Thursday, June 7, 2012

DECIMATOR™ ProRackG Noise Reduction

Price List Rp.5.750.000
DECIMATOR™ ProRackG Noise Reduction
DECIMATOR™ PRO RACK DUAL CHANNEL NOISE REDUCTION SYSTEM. 
ISP Technologies presents the latest generation in high performance Noise Reduction technology, the DECIMATOR™ PRO RACK DUAL CHANNEL NOISE REDUCTION SYSTEM.
ISP raises the bar on ultimate guitar performance with the new, novel patent pending Decimator(TM) ProRackG. The Decimator ProRackG guitar noise reduction system defines a new standard for excellence in real time noise reduction performance. The Decimator ProRackG was designed to provide the maximum possible performance in a rack mount dual channel noise reduction system designed specifically for extremely high gain guitar amplifiers.

Product Details

The Decimator ProRackG is the only system in the world designed with two channels of single ended noise reduction configured specifically for high gain guitar applications allowing one channel to deliver noise reduction for the guitar directly and a second channel to eliminate amplifier gain noise. Channel one eliminates the 50 or 60 cycle hum, buzz, stage light noise and any other noise picked up directly by the instrument. The ProRack channel one output drives the front end of your guitar amplifier and eliminates all of the input noise picked up by the guitar. The control circuit of the second channel detects and tracks the guitar signal directly while the signal processing audio chain is patched into the effects loop of the high gain guitar amplifier. Now you can quiet down even the most insane amounts of noise with any amplifier system incorporating a series effects loop.

The Decimator ProRackG will also solve the typical high gain feedback or squealing problem that the high gain guitar player fights. You know how difficult this problem can be. You play staccato notes and in between each note you have a squeal or burst of feedback that's virtually impossible to control. Problem solved with the Decimator ProRackG. By proper setting of the threshold for channel one and channel two you can eliminate this problem for good.

The Decimator ProRackG has dual processing channels incorporating both low-level downward expansion and dynamically controlled low-pass filtering in a very easy to use single rack space unit. The Decimator ProRackG is based on ISP Technologies patent pending “Time Vector Processing” which provides the most adaptively dynamic release response characteristics of any real time noise reduction system. The patent pending Time Vector Processing dynamic response circuit is used to control the release time constant of both the downward expander and dynamic filter.

Not only does the Decimator ProRackG deliver the most stunning noise reduction, it also solves the problem of needing to adjust the Threshold setting every time you change gain or switch channels. By using the input guitar signal to drive both channels' level detection circuitry, the ProRackG needs no other adjustments once the thresholds are set based on the guitar input. This will give you the correct threshold with clean, crunch and even monstrous amounts of gain and if you use pedals you can insert them in the loop between the output of the Decimator Channel 1 and the input of the guitar amplifier.

Players keep asking how the ProRackG works without any required change in the threshold when changing from clean to distort, read on: As you can see from the above diagram, the ProRackG has two channels of noise reduction. The guitar plugs directly into the channel 1 input and the level and frequency detectors for both channel 1 and channel 2 measure the direct guitar input signal. This means that changing from a clean sound to a high gain distorted will not affect the signal seen by the detectors. This means that you can use the first Decimator channel to eliminate any noise that the guitar picks up directly like transformer hum, light noise etc. You simply adjust the threshold of channel 1 to eliminate this front end noise. The second channel is inserted into the effects loop of your amplifier (requires a series effects loop) and this channel will clean up the high gain preamp noise, ground loop hum, and any other noise that you have in this chain. The beauty of its operation is that the second channel is working to clean up this high gain noise but in response to the actual guitar signal, which typically has a much higher dynamic range than what you would see if this channel's detector's were detecting the high gain signal. By setting the threshold of channel 2 to eliminate all of the gain noise when the guitar signal decays into the noise this will also provide the correct setting for your clean channel.

Time Vector Processing is the core technology that makes the Decimator work with such amazing transparency. The Time Vector Processing compares the long term envelope of the input signal with the short term envelope of the input signal and generates a "Time Vector" or "Time Correction" signal. This time correction signal dynamically changes the release response of the expander and dynamic filter. If the input signal is a slow decaying long sustained note the Time Vector Processing circuit senses that the envelope of the input signal is a slowly decaying signal and sets the release time for a slow smooth release. If however, the input signal is a short staccato note with a fast decay the Time Vector circuit will produce a Time Correction signal which will instantaneously change the release time of the downward expander and dynamic filter to an extremely fast response. The Time Vector Processing circuit continuously monitors the input signal and alters the release time allowing the Decimator to adapt its response to provide an optimized response for any guitar signal. The Time Vector Processing circuit provides a variable response time ratio of greater than 1000 to 1.
No other real-time noise reduction system can offers this degree of adaptability and tracking.
Specification

