ZOOM H6 Handy Recorder

 

Price List Rp.6.950.000
ZOOM H6 Handy Recorder
Here at Zoom we've been building innovative, great-sounding products for the past thirty years. But with the revolutionary H6—the most versatile portable recorder ever—the bar is raised further still.

Four interchangeable input capsules—X/Y, MS, Shotgun, and Dual XLR/TRS Combo—make the H6 the ultimate chameleon of the audio world, and its advanced preamps make it the best-sounding one too.

Whatever your application—live recording, professional film/video work, or broadcast ENG (electronic news gathering), etc.—the H6 can handle it with ease

The Ins and Outs.
INPUTS
The H6 offers four main inputs (1-4), plus two additional inputs (L, R) that are derived from whichever capsule (X/Y, MS, Shotgun, or Dual XLR/TRS Combo) is plugged into the unit. The supplied XYH-6 X/Y capsule also provides a secondary input for connecting an external mic- or line-level signal via a stereo 1/8" Mic/Line In mini phone jack. When a connection is made to that jack, signal from the X/Y microphones is muted.

All four main H6 inputs (inputs 1-4) are combo connectors that can accept either XLR or 1/4" balanced or unbalanced phone cables. They can handle both micand line-level signals, which means that you can connect either external microphones or line-level devices like mixers, portable music players, electronic keyboards, or electric guitars or basses with active electronics (passive electric guitars or basses can also be connected with the use of a mixer or effects device). Internal switching contacts automatically detect the circuit of choice.

On the H6, all connectors use the industry standard Pin 2 hot on XLR connectors and Tip hot on TRS connectors, as shown here:

Each of the six inputs (that is, 1-4 as well a L, R) has a dedicated gain control knob. In addition, the four main inputs and the EXH-6 capsule feature a -20dB pad, allowing you to prevent distortion even when high-level signals are introduced. In fact, with the use of the Pad switch, the H6 can input a signal 30dB louder and 14dB softer than any other Handy Recorder model. In addition, all capsules utilize higher voltage preamps (5 volts instead of the more commonly used 3 volts) for distortion free recording, even at high volumes. A built-in instrumentation amp allows signals to be transmitted with minimal noise even when long cables are used.

If you're using high-quality condenser (powered) microphones with the H6, no problem—a simple menu option allows the unit to provide Phantom Power (either +12, +24, or +48 volts) to any or all of the main inputs (inputs 1-4). Inexpensive condenser microphones requiring Plug-In Power (2.5 volts) can be connected to the X/Y capsule's stereo 1/8" Line In jack.

OUTPUTS
The H6 Line Out is an unbalanced stereo 1/8" phone jack, located on the bottom of the H6, beneath the LCD display. It carries the analog stereo output signal, as determined by the H6's internal mixer.

The H6 USB port, located on the side panel to the right of the LCD display, provides a digital output of either a stereo mix or the six individual input signals, depending upon the setting of the "Audio Interface" function in the USB menu.

In addition, the H6 provides a headphone output with a dedicated volume control, located on the side panel to the left of the LCD display. Connect your headphones to the stereo 1/8" mini phone jack for private monitoring of the stereo output signal.

The H6 even has a built-in speaker, located on the underside of the unit, for fast monophonic monitoring of the recorded signal without the need to make any connections whatsoever. This speaker is automatically disconnected when connection is made to either the Line Out or Headphone output.

A little X, a little Y, a whole lotta stereo.
The X/Y miking technique is optimal when you want to cover a wide area and still capture sound sources in the center with clarity and definition, making it great for all types of live stereo recording. 

The supplied XYH-6 X/Y capsule adds two matched high-quality unidirectional microphones to your H6. This kind of microphone is most sensitive to signal coming from directly in front, and less sensitive to signal coming from behind or from the sides; in technical terms, they are said to utilize a cardioid polar pattern. These mics have the largest diaphragm size (0.579" = 14.6mm) of any ever available on a portable recorder.

As shown in this illustration, the angle of the two mics can easily be changed from 90 degrees to 120 degrees for a wider stereo image (US Patent 8184815).

Playing back stereo X/Y tracks in mono results in a fuller sound than you would get with one microphone, but if mono compatibility is critical (for example, in television production), the Mid-Side (MS) mic technique can be a better choice.

Mid-side mic magic.
Enter MS ("Mid-Side") recording: an incredible technique that allows you to actually adjust the width of the stereo image after it has been recorded, making it especially useful for film, video and television projects. Sound like magic? Read on.

