Wednesday, June 29, 2016

Hartke VXL Bass Attack - PreAmp Pedal

Price List Rp.1.900.000
Hartke VXL Bass Attack - PreAmp Pedal
Tonal Attack.
A monster tone-shaping preamp that doubles as a full-featured direct box, Hartke's VXL Bass Attack Preamp/Direct Box offers expanded control over the tone of any bass rig. Featuring the famous Hartke Shape circuit, extensive EQ controls and stunning tube emulation, this pedal provides endless possibilities for attaining a more powerful, full-range bass tone, from the grittiest of metal sounds to the warmest of rock tones and everything in between.

Limitless Tone Control
The Bass Attack pedal's circuitry features an abundance of controls that can be used to craft virtually any bass tone imaginable. The pedal's powerful 3-band EQ offers complete control over the Bass, Treble and Brite aspects of your tone, while its variable Harmonics control emulates the warmth of a tube preamp. Also, it's Mix knob allows you to tweak how much of the pedal's processed tone is blended with the natural sound of your rig. The Brite, Harmonics and Mix functions can be easily engaged using the On/Off footswitch. The tonal possibilities are limitless, with the ability to enhance the sound of your clean jazz lines just as well as your funky slap style.

Shape Your Sound
The Bass Attack pedal features the world famous Hartke Shape circuit, a preset EQ curve that will enable any bass player to further control their tone and get the sound that's just right for their playing style. If you're playing live, you can use the Shape footswitch to quickly engage the Hartke Shape circuit. With a push of a footswitch and turn of the rotary control, you can set the center frequency of the curve – turn it clockwise for thunderous lows or counter-clockwise for even more pronounced high end. It's great for boosting your sound during a solo or adding more tone during a funky slap bassline.


Go Direct
Beyond its tone shaping capabilities, the Bass Attack pedal functions as a direct box, giving bass players a clean, balanced direct output to send to the PA system. The pedal lets you tap the signal from your bass and pass it from the output to your front-of-house mixer. From there, the signal going into the PA can be tweaked without affecting the original sound simply by leaving the pedal's XLR direct output Pre/Post switch in the Pre (out) position. Alternatively, you can include the harmonic effects in the XLR direct output signal by leaving the switch in the Post (in) position. This eliminates the need for miking your amplifier, which is preferable for the low frequencies produced by the bass.

All The Ins And Outs
Built into a rugged aluminum chassis, the Bass Attack pedal supports two stompbox-style footswitches (Shape and On/Off), each with its own LED status indicator. Its input and output connectors, including a gold-plated balanced XLR direct output with a selectable Pre/Post switch, 1/4" parallel output and 1/4" input, provide maximum flexibility for patching in to amps, mixer and recorders. In addition, the Bass Attack will operate via a 9-volt battery, optional AC adapter or phantom power through the XLR (no battery or adapter is needed when recording direct or running to a mixer).

Whether you’re recording or playing live, Hartke’s VXL Bass Attack Preamp/Direct Box will give you the exact tone you’ve been searching for.
Features:
  • Tone-shaping preamp/direct box
  • Famous Hartke Shape circuit
  • 3-band (Bass, Treble, Brite) controls
  • Harmonics control for tube emulation
  • Gold-plated balanced XLR direct output with selectable Pre/Post switch
  • 1/4" parallel output and 1/4" input
  • Powered via 9-volt battery, AC adapter (sold separately) or phantom power through the XLR
  • Rugged aluminum chassis

Tuesday, June 28, 2016

Sterling John Petrucci JP100D

Price List Rp.13.060.000
Sterling John Petrucci JP100D
Sterling John Petrucci JP100D Featureing DiMarzio LiquiFire™ & Crunch Lab

The JP100D is based on the “Ball Family Reserve” JP6. The slightly larger body is capped with a figured, quilted maple top in either Ruby Redburst, Translucent Black or 3 Tone Sunburst. The JP100D is a modern shredders dream guitar that offers classy appointments with sleek modern styling.

By popular demand, JP100 now comes factory-equipped with John’s personal favorite: Made In U.S.A DiMarzio LiquiFire and Crunch Lab pickups!



LiquiFire™
A neck pickup with a flowing, singing solo tone when used with a heavily overdriven amp and a clear chord sound with a clean amp setting.