  • Input Impedance: 470KOHM
  • Output Impedance: Less than 1KOHM
  • Maximum Input Level: +20dbu
  • Dynamic Range: greater than 118db Typical
  • Effective Noise Reduction: greater than 120db
  • Power Consumption: 900mA
  • THD: Less Than .05%
  • Dimensions:1.75” H x 19” W x 7” D

Fender American Deluxe Jazz Bass®

Price List Rp.18.750.000
Fender American Deluxe Jazz Bass®
Fender’s new American Deluxe Jazz Bass® guitar delivers the modern features that bassists demand in a sleekly familiar design. A newly designed preamp circuit delivers exhilarating active and passive tone, and powerful-yet-quiet new N3 noiseless pickups present more clean headroom and EQ range than ever. Other features include active/passive switch and passive tone control for even more tonal options, and classic Jazz Bass block fretboard inlays and binding.
Specification:

General

Model Name:American Deluxe Jazz Bass®
Series:American Deluxe
Color / Part #:
  • Wine Transparent
    019-4580-775





  • Olympic White
    019-4580-705

  • 3-Tone Sunburst
    019-4580-700

  • Black
    019-4582-706





  • Natural
    019-4582-721

Body

Body:(705, 700, 706) Alder
(721) Ash
Body Shape:Jazz Bass®
Body Finish:
  • (0194580775, 0194580705, 0194580700, 0194582706)
    Gloss Urethane Body Finish

Neck

Neck Shape:Modern "C" Shape
Number of Frets:21
Fret Size:Medium Jumbo
Position Inlays:Black or White Pearloid Block Inlays
Fretboard Radius:9.5" (24.1 cm)
Neck Material:Maple
Neck Finish:Gloss Polyurethane
Nut Width:1.5" (38.1 mm)
Scale Length:34" (86.36 cm)
Neck Plate:Asymmetrical 5-Bolt Neck Plate
Neck Binding:Bound Fingerboard
Truss Rods:Posiflex™ Graphite Neck Support Rods
Truss Rod Nut:3/16" Hex Adjustment

Electronics

Pickup Configuration:S/S
Bridge Pickup:N3 Noiseless™ Jazz Bass® Bridge Pickup
Neck Pickup:N3 Noiseless™ Jazz Bass® Neck Pickup
Pickup Switching:Pan Pot
Special Electronics:Active Electronics
Controls:Master Volume, Pan Pot (pickup selector), Treble Boost/Cut, Midrange Boost/Cut, Bass Boost/Cut, Active/Passive Mini Toggle

Hardware

Hardware:Chrome
Bridge:HMV, High Mass Vintage, (Strings-Thru-Body or Topload)
String Nut:Bone
Auxiliary Switching:Active/Passive Mini Toggle Switch

Tools

Truss Rod Wrench:3/16" "T-Style" Ball-End Hex (Allen) Wrench
Saddle Height Adjustment Wrench:1/16" Hex (Allen) Wrench

Miscellaneous

Strings:Fender® USA Super Bass 7250M, NPS (.045-.105 Gauges)
Unique Features:New N3 Noiseless Pickups, Improved electronics resulting in increased headroom, tighter low-end response, Active/passive toggle switch, Passive tone control for passive mode, Strong-Arm™ string retainer, HMV bridge, Genuine bone nut, Tinted neck, Posiflex™ Graphite Neck Support Rods, 5-Bolt Neck Plate, Contoured Heel for Easier Access to Upper Frets, Rolled Fingerboard Edges, Highly Detailed Nut and Fret Work, Flat head screws on battery compartment (for easy changes with a coin or pick), Black pearl (or white pearloid) dot inlays, Neck binding

Accessories

Case/Gig Bag:Molded rectangular SKB® case
Included Accessories:Cable, Strap, Strap Locks
Straplocks:Schaller® Strap Lock System
Control Knobs:Black Plastic Knobs

MAPEX Horizon HZB5255TDJB Rattan Yellow

Price List Rp.6.925.000
MAPEX Horizon HZB5255TDJB Rattan Yellow
The new Mapex Horizon HZB establishes a new industry standard. In fact the features on the Horizon HZB are comparable to those typically found on sets costing much more. The Horizon HZB birch basswood hybrid shell provides all of the tone and punch needed to play all music styles. The standard Horizon features included the newly re-designed Mapex Isolated Tom Holder System (ITS) and the new Mapex 500 series hardware. Combine the stylish new look and the superior sonic performance of the Horizon HZB and you will have the ideal drum set to start your musical journey.
Features:

