SWR 750 X™ Bass Head Amplifier

Price List Rp.21.600.000
SWR 750 X™ Bass Head Amplifier

The ultimate multi-purpose SWR bass amp, with crushing volume, two killer effects and 750 watts of pure SWR tone. The top-of-the-line X Series amp, the 750x comes equipped with the classic SWR tube preamp, but also contains two onboard effects: the Subwave, which produces clean, pure and accurate sub-octave effects; and Overdrive, which affects the preamp’s 12AX7 tube to create overdrive that can be as subtle as a classic “flip-top” or as nasty as a half-stack running at 11. It’s quickly becoming an “instant classic,” and serves as the SWR amplifier of choice for many of today’s professional rock bassists.

Features: 750 watts @ 4 ohms, classic SWR tube preamp with Aural Enhancer, Tube Overdrive, Subwave, studio-quality three-mode XLR out (direct, direct + EFX, line) with ground lift and level pad, three-band active EQ with variable midrange, pull turbo (ultra-low) and transparency (ultra-high) controls, variable limiter, side-chain effects loop with blend control, tuner send, stereo headphone out, speaker on/off switch, Speakon® and 1/4” speaker outputs. Dual footswitch for Overdrive and Subwave effects included.

Specifications:

Model Name	750 X™
Model Number	44-00500-000
Series	X Series
Type	Bass Amplifier Head with SubWave™ and OverDrive
Description	Crushing volume, two killer effects, and pure SWR® tone. The SWR 750 X is the first upgrade to our highest-powered mono professional bass amplifier, the Bass 750. In addition to new chassis graphics - featuring the SWR logo badge in classic chrome - the 750x has inherited two popular effects circuits from the SWR Mo' Bass: SubWave (which produces a clean, pure and accurate octave effect) and Overdrive (which affects the pre-amp's 12AX7 tube to create overdrive that can be as subtle as a classic "flip top" or as nasty as a half stack). As an added bonus, the unit ships with a two-button footswitch that connects to the 750x via a stereo-to-two-mono cable for footswitching of the Overdrive and Subwave effects.
Features	FRONT PANEL FEATURES Dual independent input jacks compatible for both active and passive instruments Ultra-High-Polished Aluminum Front Panel Gain control with LED peak clipping indicator Variable Limiter Overdrive (with Drive and Level controls) Overdrive Illuminated on/off switch Subwave (with Level control) Subwave Illuminated on/off switch Active Bass Control w/pull Turbo Function Active Treble Control w/pull Transparency Function Variable mid-range EQ Our Exclusive Aural Enhancer™ Circuitry Effects Blend Control Master Volume Control Rack mountable Rack Handles Speaker On/Off Switch Power On/Off Switch Aluminum chassis REAR PANEL FEATURES Sidechain Effects Loop Stereo Headphone Jack Balanced XLR Output w/ Pad XLR Mode Switch (Direct, Line, or Direct + EFX) Tuner Send Preamp Output Overdrive Footswitch Jack Subwave Footswitch Jack Two 1/4" Speaker Output Jacks Two Speakon® Speaker Output Jacks Speaker fuse: 3AG, 10 Amp, Fast Blo Line Fuse: 3AG, 10 Amp, Slow Blo (100 & 120 volt units) 3AG, 5 Amp, Slow Blo (240 volt units) A/C Line Receptacle INTERNAL FEATURES All tube preamp gain stages Cooling Fan (1) 12AX7 Preamp Tube FREQUENCY RESPONSE
Power Output	850 Watts @ 2.6 ohms 750 Watts @ 4 ohms 450 Watts @ 8 ohms (minimum load = 2.6 ohms)
Channels	1 Channel
Controls	Gain with preamp clip indicator, Aural Enhancer, Overdrive: On/Off Switch Concentric Drive/Level SubWAVE: On/Off Switch Level Bass with Pull Turbo Boost, Concentric Midrange Frequency/Level Treble with Pull Transparency, Effects Blend, Limiter, Master volume
Covering	Polished aluminum
Weight	31 lbs.
Dimensions	Height: 5.38" Width: 19" Depth: 15" (3 rack spaces)
Tube Complement	(1) 12AX7 Preamp Tube
Accessories	Includes 2-Button footswitch for switching of Overdrive and SubWave, P/N 0066247000
Footswitch	Includes 2-Button footswitch for switching of Overdrive and SubWave, P/N 0066247000
Frequency Response	(Power Amplifier) (@ 850 watts RMS) -3dB @ 20 Hz and 40 kHz
Suggested Speaker Enclosures	Megoliath™ Goliath Senior™ Big Bertha™ Workingman's® Tower (2) 12 Stack™
Introduced	2002
Notice	Product Prices, Features, Specifications and Availability Are Subject To Change Without Notice

