Martin Grand Performance GPCX2AE Macassar

Price List Rp.14.500.000

Martin Grand Performance GPCX2AE Macassar

The GPCX2AE Macassar is a Grand Performance cutaway model that is crafted from a solid Sapele top paired with Macassar patterned high-pressure laminate back and sides, a birch laminate high performance neck and Fishman Sonitone electronics. A great guitar for studio or stage. This model includes SUSTAINABLE WOOD CERTIFIED parts. See specifications for details.

Specification:

General
___________________________________________________________________
Model	GPCX2AE Macassar
Construction:	Mortise & Tenon Neck Joint
Body Size:	Grand Performance 14 Fret
Body
___________________________________________________________________
Top Material:	Sapele
Top Detail:	N/A
Rosette:	Multi-Stripe
Bracing Pattern:	X Brace
Brace Shape:	Scalloped
Brace Material:	Sitka Spruce
Brace Size:	5/16" with 1/4" Tone Bars
Back Material	HPL
Back Detail:	Macassar Pattern
Back Purfling/Strip	N/A
Side Material:	HPL
Side Detail:	Mahogany Pattern
Endpiece:	N/A
Endpiece Inlay:	N/A
Binding:	N/A
Top Inlay Material:	N/A
Side Inlay Material:	N/A
Back Inlay Material:	N/A
Neck
___________________________________________________________________
Neck Material:	Brown Birch Laminate
Neck Shape:	Performing Artist
Neck Taper:	High Performance Taper
Plek:	No
Nut Material:	White Corian
Headstock Shape:	Solid with Standard Taper
Headplate Material:	Rosewood HPL
Headplate Detail:	N/A
Headplate Logo Style:	Script Ink
Headplate Binding Material:	N/A
Heelcap:	Black
Fingerboard Material:	FSC® Certified Richlite
Scale Length:	25.4"
Neck Joins Body At:	14th Fret
Number of Frets Total:	20
Fingerboard Width at Nut:	1 3/4''
Fingerboard Width at 12th Fret:	2 1/8''
Fingerboard Inlay Material:	White Plastic
Fingerboard Inlay Style:	Dots
Fingerboard Binding Material:	N/A
Side Dots:	White
Finish
___________________________________________________________________
Back and Side Finish:	None
Back and Sides Color:	N/A
Finish Top:	Hand Rubbed
Top Color:	Clear
Finish Neck:	Hand Rubbed
Neck Color:	N/A
Bridge
___________________________________________________________________
Bridge Material:	FSC® Certified Richlite
Bridge Style:	Modern Belly - Drop in Saddle
Bridge String Spacing:	2 5/32"
Saddle:	Compensated White Tusq
Saddle Radius:	16"
Hardware:
___________________________________________________________________
Tuning Machines:	Chrome Enclosed Gear
Recommended Strings:	SP LIFESPAN 92/8 PHOSPHOR BRONZE LIGHT (MSP7100)
Knob:	Small
Bridge Pin Material:	White Plastic
Bridge Pin Dots:	Black Plastic
Pickguard	Black
Pickguard Inlay:	N/A
Case:	N/A
Label:	Foil Label
Electronics:	Fishman Sonitone
Left Handed Availability:	Yes

Martin Grand Performance GPX1AE

Price List Rp.11.950.000

Martin Grand Performance GPX1AE

A Grand Performance-14 fret, non-cutaway, acoustic-electric model that features a Sitka spruce top and high-pressure laminate mahogany-grained back and sides. The rust colored laminate neck complements the rich hue of the back and sides, making this an aesthetic beauty. Equipped with Fishman Sonitone electronics with USB for a great dynamic sound. This model includes SUSTAINABLE WOOD CERTIFIED parts.