Although the H6's supplied MSH-6 MS capsule appears to be just one microphone, it actually contains two mic elements, positioned directly on top of one another. One of the microphones inside the MSH-6 is unidirectional (that is, it is mostly sensitive to signal coming from directly in front, and less sensitive to signal coming from behind or from the sides) while the other is bi-directional (that is, it is mostly sensitive to signals coming from directly in front and directly behind, and less sensitive to signal coming from the sides).

Inside the H6 MS capsule, the directional ("Mid") mic faces forwards while the bi-directional ("Side") mic is set perpendicular to it, like this:

The basic concept behind MS recording is that the Mid microphone picks up signal coming from the center, while the Side microphone creates ambience and directionality by adding or subtracting information from either side.

The Mid-Side technique works well whenever you need a variable amount of room sound. It can also be used for studio recording, and its convenience and flexibility make it a good option for rehearsal and live concert recording as well.

Riding shotgun.
Our optional SGH-6 shotgun capsule adds a professional-quality hyper-directional (that is, highly directional) microphone to the H6, making it the perfect audio recorder for anyone working in film, video or live theater, or for ENG (electronic news gathering) applications.

( included )

Thanks to the three internal mics with digital signal processing ability, the SGH-6 achieves a frequencyindependent super-cardioid polar pattern. Compared to ordinary shotgun microphones using an acoustic tube method, the SGH-6 maintains a highly directional pickup at about half the length.

Shotgun microphones are often used when you cannot position a microphone directly in front of a sound source. For example, if someone is speaking in front of a video camera and you don't want them to hold an interview microphone up to their mouth, the solution is to use an off-screen shotgun mic.

However, shotgun mics are not the audio equivalent of a photographic telephoto lens. Even though they do an above-average job of picking up sounds that originate from a short distance away, they always sound better when they're physically close to the sound source. If the capsule is more than three feet away, the audio will start to sound distant. The farther away it is, the more distant and reverberant the audio will become.
Note: The SGH-6 is a monaural microphone.

Need more inputs?
If you need more inputs, simply plug in the optional EXH-6 Dual XLR/TRS Combo capsule. It allows you to connect up to six discrete signals from external microphones, instruments, mixers or portable music players, making the H6 the smallest six-track recorder on the planet!

Note: The EXH-6 does not support phantom power.( included )

Attach to a video camera as an external microphone.

The H6 is perfect for use on a video or DSLR camera. The remarkable depth and clarity of sound achieved by the stereo mic design brings additional realism and depth to HD video. By attaching the H6 to a DSLR video camera with an optional hot shoe mount (HS-1), you can create a professional video system with high-quality sound.

HS-1 Hot Shoe Mount (option)

We now also offer a special accessory package for H6 Handy Recorder. The APH-6 package includes a windscreen that provides a professional level of wind noise prevention, a remote controller with REC, PLAY, STOP and other functions and an USB-type AC power adapter.

APH-6 H6 Accessory Pack (included)

File types supported.
The H6 can record audio in two different basic file types: WAV and MP3. The main difference between the two is that WAV files are uncompressed; that is, they contain all the recorded data without any "bits" (digital words) being removed. Thus, they provide full fidelity without compromise. The H6 can record up to six monophonic WAV files (or up to three stereo files) in any of the following formats:

• 44.1kHz / 16-bit
• 44.1kHz / 24-bit
• 48kHz / 16-bit
• 48kHz / 24-bit
• 96kHz / 16-bit
• 96kHz / 24-bit

All WAV files recorded by the H6 are automatically time-stamped, making them fully compatible with the Broadcast Wave Format (BWF); in other words, they are "BWF-compliant." This is especially important when recording audio for video, because it allows the audio to be precisely synchronized with the onscreen action in postproduction.

MP3 recordings are compressed, which means that some unnecessary data is removed prior to storage, making them much smaller than WAV files, and thus much easier to upload and download. Some MP3 files exhibit a slight loss of audio fidelity as compared with the original signal; however, this is not noticeable in all circumstances.

NOTE that when the MP3 file type is selected, the H6 only records in stereo; if you want to record in multitrack, you must select a WAV file type. The H6's internal mixdown function allows multitrack WAV projects to be easily reduced down to stereo MP3 or WAV, with independent control over each track's level, panning and pitch.

Never miss a take.
PRE-RECORD
The interview started a splitsecond before you were ready. The conductor lifted his baton just as you were checking a cable. The talent went back on-air a moment too soon.

