Monday, July 22, 2013

SAMSON Studio Pro SR950

Price List Rp.420.000
SAMSON Studio Pro SR950
Samson’s SR950 Professional Studio Reference Headphones offer precise monitoring performance for studio applications. Perfect for engineering, mixing and playing back audio with stunning results, the SR950s combine comfort with solid bass response, ultra-clear highs and a closed ear design.

These headphones offer a closed ear design for maximum sound isolation and noise reduction, allowing the most accurate stereo imaging possible. The 50mm drivers offer exceptional sound reproduction and wide dynamic range to instill confidence in your final mix or simply provide outstanding sound quality for playback.

With a self-adjusting headband for a secure, natural fit, the SR950s provide total comfort for extended studio sessions. An 1/8-inch to 1/4-inch gold plated adapter is included with the headphones.
When it comes to studio reference headphones, the SR950s are as professional as they come.
Features:
  • Professional studio reference headphones
  • Closed ear design for maximum isolation
  • 50mm drivers for exceptional reproduction and wide dynamic range
  • 10Hz-25kHz frequency response
  • 32Ω impedance
  • Self-adjusting headband for a secure, comfortable fit
  • 1/8-inch to 1/4-inch gold plated adapter included

Line6 POD HD Pro Guitar Multi Effect Processor

Price List Rp.7.050.000
Line6 POD HD Pro Guitar Multi Effect Processor
For pro guitarists, great tone is everything - their job, their signature, their life! The Line 6 POD HD Pro is the only rack-mounted multi-effect processor equipped with revolutionary HD amp modeling for the unsurpassed tonal clarity, richness and sublime playability that's essential to getting (and keeping) the most demanding, high-profile gigs.

Free v2.0 Update
Free v2.0 update from Line 6 dramatically expands the POD HD Desktop sonic palette! Get two HD amp models based on* the legendary Marshall "Plexi" 1959 Super Lead 100-watt head. Experience the world's first HD bass amp model based on* the immortal Ampeg B-15NF Portaflex (with eight incredible mic options), and warm up any guitar, bass, or vocal track with a vintage-voiced tube mic preamp that you can drop into any point in your signal chain. Get all the HD amp models plus expanded deep-edit parameters and more - totally free!

Adding POD HD Pro to your rack means you'll always have the right tool for the job. 22 truly astounding HD amp models are backed up by the entire collection of M-class effects - over 100 vintage and modern beauties at your fingertips. Build complete rigs with HD amp models and M-class effects plus 22 HD preamp-only models, 16 cabs and 8 mics, and route and tweak to your heart's content with speed and ease.

The extensive digital and analog I/O is perfectly suited for any professional environment - stage or studio. POD HD Pro is the flagship POD(r) and it represents tone and power unlike anything else available.




Sound and Feel Like Never Before
HD amp models defy the accepted standard. They feel, behave and interact with previously unachievable realism. 

Creating these HD amp models was no small feat. 15 years of amp modeling experience coupled with 3 years of research and development delivered an amp modeling technology from that was built from the ground up. During that time, a collection of incredible amplifiers were selected and - with the help of some of the country's top tube amp experts - restored back to peak condition and performance. Each amplifier was modeled using this technology and the results surpassed every expectation.

HD amp modeling technology delivers the nuances of analog tube amp design like never before. It includes singled-ended and push/pull outputs, Class A and Class AB interactions, a variety of phase inverter topologies, parallel preamp paths, and much more. The result is unprecedented, warmth, feel, sustain and articulation for you to fall in love with.

Tube amp fanatics have long enthused that their favorite stacks and combos aren't merely "amps" but instruments themselves, with playability equal to that of the guitar plugged into them. HD modeling lifts the POD HD Pro experience to that same exalted level, capturing the genuine playability that great guitarists demand.

