Ibanez GIO GART80EX-TKS

Price List Rp.4.980.000

Ibanez GIO GART80EX-TKS 

The ART is a classic single cutaway guitar with Ibanez's touch of a truly playable thin neck. All models feature a beautifully arched body. Larger frets are highly responsive to vibrato and bend techniques. Light body weight makes for powerful performance mobility.

Specification:

	TKS Transparent Black Sunburst

neck type	GART Neck
body	Flamed Maple top/Basswood body
fret	Medium frets
bridge	Full Tune III bridge
neck pu	EMG®-H4A
bridge pu	EMG®-H4
hardware color	Cosmo Black
Neck Dimension	Scale 628mm / 24.7" a : Width at Nut 42mm b : Width at Last Fret 56mm c: Thickness at 1st 20mm d : Thickness at 12th 22mm Radius 305mmR

Bolt-on Neck Joint

EMG®-Hz Pickups

The GART80EX is equipped with EMG®-HZ pickups.

Ludwig Signature Snare JOEY KRAMER

Price List Rp.6.190.000
Ludwig Signature Snare JOEY KRAMER
A tribute to a true drumming icon, Joey's snare features an intricately-engraved 6.5x14" black nickel- over-brass shell. In contrast to the white hardware on Joey's kit, the tube lugs and die-cast hoops are black-nickel plated to match the shell. Hand signed and limited in production during 2011. 6.5x14" [LW6514JK]

It's a limited production and each drum is hand-signed by Joey on an internal paper slip. The 14"x6 " black nickel over 1.5mm gauge brass shell is gloriously engraved with dragons and complemented by the 10 black nickel-plated brass tube lugs and 5mm die-cast hoops.
The Joey Kramer has nylon washers under the tension rods. It features the same conventional throw-off - a familiar generic model - as the Corey Miller signature model and Ludwig's other new snare, The Brick.

It's solid and works a treat. But could Ludwig not have at least put its name on there somewhere, particularly on the relatively expensive signature drums? It rather cheapens what are otherwise typically impressive Ludwig snares.

Hands on
Joey Kramer's brass shell drum is physically much heavier and has a deeper, darker fundamental than Miller's steel drum. The die-cast hoops are potential stick-splitters, but enfold the sound more, so that although loud (the keystone badge says 'hit hard') the effect is less unruly than with the steel drum.
It has a fatter and warmer tone with more snare and less clank. It's expensive, but it looks fantastic and is refined, capable of a wide tuning and dynamic range. Tuned high or low it sounds good: tuned way high the enunciation was so clean it was a joy, while at medium tension there is a majestic, warm, thick snarey fatness - a stadium beater.

Ludwig Signature Snare COREY MILLER

Price List Rp.5.720.000
Ludwig Signature Snare COREY MILLER
Laser-engraved with hand-drawn pieces of his tattoo flash, Corey Miller's snare features a white powder-coated, 6.5x14" steel shell that performs with high end brightness and power. 

Features 

• Chrome tube lugs 
• 2.3mm triple-flanged hoops.
• 6.5x14" [LW6514CM]

It's a 1.5mm steel shelled drum, powder-coated in white both outside and in. Hoops are 2.3mm triple-flanged and there are 10 chrome-over-brass tube lugs.
Corey is better known for his tattoos than his punk drumming, and his drum is laser-engraved with hand-drawn samples of his trademark rose and dragon designs. It's a cool looking drum, especially if you get Corey's full Ludwig kit and tattooed Remo heads to accompany it.

The Corey Miller has steel washers under the tension rods. It features the same conventional throw-off - a familiar generic model - as the Kramer and Ludwig's other new snare, The Brick.
It's solid and works a treat. But could Ludwig not have at least put its name on there somewhere, particularly on the relatively expensive signature drums? It rather cheapens what are otherwise typically impressive Ludwig snares.

Hands on
Steel is probably the brightest, most penetrating of shell materials. The white powder coating Miller's drum has both inside and out makes it ultra-reflective.
The outcome is a hollow, oil drum sort of clang. It still rings, even when struck dead centre without rim-shotting. It looks pretty but is designed to be offensive - in the nicest possible way - to crash through the nastiest of punk.

