory

Rhythm section

Rhythms

Over 250 in 6 “Rhythm” families (localized rhythms for specific areas are included)

Rhythm Composer

Internal Rhythm Composer, SMF-to-Rhythm Converter provided as PC application (Windows) on the bundled CD-ROM

One Touch memories

4 programmable registrations per rhythm

Rhythm Makeup Tools

Instrument-oriented editing

Songs

Real-time player

SMF (Format 0/1), KAR, mp3, WAV, mp3+CDG

Song chord extractor

Automatic chord detection for SMF files

SMF Makeup Tools

Instrument-oriented editing

Oriental tunings

MEMORY buttons

1, 2, 3 (storage of three USER SCALE sets of frequently used settings)

USER SCALE buttons

Instant quarter-tone tuning of each note of a scale (C to B).
Adjustable tuning range (–64 to +63 cent) for each button.
Tunings can also be saved to Performance memories.

Performance Memories

Performance Lists

Unlimited number (storage on USB memory)
Over 500 “Music Assistant” memories (internal memory)
5 “Factory Song” memories (internal memory)

Performance memories per List

Max. 999

Search function

Quick location of SMF, audio and JPG files on the connected USB memory

Demo

Yes

Recording

Media

USB Flash memory

Save format

Audio files: WAV (44.1 kHz, 16-bit linear)

Video

Lyrics

SMF, mp3/WAV, mp3+CDG

Slide shows

Picture folder linked to songs (recommended resolution: 512 x 384 or 1024 x 768 pixels)

Panel controls

Knob

VOLUME

Rotary encoder

[CURSOR/VALUE] dial

Connectors

PHONES jack x2

Stereo 1/4” phone type

AUDIO INPUT jack

Stereo miniature phone type

AUDIO OUTPUT jacks (L/Mono, R/Mono)

1/4” phone type

USB ports

USB COMPUTER connector (Type A, reception and transmission of MIDI data)
USB MEMORY (Type B, data storage devices)

MIDI connectors

MIDI IN, MIDI OUT (Visual Control function)

VIDEO OUTPUT jack

RCA-type (CVBS, PAL or NTSC – selectable)

Foot pedal jacks

HOLD, SWITCH/EXPRESSION (programmable)

General specifications

Speakers

10 cm x 2

Rated power output

12 W x 2

Power supply

AC adaptor

Power consumption

1,100 mA

Auto Off function

Off, 10 min, 30 min, 240 min

Accessories

Owner's Manual, AC adaptor, Power cord (for connecting the AC adaptor), Music
rest, CD-ROM (Style Converter 4.0, USB driver)

Options (sold separately)

USB

USB Flash memory (M-UF-series)

Pedals

DP-series/BOSS FS-5U foot switch
Roland EV-series expression pedal

Size and Weight （Without music rest）

Width (W)

1,044 mm41-1/8 inches

Depth (D)

317 mm12-1/2 inches

Height (H)

129 mm5-1/8 inches

Weight

7.5 kg16 lbs. 9 oz.

Weight excluding AC adaptor and music rest

Size and Weight （Including music rest）

Width (W)

1,044 mm41-1/8 inches

Depth (D)

317 mm12-1/2 inches

Height (H)

301 mm11-7/8 inches

Weight

7.5 kg16 lbs. 9 oz.

Weight excluding AC adaptor and music rest

All specifications and appearances are subject to change.

SAMSON dB500 Powered PA System

Price List Rp.13.500.000 / Pair
SAMSON dB500 Powered PA System
The dB500a speaker system by Samson takes the concept of powered PA systems to a new level. By combining 500 watts of power, advanced active processing and the highest quality speaker and cabinet components, the dB500a provides studio quality sound for any kind of live application. The monitor features a super heavy-duty, custom designed 15-inch low frequency driver and a 1.75 inch titanium diaphragm high frequency driver on a 1” throat, wide dispersion horn. The dB500a offers crystalclear audio and an ultra-wide sound field. The top end is clean, smooth and vivid. The low-end is enormous. The dB500a is powered by a Class G amplifier that pumps 400 Watts to the low frequency driver and a Class AB amp that provides 100 Watts to the high frequency section—more than enough power to fill any large club.