Crunch Lab
The name says it all — “crunch” is what it’s all about with a big, tight sound that’s neither muddy nor thin.
Specification:
Scale:
25.5”
Nut Width:
42mm
Neck Width, 12th fret:
52mm
Body Wood:
Basswood (JP100D-MKOA has a Mahogany body)
Body Top:
Quilt Maple Veneer (JP100D-MKOA has a Koa top
Neck Wood:
Maple
Fretboard Wood:
Rosewood
Tuning Machines:
Locking
Hardware:
Chrome
Neck Joint:
5 Bolt
Frets:
24
Fretboard Radius:
16”
Pickup Selector:
3 Way
Pickups:
H/H, Dimarzio LiquiFireTM & Crunch Lab pickups
Bridge:
Modern Tremolo

Monday, June 27, 2016

Ernie Ball Musicman John Petrucci JP12

Price List Rp.44.980.000
Ernie Ball Musicman John Petrucci JP12
The JP12 features a combination of top appointments from previous John Petrucci signature instruments including DiMarzio CrunchLab and Liquifire pickups, piezo equipped tremolo and stereo output. Most notably, the mahogany JP12 neck has been streamlined to a symmetric, extra slim profile featuring an ultra flat 20" radius ebony fretboard. This, combined with the non-chambered body, mahogany Tone Block and maple top makes the JP12 a powerful and progressive instrument.
Specification:
Model
_________________________________________________________________
Model
JP12 6
Size
12-3/8" wide, 1-3/4" thick, 37" long (31.4 cm wide, 4.5 cm thick, 94.0 cm long)
Weight
7 lbs, 4 oz (3.29 kg) - varies slightly
Body Wood
Basswood with maple top and mahogany Tone Block
Body Finish
High gloss polyester
Body Colors
Cherry Sugar
Bridge
Custom John Petrucci Music Man® Piezo floating tremolo, made of chrome plated, hardened steel with solid steel saddles.
Neck

_________________________________________________________________
Scale Length
25-1/2" (64.8 cm)
Neck Radius
20" (50.8 cm)
Headstock Size
Only 5-7/8" (14.9 cm) long
Frets
24 - Medium Jumbo profile, Stainless Steel
Neck Width
1-11/16" (43.0 mm) at nut, 2-1/4" (57.2 mm) at last fret
Neck Wood
Select mahogany
Fingerboard
Ebony
Fret Markers
Custom JP12 Inlays
Neck Finish
High gloss polyester
Neck Colors
Color matches body
Tuning Machines
Schaller M6-IND locking with pearl buttons
Truss Rod
Adjustable - no component or string removal
Neck Attachment
5 bolts - perfect alignment with no shifting; Sculpted neck joint allows smooth access to higher frets
Electronic

_________________________________________________________________
Electronic Shielding
Graphite acrylic resin coated body cavity and aluminum control cover
Controls
500kohm volume, 500kohm push/pull tone for custom 2 pickup configurations - .022µF tone capacitor
Switching
3-way toggle pickup selector, with custom center position configuration; 3-way toggle piezo/magnetic selector
Pickups
HH - 1 DiMarzio Liquifire - neck; 1 DiMarzio Crunch Lab – bridge; Piezo bridge pickup
Left Handed
No
Strings
10p-13p-17p-26-36-46 (RPS 10 Slinkys #2240)

MXR DC Brick™ Power Supply M237

Price List Rp.2.190.000
MXR DC Brick™ Power Supply M237
Keep your pedals powered all night long with the MXR DC Brick, a revamp of the DCB10. Now under the MXR brand, the new DC Brick features all of the short circuit and overload protection of the original but now handles twice the power, allowing you to use virtually any combination of effects. 


Additionally, each 9v output has a red LED that illuminates if there is a short so you can quickly identify and troubleshoot any power problems. The MXR DC Brick has eight 9v outputs and two 18v outputs, a change from the DCB10’s seven 9v outputs and three 18v outputs. And of course, the AC adapter and all necessary cables to connect pedals to the unit are included.
  • Handles twice the power of the original DC Brick
  • Eight 9v outputs and two 18v outputs
  • Each 9v output has a red LED that illuminates in case of a short

Saturday, June 25, 2016

TASCAM TM-2X X-Y Stereo Microphone

Price List USD 120
TASCAM TM-2X X-Y Stereo Microphone 
Record high-quality audio for high-definition video straight to your camera X-Y stereo microphone for DSLR cameras: Includes: Noise Isolation Arm, Floating Support Structure & Furry Windscreen

The directional condenser microphones equipped on the TM-2X are the same mics used in our highly-regarded DR-series recorders. The X-Y pattern and two mic capsules are ideal for capturing a true representation of the sonic atmosphere, whether it's sound from a wide area or directly in front of the camera. As a result, the TM-2X records pristine sound that fits naturally with the recorded video.