  • 7.2mm Birch Basswood mixed shell with lacquered finishes
  • New double tom holder with auxiliary cymbal placement position
  • Re-engineered Isolated Tom Mount System (ITS)
  • New tom bracket for quick set up and tear down
  • New Low-profile cushioned bass drum claws
  • New 500 series hardware
  • New Memory Locks For Extra Security on 500 series hardware
  • New Multi-Sustain Cymbal Felts on 500 series hardware
  • New retractable Boom arm
  • Remo® equipped, inlcunding self-muffling bass drum heads
  • Optional Mapex cymbals

Jackson Phil Demmel Signature King V™

Price List Rp.14.000.000
Jackson Phil Demmel Signature King V™

Alder body, quartersawn eastern hard rock maple neck-thru-body, compound-radius ebony fingerboard, EMG® 81 and 60 humbucking pickups, Floyd Rose® FRT 0200 tremolo, black hardware, painted bevels. Made in Japan.
Specification:

products general

Model Name:
Phil Demmel Signature King V™
Series:
Artist Signature
products color part:
·                             White with Black Bevels
291-3060-877






·                             Gold with Black Bevels
291-3060-858





products body

Body:
Alder
Body Shape:
King V™

products neck

Number of Frets:
24
Fret Size:
Jumbo Frets
Position Inlays:
MOTO Shark Fin Position Inlays
Fretboard Radius:
12” to 16” Compound Radius (304.8 mm to 406.4 mm)
Fretboard:
Ebony
Neck Material:
Neck-Thru-Body Quartersawn Maple
Nut Width:
1.6875" (43 mm)
Scale Length:
25.5" (64.8 cm)

products electronics

Pickup Configuration:
H/H
Bridge Pickup:
EMG® 81 Humbucking Pickup (Bridge)
Neck Pickup:
EMG® 60
Pickup Switching:
3-Position Blade: Position 1. Bridge Pickup, Position 2. Bridge and Neck Pickups, Position 3. Neck Pickup
Controls:
Master Volume, Master Tone

products hardware

Hardware:
Black
Bridge:
Recessed Floyd Rose® FRT-O2000 Double-Locking Tremolo
Tuning Machines:
Die-Cast Tuners
String Nut:
Floyd Rose® FRT 02000 Locking Nut
Switch Tip:
Black Switch Tip
Tremolo Arm/Handle:
Floyd Rose® FRT 02000 Tremolo Arm

products miscellaneous

Strings:
NPS, .010-.058 Gauges

products accessories

Case/Gig Bag:
Deluxe Jackson® Molded Case
Included Accessories:
Deluxe Jackson® Molded Case
Control Knobs:
Black Dome Style

TC Electronic Finalizer Express

Price List Rp.13.950.000
TC Electronic Finalizer Express
Finalizer Express
The Finalizer Express is the fast and efficient way to turn your mix into a Professional Master! Based upon TC's Multi-Award winning Finalizer Mastering Technology, it delivers the finishing touches of clarity, warmth and punch to your mixes, putting the world of professional mastering within your reach.

Insert the Finalizer Express between the stereo output of your mixer or workstation and your mastering recording media to refine your tracks with powerful mastering tools, adding real energy to your mix without worrying about "overs".

Punch up your mix with the fast intuitive user-interface and deliver the ultimate sound quality you deserve-quick and clean! Spectral balance is improved, bass is tightened, the level is optimized and your mix sounds like a final master!

Punch Up
Insert the Finalizer Express between the stereo output of your mixer or workstation and your master recording media to refine your tracks with powerful mastering tools, adding real energy to the mix without worrying about "overs". Punch up your mix with the fast, intuitive user interface and deliver the ultimate sound quality you deserve - quick and clean! Spectral balance is improved, bass is tightened, the level is optimized and your mix sounds like a finished CD...it's that simple.
Main Features
  • Bring your mixes to life with TC's unique Multiband Compressor and Limiter algorithms 
  • Boost and cut over three bands with the Spectral Balance Controls 
  • Prevent "overs" from occurring with Soft Clipping 
  • Foresee incoming peaks with Look Ahead Delay, allowing for faster, more accurate response 
  • Use the Finalize Matrix for 25 variations in style and rate 
  • Optimize your overall level with the Automatic Make-Up Gain 
  • Add extra compression in each band by using the Emphasis keys 
  • Record your fades from the built in Digital Fader or the optional TC Master Fader via MIDI 

Other Features

  • 24 bit resolution A/D & D/A converters 
  • 16 and 20 bit ditherin 
  • Industry standard connectivity: AES/EBU, S/PDIF, Optical Tos-link & MIDI I/Os 
  • High Resolution LED Metering of I/O & multi-band gain reduction 

Really Fast
Acquiring a piece of high quality 24 bit digital equipment often means hours of manual reading, keeping you away from the main focus point of your work. With the Finalizer Express, you plug it in and you're on the fast track to a great sounding mix.