The efficient Class G amplifier design provides the power to deliver transient spikes with incredible punch and sonic purity. The dB500a goes beyond concert-quality to studioquality thanks to Samson’s exclusive Optimax processing. Optimax processing uses sophisticated circuitry to compress and limit output at ideal levels. This allows the dB500a to provide huge volume levels without sacrificing low end. The dB500a offers a practical back-panel, mixerlike preamp section that provides mic and line inputs with individual input level controls. Controls for the selectable low pass filter and Optimax dynamics are also included.

The trapezoidal shape of the speaker cabinet offers more than just superior acoustics, not only is it a front-firing PA speaker, the dB500a’s are also designed to operate as wedge-style monitors. The cabinet’s right and left side panels are joined at different angles, so depending on the side you choose, you get a different dispersion angle, allowing for greater flexibility on stage. Adding to the dB500a’s practical design is a catalog of mounting options. The compact cabinet can be easily stacked, permanently installed, mounted using the integral 1 3/8” pole mount receptacle or suspended using the ten builtin fly points. With the dB500a, setup and break down is quick and easy. Heavy-grade steel grill, scuff-resistant textured finish and rigid corners offer excellent protection against wear and tear. As fixed sound reinforcement or as a durable, great-sounding road PA, the dB500a active monitor is ideal for sound professionals and performers looking for serious power and studio monitor sound quality from a PA speaker system.

Features:

• Two-way Active Loudspeaker – Standard speaker stand receptacle, 15 and 30 degree monitor angles, arrayable with 10 Fly Points.
• Custom designed, heavy-duty, 15-inch low frequency driver with a 2.5-inch voice coil and 50 oz. magnet.
• 1” Throat, high-frequency compression driver with 1.75” titanium diaphragm and 75 oz. magnet structure. 
• Efficient 400 watt, Class G power amplifier for low frequency transducer with High Speed, High Current 
• MOSFET rail switches.
• 100 watt class AB amplifier for high frequency compression driver. 
• Massive torroidal power transformer.
• Sophisticated, multi-band dynamics processor with audibly transparent, switchable limiting.
• Internal 24 dB/octave time aligned electronic crossover.
• Separate bass and treble controls.
• Defeatable low cut filter.
• Balanced microphone input with level control and Phantom Power for condenser microphones.
• Balanced line level input with level control. 
• Rugged, road-worthy construction for high reliability.
• Multi-point protection for all fault conditions.
• Quality build and rugged construction ensure reliable performance from venue to venue.

Architect's & Engineer's Specification

The DB500A shall be a 2 way, heavy duty plastic trapezoidal speaker cabinet to be used as a FOH speaker or as a long or short throw monitor with 15 degree and 30 degree side angles for monitoring applications. It shall be dark gray and have metal mesh grills. It shall have a 400 watt, class G power amplifier for the woofer and a 100 watt, class AB amplifier for the tweeter. It shall have a 15 inch woofer for low frequencies and a one inch throat, 1.75 inch titanium diaphram tweeter for high frequencies. The DB500A shall have a mic input with peak LED and level control. It shall have a line input and level control. The DB500A shall have an amplifier clip and protection LED indicator. It shall have high frequency and low frequency cut and boost equalization. The DB500A shall also have a switchable low cut filter, limiter, and pass through switch. A standard IEC connector and cable will be supplied for connection to AC power sources.

Tech Spec

Inputs

Microphone

Balanced XLR

Line

Balanced Combo XLR/Line

Outputs

Extension

Balanced XLR

Controls

Mic Level

Rotary

Line Level

Rotary

Low EQ

Rotary Center Detent, +/-2dB @100Hz

High-EQ

Rotary Center Detent, +/-12dB @ 10kHz

Low Filter Switch

Push Switch, High Pass (lowcut) 12dB per octave @80Hz

Output Switch

Push Switch, Selects Mix or 

Thru for Line Output Connector

Limiter Switch

Push Switch, Optimax Multiband dynamics - In/Out

Power Rating

Low Frequency

400 Watt RMS

High Frequency

100 Watt RMS

Frequency Response

58 Hz – 24 kHz ± 5 dB

Crossover Frequency

2.3 kHz,3pole (24dBPer Octave)

LF Driver

15” heavy-duty bass transducer, 2.5” voice coil (Kapton Former), 50 oz. barium ferrite magnet

HF Driver

1.75” titanium compression driver, edge-wound copper voice coil, 75 oz. magnet structure

Mounting

Stand

Integral 1 3/8”, Pole Mount 

Receptacle

Fly Points

10

Stacking

Large, gender mating stacking bumpers

Weight

61 lbs. (27.7 kg.)