Fender American Vintage '72 Telecaster® Thinline

Price List Rp.21.425.000

Fender American Vintage '72 Telecaster® Thinline
Fender’s American Vintage ’72 Telecaster Thinline guitar authentically evokes a historic member of the Telecaster family. Period-correct early-’70s details include a three-bolt neck plate with Micro-Tilt™ adjustment, bullet truss rod nut and vintage-style “F” tuners; with touches including Fender Wide Range humbucking neck and bridge pickups redesigned and re-voiced to sound even more like 1970s pickups.

Features include a semi-hollow ash body with f hole and gloss lacquer finish, C-shaped maple neck with gloss lacquer finish, maple fingerboard with 7.25” radius and 21 vintage-style frets, three-position switch with “barrel” tip, four-ply white pearloid pickguard, vintage-style Stratocaster strings-through-body hardtail bridge, knurled chrome knobs and chrome hardware. Accessories include black Tolex case, polish cloth, 8’ cable, strap and bridge cover. Available in Natural and Candy Apple Red.

Specification:

General
Model Name:	American Vintage '72 Telecaster® Thinline
Series:	American Vintage
Color / Part #:	Candy Apple Red 010-0032-809 Natural 010-0032-821
Body
Body:	Ash
Body Shape:	Telecaster®
Body Finish:	(0100032809, 0100032821) Gloss Lacquer
F-Holes/Soundholes:	"F" Hole
Neck
Neck Shape:	"C" Shape
Number of Frets:	21
Fret Size:	Vintage Style Frets
Position Inlays:	Black Dot
Fretboard Radius:	7.25" (18.41 cm)
Fretboard:	Maple
Neck Material:	Maple
Neck Finish:	Gloss Lacquer
Nut Width:	1.650” (42 mm)
Scale Length:	25.5" (64.8 cm)
Neck Plate:	3-Bolt Neck Plate with Micro-Tilt™ Neck Adjustment
Truss Rods:	Bullet Style Truss Rod
Electronics
Pickup Configuration:	H/H
Bridge Pickup:	Fender® "Wide Range" Humbucking Bridge Pickup
Neck Pickup:	Fender® "Wide Range" Humbucking Neck Pickup
Pickup Switching:	3-Position Blade: Position 1. Bridge Pickup, Position 2. Bridge and Neck Pickups, Position 3. Neck Pickup
Controls:	Master Volume, Master Tone
Hardware
Hardware:	Chrome
Bridge:	Vintage Style Strat® Strings-Through-Body Hardtail Bridge
String Nut:	Synthetic Bone
Switch Tip:	"Barrel" Style Switch Tip
Miscellaneous
Strings:	Fender® USA, NPS, (.010-.046 Gauges)
Unique Features:	Improved/Revoiced Wide Range Humbucking Pickups, 3-Bolt Neck Plate with Micro-Tilt™ Adjustment, "Bullet" Truss Rod Nut, "F" Style Tuning Machines
Accessories
Case/Gig Bag:	Standard Black Tolex Case
Included Accessories:	Polish Cloth, 8' Cable, Strap, Bridge Cover
Control Knobs:	Knurled Chrome

Allen&Heath GLD-2412 Main AudioRack

Price List GBP 1.500

Allen&Heath GLD-2412 Main AudioRack

GLD-AR2412 is the Main AudioRack for the GLD digital mixing system. AR2412 provides 24 XLR inputs and 12 XLR outputs when connected to a GLD-80 mixer. Connection is over Cat5 cable running Allen & Heath’s dSNAKE protocol, allowing the AR2412 to be positioned up to 120m from the GLD-80. dSNAKE provides control to the remote preamp, and all mic preamps are scene recallable. For larger systems, a GLD-AR84 Expander AudioRack can be connected to the AR2412 to add a further 8 XLR inputs and 4 XLR outputs. AR2412 also includes an AviomTM Pro16 compatible Monitor port.