SWR WorkingPro™15 Bass Amplification

Price List Rp.13.660.000
SWR WorkingPro™15 Bass Amplifier

Massive tone and low-end punch! The workhorse of the WorkingPro combo family, the WorkingPro 15’s 200 watts at 4 ohms delivers seismic punch with crystal clarity, courtesy of its single 15” speaker and piezo tweeter. Add the tilt-back legs and you’ve got an amp that’s great for all kinds of gigs, onstage powered monitoring and studio monitoring. And it’ll fit in your car!

Specifications:

Model Name	WorkingPro™15
Model Number	4452000010 (120V USA) 4452001010 (110V TW) 4452003010 (240V AUS) 4452004010 (230V UK) 4452005010 (230V ARG) 4452006010 (230V) 4452007010 (100V) 4452009010 (220V ROK)
Series	WorkingPro™ Series
Type	Tilt Back Solid State Bass Amplifier Combo
Description	The WorkingPro 15 is the workhorse of the WorkingPro family, with a 15” speaker and a piezo tweeter driven by 200 watts of power at 4 ohms internal. The 15” speaker and Bass Intensifier™ combine a massive low-end punch with the traditionally “clear” SWR® tone for a truly massive and accurate reproduction of your bass tone. Elegant appearance and outstanding tone. An amp that will add a touch of class to any bandstand - and sound great too!
Features	1X15" Eminence® speaker, Le Son® TLX-1e tweeter horn, SWR® preamp with: Aural Enhancer™, Bass Intensifier™ circuit, Wedge EQ circuit, Side-mounted monitor input jack, 4-Band Active EQ with sweepable midrange, Tilt-back legs on cabinet bottom, Headphone jack, Effects Send & Return, Unbalanced 1/4" & Balanced XLR Lines out, Removable Casters
Power Output	200 watts @ 4 ohms internal
Impedance (Ohms)	4 Ohms
Speakers	(1) 15" custom-designed SWR drivers manufactured by Eminence®, P/N 0071301000, (1) Adjustable Le Son® TLX-1E tweeter horn, P/N 0067255000
Channels	One channel
Controls	Front Panel: Mute Button, Preamp Amp Clip LED, Bass Intensifier: Engage (On/Off Switch), Level, Cutoff, Wedge EQ (On/Off Switch), Limiter (On/Off Switch), Power Amp Clip LED, Input Pad, Gain, Aural Enhancer, Bass, Mid Level, Mid Frequency, Treble, Transparency, Effects Blend, Master Volume, Back Panel: Balanced XLR Out with Direct/Line, Ground/Lift and 0dB/-10dB pad Push/Push Switches, 1/4" Unbalanced Line Out, Effects Loop, Headphone Jack, Footswitch Jack, Tuner Out
Covering	Black Carpet with Chrome Stamped Steel Vibration-Free Grille
Weight	68 lbs (31 kg)
Dimensions	Height: 24.9 in (63.5 cm), Width: 22.5 in (57.5 cm), Depth: 17.25 in (44 cm)
Power Handling	200 watts
Accessories	None
Cover	Uses Cover P/N 0069967000 (Not Included)
Footswitch	Uses 2-Button footswitch for activating Mute and Bass Intensifier Circuit, P/N 0065436000, US MSRP $49.99-(Not included)
Input Impedance	3.9 MOhms
Sensitivity	15mV
Introduced	1/2006
Notice	Product Prices, Features, Specifications and Availability Are Subject To Change Without Notice

DW 2000 Series Bass Drum Pedals

Price List Rp.1.765.000
Double Pedals DW 2000 Series 
Our entry level line of pedals are designed students, weekend warriors, and working drummers alike. Trademark DW all-metal construction and playability make the 2000 Series the perfect choice for bargain-savy drummers that want the features of a tried and true USA engineered pedal.
Features

• 101 2-Way Beater An industry standard beater with high-impact plastic and felt surfaces to cover a range of musical applications.
• Single Chain CamChain-and-sprocket design with offset cam for quick response.
• Single Post Casting design on DW’s double pedals provides ease of movement between the pedal and hi-hat, also allowing the pedals to be played independently or simultaneously. (U.S. Patent No. 5396826)
• Steel Base Plate Provides a sturdy foundation and insures nonskid play on carpet and other flooring surfaces play via adjustable spikes and Velcro.