Dimensions (H x W x D)

30” x 19” x18” 

762mm x 483mm x 457mm

MIDAS VeniceU-16

Price List USD 2.100

MIDAS VeniceU-16

At first glance, VeniceU looks like a straightforward, easy-to-use analogue audio console – an application it will fulfill with ease. However, a closer look shows that VeniceU is also a hybrid “Digi-log” mixer offering a fusion of both analogue and digital technology.

One look at the VeniceU confirms that this console continues the legacy established by the ground-breaking MIDAS consoles which have been at the heart of so many historic live performances. From the VeniceU’s class-leading EQ filters, to the latest expression of that legendary MIDAS mic preamp, this is a console which compromises only on price.

As with FireWire equipped VeniceF, the VeniceU bridges the gap between analogue and digital audio consoles, and offers the user the ease-of-use, warmth, feel, and zero-latency of analogue, combined with the power, choice and flexibility of outboard digital processing via its 8 x 8 USB digital audio interface.

• Frames: 16, 24, 32
• Overload-tolerant MIDAS mic preamp with polarity switch, high-pass filter and -20 dB pad
• 8 input x 8 output USB digital audio interface - flexible routing options including 6 aux buses, 4 subgroups, both matrix buses and the stereo masters
• The equaliser section features four bands of MIDAS EQ, with swept filters on all 4 bands and an EQ in/out switch
• Individual phantom power for each mic input (including stereo channels)
• Analogue or USB input select switch on 4 stereo input channels, allowing “plug-in” FX and multitrack record mix down
• 6 auxes with individual bus pre/post fade switching and routing to USB
• 7 x 2 matrix with stereo split switching and routing to USB
• Multifunction channels have fully featured mic preamps
• Discrete stereo master bus with individual routing to USB plus discrete mono master bus
• 4 audio subgroups with fader flip to auxes and routing to USB
• Highly efficient integral auto-ranging switch mode power supply
• Rugged, roadworthy, tour-proven construction with 3-year warranty

Features:
Digi-log - USB
VeniceU’s USB audio interface combines the power and convenience of digital audio processing with the warmth and feel of an analogue audio mixer. The USB interface can be used with any computer fitted with a USB port, and is effectively a 16-channel (8 x 8) digital audio bus, which connects directly to your computer and enables the use of any third-party audio processing software in conjunction with the console.
All 6 aux buses, 4 subgroups, both matrix buses and the stereo masters route to the USB interface, up to 8 buses at one time. Applications include multitrack recording from the VeniceU’s digital bus outputs, and plugin FX processors driven from aux sends and returned to the stereo channels’ digital USB inputs. All with a heart of pure MIDAS.
8 x 8 channel USB interface
Allows the use of third-party plugins

Specification:

Mic inputs:

12 mono XLRF

Line inputs:

8 mono plus 4 stereo TRS

Aux returns:

2 stereo TRS

Playback input:

1 stereo RCA

Talkback mic input:

1 XLRF

Aux mix busses:

6 XLRM

Audio subgroups:

4 XLRM

Matrix:

7 x 2 XLRM

Stereo master output

XLRM

Mono master output

XLRM

Record output:

RCA

USB:

16ch – 8x8 USB “A”

Digital:

24-bit, 44.1 or 48 kHz sampling rates

Dimensions*:

Height 255mm/10.03” x Depth 577mm/22.71” x Width 552mm/21.72”

Weight*:

16kg/35.3lbs

* weights and dimensions are approximate and out of the flight case

Marshall MB30 Bass Amplifier

Price List Rp.2.065.000

Marshall MB30 Bass Amplifier

Dual channel operation with 30 watts of power through a 10-inch speaker, there's no getting around how much Marshall brings to the plate when they design an amp. The MB series of Marshall Bass amps brings that aggressive growl that bass players love. Featuring 2 channels, you can switch between a more modern or vintage bass tone for the bass player who needs options.
Features

• 30 Watts of Power Through a Single 10-inch Woofer
• Emulated DI Line Out for Easy Connection to a PA
• 3-Band EQ with Three Mid Voicing Options
• Switchable Modern and Vintage Channels
• Switchable Compression to Even Out Your Tone