No problem… as long as you're using the H6. Its Pre-record function automatically keeps the H6 silently but continuously recording in the background, all the time. Then, when you hit the RECORD button, it keeps the previous two seconds and appends it to the beginning of the file. It's as if the H6 had started recording two seconds before you actually got to hit the button.

BACKUP-RECORD
Backup-record—the ultimate safety net. When turned on during the recording of WAV files, the H6 automatically records a duplicate set of L/R tracks, but with 12dB less input gain. Even if the original L/R track is distorted, chances are the Backup version is fine.

You can listen to either set of tracks simply by going to the Backup File option in the PROJECT menu. When turned OFF, you'll hear the original L/R tracks; when turned ON, you'll hear the lower-level Backup tracks instead. Pick the one you prefer and use it as your L/R master. Bacon saved.

AUTO-RECORD
The Auto-record function allows the H6 to automatically start recording when a certain level of sound is detected. When turned ON and the RECORD button is pressed, the H6 doesn't immediately start recording; instead, it goes into a standby mode; as soon as an incoming signal exceeds the Start Level you've set, recording begins.

There's an equivalent Autorecord Stop function, too. When turned ON, as soon as incoming signal drops below the Stop Level you've set, recording ends.

Onboard effects.
The H6 provides an arsenal of effects that allows you to add polish to your recordings and compensate for any problems or limitations in the acoustics of the recording environment.

A low-cut filter allows you to remove signal below a certain user-designated frequency (called a cutoff frequency). This is useful for eliminating pops, wind noise, blowing, transmitted resonance from an onstage mic stand and other kinds of low frequency rumble.

Compression and limiting compensate for fluctuations in level; in essence, they act like an automatic volume control, reducing the level of louder sounds (that is, the sounds below a threshold point). The main difference between the two is that a limiter reduces louder sounds more severely.

The H6 allows you to choose from three compressor settings and three limiter settings. The two "General" settings (Comp1 and Limiter1) are all-purpose settings that will work well on most kinds of program material. The Comp2 and Comp3 presets are optimized for use with vocals and drums, respectively, while the Limiter2 and Limiter3 presets are optimized for use in live concert recording and small room "studio" recording, respectively.

In addition, there's an onboard metronome and chromatic / guitar / bass tuner—both handy tools when recording musical content.

Battery life and recording times.
The H6 requires just 4 AA batteries—either alkaline or rechargeable NiMH—for power. Battery life (when using alkaline batteries) is more than 20 hours, even during continuous recording. An optional AD-17 AC adapter (included in the APH-6 Accessory Pack) allows you to power the H6 from any standard wall socket.

The H6 records directly to SD cards. It supports standard SD cards as well as the newer SDHC and SDXC cards, up to 128 gigabytes, making it capable of accessing massive data storage.

Using the H6 as an audio interface.The H6's USB port allows it to send and receive digital data. Connect the H6 to your laptop or desktop computer via USB, launch your favorite DAW or use the included Cubase LE , and start laying down your tracks. You can even connect the H6 to an iPad (camera connection kit required).

When the H6 is set to "Stereo Mix" in the USB menu, it acts as a 2-input / 2-output interface; when set to "Multi Track," it acts as a 6-input / 2-output interface. The H6's onboard INPUT&OUTPUT mixer allows you to create a custom stereo or six-track mix for output via USB, with independent control over the level and panning of each track, as well as access to effects like low-cut filtering, compression and limiting. In addition, signal that is input to the H6 can be monitored directly before it passes through the connected computer or iPad, enabling monitoring with zero latency (that is, without any delay). There's also a handy Loop Back mode that allows you to blend stereo signal coming from the computer or iPad with signal coming into the H6 inputs, useful for live streaming via the Internet or for adding narration to a musical backing track.

Live concert recording
The illustration shows how you might typically use the H6 for live concert recording. Here, the XYH-6 X/Y capsule is being used to capture the onstage performance in stereo. In addition, a stereo feed from the mixer is being sent to inputs 1 and 2 in order to record the board sound, and a pair of external mics is connected to inputs 3 and 4 to capture the audience sound.

Location videography
In the example shown in the illustration , the MSH-6 MS capsule is being used to capture the main sound source in stereo, with external boom and lavalier mics (connected to Inputs 1 and 2) focused on the talent providing narration. Another pair of external mics is connected to inputs 3 and 4 and are being used to record a second stereo image, this one of the other performers in the scene. By using the MS capsule, you can then use the H6's onboard MS decoder to adjust the width of the main stereo image in post-production.