The World's Best Amp Tones
POD HD Pro offers a collection of freshly modeled amps, all of which are essential for performing guitarists who require a wide variety of tones in one streamlined, 2RU package.
POD HD Pro includes 22 HD amp models (as well as 22 HD guitar preamp-only models) based on:

  • Fender(r) Twin Reverb(r) 
  • Hiwatt(r) Custom 100 (DR103) 
  • Supro(r) S6616
  • Gibson(r) EH-185
  • Fender Bassman(r) 
  • Fender Blackface Deluxe Reverb(r) 
  • Divided by 13 JRT 9/15
  • Dr. Z(r) Route 66
  • Vox(r) AC-15
  • Vox AC-30 (Top Boost) 
  • Marshall(r) JTM-45 MkII
  • Park 75
  • Marshall(r) JCM-800 (2204) 
  • Bogner(r) Uberschall
  • Mesa/Boogie(r) Dual Rectifier(r) 
  • ENGL(r) Fireball 100

100+ M-class FX
Descended from the celebrated Line 6 DL4(tm)) "green box" and made famous by Line 6 M13(r) and M9(r) Stompbox Modelers, M-class effects are the stage-standards. POD HD Pro features a whopping 100+ M-class effects for you to craft your sound. With this wide tonal palette to play with, you can sound like anyone under the sun... or no one but you. Use up to 8 effects at once in any order.

  • 19 delays (including cool tube and solid-state tape echoes) 
  • 23 modulations (including pitch effects, both blackface-style opto and brownface bias-modulating tremolos, phasers, choruses and rotary speakers) 
  • 17 distortions (classic stompbox distortion, to vintage fuzz, to thick metal chunk) 
  • 2 compressors and EQs (including stomp comps and studio tube compression) 
  • 26 filters (including wahs and several exclusive custom filters) 
  • 2 reverbs (surfy springs, to studio plates, to cutting-edge digital room sounds) 
The power of this collection is truly mind-boggling. In addition to these classic sounds themselves, POD HD Pro includes a full-featured looper with 48-seconds of looping time. Ready to start creating? This rig could keep you going for a lifetime.

Unprecedented flexibility with speed and ease
Beyond the depth of the amp and effect models, POD HD Pro offers supreme flexibility to mix and match amps and pedals in multiple rigs can be saved as presets for instant recall.

Connect a Line 6 FBV(tm)) MkII foot controller for instant access to your preset rigs of HD amp models, effects, cabs, mics and more. Use it as an expression pedal, turn effects on and off and even control the built-in looper.

Create parallel paths for parallel processing or creating two unique signal paths (each complete with its own amp and effect models) that can deliver the richest, sonically complex tones.

Where other multi-effects seem to require a degree in nuclear physics to access this kind of deep programmability, POD HD Pro makes it easy. Your entire signal chain is displayed in the LCD screen for easy access to every parameter - no deep-diving necessary. Simply select a model and drop it into the signal chain anywhere you choose.

Comprehensive Connectivity
Put simply, POD HD Pro connects to just about anything and everything - analog or digital, balanced or unbalanced, direct to your computer or amplifier.

A snapshot of the back panel shows 1/4" unbalanced (mono/stereo) and XLR balanced outputs (both with switchable output level), 1/4" line-level inputs (mono/stereo with switchable level), USB, MIDI in and out/thru, S/PDIF digital in and out, 1/4" stereo FX loop (mono/stereo), 1/4" Dry Out jack, Variax(r) Digital Input connection, FBV foot controller jack and combination AES/EBU and L6 LINK(tm)) jacks for seamless integration with Line 6 DT-series tube amplifiers.

POD HD Pro Edit
POD HD Pro Edit is a powerful control panel for POD HD Pro. Its separate sections for FX, Amps, Mixer and Set Lists allow you to dig deep into every aspect of your tones, experiment with sounds and organize your extensive library of presets.
Features:

  • 22 revolutionary HD amp models based on* sought-after modern and classic guitar amps from Fender, Bogner(r), Marshall, Vox, Dr. Z(r), Divided by 13, Mesa/Boogie, ENGL and more.
  • 100+ M-class effects including pitch effects, delays, modulations, distortions, compressors, EQs, filters, and reverbs; Route up to 8 simultaneous effects in any order; Tap tempo; Built-in tuner
  • Parallel paths for running two full and independent signal chains simultaneously
  • 512 user-writable preset locations
  • 48-second looper
  • 2RU space
  • Guitar input with switchable pad
  • Mic input with gain knob, high-pass filter, -20dB pad, and phantom power
  • 1/4" unbalanced outputs (mono/stereo, instrument/line) 
  • XLR balanced outputs (left/right, instrument/mic) 
  • 1/4" line-level inputs (mono/stereo, +4/-10) 
  • USB
  • MIDI In and Out/Thru
  • S/PDIF I/O
  • 1/4" stereo FX loop (mono/stereo) 
  • 1/4" Dry Output
  • Variax Digital Input connection
  • FBV foot controller connection
  • AES/EBU I/O
  • L6 LINK jack for seamless integration with Line 6 DT-series tube amplifiers
  • Burly all-metal faceplate and chassis

Saturday, July 20, 2013

SM ProAudio M-Patch V2: Passive Monitor Controller

Price List Rp.2.850.000
SM ProAudio M-Patch V2 Passive Monitor Controller
The M-Patch V2 is a compact high quality passive attenuator and patch control device building on the success of the original and best selling M-Patch series of products.

The M-Patch V2 offers a pure passive attenuator designed to retain sonic clarity and offer the purest path from your audio source to your active monitors or amplifiers. The result is clearer audio with more dynamic detail.



One of the most notable changes we have made with the M-Patch V2 is the replaceable encoder socket. The M-Patch V2 now ships with 2 replaceable encoders, one being an extremely detailed 12-step encoder.
Features:
  • Shipping with two replaceable encoders
  • Extremely accurate 12-step attenuation
  • Improved quality switches
  • Interchangeable Master Volume to a high end switch attenuator
  • Passive volume attenuation control
  • A/B multiple outputs
  • A & B output destination selector
  • Independent main & aux controls
  • Built in headphone amp
  • 3.5mm input for soundcard matching
  • Balanced and unbalanced input (XLR, RCA)
  • Stereo/mono summing switch
  • Mute function switch
  • 2 x stereo input sources
  • 2 x stereo output
  • Rack mount adaptors included


Friday, July 19, 2013

MAPEX Horizon Covering HX5255

Price List Rp.7.575.000
MAPEX Horizon Covering HX5255
The Horizon HX rewrites the book on what features an entry level drum set should have. The all basswood shell produces rich tones with remarkable sustain. The tone is further enhanced by the re-designed Mapex Isolated Tom Holder System (ITS). This new compact and lightweight system keeps the mounting hardware off of the shell allowing it to vibrate more freely. The re-styled tom holder now includes a convenient spot for an auxiliary cymbal placement. The Horizon HX is available in several covered finishes. The hardware is newly designed Mapex 500 Series hardware. Mapex has clearly proven that great value is no longer on the Horizon. it is the Horizon.

  • 7.2mm Basswood shell with new durable high-gloss wrapped new finishes
  • New double tom holder with auxiliary cymbal placement position
  • Re-engineered Isolated Tom Mount System (ITS)
  • New tom bracket for quick set up and tear down
  • New low-profile cushioned bass drum claws
  • New 500 series hardware
  • New memory locks for extra security on 500 series hardware
  • New multi-sustain cymbal felts on 500 series hardware
  • New retractable Boom arm
  • Remo® drum heads and self muffling bass drum head

Thursday, July 18, 2013

SM Pro Audio 2 Layer POP Filter

Price List Rp.390.000
SM Pro Audio 2 Layer POP Filter PS2
The PS2 has two layers of nylon and that fact – compared to one layer pop shields – helps reducing s- and p-sibilants even more effectively. This guarantees a clean microphone recording. With its flexible goose neck the PS2 loves every microphone stand. And thanks to its detachable head mounting has never been easier!