Fender PASSPORT® 500 PRO

Price List Rp.14.780.000
Fender PASSPORT® 500 PRO

Any time and any place you need big sound with great clarity and convenience, there’s a Passport® PRO system by Fender® that’s right for you. Take a close look and listen, and we know you’ll agree that Passport will take you places now as never before. PRO models are the latest step in the ongoing evolution of Passport into the very finest in portable PA solutions; keeping the best of previous Passport generations and adding new features and improved functionality so that Passport systems are ideal for whatever your application may be - education, sporting and worship events; meetings, seminars and presentations; gigs at parties, small clubs and coffee houses. The eight-channel Passport 500 PRO is the top-of-the-line Passport system. The 500 model has always had the most power and the best clarity; now it also has a port that lets you record your performance with CD quality (.wav) straight to a USB flash drive, CD-quality .wav and mp3 file playback, sub-out jack for an external powered sub-woofer, lighter weight (a full 9 lbs. lighter than the earlier Passport 500 model), smaller physical dimensions and a redesigned speaker system with 10” woofer and improved clarity.
Specification:

General
___________________________________________________________________________
Model Name:	Passport® 500 PRO, Black, 120V US
Model Number:	0694405000
Series:	Passport®
MSRP:	$1399.99
Color:	Black
Amplifier Type:	Class-D
Electronics
___________________________________________________________________________
Effects Loop:	1/4" - (Preamp Out, Power Amp In)
Inputs:	Eight - (Six 1/4"/XLR MIc/Line and Two 1/4"/RCA Stereo)
Auxiliary Input:	USB
Line Out:	Two - (1/8" Stereo)
Speaker Jack:	1/4" Subwoofer Out
Channels:	Eight - (Six Mic/Line, Two Stereo)
Power Handling:	500 Watts Class-D Power Amp
Horn Tweeter:	Two - 1", 6 Ohm Dome Tweeters
Controls:	Tilt Tone Control on Each Channel, Level, Reverb Send, Master Volume, Master Tone, 20db Pad.
Hardware
___________________________________________________________________________
Cabinet Material:	Molded Plastic
Handle:	Molded Plastic Strap with Nickel-Plated Caps
Amplifier Depth:	11" (27.94 cm)
Amplifier Width:	29" (73.66 cm)
Amplifier Height:	23" (58.42 cm)
Amplifier Weight:	44 lbs. (19.96 kg)
Effects:	Reverb
Speakers
___________________________________________________________________________
Speaker:	Two - 10" Fender® Special Design
Impedance:	4 ohms
Miscellaneous
___________________________________________________________________________
Unique Features:	USB Port that lets You Record Your Performance with CD Quality (.wav) Straight to a USB Flash Drive, Six Mic Lines with XLR and 1/4" inputs, Two Stereo Inputs with 1/4" and 1/8" (for MP3 Player) Inputs, 1/4" Subwoofer Out with 120Hz High Pass Filter on Speaker Out, CD-Quality .wav and mp3 File Playback. Docking Connector for Passport Wireless Receiver, Speaker Systems Feature Tightly Controlled Coverage to Minimize Feedback, 35mm (1-3/8") Stand Adapters are Built In to Each Speaker Cabinet, Mic/Cable Storage Compartment with Latching Lid.
Accessories
___________________________________________________________________________
Knobs:	Round Black Plastic with White Dot Marker
Accessories:	Includes Two Speaker Cables and Detachable Power Cable.
Cover:	Optional Fitted Cover Available

VOX Class A Instrument Cables

Price List Rp.260.000
VOX Class A Instrument Cables
Since 1957 VOX has been the sounds behind many of the world's most influential musicians. VOX Class A cables continue this tradition of tone. Audiophile grade material and technology give you the lowest possible signal loss, distortion and noise. With VOX Class A cables nothing comes between you and your tone.
Features

• Multi-gauge coaxial cable geometry optimised and specially tuned for either electric guitar, electric bass or electro-acoustic guitars.
• Pure oxygen-free copper for maximum signal transfer.
• Polypropylene dielectric enables stronger signals and better high frequencies.
• 24K gold-plated connectors for long life and corrosion resistance.
• Braided cloth jackets for long life with superior flexibility.

Standard guitar/speaker cables compromise performance by using lower grade conventional copper conductors. This can result in signal loss and distortion that cause lower definition, poor dynamics and inaccurate sound. VOX Class A cables use high grade oxygen-free copper cable conductors that yield better clarity and a more natural sounding midrange. The stranded construction has been carefully selected and tuned using the optimum strand gauge and strand count to give the maximum performance for the instrument applications specific to each cable. A precision formulated, polypropylene dielectric material results in stronger signals that yield better high frequencies, and more realistic tonality and nuance.