Specification:

General
___________________________________________________________________
Model	GPX1AE
Construction:	Mortise & Tenon Neck Joint
Body Size:	Grand Performance 14 Fret
Body
___________________________________________________________________
Top Material:	Sitka Spruce
Top Detail:	N/A
Rosette:	Multi-Stripe
Bracing Pattern:	X Brace
Brace Shape:	Scalloped
Brace Material:	Sitka Spruce
Brace Size:	5/16" with 1/4" Tone Bars
Back Material	HPL
Back Detail:	Mahogany Pattern
Back Purfling/Strip	N/A
Side Material:	HPL
Side Detail:	Mahogany Pattern
Endpiece:	N/A
Endpiece Inlay:	N/A
Binding:	N/A
Top Inlay Material:	N/A
Side Inlay Material:	N/A
Back Inlay Material:	N/A
Neck
___________________________________________________________________
Neck Material:	Rust Birch Laminate
Neck Shape:	Performing Artist
Neck Taper:	High Performance Taper
Plek:	No
Nut Material:	White Corian
Headstock Shape:	Solid with Standard Taper
Headplate Material:	Rosewood HPL
Headplate Detail:	N/A
Headplate Logo Style:	Script Ink
Headplate Binding Material:	N/A
Heelcap:	Black
Fingerboard Material:	FSC® Certified Richlite
Scale Length:	25.4"
Neck Joins Body At:	14th Fret
Number of Frets Total:	20
Fingerboard Width at Nut:	1 3/4''
Fingerboard Width at 12th Fret:	2 1/8''
Fingerboard Inlay Material:	White Plastic
Fingerboard Inlay Style:	Dots
Fingerboard Binding Material:	N/A
Side Dots:	White
Finish
___________________________________________________________________
Back and Side Finish:	None
Back and Sides Color:	N/A
Finish Top:	Hand Rubbed
Top Color:	Clear
Finish Neck:	Hand Rubbed
Neck Color:	N/A
Bridge
___________________________________________________________________
Bridge Material:	FSC® Certified Richlite
Bridge Style:	Modern Belly - Drop in Saddle
Bridge String Spacing:	2 5/32"
Saddle:	Compensated White Tusq
Saddle Radius:	16"
Hardware:
___________________________________________________________________
Tuning Machines:	Chrome Enclosed Gear
Recommended Strings:	SP LIFESPAN 92/8 PHOSPHOR BRONZE LIGHT (MSP7100)
Knob:	Small
Bridge Pin Material:	White Plastic
Bridge Pin Dots:	Black Plastic
Pickguard	Faux Tortoise
Pickguard Inlay:	N/A
Case:	N/A
Label:	Foil Label
Electronics:	Fishman Sonitone USB
Left Handed Availability:	Yes

YAMAHA REVSTAR RS720B

Price List Rp.13.800.000

YAMAHA REVSTAR RS720B

The style, feel, and sound of the RS720B is unmistakably classic, however, no detail has been left to blind tradition. From totally unique pickups voiced to match the Bigsby vibrato, to re-imagined inlays from a vintage Yamaha guitar and the beautiful hand-cut finish, it’s destined to become an instant classic.

Drawing inspiration from London and Tokyo’s vintage street-racing motorbikes, Japan’s heritage of engineering excellence and the 50-year legacy of Yamaha guitar craftsmanship, every detail of each Revstar model has been carefully engineered to bring out the unique personality of each guitar in the lineup. From the curves and contours of the ground-up body design to the distinctive colors and finishes and custom-wound pickups that perfectly match the guitar’s character, the Revstar collection comprises a diverse lineup of instruments as unique as the guitarists who play them. This is Revstar — meet your other half.

THE REVSTAR HANKO
The Hanko is our stamp of approval. You'll find it on the back of any Revstar headstock, a small sign of the pride we take in every guitar we build.
Features 

Sound
Inspired by raw power and performance, Revstar’s sound is as unique and bold as its aesthetic. Working to evoke a visceral, unbridled power and an individual, organic tone that is made possible only by considering every detail, Yamaha’s engineers chose materials carefully and designed custom pickups to make sure Revstar sounds as stunning as it looks.

Pickups
Designed from the ground up, Revstar features specially wound YGD pickups that are perfectly matched to each guitar. More than 50 prototype pickups were tested featuring different combinations of wire, windings, magnets and base plates. Eventually, a spec was settled on for each guitar model and the Revstar pickup series was born.