Delivers high audio quality and the capacity to handle high sound pressures
We have consistently utilized our expertise in developing recording devices that focus on the design of the analog circuits behind the mic capsules. As a result, the TM-2X achieves a high performance rating and a frequency response of 50 Hz to 20 kHz. Furthermore, we designed the TM-2X with the capacity to handle high sound pressures up to 120 dB SPL to prevent distortion even in loud scenarios.

Built-in stereo mini plug output can be connected directly to the camera mic input for simple setup
Setup is as simple as connecting the cord from the TM-2X to the camera's mic input jack allowing you to add high-quality audio to video. The output can be set to one of two levels to enable compatibility with a variety of cameras.



Floating structure reduces handling noise
The floating support structure underneath the mics absorbs unwanted handling noise and sounds from cameras' mechanics.
Noise isolation arm to reduce lens operation noise includedWhen capturing video using changeable auto-focus lenses, the sounds produced from the lens itself can disrupt and interfere with recordings. In situations where this noise is a problem, you can reduce the interruptions by using the included noise isolation arm. The noise isolation arm physically increases the distance from the noise source to reduce its capture. The structure of the arm, including its length and height, was developed through extensive testing.

On-board Low-cut filter eliminates unwanted low frequencies
The unit includes an on-board low-cut filter to cut out low-frequency background noise. Depending on the video recording scenario, you can choose to turn this feature on or off (LOW CUT/FLAT).

Furry windscreen to reduce wind noise
When filming outdoors, even a slight breeze can enter the mic and cause wind noise. This unit comes with a furry windscreen that can physically prevent this noise from occurring. Wind noise can be reduced by simply covering the mic unit with this windscreen.
Features:
  • Directional stereo condenser microphone in an X-Y configuration
  • Designed with the capacity to easily handle high sound pressures up to 120 dB SPL
  • Floating support structure used to reduce handling noise
  • Included noise isolation arm to reduce lens operation noise
  • Low-cut filter to eliminate any unwanted low frequencies
  • Included furry windscreen
  • Two-stage output level adjustment switch ensures compatibility with a variety of cameras
  • Vari-angle microphone structure allows 180º rotation for optimal mic placement
  • Included shoe adapter (ISO/JIS specification compliant) can be attached to the camera accessory shoe
  • Tripod mounting threads enable the unit to be attached to a camera tripod
  • 33cm connection cord supports connections in a variety of manners
  • Lightweight design (75 g) that won't interrupt camera balance or handling
  • Stereo mini-plug output jack
  • Operates on plug-in power from the connected unit

Specification:
Microphone type
cardioid
Frequency range
50Hz to 20kHz
Input output ratings
Maximum input level
120dB SPL (at 1kHz, SENS:H, LCF=Flat, RL:2.2kΩ, Vcc:2.5V)
Output impedance
1.6k ohms (RL:2.2kΩ, Vcc:2.5V)
S/N ratio
74dB (at 1kHz, 1Pa, A weighted)
Mic sensitivity switch
SENS H:-37dB, SENS L:-52dB
(at 1kHz, 0dB=1V/Pa, RL:2.2kΩ, Vcc:2.5V)
Connection cable/plug
Cable length
33cm
Plug
3.5 mm (1/8'") TRS stereo mini plug
(Tip: left channel, Ring: right channel, Sleeve: GND)
Power
Plug-in power (JEITA standard CP-1203A)
Dimensions
TM-2X main unit
57(W)×59(H)×69(D)mm(not including cable and connectors)
Noise isolation arm
34(W)×57(H)×142(D)mm
Weigt
TM-2X main unit
75g
Noise isolation arm
41g
Operating temerature
-5 to 45˚C
23 to 142˚F
Accessories
Fur windscreen, noise isolation arm, Owner's Manual, warranty

Friday, June 24, 2016

SAMSON MCD2 Pro - Stereo Passive PC Direct Box

Price List Rp.1.300.000
SAMSON MCD2 Pro - Stereo Passive PC Direct Box
To The Max.
Samson's MCD2 Pro Stereo Passive PC Direct Box is the ideal solution for connecting unbalanced line level signals from laptops, CD/MP3 players, and DJ mixers to professional, balanced equipment. Durable, roadworthy construction and two Mu-metal shielded transformers provide high-quality signal connection solutions for a variety of live sound and recording applications.

Custom STLX Transformers
The MCD2 Pro features two of Samson's STLX Mu-Metal shielded transformers that deliver an extended, flat frequency response with ultra-low distortion and superior protection against hum and RF interference. The MCD2 Pro's balanced outputs provide clean signals that are less susceptible to noise than unbalanced lines, allowing for longer cable runs.