In addition, VOX Class A cables feature 24K gold-plated connectors for maximum corrosion resistance and signal flow, and are double shielded to provide maximum isolation from electromagnetic and radio frequency interference. VOX Class A Cables are available in 13-foot and 19.5-foot lengths for electric guitar, acoustic guitar and electric bass. The cables include a cloth carry bag and are packaged in attractive retail packaging.

Guitar Cable
Vox guitar cables use the finest grade OFC copper conductors that will give you better clarity and a more natural sounding midrange. This material is seldom used for guitar cables, and is world renowned in audiophile circles. The unique multi-gauge design uses conductor types that are optimized for their particular frequency ranges, and this results in sound that is much more dynamic, fuller sounding, and more natural and life-like. Other cables sound flat and lifeless in comparison. These products are fully engineered using proprietary technology and manufacturing methods to bring you a vastly superior musical experience.

Bass Cable
Vox Bass cables provide an extended, more accurate bass, as well as freedom from noise and interference that can compromise your musical experience. These products use superior grade 99.99% purity copper conductors that will give you better clarity and a more natural sounding bass range. The large solid core bass conductors result in fuller, deeper, more extended bass response, and this is combined with thinner gauge stranded conductors that give better mid and upper bass response. The exact design was established by doing hundreds of hours of listening tests through numerous types of equipment. The precision formulated, Polyethylene dielectric material results in stronger signals that yield better definition of lower frequencies, and more natural sounding bass.

Acoustic Cable
The Vox acoustic cables use the finest grade OFC copper conductors that will give you better clarity and a more natural sounding midrange. This material is seldom used for guitar cables, and is world renowned in audiophile circles. The unique multi-gauge design uses conductor types that are optimized for their particular frequency ranges, and this results in sound that is much more dynamic, fuller sounding, and more natural and life-like. Acoustic instruments are the most difficult to reproduce, and the three-way multi-gauge design was optimized during hundreds of hours of testing, to deliver the most accurate, and musical, acoustic performance possible. These products are fully engineered using proprietary technology and manufacturing methods to give you the best possible performance out of your equipment.Vox Cables - Vintage Coiled & Rock Guitar/Bass Cable

Vox cables utilise unique audiophile grade materials and technology to give you the best possible performance. 

Features include:

• Multi-gauge conductors to give optimum performance at all sound frequencies
• Finest grade 99.99% purity, oxygen-free, copper cable conductors for superior sound
• Maximum noise isolation using two separate shields
• Premium quality, abrasion resistant, high-temperature PVC jacket for maximum durability
• Precision-machined gold-plated connectors with one-piece tip for maximum conductivity and the reliability you need
• Precision formulated polypropylene dielectric for better signal transfer and unique sound quality

VCC Vintage Coiled Cable
The classic 'curly cable', the VCC has been part of some of the most historic moments in rock and roll history. A unique multi-gauge design uses individual conductor types that are optimised for their particular frequency ranges, resulting in a reliable coiled cable that is truly musical. The cable is nine metres long (29.5 feet) and comes in black, blue, red, silver or white.

VGS VOX Rock Guitar/Bass Cable
These specially selected, tuned stranded conductors give optimum performance and a classic rock sound. Available in two lengths: three metres (9.8 feet) and five metres (16.4 feet).

KORG KP3+ Dynamic Effects/Sampler

Price List Rp.4.200.000
KORG KP3+ Dynamic Effects/Sampler
The realtime effects unit/sampler with the latest effects and sampling functionality
The Kaoss Pad series of effects units is famed for its intuitive touch-pad interface. The flagship model KP3 that appeared in 2006 continues to be highly acclaimed by musicians and DJs around the world for its powerful, instantaneous effect programs and its wealth of sampling functionality.

The sounds that drive the dance music scene have evolved significantly over these past seven years, and effects – and how they’re used - along with them.
The effects combinations which have become a staple in numerous genres and applications thanks to the KP3 have been taken to a new and cutting-edge level with the new KP3+. The KP3+ is a real-time effects unit that will generate the sounds of 2013 and beyond.
Highlights:
1. Use the touchpad to control effects in real time
2. A total of 150 effects ideal for DJ mixing and sound design; 42 new types including:

• Vinyl Break simulates a turntable
• Ducking Compressor emphasizes the backbeats
• Newly-designed looper lets you freely manipulate loops
• Effects you can use for breaks in your DJ play