ENG
The H6 is the perfect audio companion for anyone doing ENG work, especially when it is used with the optional SGH-6 Shotgun mic capsule, as shown in this example. Here, the SGH-6 is being used to capture the news event itself, recorded on the L/R track. Because shotgun mics have a narrower focus (sometimes referred to as more "reach") than an average microphone, the SGH-6 is the perfect choice when covering late-breaking news at a distance. In addition, the SGH-6 does a great job of picking up the frequencies produced by the human voice.

Two external handheld mics for the interviewer and interview subject are plugged into Inputs 1 and 3, with backup external lavaliers plugged into Inputs 2 and 4. The H6's onboard effects and powerful mixing functions make it the ideal field mixer; the low-cut filter can be used to reduce wind noise, and the compressor/limiter can be used to condense the dynamic range and thus make the audio more television-friendly. The six recorded tracks can then be mixed down internally to a stereo MP3 file for microwave or satellite transmission to the broadcast facility.

Rehearsal recording
Want to record your band as they rehearse? No problem, especially if you plug in the optional EXH-6 Dual XLR/TRS capsule, which allows six discrete mic- or line-level connections to be made to your H6.

In this example, a stereo submix of the mics covering the drum kit is being fed from the PA mixer to the L/R inputs of the H6 via the EXH-6. The four main inputs are used as follows: the lead singer's mic is connected to Input 1; a microphone positioned in front of the guitar amp is connected to Input 2; a direct signal from the bass player's active electric bass is connected to Input 3; and an electronic keyboard is connected to Input 4. Thus, each instrument and vocal is receiving a track of its own (or, in the case of the drums, two tracks).

Being able to spread your instruments and vocals over six tracks instead of four gives you an extra degree of flexibility that other handy recorders cannot provide. As you listen back to your song, new musical ideas may spring to mind, and that's where the H6's powerful overdubbing function comes into play, because it allows any of the tracks to be redone—up to 99 different takes—meaning that you can reshape your song after the fact.

Main Features.

• Interchangeable input capsules that can be swapped out as easily as the lens of a camera
• Six-track simultaneous recording
• Four mic/line inputs with XLR/TRS combo connectors
• Gain controls (real knobs!) and -20dB pads for each input
• Phantom power for all main inputs: +12/+24/+48V
• Large full-color LCD display, angled so it's easy to read in all environments
• Records directly to SD, SDHC and SDXC cards up to 128GB
• Up to 24-bit/96kHz audio in BWF-compliant WAV or a variety of MP3 formats
• Auto-record, Pre-record and Backup-record functions mean that you'll never miss that perfect take
• Multitrack to stereo internal mixdown
• Independent monitor and playback mixes
• Virtual VU meters
• Voice memo and up to 99 marks per recording
• Overdubbing, up to 99 takes
• Built-in effects, including low-cut filtering, compression and limiting
• Onboard MS decoding
• Normalize, Divide and Trim editing
• Chromatic tuner and metronome
• Loop Playback with user-defined start and stop points
• Variable playback speed, from 50% to 150%
• Variable pitch per track without affecting playback speed
• USB port for data exchange to and from computer
• Multichannel and stereo USB audio interface for PC/Mac/iPad
• Camera strap mounts
• Mounts directly to DSLR or camcorder with optional HS-01 Hot Shoe Mount adapter
• Accepts standard AA alkaline or NiMH rechargeable batteries
• Over 20 hours of operation with 4 AA alkaline batteries

•The SD, SDHC and SDXC logos are trademarks. •Steinberg and Cubase are registered trademarks of Steinberg Media Technologies GmbH. •The use of MPEG Layer-3 audio compression technology is licensed from Fraunhofer IIS and Sisvel SpA. •Windows®, Windows® 8, Windows® 7, Windows Vista® and Windows® XP are trademarks or registered trademarks of Microsoft Corporation. •Macintosh, Mac OS and iPad are trademarks or registered trademarks of Apple Inc. •Unauthorized recording of concerts, lectures and other public performances is prohibited by law. •All other trademarks,product names, and company names mentioned in this documentation are the property of their respective owners. •Allfeatures and specifications are subject to change without notice.