Input Options
The MCD2 Pro features dual 1/4", RCA and a stereo 1/8" input to accommodate any line level instrument or consumer audio connection. Its selectable Stereo/Mono sum switch allows users to accommodate typical mono "house" PA systems. Additionally, a 2-position 0dB/-12dB attenuation switch provides users with ample headroom to handle hotter inputs.


Roadworthy Construction
Housed in a 14-gauge steel chassis, the MCD2 Pro is built to withstand the abuse of the most demanding live tours. Its rigid outer shell protects all the MCD2 Pro's internal connections, switches and solder joints from failure, ensuring quiet, reliable performance.
Features:
  • All-metal, impact resistant design
  • Dual Samson STLX Mu-Metal shielded transformers
  • Stereo/Mono sum switch
  • 2-position 0dB/-12dB attenuation switch
  • Ground Lift switch
  • Dual 1/4" and RCA inputs
  • Stereo 1/8" input
  • Dual balanced XLR outputs
  • No Phantom or Battery power required
  • Frequency response of 18Hz–40kHz

Wednesday, June 22, 2016

TASCAM DR-40 Handy Recorder

Price List USD 270
TASCAM DR-40 Handy Recorder
The adjustable mics, four-track recording and extended battery life of the TASCAM DR-40 give you the flexibility you need to record tracks anywhere.

The DR-40 captures up to four tracks from built-in, high-quality condenser microphones, XLR mic or line inputs. The internal mics are adjustable from XY to AB position, helping you to tailor your recording to the sound of the room. A pair of great-sounding TASCAM microphone preamps welcome condenser microphones with phantom power, recording at up to 96kHz/24-bit resolution. It accommodates balanced XLR or 1/4" line inputs using locking Neutrik Combo jacks. The DR-40 accepts SD or SDHC cards up to 32GB, and a 2GB card is included.

Once recorded, play back your takes with EQ and the optional Level Align feature to avoid volume jumps. A stereo reverb effect is also built-in, as well as a speaker and chromatic tuner. Transfer recordings to computer using the USB 2.0 jack. Other features include overdub mode, variable speed playback, limiting and low cut filter, and much more – all with TASCAM’s simple-to-use interface. No other recorder makes home or live recording as simple as the TASCAM DR-40.

"DR-05", "DR-07MK2" and our brand new "DR-40" Linear PCM Recorders are part of TASCAM's handheld recorders. Select a model based on your functional needs.

Features:
  • Handheld 4-track Portable Recorder
  • Built-in condenser microphones, adjustable to XY or AB position
  • XLR / 1/4” mic/line input with phantom power
  • Record the built-in microphones with the XLR mic or line input for a four-track recording
  • Dual recording mode captures a safety track at a lower level to avoid distortion
  • Overdub mode allows recording along with a previous take
  • Peak reduction automatically sets the ideal recording level
  • 15-hour battery life from three AA batteries
  • Up to 96kHz/24-bit WAV/BWF or MP3 recording resolution
  • 2-second pre-recording buffer
  • Variable speed playback from 50-150% speed without changing the pitch
  • Adjustable limiter and low cut filter (40 / 80 / 120 Hz)
  • Built-in speaker and chromatic tuner
  • 1/8” headphone/line output
  • Playback EQ and level align
  • Stereo Reverb effect
  • Tripod mounting hole
  • SD/SDHC card slot supports up to 32GB media (2GB card included)
  • Locking Neutrik Combi jacks
  • USB 2.0 jack and cable for transferring recordings to computer
  • Powered by three AA batteries, AC adapter (optional PS-P515U), external battery pack (optional BP-6AA), or USB bus power