SQUIRE Vintage Modified Jazz Bass® '77

Price List Rp.4.345.000
SQUIRE Vintage Modified Jazz Bass® '77
From the age of Funk and dawn of Punk comes this retro-inspired Vintage Modified Jazz Bass®! Features include a gloss Black-finished Agathis body and one-piece maple neck with attractive white binding and white pearl block inlays on the 20-fret maple Fingerboard. That soulful sound emanates from a pair of single-coil Duncan Designed™ Jazz Bass pickups; other features include chrome hardware and machine heads, black plastic Stratocaster® knobs, a three-ply Black/White/Black pickguard, and a four-saddle chrome bridge.
Specification:
General

___________________________________________________________________________
Model Name:
Vintage Modified Jazz Bass® '77, Maple Fingerboard, Black
Model Number:
0327702506
---------------------------------------------------------------------------
Series:
Vintage Modified
MSRP:
$499.99
Color:
Black


Body

___________________________________________________________________________
Body Material:
Agathis
Body Shape:
Jazz Bass®
Body Finish:
Polyester


Neck

___________________________________________________________________________
Neck Shape:
"C" Shape
Number of Frets:
20
Fret Size:
Medium Jumbo
Position Inlays:
Pearloid Block
Fingerboard:
Rosewood
Fingerboard Radius:
9.5" (241 mm)
Neck Material:
Maple
Neck Finish:
Polyurethane
Nut Width:
1.5" (38.1 mm)
Scale Length:
34" (864 mm)
Neck Plate:
4-Bolt Standard
Neck Binding:
Bound Fingerboard


Electronics

___________________________________________________________________________
Pickup Configuration:
SS
Bridge Pickup:
Duncan Designed™ JB101 Single-Coil Jazz Bass®
Neck Pickup:
Duncan Designed™ JB101 Single-Coil Jazz Bass®
Controls:
Volume 1. (Middle Pickup), Volume 2. (Bridge Pickup), Master Tone


Hardware

___________________________________________________________________________
Hardware Finish:
Chrome
Bridge:
4-Saddle Standard
String Nut:
Synthetic Bone
Tuning Machines:
Standard Open-Gear


Miscellaneous

___________________________________________________________________________
Strings:
Fender® USA Super Bass 7250M, NPS (.045-.105 Gauges)
Unique Features:
White Bound Fingerboard with White Pearloid Block Position Inlays, Black Plastic Control Knobs, Duncan Designed™ Pickups


Accessories

___________________________________________________________________________
Pickguard:
3-Ply Black
Control Knobs:
Black Plastic

Saturday, July 13, 2013

KORG MS-20 Mini Monophonic Analog Synthesizer

Price List Rp.7.580.000
KORG MS-20 Mini Monophonic Analog Synthesizer
The classic MS-20 –recreated in mini size! An analog synthesizer featuring the original circuitry from 1978 
Korg’s MS-20 monophonic synthesizer, first introduced in 1978, is still a coveted instrument to this day, thanks to its thick, robust sound, its powerful, iconic analog filter, and its versatile patching options. Over 300,000 people have enjoyed the distinct MS-20 sounds from the original, from Korg’s MS-20 plug-in synth, or the iMS-20 iPad app.

Today, the sounds of the MS-20 have been reborn in hardware, as the MS-20 Mini. The same engineers who developed the original MS-20 have perfectly reproduced its circuitry and fit into a body that’s been shrunk to 86% of the original size, yet retains the distinctive look of the original.
The MS-20 mini will amaze you with its absolutely authentic analog synth sound.


Comments from the developers
Fifty years have passed since Korg was founded, and we have once again put our hand to an analog synthesizer. We took particular care to deliver smooth parameter adjustments, which are a distinctive feature of analog synthesizers. We also took special care to completely reproduce the original specifications of the MS-20. The analog circuits we designed 35 years ago still deliver the same unbeatable, powerful sound, from the ultra-low to the ultra-high range.