Express Yourself
The Finalizer Express combines the advantages of analog and digital equipment to bring intuition and creative flow into your work. With the aid of an analog style interface and TC's proprietary dynamics processing technology inside, your ideas come to life at the very moment you create them.

Advanced Technology
With TC Electronics' award winning multi- band compression technology, you are actually equalizing your track with selective compression, adding real energy and clarity into the mix without having to worry about "overs". The Finalizer Express delivers the "no compromise" audio quality your mixes deserve. If you are working either in the analog or the digital domain the Express has you covered with: 24 bit A/D & D/A's, AES/EBU, SPDIF and Tos-link I/Os.

Fast and Simple Power
Power up the Finalizer Express by pressing the Power button. Holding it down for more than three seconds turns the Express off and prevents sudden accidental power downs that could damage your precious equipment.
Specification:
Digital Input and Output
Connectors  
XLR (AES/EBU)
RCA Phono (S/PDIF)
Optical (Tos-link)
Formats  
AES/EBU (24 bit)
S/PDIF (20 bit)
EIAJ CP-340
IEC 958
EIAJ Optical (Tos-link)
Output Dither 
          HPF TPDF dither 16, 20 and 24 bit
Sample Rates  
44.1 kHz, 48 kHz
Processing Delay 
          0.2 ms @ 48 kHz
Frequency Response DIO  
DC to 23,9 kHz ± 0,01 dB @ 48 kHz
Compressor THD+N  
20 Hz to 20 kHz
Analog Inputs
Connectors  
XLR balanced (pin 2 hot)
Impedance  
20 kohm
Max. input level  
+22dBu (balanced)
Min input level (for dBFS) 
 -10 dBu
Sensitivity  
@ 12 dB headroom: -22 dBu to +10 dBu
A to D Conversion  
24 bit ( 1 bit, 128 times oversampling)
A to D Delay  
0.8 ms @ 48 kHz
Dynamic Range  
>103 dB (unweighted), >106 dB (A)
THD  
-95 dB (0.0018%) @ 1 kHz, -6 dBFS (FS @+16 dBu)
Frequency Response  
10 Hz to 20 kHz: +/- 0.2 dB
Crosstalk 
 <-80 dB, 10 Hz to 20 kHz typical -100 dB @ 1 kHz
Analog Outputs
Connectors  
XLR balanced (pin 2 hot)
Impedance  
100 ohm (active transformer)
Max. Output Level  
+22 dBu (balanced)
Full Scale Output Range  
-10 dBu to +22 dBu
D to A Conversion  
24 bit (1 bit, 128 times oversampling)
D to A Delay  
0.57 ms @ 48 kHz
Dynamic Range  
>100 dB (unweighted)
>104 dB(A)
THD  
-86 dB (0.005 %) @ 1 kHz
-6 dBFS (FS @ +16 dBu)
Frequency Response  
10 Hz to 20 kHz: +0/-0.5 dB
Crosstalk  
<-60 dB, 10 Hz to 20 kHz typical 90 dB @ 1 kHz
EMC
Complies with  EN 55103-1 and EN 55103-2, FCC part 15, Class B, CISPR 22, Class B
Safety
Certified to  IEC 65
EN 60065
UL 1419
CSA E65
Environment
Operating Temperature  
32° F to 122° F (0° C to 50° C)
Storage Temperature  
-22° F to 167° F (-30° C to 70° C)
Humidity  
Max. 90 % non-condensing
PCMCIA Interface
Connectors  
PC Card, 68 pin type 1 cards
Standards  
PCMCIA 2.0, JEIDA 4.0
Card format  
Supports up to 2 MB SRAM
Control Interface
MIDI  In/Out/Thru:
5 Pin DIN
GPI, Pedal, Fader  Phone jack, 0 ohm to 50 kohm
General
Finish  Anodized aluminum front, Plated and painted steel chassis
Weight  5.2 lb. (2.35 kg)
Mains Voltage  100 to 240 VAC, 50 to 60 Hz (auto-select)
Power Consumption  <20 W
Backup Battery Life  >10 years
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