• VH7 : RSP20CR | Alnico V magnet, German silver baseplate and heavy formvar wire for punchy, dynamic, articulate tone and the perfect balance between gain and clarity. [8.4k (neck) / 8.8k (bridge) DCR]
• VT5 : RS720B | Alnico 5 magnet, brass baseplate and underwound polyurethane wire for clear, ringing, low-output tone.[4.3k (neck) / 4.9k (bridge) DCR]
• VH5 : RS820CR / 620 | Alnico V magnet, German silver baseplate and heavy formvar wire for bright, powerful, balanced vintage/modern sound. [8.3k (neck) / 8.8k (bridge) DCR]
• VP5 : RS502 / 502T | Alnico V magnet, German silver baseplate and plain enamel wire for clear, vintage tone with bite [8.3k DCR]
• VH3 : RS420 | Alnico V magnet and German silver baseplate for powerful, open tone
• HH3 : RS320 | Ceramic magnet and brass baseplate for powerful, punchy tone to match the solid nato construction of RS320.

Dry Switch
Designed especially for Revstar, Yamaha’s proprietary Dry Switch gives you the versatility of a coil split, but with a tone that’s miles ahead. Using a passive filter circuit painstakingly designed to give the perfect frequency response, the Dry Switch filters out low frequencies to give the punch and clarity of a single coil pickup minus the inevitable hum and hollow tone often associated with split humbucking pickups. And because it’s a filter circuit, the Dry Switch works on both humbuckers and P90s for a totally unique, usable tone.

Custom Hardware
Inspired by the stripped-down custom Café Racer motorbikes popularized on the streets of London in the 1960s, Revstar’s hardware captures the high-performance, individual character of those bikes with a wide range of totally unique, customized hardware. From the unique pickup covers and raw copper scratchplate on the Revstar Professional, to the totally custom floating aluminum tailpiece on the RS502T, each and every component is perfectly calibrated for great performance and unmistakable style—capturing the very essence of a Café Racer.

Comfort Contoured Body
Revstar is a workhorse through and through, but that doesn’t mean there has been any compromise on comfort and playability. With every contour designed from the ground up to look and feel great, Revstar’s body features a deep belly cut, hidden forearm contour and a newly designed neck joint for outstanding upper fret access. This is a guitar made to be played all night.

IRA(Initial Response Acceleration)
If you've ever played another guitarist's instrument and not been able to get the same sound, it's probably because you are playing a different style than what the guitar is used to. After playing the same guitar for years, the guitar adapts to the guitarist's playing style. It takes time for a new guitar to adapt to your own way of playing. Stress found between parts like finish, woods, body, neck, fingerboard, nut, bridge, etc., must be released before all of the parts can resonate together as an instrument. It takes time and a lot of playing for this to happen. Using IRA technology, stresses like those between the finish and wood are release by applying specific vibrations to the completed guitars. Once this treatment is complete, the guitar responds accurately to the guitarist's performance, and produces sound more easily. It also shortens the time needed for the guitar to adapt to your playing style. And it delivers excellent sustain (RSP20CR)

Specification:

Scale Length	24 3/4" (628.6mm)
Neck	Mahogany
Fingerboard	Rosewood
Radius	13 3/4" (350mm)
Construction	Set-in
Frets	22, Jumbo
Body	Flamed Maple top, Mahogany
Tuners	Locking Die-cast
Bridge	Tune-o-matic, Bigsby B50
Pickups	VT5+; Vintage output Filtertron-style pickup with satin nickel cover
Pickup Switch	3 position lever
Controls	Master Volume, Master Tone (Push-Pull, Dry Switch)

YAMAHA HS8S Powered Subwoofer

Price List Rp.3.400.000

YAMAHA HS8S Powered Subwoofer

If Your Mixes Sound Good On These, They'll Sound Good Anywhere
Designed as true reference monitors with exceptionally flat response. If your mix sounds good here, it'll sound good everywhere.

• 8" bass-reflex powered subwoofer delivers solid 30Hz - 120Hz frequency response.
• 150 watts dynamic power.
• XLR and TRS phone jack inputs accept balanced or unbalanced signals.
• Balanced XLR L and R outputs connect to the main left and right speakers.
• L/R mix output connects to a second subwoofer if required.
• Level control facilitates precise overall system level matching.
• Phase switch simplifies phase alignment.
• Low-pass filter control and high-pass filter control with ON/OFF switch.
• Full magnetic shielding.