3. High-spec sampling functionality

4. Numerous functions to make your performance even more expressive

• FX Release function controls the reverberation to produce a more natural decay
• Mute function cuts the input signal and outputs only the effect sound
• Pad Motion function records and reproduces your effect usage

5. Practical functions that are easy to use during live performance or production

• Eight program memories let you switch effects instantly
• Hold function sustains the effect sound
• Set the tempo with auto BPM, tap tempo, or the BPM knob
• Pad LEDs ensure high visibility even in the dark

6. Highly expandable for even greater potential

• USB MIDI allows for use as a powerful MIDI controller
• Store sample data on an SD/SDHC card
• Dedicated editor software for centralized management of sample data and settings

Use the touchpad to control effects in real time
The intuitive design and amazing flexibility of the touchpad allows Kaoss Pad 3+ users to easily control multiple effects and parameters by simply stroking, tapping, or rubbing the Kaoss touch pad with their finger. Using this remarkable design, you can easily control and perform with effects in complex ways that would be impossible on a conventional effects unit.

A total of 150 effects ideal for remixing, DJ and live music applications, and in-studio use
The KP3+ provides new effect programs that are worthy of its status as the flagship model of the Kaoss Pad series. The KP3+ contains a total of 150 programs - 22 more than the KP3. In addition to the 108 effects carried over from the KP3, which include filters, spatial-type effects such as delay and reverb, a grain shifter that freezes tiny pieces of sound and repeats them, and a vocoder, there are 42 new or improved effects that represent today's dance music scene, including effects that were newly developed for the Kaoss Pad Quad, such as the Looper, Vinyl Break, and Ducking Compressor.

Vinyl Break simulates a turntable
It's easy to obtain the scratch sound that's heard when you scratch a turntable, or use a record-stop effect. In addition to the basic Mod.1 Vinyl Break, the KP3+ also provides the new Mod.2 Break Reverb which adds reverb to the effect, and the LoP.2 Break Looper and LoP.8 Loop Breaker effects which combine the effect with a looper.

Ducking Compressor emphasizes the backbeats
You can use a side-chain effect to emphasize the backbeats of the kick. In addition to Mod.8 Ducking Compressor, there's a new rEV.1 Pump Reverb that adds a reverb effect. You can add a sense of “breathing” to your music by dynamically varying the reverberation in synchronization with the BPM.

Newly-designed looper lets you freely manipulate loops
For greater usability, the looper effect has been modified to let you loop the sound starting from the instant you touch the touchpad. The existing programs have been significantly updated; for example, if you move your finger to change the number of beats in the loop, the timing of that change will automatically be quantized. There are also many new programs such as LoP.4 Freeze Looper, LoP.6 Shuttle Looper, and the LoP.7 Slice Looper that finely slices a phrase and loops the location that you choose.

Effects for breaks and drops
New effects include dLY.2 Echo Break and rEV.3 Reverb Break, which mute the input sound and generate delay or reverb. These are ideal ways to create breaks in your DJ play. We've also enhanced the synth sound effects that are effective when used during a break, bringing them up to date for the evolving dance music scene. Newly added sounds include Syn.3 Pump Noise (noise without resonance, processed by a side-chain effect) as well as Syn.4 Lofi Synth and Syn.9 Resonator.

Other added effects include FL.16 Center Canceler for partial vocal cancellation, LFO.1 Jag Filter which uses a non-resonant filter to chop the sound, dLY.5 One Delay which shines on styles such as hip-hop, and Grn.6 Stutter Grain which alternately applies a grain shifter and a Looper. We completely rethought the X-axis and Y-axis parameter assignments and their polarity, and included flashy and glittering synth sounds as well as many more effects that will enhance the latest sounds of today's scene.

Functions for greater expressive power

The FX Release function automatically adds a delay to smoothly blend the effect when you release the touchpad. The Mute function cuts the input sound, leaving only the reverb or other effect sound, and can also be used as a "transformer" by turning it rapidly on and off. Pad Motion lets you record and play back the movements of your finger on the touchpad.

Practical functions: Program Memory, Hold, Pad LED
There are eight program memories that let you instantly select your favorite effect programs, and a Hold effect that sustains the effect even after you release your finger from the touchpad.

The pad LEDs illuminate along the path that’s traced by your finger, letting you perform without difficulty even in a dimly lit environment. We've modified the way that the four sampling bank LEDs illuminate to make them more intuitively understandable than on the KP3; they now light up red during recording and green during playback.