Specification:

Recording media		16MB–2GB SD cards 4GB–32GB SDHC cards 64GB–128GB SDXC cards
Inputs	Inputs L/R	XY mic (XYH-6) Mic Type: Unidirectional Sensitivity: –41 dB, 1 kHz at 1 Pa Input Gain: –∞ to 46.5 dB Maximum Sound Pressure Input: 136 dB SPL [MIC/LINE IN] Connector: 1/8" stereo mini jack Input Gain: –∞ to 46.5 dB Input Impedance: 2 kΩ Plug-in Power: 2.5V supported
		MS mic (MSH-6) Mic Types: Unidirectional and bi-directional Sensitivity: –37 dB, 1 kHz at 1 Pa (unidirectional), –39 dB, 1 kHz at 1 Pa (bi-directional) Input Gain: –∞ to 42.5 dB Maximum Sound Pressure Input: 120 dB SPL (unidirectional), 122 dB SPL (bi-directional)
		Shotgun mic (SGH-6 [Option]) Mic Type: Unidirectional (mic unit x 3) Polar Pattern: Super-cardioid Sensitivity: –39 dB, 1 kHz at 1 Pa (each mic unit) Input Gain: –∞ to 50 dB Maximum Sound Pressure Input: 122 dB SPL (unidirectional)
	Inputs 1 to 4	Connectors: XLR/TRS combo jacks (XLR: 2 hot / TRS: TIP hot) Input Gain (PAD OFF): –∞ to 55.5 dB Input Gain (PAD ON): –∞ to 35.5 dB Input Impedance 6.8kΩ Maximum Input Level: +22 dBu (PAD ON) Phantom Power: +12V / +24V / +48V Equivalent Input Noise (EIN): –120 dBu or less
Outputs	Line Out	Connector: 1/8" stereo mini jack Rated Output Level: –10 dBu (when output load impedance is 10 kΩ or more)
	Phone Out	Connector: 1/8" stereo mini jack Output Level: 20 mW + 20 mW (into 32Ω load)
	Built-in Speaker	400 mW/8 Ω mono speaker
Recording Formats		[WAV setting] Sampling Frequency: 44.1/48/96kHz Bit Rate: 16/24-bit (Mono/Stereo, BWF-compliant) Maximum Simultaneous Recording Tracks: 8 tracks (6 tracks + L/R backup) Backup recording: 12dB lower than set L/R input gain [MP3 setting] Sampling Frequency: 44.1kHz Bit Rate: 48–320 kbps Maximum Simultaneous Recording Tracks: 2 tracks
Recording Time (with 2GB card)		03:08:00 (44.1kHz/16-bit WAV) 34:43:00 (128kbps MP3)
Display		2.0-inch full-color LCD (320 x 240 pixels)
USB		[Mass Storage Class operation] Class: USB2.0 High Speed [Audio Interface operation: Multi-track mode] Class: USB2.0 High Speed Inputs / Outputs: 6 / 2 Sampling Frequency: 44.1/48/96kHz Bit Rate: 16/24bit Note: Use with Windows requires a driver, but Macintosh does not. [Audio Interface operation: Stereo mode] Class: USB2.0 Full Speed Inputs / Outputs: 2 / 2 Sampling Frequency: 44.1/48kHz Bit Rate: 16 bit Note: iPad operation supported in stereo mode only.
Battery Life (with alkaline battery)		XY mic, 44.1kHz/16-bit (stereo x 1): 21 hours XY mic and Inputs 1, 2, 3 and 4 used, 96kHz/24-bit (stereo x 3): 9 hours 45 minutes Note: The above times are estimates. Approximate continuous recording times when using battery power were calculated using our own testing method. They may differ greatly depending on operating conditions.
Power		AA size (LR6) battery x 4 AC adapter: AD-17 (DC5V/1A/USB-type) (optional) USB bus power
Dimensions		H6: 77.8mm（W）x 152.8mm（D）x 47.8mm（H） XYH-6: 78.9mm（W）x 60.2mm（D）x 45.2mm（H） MSH-6: 58.0mm（W）x 67.6mm（D）x 42.1mm（H）
Weight		H6： 280g (without batteries) XYH-6： 130g MSH-6： 85g
Included Accessories		Operation manual, XYH-6 X/Y mic capsule, MSH-6 MS mic capsule, SD card (2GB), AA size (LR6) battery x 4, Cubase LE Software, WSH-6S Foam Windscreen, USB Cable, Case
Optional Accessories		SGH-6 Shotgun mic capsule EXH-6 Dual XLR/TRS Combo capsule HS-1 Hot Shoe Mount APH-6 Accessory Pack (includes RCH-6 wired Remote Controller, AD-17 USB-type AC adapter, WSH-6H Hairy Windscreen)

*0dBm＝0.775Vrms

* All trademarks and registered trademarks are the property of their respective holders.