Connection:

Related Post:

Allen&Heath GLD Series GLD80 Digital Mixer

Allen&Heath GLD-AR84 Expander Rack

Allen&Heath GLD-AR84 Expander Rack

Price List GBP 750

Allen&Heath GLD-AR84 Expander Rack

GLD-AR84 is an Expander AudioRack for the GLD digital mixing system. Each AR84 adds 8 XLR inputs and 4 XLR outputs to a GLD system. Up to two AR84s can be added to a GLD system, connected to a GLD-AR2412 AudioRack and / or direct to the GLD-80 mixer. Connection is over Cat5 cable running Allen & Heath’s dSNAKE protocol, allowing the AR2412 to be positioned up to 120m from the GLD-80. dSNAKE provides control to the remote preamp, and all mic preamps are scene recallable.

Connection 
 

Related Post:

Allen&Heath GLD Series GLD80 Digital Mixer

Allen&Heath GLD-AR2412 Main AudioRack

Allen&Heath GLD-80 Digital Mixer

Price List GBP 5.500

Allen&Heath GLD Series GLD80 Digital Mixer

GLD is a user-friendly, cost effective and scalable live digital mixing system, conceptually based on the hugely successful digital iLive series. A standard GLD 32 input system offers 28 XLR mic inputs with plug n’ play I/O expanders allowing easy expansion up to 48 inputs (44 XLR mic inputs).

At the heart of the system is the GLD-80 mixer, providing 48 input processing channels, 8 stereo FX returns fed by iLive’s acclaimed FX emulations, 30 configurable buses, 20 mix processing channels, and DSP power to provide full processing without compromise. 

GLD-80 has an analogue-style channel processing control section complemented by a graphical 8.4 inch touch screen. A fully-customisable drag ‘n drop layout allows quick and easy assignment of inputs and mixes to fader strips. There are 20 fader strips in 4 layers, each with motorised fader, a channel LCD display which can be named and colour-coded, plus a rotary control for direct access to gain, pan and aux/FX sends. The mixer‘s local I/O comprises 4 XLR mic/line inputs, 4 XLR line outs, 4 RCA inputs, 2 RCA outputs, and digital outputs in SPDIF and AES3 formats.

The GLD-80 connects to a range of plug ‘n play I/O racks to ‘build’ 28, 36 or 44 mic input systems. A primary AR2412 rack (24 XLR inputs, 12 XLR outs) and up to two AR84 expander racks (8 XLR inputs, 4 XLR outs each) can be connected over 120m CAT5 runs using A&H’s dSNAKE protocol. dSNAKE provides control to the remote preamp, and all mic preamps are scene recallable. AR2412 also includes a connection for personal monitoring systems.

GLD has the ability to record and playback a stereo signal on a USB memory stick. Standard iLive audio I/O option cards for Dante, MADI, EtherSound and Allen & Heath's ACE protocols can be fitted, allowing multi-channel record/playback, FOH/monitor splits, and connection to A&H iLive systems, which can easily be configured using GLD's extensive soft-patching.
Features

• Compact digital mixer with scalable, remote I/O
• Systems from 4 to 44 mics
• Easy to use, quick to access, analogue style interface
• dSNAKE Cat5 digital snake—up to 120m cable length
• 8.4 inch colour touchscreen for graphical view and setup
• 20 faders, 4 layers, 80 channel strips in a freely customizable layout
• 48 input channels into 30 assignable buses (Aux, Group, Matrix, Main, FX Send) into 20 mix outputs
• 8 stereo RackFX engines with dedicated ‘short’ returns with 4-band PEQ
• Full processing on all inputs including trim, polarity, HPF, insert, gate, 4-band PEQ, compressor and delay
• Full processing on all outputs including insert, PEQ, GEQ, compressor and delay
• LR, None (monitors), LR+M (sum), LR+M (bus), LCR main mix modes
• 16 DCAs / mute groups
• Built-in Talkback, RTA and Signal Generator
• I/O module options for FOH/Monitor split, multitrack recording, link to iLive and more
• MIDI In/Out and Ethernet Network port
• AviomTM Pro16 compatible Monitor port on main AudioRack
• High end 1dB step recallable mic/line preamps
• User definable channel names and colours
• Engineer’s mono Wedge and stereo IEM strips
• Input, output and insert soft patchbays
• Quick copy, paste and reset of mixes and parameters
• Libraries, Scenes and Show memories with USB transfer
• Get started quickly with Template Shows 

Related Post:

Allen&Heath Expander Audiorack GLD-AR84

Allen&Heath Expander Audiorack GLD-AR2412