STAGG ABS Rack Case 4U

Price List Rp.950.000

STAGG ABS Rack Case 4U

ABS case for 4-unit rack - lightweight, stackable, moulded case made of high grade polyethylene for easy handling and durability - Removable front and rear lids(6 cm usual depth) w/ gasket sealed to protect equipment from moisture and dust, 2 front rails for rack-mount, 2 integral handles for easy portability - 

Usual inner dim.: 

45(W)x42(D) cm (= 17 3/4 x 16 1/2 in.) -

WxDxH:56x57x26 (usual=21)cm / 22 x 22 x 10 1/4(8 1/4)in.-

Weight: 5.1Kg/11 Lbs

Tanglewood Evolution TAB1 CE Bass

Price List Rp.2.875.000
Tanglewood Evolution TAB1 CE Bass
Tanglewood Guitar Company UK has been around since 1991, producing the bestselling brand of acoustic guitars in the UK and Ireland. They’ve only recently begun to market the brand here in the States, so we were curious and excited to take a look at one of their newest offerings from the MasterDesign Series, designed by Swedish luthier Michael Sanden.

Sanden has been building guitars in Sweden for over thirty years, earning a reputation for innovation and beauty, as well as for his signature brilliant tone. The collaboration includes six guitars sporting Sanden’s distinctive “paint brush” bridge and bracing pattern, available in either mahogany or rosewood. The MasterDesign Series guitars are made in China from Sanden’s blueprints, and to his standards. The guitar we received for review is in the rosewood series, a grand auditorium with a Tibetan spruce top, three-piece mahogany neck and bindings, and ebony fretboard and bridge. It’s a rather voluptuous shape, almost more like a jumbo than a GA. The box is deep at the bottom and angles up steeply to the neck, which Sanden feels increases projection dramatically.

Let’s talk about tone This guitar is bright, very bell-like and not at all brittle, but it sounds nothing like an American guitar. From mids to top, it’s a powerhouse: defined, clear, sweet and pure. Dropped into DADGAD or lower, it doesn’t really fatten up much; it’s got a very lean bass response. If you’re addicted to warm, round, booming bass, you will want to look elsewhere.

We recently had a Schertler guitar in for a web exclusive review, and it had a similar sound, with the focus on the top end. It took our ears a little time to get used to it, but we found after a while that we liked it. Same goes for this guitar. I decided to talk to Michael Sanden to see if this focus on the bright side is as much of a European convention as the bassy side of tone is the American convention. He explained, “I think over the years the way European guitars are made has been more and more differentiated from the American guitars, like the Martin dreadnaught. And of course, we don’t brace at all the same way as a dreadnaught, for instance. We try to have more definition in each range between the bass, middle and top. In these guitars the bass is there, but it’s more clear.” The TSR2 certainly has definition and punch—just no rumble.

Play it, don’t spray it
Factory strung with Elixir .012 guage strings, it’s very comfortable and playable. I heard no buzzing or distortion anywhere on the fretboard, and everything I played felt natural and easy. The fretboard is 1-3/4 inches at the nut, so it’s a great choice for fingerstyle guitarists. The zero fret is another nice touch. There’s a sharper angle on the headstock, but the strings don’t fan out as much as some guitars, adding some stability when shifting between altered tunings. Fingerstylists and singer-songwriters gotta love that.

There was a very pleasant surprise in store when I put a capo on at the fifth fret. There was no difference in the fullness of the sound. Speechless, I pulled the capo off and listened to the open sound of the guitar, then replaced it and listened again. It sounded the same, only higher. To me, that’s extremely significant. Sometimes I dread putting a capo on a guitar, because so many guitars lose their luster when you capo them, even some highend guitars. If you’re going to pay close to two grand for a guitar, it’d better stay lively above the fifth fret, and this one does.

I became anxious to try this guitar with my trio. Working with a bassist and drummer has been an adjustment for old solo-guitar me, and learning how to share frequency space has been a real revelation. I am now on the lookout for highly responsive and playable guitars that will let me leave the low end to the bass man without leaving my ears unsatisfied. This one does that trick extremely well. It’s the aural equivalent of shining a spotlight on the sound while using backlights to add depth and drama. In fact, my bass player could cover even more territory than usual because we’re not in competition for the range at all—and when it was time for me to solo, there was no trouble hearing what I had to say.