SAMSON Graphite MD13 - Mini USB MIDI Controller

Price List Rp.750.000
SAMSON Graphite MD13 - Mini USB MIDI Controller

Make music on the go! Samson’s Graphite MD13 packs assignable knobs, performance pads, transport controls, and even a crossfader into one extremely portable unit. The velocity-sensitive pads also support aftertouch, perfect for playing synthesizers in addition to drums and samples. A free software editor is available via download to create and save your customized settings.
Samson Graphite MD13 USB/MIDI Control Surface Features:

• Portable performance controller for Mac, PC, and iOS
• 13 velocity-sensitive performance pads, with aftertouch for maximum expression with synthesizers
• Six parameter knobs and one master encoder for controlling synth parameters, pan position, etc.
• DJ-style crossfader is perfect for use with DJ software
• Graphite Editor Software available for free via download

Mobile Control.
Samson’s Graphite MD13 USB MIDI Controller makes studio and on-the-go music production accessible to everyone. The Graphite MD13 features 13 velocity-sensitive pads that are backlit and chromatically arranged. In addition, the MD13 offers six parameter knobs, a DJ-style crossfader and an array of other programmable controls. With iPad/USB bus power and plug-and-play operation, the MD13 makes it easy to get the most out of your music production software in the studio and beyond.

Trigger Your Creativity
The Graphite MD13 features 13 backlit velocity-sensitive, chromatically-arranged trigger pads that can be easily programmed and assigned. Use them to tap out drum beats, cue one-shot samples or start and stop sequences. The trigger pads also have aftertouch, which allows for customizable control over a variety of effects and parameters, for example the addition of a filter or other effects to a triggered sound. Expand your options further with a second bank of triggers, bringing the total to 26. Offering such versatility to performance and recording applications, the trigger pads are the defining feature of the Graphite MD13.

Expanded Performance
The Graphite MD13 features a dedicated Octave button that allows you to expand the keyboard to a full 4-octave range, without using any sub menus or shift keys. With this comprehensive feature, the Graphite MD13 puts a wide range of musical expression at your fingertips.

Custom Control
Take control of your music software with the Graphite MD13’s controller functions. It features a programmable master volume encoder, six MIDI assignable parameter knobs, transport controls and a DJ-style crossfader, all customizable for the ultimate in hands-on control. In addition, the controller offers a Control Change (CC) mode for sending control change messages and a Program setting for relaying program change information. And for easy connection to your computer, the Graphite MD13 features a mini USB port and comes complete with a USB to mini USB cable.

iPad Support
When combined with the iPad using Apple’s iPad Camera Connection Kit, the Graphite MD13 is a great tool for making music on-the-go. Use it with your favorite music and synth iPad apps that support MIDI controllers. For additional mobility, the Graphite MD13 can be powered directly by the iPad when you are away from your desktop computer.

Free Editor Software
For use with the Graphite MD13, as well as Samson's other mini USB MIDI controllers (M25, M32, MF8), a Graphite Editor Software can be downloaded for free from Samson’s website. The software can be used to customize MIDI workflow by creating presets on the editor and saving them to your Graphite MD13 for quick recall.

Whether you’re a producer, performer or DJ, Samson’s Graphite MD13 USB MIDI Controller gives you all the music production control you need for home studio and mobile applications.

Features:

• 13 backlit velocity-sensitive, chromatically-arranged trigger pads (two banks each) with aftertouch
• Programmable master encoder, six parameter knobs and crossfader
• Octave buttons to extend the range
• CC mode to send control change messages
• Mini USB port
• iPad and USB bus powered
• Includes mini USB to USB cable
• Free Graphite Editor Software download available

SAMSON Graphite 25 - USB MIDI Controller

Price List Rp.1.750.000
SAMSON Graphite 25 - USB MIDI Controller
Great Feel & Total Control.
The Samson Graphite® 25 USB MIDI Controller gives you all the performance and production control you need to get the most out of your music software. Combining an intuitive 25-key semi-weighted keyboard with a feature set that is both useful and accessible, the Graphite 25 is a sleek, powerful tool that allows you to express your most dynamic musical ideas.

Keyboard Dynamics
The Graphite 25’s semi-weighted keyboard provides musicians with a responsive and expressive platform that is designed to feel more like an instrument than a controller. It comes equipped with velocity-sensitive keys that accurately capture the dynamics of a performance. Aftertouch offers customizable control over a variety of effects and parameters, for example the addition of growl to a saxophone or vibrato to strings. With 25 keys, the Graphite 25’s pitch range is perfect for performing, while remaining highly portable.