When choosing reference monitors for mixing and music production, accuracy is the prime consideration. Speakers that sound "good" on first impression may not necessarily be accurate. What you really need is an honest reference for your mix, rather than monitors that have been tweaked or colored to deceptively sound impressive. The new HS series reference monitors have been created by Yamaha's studio monitor engineering team to deliver exceptionally flat, accurate response that you can trust. Unlike "monitor" speakers with exaggerated bass and treble that make a good first impression but can't be relied on for accuracy, the HS series were designed to be true studio reference monitors in the tradition of the legendary Yamaha NS10M. Whether you're mixing for stereo or 5.1 surround, mixes that sound good on Yamaha HS series reference monitors will translate accurately to the widest possible range of reproduction systems … which is engineer-speak that simply means they'll sound good on anything. And that is the ultimate goal of any reference monitor. We should also mention that the HS-series monitors not only sound great, they look great, too.

If Your Mixes Sound Good on These, They Sound Good on Anything
The new HS Series powered monitors were designed to be true studio reference monitors in the tradition of the famous NS10Ms. When choosing your next pair of near field reference monitors, remember it's not just important that they sound good; they have to be an honest reference for your mix. The new HS Series of reference monitors were designed to give you exceptionally flat response so you can really trust what you hear. That means that mixes that sound good on Yamaha HS speakers will sound good on anything. In fact, that's the ultimate test of a reference monitor. Even better than that, HS series speakers not only sound good, they look great, too.

The HS Series is a two-way, internally powered speaker system designed to provide affordable, high quality reference monitoring for all types of recording and multimedia applications – home studios, computer-based music production, gaming systems, keyboards rigs and personal computer systems. All products are sold and packaged individually, making it easy to build flexible monitor setups and 5.1 systems.

The 70-watt HS50M (5-in. cone and 3/4-in. dome tweeter) and 120-watt HS80M (8-in. cone and 1-in. dome tweeter) are housed in bass reflex-type cabinets, and reproduce surprisingly tight low end and smooth, high frequency response to beyond 20 kHz. Inputs include a balanced XLR and 1/4-in. phone jack. In addition to master level controls, each speaker has trim switches that allow you to custom-tailor low, mid and high frequency response for different applications.

The HS8S powered subwoofer contains a long-stroke, 8-in. 150-watt woofer and bass reflex design cabinet that maintains high efficiency and low distortion. Connections include dual XLR and 1/4-in. inputs, and three balanced XLR outputs (Mix, L&R). Controls include master level, phase and low/high cutoff frequency. The HS8S complements the HS speakers, and easily handles today's bass-enhanced music or the most dramatic surround effects.

HS Series cabinets look as great as they sound. Enclosures are constructed of high-quality MDF material and a multiple layer finish that minimizes resonance. Design elements include a black finish and lighted Yamaha tuning fork logo. White polypropylene woofer cones recall the look of the classic Yamaha NS10M, and include low-damping rubber surrounds and full magnetic shielding.

Specification:

Speaker type		Powered subwoofer
Frequency range (-10dB)		22Hz - 160Hz
Components	LF	8" cone
Output power		150W
I/O connectors		INPUT: XLR3-31 type (balanced) x2, PHONE (balanced) x2 / OUTPUT: XLR3-32 type (balanced) x2 (L&R), XLR3-32 type (balanced) x1 (EXT SUB)
Power consumption		70W
Shape		Bass-reflex type
Cabinet material		MDF
Dimensions	W	300mm (11.8")
	H	350mm (13.8")
	D	389mm (15.3")
Net weight		12.5kg (27.6 lbs.)
Others		LEVEL control, PHASE switch : NORM./REV., HIGH CUT control (80-120Hz, center click), LOW CUT control (80-120Hz, center click), LOW CUT switch (ON/OFF)

YAMAHA Powered Mixer EMX5016CF

Price List Rp.10.200.000

YAMAHA Powered Mixer EMX5016CF 

Serious Live Sound Capability Plus Innovative Digital Features
Live sound gear can be intimidating, but Yamaha's new EMX5016CF Powered Mixer takes the confusion out of setting up a professional-sounding live music experience. This 16-channel stereo powered mixer, which includes two 500-watt amplifiers, is ideal for bands, churches and small rental applications.The EMX5016CF delivers the convenience of an integrated powered mixer with input capacity, flexible features, and solid sound that critical live sound applications demand. It is remarkably compact and portable for a live sound system with this much capability, but offers performance and reliability that will satisfy the discerning professional user either on the road or in installed applications. And thanks to leading Yamaha digital technology, the EMX5016CF also includes a number of innovations that make it easier than ever to achieve top-class sound in just about any venue. An impressive power output of 500 watts per channel means it can handle fairly large audiences, indoors or out. The EMX5016CF goes considerably beyond the standard definition of "powered mixer," entering the realm of serious sound reinforcement.
Main Features