Read the full interview with the original developers here!
Highlights:

  • Overseen by the engineers of the original MS-20, a complete replication of the original analog circuitry
  • 2VCO / 2VCA / 2VCF / 2EG / 1LFO structure
  • Self-oscillating high-pass/low-pass filters with distinctive distortion
  • External signal processor (ESP)
  • Extremely flexible patching system
  • Miniature MS-20 that's 86% of the original size
  • MIDI IN and USB connector
  • Replicates every detail of the original, down to the package binding and the included manual

A complete replication of the original analog circuitry
The MS-20 mini painstakingly replicates the original MS-20. A development team led by the original engineers themselves worked to recreate the original circuitry, and when it was necessary to substitute a part, these engineers made the decisions based on careful listening, in order to reproduce the original sound faithfully. In fact, the sound of the MS-20 mini has a somewhat bright and extreme quality to it because its sound is that of an original MS-20 in mint condition at the time it went on sale, before any of the components aged.

2VCO / 2VCF / 2VCA / 2EG / 1LFO structure
The MS-20 mini reproduces the distinctive synthesis of the MS-20; two oscillators with ring modulation, and envelope generators with hold and delay. The VCA maintains the basic design of the original, but it’s been modified to produce less noise than the original.

Self-oscillating high-pass/low-pass filters with distinctive distortion
One of the greatest characteristics of the MS-20 was its powerful filters, which provided resonance on both the high-pass and the low-pass. Maximizing the resonance would cause the filter to self-oscillate like an oscillator, producing a distinctive and dramatic tonal change that was acclaimed as inimitable, and was later used on the monotron and monotribe. The filter circuit was changed mid-way through the production lifecycle of the MS-20; the MS-20 mini uses the earlier filter, which was felt to be superior due to its more radical sound.

External signal processor (ESP) for processing an external signal
The ESP carries on the experimental spirit of MS-20; it allows you to use the pitch or volume of an external audio source to control the synthesizer. For example you can input an electric guitar and use the MS-20 mini as a guitar synthesizer, or input a mic and use it as a vocal synthesizer.

Extremely flexible patching system
The patching system provided to the right of the panel lets you create complex sounds by plugging-in cables to change the connections between the various units. The possibilities are limited only by the user's imagination; different combinations of the modulation input/output and trigger, sample and hold, and noise generator can produce an incredible variety of sounds. By patching according to the MS-20 flow chart that’s printed on the panel, even the beginner can start taking advantage of these possibilities right away.


Miniature MS-20 that's 86% of the original size
MS-20’s design concept started by borrowing from the vertical layout found on larger and more expensive modular synths of its time, and then creating a more portable, inexpensive, and eaier to use version.