Expanded Mobility
The Graphite 25 is easy to use. With dedicated Transpose and Octave buttons, you can change the key of any given instrument, as well as expand the keyboard to a full 4-octave range, without using any sub menus or shift keys. With all of these comprehensive features, not to mention classic Pitch Bend and Modulation wheels, the Graphite 25 puts a wide range of musical expression and tone manipulation at your fingertips.

Ultimate Control
Take full control of your DAW and virtual instruments with the Graphite 25’s controller functions. It features a programmable master volume fader, eight encoders and four function buttons, all customizable for the ultimate in hands-on control. Not only are they customizable, they can be programmed on-the-fly without the need for editor software. The Graphite 25’s large LCD screen displays the behavior of every function in real-time, enabling intuitive mapping with any software you’re using.

Make It Your Own
Another way players can make the Graphite 25 truly their own is to utilize up to three zones on the keyboard for creating splits and layering sounds. This function allows different sounds to be assigned to different sections of keys for a completely personalized setup. With the keyboard divided into sections, the Graphite 25 lets you control two, three or four unique voices simultaneously. Record your bass, string, pad and lead tones all to a single track and leave room for your creative ideas to run wild.

Trigger Your Creativity
The Graphite 25 features four large velocity-sensitive trigger pads that can be easily programmed and assigned. Use them to tap out drum beats, cue one-shot samples or start and stop sequences. Expand your options further with a second bank of triggers, bringing the total to eight. With such versatility, the trigger pads are a vital performance and recording feature of the Graphite 25.

Built To Perform
With a compact body design that is thinner than most controllers in its class, the Graphite 25 is perfect for live performance and studio applications. It’s constructed for optimal playability whether it’s placed on a solid surface or mounted to a keyboard stand. And its sleek, angled top panel offers easy viewing in any environment.

iPad Support
When combined with the iPad using Apple’s iPad Camera Connection Kit or Lightning to USB Camera Adapter, the Graphite 25 is a great tool for making music on-the-go. Use it with your favorite music and synth iPad apps that support MIDI controllers. For additional mobility, the Graphite 25 can be powered directly by the iPad when you are away from your desktop computer.

Complete With Komplete
Bundled with the Graphite 25, Native Instrument’s Komplete Elements software offers a comprehensive selection of studio-quality sounds, effects and tools for modern music production, composition and sound design. With over 3GB of samples, Komplete provides you with more than 1,000 premium sounds and three mighty player engines – all carefully compiled to provide a strong toolkit for both stage and studio. It’s a ready-to-roll professional software package for all production styles.

With the great feel and total control that keyboard players and studio professionals everywhere crave, the Samson Graphite® 25 USB MIDI Controller brings out the best in performance and production capability.

Features:

• 25-key semi-weighted keyboard with aftertouch
• Programmable master fader, 8 encoders and 4 buttons for hands-on control over your DAW and virtual instruments
• 4 velocity-sensitive trigger pads with aftertouch (two banks) for drum sounds and samples
• Large LCD display provides real-time feedback
• Includes MIDI Out, USB and sustain pedal connections
• Compact design, perfect for live performance and studio applications
• Dedicated Transpose and Octave buttons, Pitch Bend and Modulation wheels
• 3 zones for creating splits and layering sounds
• Adjustable velocity curve for both keys and pads
• USB bus powered
• Bundled with Native Instrument’s Komplete Elements software

Focusrite VRM Box

Price List Rp.1.500.000
Focusrite VRM Box
USB interface with headphone output featuring Virtual Reference Monitoring technology

If you thought that reference mixing had to be complicated and expensive, think again. Focusrite's Virtual Reference Monitoring technology transports you into the perfect mixing environment through any pair of headphones. VRM lets you choose your mixing environment from a living room, a bedroom studio, or a professional studio. You then simply choose from a list of industry-standard studio monitors and speakers.

We’ve all burned CDs of our mixes so that we can listen to our latest creation on as many different systems as we can: the living room HiFi, the television, our friends’ studio monitors and so on. Then the process of improving the mix based on what we’ve heard begins. We might burn another CD to check the updated mix on the same systems in the hope that it sounds better second time around. We may not realise it but we are now ‘reference mixing’. This is why most studios have multiple pairs of speakers; so the engineer can reference the mix on more than one monitor. For most of us this is tough, due to space or budget constraints. That is until now…

The Solution?
Introducing VRM Box. The high-quality USB headphone interface with a difference. VRM stands for Virtual Reference Monitoring. It gives you the option of listening to your mix on multiple sets of speakers, in different rooms, just using headphones. This helps to overcome the problems associated with creating a mix that translates well on many speakers. Burning CDs to listen to your mix in different environments will become a thing of the past.