• Versatile 16-Input Configuration Adapts to Varied Source Requirements
• Advanced Channel EQ
• Ample I/O for Expansion and Integration
• One-knob Compression On Mono Channels
• 9-band Digital Graphic EQ with Presets & Memory
• FRC (Frequency Response Correction) System
• Automatic Feedback Suppression
• Multi-band "Maximizer"
• Dual Yamaha SPX Effect Processors
• Dual AUX Sends
• Other Pro-class Features

BOSS SY-300 Guitar Synthesizer

Price List Rp.12.015.000
BOSS SY-300 Guitar Synthesizer
Explore New Dimensions Of Sound With Any Guitar
Grab your favorite axe and dive into an extraordinary world of sound creation with the SY-300 Guitar Synthesizer. The SY-300 can be used with all your guitars right away, with no special pickup required—just plug into the standard 1/4-inch jack and play! Thanks to revolutionary new BOSS technology, you’re able to explore fat, analog-style polyphonic synth sounds with zero latency, seamlessly extending the natural expressiveness and familiar feel of your own instrument. In addition, you can shape your normal guitar with the synth’s filters, amps, and LFOs to create all sorts of cool sounds never heard before. From unique lead textures to rich, evocative soundscapes, the SY-300 brings untapped dimensions of inspiration and creativity to your music.

Features:

• Plug into the standard 1/4-inch jack and play rich and expressive polyphonic synth tones with any guitar
• Completely latency-free playing feel directly connects your hands with the sound
• Three simultaneous synth sections and four effects processors enable rich, dynamic, and diverse sound creation
• Shape your normal guitar tone with synth filters, amplifiers, and LFOs to create all-new sounds
• Graphic LCD display, three assignable footswitches, and dedicated on/off footswitch
• 70 ready-to-play preset patches and 99 user patches for storing custom sounds
• Create and archive sounds on your computer with the BOSS Tone Studio editor/librarian and download new sounds at BOSS Tone Central
• Works with bass and other electronic instruments as well

Access Expressive New Sounds via a Standard 1/4-Inch Input
With the SY-300, tapping into BOSS’ legendary guitar synth technology has never been easier. While our other synth products require a special GK pickup and 13-pin cable to access synth voices, the SY-300 can be used with any guitar via a standard 1/4-inch cable. Powered by ultra-fast DSP and newly developed innovations from the BOSS engineering team, the SY-300 performs its amazing synth magic in real time, with no lag whatsoever. This delivers a latency-free playing experience that’s a natural extension of your normal guitar, letting you to play freely and organically without altering your technique in any way.

A True Analog-Style Synth for Guitar
The SY-300 features a powerful polyphonic synthesis engine with three separate sections, bringing a limitless range of fresh tones to your arsenal. Just like a keyboard player with a classic analog synth, you have complete creative freedom to build sounds with a full palette of synthesis parameters—select different wave shapes, tweak them with filter, amp, and pitch controls, modulate them with LFOs, and layer oscillators for rich, complex tones. There’s even a step sequencer (with tap tempo control) for creating dynamic melodies and arpeggios simply by playing a single note on your guitar! And with the cool Blender function, you can instantly mix and match synth settings from other patches to discover inspiring new sounds with no heavy lifting at all.

Shape Your Normal Guitar Sound with Synth Parameters
Beyond its amazing synth voices, the SY-300’s synth engine can be used to process your normal guitar sound in many compelling ways. Apply filtering to alter the basic tonality, and use the amplifier parameters to alter the attack and decay characteristics. After that, add some sweeping movement to the sound with the LFO section. With these powerful controls, you’re able to extend your regular axe with an endless supply of unique creative textures, from subtle to otherworldly.