To make it even more approachable, the MS-20 mini has been shrunk to 86% of the size of the original MS-20. In spite of its smaller size, meticulous care has been taken to accurately reproduce the knob design and the printing. The patch cables have been changed from 1/4" phone plugs to mini-plugs, and the newly-designed keyboard is also 86% of the original size.
Replicates every details of the original
Our effort to remain faithful to the original is not limited to the unit itself. Even the package that contains the unit replicates the original as far as possible. Also included are the original MS-20 owner's manual and settings chart, explaining how to create sounds. Now you can experience the excitement of the MS20, just like it was during its original release in 1978.
Specification:
< Control Section >
Keyboard: 
C - C 37-notes (3 octaves), mini keyboard designed specifically for the MS-20 mini
Voltage Controlled Oscillator 1 (VCO 1):
Scale (32', 16', 8', 4') (6 octaves, +cent, -cent)
Wave form (Triangle, Sawtooth, PW-Square, White Noise) (4 modes)
Pulse width adjust 1:1 - 1:infinity
Voltage Controlled Oscillator 2 (VCO 2):
Scale (16', 8', 4', 2') (6 octaves, +cent, -cent)
Wave form (Sawtooth, Square, Pulse, Ring modulator) (4 modes)
Pitch (± 1 octave)
VCO Master control: Master tune (± 100cent):
Portamento (max. 10sec)
Frequency modulation intensity by MG/T.EXT (-5V - +5V)
Frequency modulation intensity by EG1/EXT (-5V - 0V)
VCO Mixer:
VCO 1 Level
VCO 2 Level
Voltage Controlled High Pass Filter (VCF HPF):
Cutoff frequency (50Hz - 15,000Hz)
Peak (flat - self OSC)
Cutoff frequency modulation intensity by MG/T.EXT (-5V - +5V)
Cutoff frequency modulation intensity by EG2/EXT (-5V - +5V)
Voltage Controlled Low Pass Filter (VCF LPF):
Cutoff frequency (50Hz - 15,000Hz)
Peak (flat - self OSC)
Cutoff frequency modulation intensity by MG/T.EXT (-5V - +5V)
Cutoff frequency modulation intensity by EG2/EXT (-5V - +5V)
Envelope Generator 1:
Delay time (10sec)
Attack time (10sec)
Release time (10sec)
Envelope Generator 2:
Hold time (20sec)
Attack time (10sec)
Decay time (10sec)
Sustain level (0V - 5V)
Release time (10sec)
Modulation Generator (LFO):
Wave form (Positive Sawtooth - Triangle - Negative Sawtooth, Wide Pulse - Square - Narrow Pulse)
Frequency (0.1Hz - 20Hz)
Manual controller:
Control wheel (center click)
Momentary switch -->GND
Power switch and Volume:
Volume
Indicator:
LED (KBD trigger, Modulation Generator rate, Power ON )
< External Signal Processor >
Control section:
Input signal level
Low cut frequency (50Hz - 2,500Hz)
High cut frequency (100Hz - 5,000Hz)
CV adjust
Threshold level
Input and Output:
Signal In
Amplifier Out
Band pass filter Out
CV Out (0 - +8.4V)
ENV Out (0 - +5V)
Trig Out (+5V-->GND)
Indicator (LED):
Peak indicator
Trigger indicator
< Patch Panel >
Keyboard:
Keyboard control voltage output (Exponential) (0 - +8V)
Keyboard trigger output (+5V-->GND)
VCO-1 + VCO-2 control voltage input (Linear response)(0 - +8V)
VCO-2 control voltage input (Linear response) (0 - +8V)
VCO:
VCO-1 + VCO-2 external frequency control input (OCT/V) (-5V - +5V)
VCF:
External signal input (3Vp-p max.)
External High pass filter cutoff frequency control input (2OCT/V) (-5V - +5V)
External Low pass filter cutoff frequency control input (2OCT/V) (-5V - +5V)
VCO + VCF:
Total external modulation input (T.EXT)(-5V - +5V)
VCA:
External initial gain control input (0 - +5V)
EG:
EG 1 envelope signal normal output (-5V - 0V)
EG 1 envelope signal reverse output (+5V - 0V)
EG 1 + EG 2 trigger input (-->GND)
EG 1 trigger input (-->GND)
EG 2 envelope signal reverse output (+5V - 0V)
MG:
Triangle output (Positive Sawtooth - Triangle - Negative Sawtooth) (5Vp-p)
Rectangle output (Wide Pulse - Square - Narrow Pulse)(0 - +5V)
Noise Generator:
Pink noise output (5Vp-p)
White noise output (5Vp-p)
Sample and Hold:
Clock trigger input (-->GND)
Sample signal input (5Vp-p max.)
S/H output (5Vp-p max.)
Modulation VCA:
Control voltage input (0 - +5V)
Signal input (-5V - +5V)
Signal output (-5V - +5V)
Manual controller:
Control wheel output (-5V<--0V-->+5V)
Momentary switch output (-->GND)
Signal out:
Signal output (mono 1/8" mini phone jack, 2Vp-p output impedance 3.5k ?)
Head phones:
Head phones output (Stereo 1/8" mini phone jack, 33 ? 48mW)
USB:
Type B, USB-MIDI Input/Output
* Only note messages (velocity is not used) can be transmitted and received.
MIDI:
MIDI Input
*Only note messages (velocity is not used) can be transmitted and received.
Power Consumption:
9W
Power Supply:
DC9V
Dimensions (W x D x H): a
493 ×257 ×208 mm / 19.41 x 10.12 x 8.19 inches
Weight:
4.8 kg / 10.58 lbs.
Accessories:
AC adaptor (9V/1.7A), Patch Cord x 10
*Specifications and appearance are subject to change without notice for improvement.
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