Mix anywhere, any time
There’s no substitute for mixing on high-quality monitors in a well treated room, however sometimes this ideal scenario is not possible; we might be on a train, in a plane, in a hotel room, on the tour bus or simply at home late at night not wishing to disturb anyone. VRM allows you to make critical decisions on your mix, knowing for certain that it will translate well in many environments.

Small but perfectly formed
Compact enough to fit in the palm of your hand, and USB bus-powered, VRM Box is the ideal high-fidelity portable headphone interface. With a measured dynamic range of 108dBA, VRM Box provides a huge improvement for headphone listening when compared with the on-board sound of all laptops, as well as many far more expensive audio interfaces. Added with the Virtual Reference Monitoring technology, VRM Box represents incredible value for money.

Choose from 15 industry-standard studio monitors and speakers, in three different rooms

Key Features

• Three virtual rooms and 15 virtual speakers: Monitor in a virtual professional studio, living room or bedroom. With 15 different speaker models, you get multiple perspectives on your mix. From the Genelec 1031A, to the KRK VXT8 and the BBC-designed LS3-5a, we have meticulously measured each of the speakers to bring their characteristics to your headphones. There’s even an LCD television to use for reference!
• Use alongside any interface: VRM Box can be used in conjunction with any interface that has an S/PDIF output, including Pro Tools HD and Pro Tools HD Native. This makes switching between VRM headphone monitoring and speaker monitoring painless. VRM Box can receive S/PDIF signals at any standard sampling frequency (44.1 to 192 KHz) meaning you don't need to change your session setup – just route your mix to the S/PDIF out.
• High-quality monitoring anywhere: Sometimes it’s not possible to take your interface with you, as it’s too large or because it’s wired into your studio. The portable format of VRM Box allows you to take it anywhere – just sling it in your laptop bag and be safe in the knowledge that its robust case will stand up to the rigors of the road. It’s even bus powered so all you need is the USB cable.
• A great upgrade for headphone listening: If you like to listen to music on your computer with headphones, VRM Box provides a great improvement when compared with on-board sound and indeed many other audio interfaces. With a dynamic range of 108 dBA and very low noise and distortion figures, VRM Box delivers pristine sound with or without the optional room and speaker modelling.

Specification:

Headphone Outputs (Outputs 1-2)

Output impedance:

< 10 Ω

Power output into 150Ω:

15mW

Power output into 50Ω:

30mW

THD+N:

-100dB (0.001%) (-1dBFS input, 20Hz/22kHz bandpass filter, 150Ω load)

Signal to Noise Ratio:

> 105dB

S/PDIF Digital Input

Automatic Sample Rate conversion
Supported sample rates: continuous from 32kHz to 192kHz

THD+N: < -110dB any sample rate

Crosstalk (Channel Isolation)

Any output to output: > 100dB
DIGITAL PERFORMANCE

D/A Dynamic Range:

120dB (A-weighted)

Measured D/A Dynamic Range:

108dB (A-weighted)

Clock Source:

Internal Clock only Clock jitter < 250 picoseconds

Supported Sample Rates:

44.1kHz & 48kHz

Input channels to computer:

S/PDIF (stereo)

Output channels from computer:

Headphones (stereo)

Connectors and Controls

Stereo S/PDIF input on RCA

Stereo Headphone Output on 1⁄4” TRS

Headphone Output Level control (analogue)

4-pin USB2.0 compatible socket
Indicators

Green LED Indicator:

Flashing: Unit not installed correctly on host

Off: VRM effects turned off

On: VRM effects turned on

Power

Bus power from USB bus

Operating System Requirements

Windows

XP (service pack 3), Vista, 7 (32 and 64-bit)

Mac

OS X 10.5 Leopard (Intel only), OS X 10.6 Snow Leopard.

For customers running computers with Intel's Core i-series chipsets, please checkhere.

To use our OS Checker, please click here
Weight and Dimensions

Dimensions

Unboxed: 68mm x 25mm x 68mm (W x H x D)
Boxed: 155mm x 210mm x 75mm (W x H x D)

Weights

NetWeight: 123g
Gross Weight: 380g