Intuitive sampling functionality
The KP3+ features enhanced sampling functionality that lets you perform using multiple effects and samples. Each of the four sample banks can record a sample up to 13 seconds long (*1), and play it either as a one-shot or loop. The KP3+ also has functions such as a start point adjustment that lets you create a half-beat shift to create "doubled" effects, a new slice function that edits the structure of a loop sample to instantly create completely new phrases, and a resampling function that lets you apply an effect to a sample and then re-sample the result.

Samples can be triggered in four different ways as appropriate for your situation. The volume of each sample bank can also be adjusted by the Level slider or the touchpad, either together or individually.
*1: The number of seconds of sampling will depend on the BPM of the audio input and on the sampling settings.

Highly capable
With MIDI IN/OUT jacks and a USB port, it's easy to control external MIDI devices. Loop data and user settings such as programs can be stored on an SD/SDHC card. The KP3+ Editor* is also available, which provides sample data librarian functionality as well as a MIDI assignment editor.
* Runs on Microsoft Windows XP (SP3 or later) / Vista (SP2 or later) / 7 (SP1 or later) / 8, and on Mac OS X 10.5 or later.
*This will be available for download free of charge from the Korg website.

Specification:

Number of effect programs: 

150

Effect Categories:

Filter=20 (6), EQ=2?Modulation=18 (5), LFO=27 (2), Delay=17 (4), Reverb=8 (3), Grain Shifter=6 (1)
Looper=20 (17), Sampler=7, CrossFade=4, Drum=6, Synth=10 (3), Vocoder=5 (1)
( ): New or improved functionality is enclosed in parentheses.

Main controllers: 

Touch pad, LEVEL slider

Audio Input:

Line Input (Stereo RCA pin jack)
Mic Input (Mono unbalanced 6.3 mm phone Jack)

Audio Output:

Line Output (Stereo RCA pin jack)
Headphone (6.3 mm Stereo phone jack)

Sampling Frequency:

48 kHz

AD/DA:

24 bit / Linear

Sampling time:

Each of the four sample banks can record a sample up to 13 seconds

External storage device:

SD Card (16MB – 2GB), SDHC Card (- 32GB)

MIDI:

In / Out

USB:

Type B

Power supply:

DC9V

Display:

4-digit LED display

Dimensions:

210 (W) x 226 (D) x 49 (H*) mm / 8.27” x 8.90” x 1.93",
*including knob height

Weight: 

1.3 kg / 2.87 lbs.

Accessories:

AC adapter, protective sheet for touch pad

Operating requirements for “Kaoss Pad KP3+ Editor”

Windows

Computers:

With USB ports support “Microsoft Windows XP / Vista / 7 / 8”.
OS: Microsoft Windows XP (SP3 or later) / Vista (SP2 or later, 32bit/64bit) / 7 (SP1 or later, 32bit/64bit) / 8 (32bit/64bit), 

Macintosh

Computers:

Apple Macintosh computer with USB ports support Mac OS X.

CPU:

Intel Mac supports

OS:

Later Mac OS X 10.5 or later

Program List

< Filter > 20 programs

FLt.1 Morphing Filter, FLt.2 Low Pass Filter, FLt.3 High Pass Filter, FLt.4 Band Pass Filter, FLt.5, 72dB/oct LPF, FLt.6 LPF & Delay, FLt.7 HPF & Delay, FLt.8 BPF+ & Delay, FLt.9 LPF & Reverb, FL.10 HPF & Reverb, FL.11 BPF+&Reverb, FL.12 Vowel Filter, FL.13 Telephone Filter, FL.14 Radio Filter, FL.15 Radio Isolator, FL.16 Center Canceler, FL.17 Mid Cut Filter, FL.18 Isolator, FL.19 Isolator & Distortion, FL.20, Isolator & Delay

< EQ >2 programs

Eq.1 4 Band Equalizer, Eq.2 8 Band Equalizer

< Modulation > 18 programs

Mod.1 Vinyl Break, Mod.2 Break Reverb, Mod.3 Jet +, Mod.4 Jet -, Mod.5 Manual Phaser, Mod.6 Talk Filter, Mod.7 Digi Talk, Mod.8 Ducking Compressor, Mod.9 Compressor Md.10 Low Compressor, Md.11 Decimator, Md.12 Decimator & HPF, Md.13 Fuzz Distortion, Md.14 Broken Modulation, Md.15 Ring Mod & HPF, Md.16 Pitch Shifter & HPF, Md.17 Mid Pitch Shifter, Md.18 Pitch Shifter & Delay