The electrified side The MasterDesign Series guitars come with B-Band UST pickups and A1.2 preamps installed, and they seem to be a terrific complement. I plugged into a SanGreal Acoustic Amp and just about rocked my windows out with not even a hint of feedback, which impressed the hell out of me. It was slightly brittle with the amp’s EQ flat, so I rolled the highs back a smidge and beefed up the bottom end slightly. I was rewarded with a very rich tone that retained the brilliance but lost the brittle. It’s a simple setup with just a volume control set right under the soundhole. Sanden’s goal was to keep it simple. “Today, you can get anything except for a sofa built in your guitar,” he says. “There is so much gadgetry you can put on the inside of the guitar with tuners and notch filters and everything like that—in my ears, the more you put in the worse it sounds.”

I like to gig with the equipment I’m reviewing, because that’s one of the main points of buying gear—to play it for other folks. I took it with me to a small venue with an L-shaped space. The guitar carried through the whole place clearly through the SanGreal. I used the Tanglewood for the entire performance, going from standard tuning to DADGAD to CGDGBD to DADGAE in fairly rapid succession, and the guitar stayed where I put it. I had to tweak it a couple times when I put the capo on, but other than that it was very stable. My hands felt good after the first full hour, and I didn’t worry about either of us making it through the gig.

Back at home, I decided to plug into my LR Baggs Core 1 Reference Amplifier. With a little more tweaking with the multi-band EQ, I was able to dial in more bottom end. You’re never gonna go swimming in the bassiness with this guitar, but you can get your feet more than wet. I spent a little time in DADGAD, and dropped to CGDGBD again. I got an incredibly well balanced spectrum from low to high. The lows weren’t overwhelming, the highs weren’t brittle or fragile, and the mids were fully present without a hint of snottiness.

I picked up my Gallagher GA-70 (another rosewood and spruce grand auditorium), which rumbles like a really good thunderstorm tuned down to C. Because my ear is so familiar with that guitar, I wanted to use it to “reset” the way I was hearing the TSR2. These two guitars are not braced alike, they’re slightly different shapes, and the Gallagher isn’t as deep through the lower bout. The Gallagher definitely had more bass, but it was equally clear and brilliant and the highs and mids were just as shimmery. When I picked up the Tanglewood again, I was a lot more aware of the mid-range, but it’s not unpalatable, and that mid-to-top emphasis makes this a very stage- and ensemble-friendly guitar.

TAB1 CE

SHAPE	Super Jumbo Bass
TOP	Spruce
BACK	Mahogany
SIDES	Mahogany
NECK (MATERIAL)	Mahogany
NECK (BUILD)	One Piece
FINGERBOARD	Rosewood
BRIDGE	Rosewood
BINDING	Maple
SADDLE	Bone, Compensating
NUT (WIDTH)	Bone (43mm)
SCALE LENGTH	863mm
BRIDGE PINS	White ABS
MACHINE HEADS	Chrome Bass
FINISH	Natural Satin
EQ	Fishman ISYS
STRINGS	D'Addario

Stagg Cymbal DH-RJ20 Regular Jazz Ride

Price List Rp.1.750.000

Stagg Cymbal DH-RJ20 Regular Jazz Ride

Stagg Cymbals Classic Series

Established in 1995, Stagg is a brand dedicated to bringing high quality musical instruments and accessories to musicians of all types, at the most attractive prices. All of their instruments are handmade from designs created by their team of specialists at their global HQ in Belgium. Stagg's full range of instruments covers everything from brass and woodwind, guitars and bass, drums and pro audio, not to mention all the necessary accessories.
The Stagg Cymbal line is no exception! Don't be fooled by the name or price. These cymbals are hand made, cast B20 Bronze cymbals. When you want a professional sound on a student budget, Stagg is the way to go. Let your ears decide. For more information, please visit their web site at www.StaggMusic.com.

Stagg Cymbal CS-RF18 Ride Flat

Price List Rp.1.375.000

Stagg Cymbal CS-RF18 Ride Flat

Stagg Cymbals Classic Series

Established in 1995, Stagg is a brand dedicated to bringing high quality musical instruments and accessories to musicians of all types, at the most attractive prices. All of their instruments are handmade from designs created by their team of specialists at their global HQ in Belgium. Stagg's full range of instruments covers everything from brass and woodwind, guitars and bass, drums and pro audio, not to mention all the necessary accessories.
The Stagg Cymbal line is no exception! Don't be fooled by the name or price. These cymbals are hand made, cast B20 Bronze cymbals. When you want a professional sound on a student budget, Stagg is the way to go. Let your ears decide. For more information, please visit their web site at www.StaggMusic.com.