Maximize Tones with High-Impact Effects
Effects play a huge role in synthesizer sound design, and the SY-300 is filled with options to take your tones into the stratosphere. Four simultaneous effects engines are available, each packing a number of effects types including overdrives and distortions, Slow Gear, Isolator, Slicer, and many others. Some types can even perform two effects at once, such as chorus and delay or delay and reverb. Use the effects to process synth sounds, your straight guitar sound, or both at once—it’s up to you.

Powerful Control Options and Versatile Connectivity
Controlling the SY-300 while performing is simple. Using the four built-in footswitches, you can bypass the synth sound, scroll through patches, and control three different parameters of your choosing per patch. Two external footswitches or an expression pedal can also be connected for even more real-time control if needed. The Thru output lets you to send your dry guitar sound directly to your pedals or amp, or it can be used along with the Return jack as an effects loop. Dual output pairs (Main and Sub) offer assignable signal routing options to integrate with any setup, while MIDI In and Out/Thru jacks are provided for interfacing with switchers, drum machines, and other MIDI gear.

USB Interface for Computers
The SY-300 is equipped a USB audio interface to capture audio tracks directly into music production software on your computer. You can record the SY-300’s synth and effects sounds, or just monitor them while recording a dry signal. Then, feed that signal back into the SY-300 to “re-synth” the sound and create the perfect tone for your mix. You can feed other tracks from your DAW into the SY-300 as well, processing them with the synth engine and effects to create cool new sounds for your productions. The SY-300’s USB connection also allows you to build and organize patches with the dedicated BOSS Tone Studio editor and download new patches from the BOSS Tone Central website.

Specification:

Oscillators

Three OSCILLATOR (wave: SIN, SAW, TRI, SQR, PWM, DETUNE SAW, NOISE, INPUT)

Effects

Effect (FX) x 4
Type:
TOUCH WAH, COMPRESSOR, LIMITER, OD/DS, EQ, SLOW GEAR, DELAY, CHORUS, REVERB, PHASER, FLANGER, TREMOLO, ROTARY, UNI-V, PAN, SLICER, ISOLATOR, LO-FI, DELAY+REVERB, CHORUS+DELAY, CHORUS+REVERB

Patch Memories

User: 99
Preset: 70

AD Conversion

24 bits + AF method

* AF method (Adaptive Focus method): This is a proprietary method from Roland & BOSS that vastly improves the signal-to-noise (SN) ratio of the AD and DA converters.

DA Conversion

24 bits

Sampling Rate

44.1 kHz

Nominal Input Level

INPUT: -10 dBu
RETURN: -10 dBu

Input Impedance

INPUT: 2.2 M ohms
RETURN: 220 k ohms

Nominal Output Level

MAIN OUTPUT: -10 dBu
SUB OUTPUT: -10 dBu

Output Impedance

MAIN OUTPUT: 2 k ohms
SUB OUTPUT: 2 k ohms

Recommended Load Impedance

MAIN OUTPUT L/R: 20 k ohms or greater
SUB OUTPUT L/R: 20 k ohms or greater
PHONES: 16 ohms or greater

LCD

Graphic LCD (132 x 64 dots, backlit LCD )

Connectors

INPUT jack: 1/4-inch phone type
THRU jack: 1/4-inch phone type
RETURN jack: 1/4-inch phone type
MAIN OUTPUT R (MONO) jack: 1/4-inch phone type
MAIN OUTPUT L (PHONES) jack: 1/4-inch phone type
SUB OUTPUT R (MONO) jack: 1/4-inch phone type
SUB OUTPUT L jack: 1/4-inch phone type
MIDI (IN, OUT/THRU) connectors
EXP/CTL4, 5 jack: 1/4-inch TRS phone type
USB port: USB type B
DC IN jack

Power Supply

AC adaptor

Current Draw

400 mA

Accessories

AC adaptor
Owner's manual
Leaflet "USING THE UNIT SAFELY"

Options (sold separately)

Footswitch: FS-5U, FS-5L, FS-6, FS-7
Expression pedal: Roland EV-5, BOSS FV-500L/500H

SIZE AND WEIGHT

Width

255 mm
10-1/16 inches

Depth

191 mm
7-9/16 inches

Height

70 mm
2-13/16 inches

Weight (excluding AC Adaptor)

1.75 kg
3 lbs 14 oz.

* 0 dBu = 0.775 Vrms

ASIO is a trademark and software of Steinberg Media Technologies GmbH.