< LFO > 27 programs

LFO.1 Jag Filter, LFO.2 LFO LPF, LFO.3 LFO HPF, LFO.4 LFO BPF+, LFO.5 LFO HPF+ & Delay, LFO.6 Infinite LFO HPF+, LFO.7 Random LFO LPF, LFO.8 Random LFO HPF+, LFO.9 Yoi Yoi, LF.10 Flanger, LF.11 Deep Flanger, LF.12 Mid Flanger, LF.13 Flanger & LPF, LF.14 Flanger & Delay, LF.15 Infinit LFO Flanger, LF.16 Phaser, LF.17 Mid Phaser, LF.18 Phaser & Delay, LF.19 Step Phaser, LF.20 Auto Pan, LF.21 Mid Auto Pan, LF.22 Slicer, LF.23 Mid Slicer, LF.24 Slicer & LPF, LF.25 Slicer & HPF, LF.26 Audio Gate & LPF, LF.27 Audio Gate & HPF

< Delay > 17 programs

dLY.1 Delay, dLY.2 Echo Break, dLY.3 Reverse Echo Break, dLY.4 LoFi Echo Break, dLY.5 One Delay, dLY.6 Tape Echo, dLY.7 Dub Echo, dLY.8 Feedback Echo, dLY.9 Smooth Delay, dL.10 Low Cut Delay, dL.11 Ping Pong Delay, dL.12 LCR Delay, dL.13 3 band Delay, dL.14 Reverse Delay Mix, dL.15 3 band Reverse Delay, dL.16 Gate Reverb & Delay, dL.17 Delay & Reverb

< Reverb > 8 programs

rEV.1 Pump Reverb, rEV.2 Freeze Reverb, rEV.3 Reverb Break, rEV.4 Reverb, rEV.5 Reverb 2, rEV.6 Spring Reverb, rEV.7 Gate Reverb, rEV.8 Reverse Gate Reverb

< Grain Shifter > 6 programs

Grn.1 Grain Shifter, Grn.2 Beat Grain, Grn.3 Mid Grain Shifter, Grn.4 Mid Grain Shifter+, Grn.5 Grain&HPF, Grn.6 Stutter Grain

< Looper > 20 programs

LoP.1 Looper Forward/Reverse, LoP.2 Break Looper, LoP.3 Looper & Reverse Delay, LoP.4 Freeze Looper, LoP.5 High Looper, LoP.6 Shuttle Looper, LoP.7 Slice Looper, LoP.8 Loop Breaker, LoP.9 KP2 Looper, LP.10 Vinyl Looper, LP.11 Rewind Spin Looper, LP.12 Looper & LPF, LP.13 Looper & HPF, LP.14 Looper & Flanger, LP.15 Looper & Pitch Shifter, LP.16 Looper & Decimator, LP.17 Looper, Isolator & HPF, LP.18 Looper & Isolator+, LP.19 Looper & OSC, LP.20 Looper & Noise

< Sampler > 7 programs

SMP.1 Sample End Point, SMP.2 Sample Roll, SMP.3 Sample Forward/Reverse, SMP.4 Sample Fast Forward/Reverse, SMP.5 Sample Forward/Reverse & Delay, SMP.6 Sample Time Stretch, SMP.7 Sample Grain

< CrossFade > 4 programs

CrS.1 4 sample bank Cross Fader Roll, CrS.2 4 sample bank Cross Fader Time Stretch, CrS.3 4 sample bank Cross Fader & LPF, CrS.4 4 sample bank Cross Fader & HPF

< Drum > 6 programs

drM.1 House Beat, drM.2 Beat Box, drM.3 Tribal Beat, drM.4 Electro Beat, drM.5 Pad Drum 1, drM.6 Pad Drum 2

< Synth > 10 programs

Syn.1 Unison Saw Bass, Syn.2 Unison Square Bass, Syn.3 Pump Noise, Syn.4 LoFi Synth, Syn.5 Metalic Synth, Syn.6 Siren, Syn.7 LFO Sin, Syn.8 LFO Squ, Syn.9 Resonator, SY.10 Synth & Looper

< Vocoder > 5 programs

Voc.1 Vocoder, Voc.2 Bass Vocoder, Voc.3 Vocoder Maj7, Voc.4 Vocoder min7, Voc.5 Vocoder Mix
Specifications and appearance are subject to change without notice for improvement.