DR-40 APPLICATIONS
Four-channel recording

  • The DR-40's four-track recording mode gives you several options to record, indicated by LEDs on the front of the unit. The 4-channel recording modes include:
  • DUAL - Record a stereo signal with a copy of that stereo signal at a lower level. This gives you a safety track you can use in case the main recording is distorted. (See next section for more info)
  • 4CH€“ - Record the built-in microphones along with a pair of external mics, like close-up and ambient microphones. Or record the built-in mics along with a balanced line input, such as the feed from a mixer along with the sound in the room.
  • OVERDUB - Play along with a recording you’ve already made to build up a full production or song demo
  • You can record up to four channels of 96kHz/24-bit audio. Mono and stereo recording is also available. Recording formats include MP3 (from 32 to 320kbps), WAV and Broadcast WAV formats.
Dual Recording Mode
  • Dual Recording records a second copy of your performance up to -12dB lower as a safety track. This mean if your recording gets accidentally distorted, you'll have a backup copy that isn't distorted.
  • Dual Recording works in addition to the peak limiting and low cut filter features which also prevent distortion.
  • The Dual Recording mode is perfect for recording your band live. Just set the unit to record and hit the stage without worrying about the recording getting blown out.
Locking XLR Inputs
  • The DR-40 has a set of Neutrik® locking combination XLR & 1/4" inputs. These external inputs can accept balanced microphone or line inputs. The microphone preamp includes phantom power and plenty of gain for detailed recordings with condenser microphones.
  • The DR-40 is one of the only handheld recorders with a balanced line input, for recording the output of a console or other pro audio source. In 4-channel recording mode, you can record the output of a live console while capturing the sound of the room with the built-in microphones.
Adjustable Condenser Microphones
  • Attached to the DR-40 are a pair of cardioid condenser microphones. The stereo microphones can be arranged in an XY recording pattern for tight stereo imaging or in an AB pattern for a more ambient recording.
  • When flipping the microphone orientation, the left and right channels automatically flip for correct stereo placement.
Useful Playback Features
  • Like most TASCAM handheld recorders, the DR-40 includes playback modes to loop a section of playback or slow it down without changing the pitch, perfect for learning new music. A built-in speaker is included for checking recording without headphones. The Level Align feature smooths out level jumps during playback to help you monitor your raw, unmastered recordings.
  • A stereo reverb effect is available during playback or recording. Another handy additions include a chromatic tuner and tripod mount.

Specification:
Recording Media 
SD card64MB2GB, SDHC card4GB32GB
Recording and Playback Format 
WAV / BWF 
44.1kHz/48kHz/96kHz, 16/24 bit (Stereo or Mono)
MP3 
44.1kHz/48kHz, 32k/64k/96k/128k/192k/256k/320kbps
Power Consumption 
2.5WMax.
Battery Operation Time 
15 hours (continuous operation, phantom power off)
Dimensions (W x H x D) 
2.76" x 6.1" x 1.38"
70 × 155 × 35 mm
Mic Closed
3.54" x 6.1" x 1.38"
90 × 155 × 35 mm
Mic Opened
Weight 
7.51 oz. / 213gWithout Batteries
Number of Channels 
4 Channels2 Stereo
Playback Speed Control ( VSA )
50-150% without changing pitch
  Only with 44.1kHz/48kHz
Built-In Microphone 
Cardioid Condenser microphones
Supporting both X-Y/A-B microphone settings
EXT MIC/LINE IN 
Connector 
XLR/TRS Combo Jack (1:GND,2:HOT,3:COLD)
Input Impedance 
2.2kΩ(MIC)/10kΩ(LINE)
Nominal Input Level 
-19dBV(MIC) / +4dBu (LINE)
Maximum Input Level 
-3dBV (MIC) / +20dBu (LINE)
PHONES/LINE OUT 
Line Connector 
1/8(3.5mm) Stereo mini-phone jack, unbalanced
Output impendence 
12Ω
Nominal output level 
14dBV10kΩ loaded
Maximum output level 
2dBV10kΩ loaded
Headphone 
Maximum output 
20mW20mW32Ω loaded
Built-in Speaker Output 
0.3W (mono)
Low Cut Filter 
Cut Off Frequency 
40Hz/80Hz/120Hz
USB 
Connector 
Mini B type
Format 
USB2.0 HIGH SPEED Mass Storage Class
Power 
Three AA batteries (alkaline batteries or NiMH batteries)
Provided by the USB bus power
AC100 ~ 240V ,50-60Hz (AC adapter optional PS-P515U)
Power Consumption 
2.5WMax.
Included Accessories 
2GB SD Card
Mini USB Cable
Audio Performance
Frequency Response 
20Hz20kHz +1dB/-3dBFs 44.1kHzEXT INLINE OUTJEITA
20Hz
22kHz +1dB/-3dBFs 48kHzEXT INLINE OUTJEITA
20Hz
40kHz +1dB/-3dBFs 96kHzEXT INLINE OUT
Total Harmonic Distortion 
Less than 0.05%Fs 44.1/48/96kHzEXT INLINE OUT
S/N Ratio 
Greater than 92dBFs 44.1/48/96kHzEXT INLINE OUT
Computer Requirements
Windows
OS
Windows XP
Windows Vista
Windows 7
CPU/Clock 
Pentium 300MHz Min.
Memory 
128MB Min.
USB Port 
USB2.0 recommended
Macintosh
OS
Mac OS X v10.2 or later
CPU/Clock 
Power PCiMacG3G4 G5 266MHz Min.
Memory 
64MB Min.
USB Port 
USB2.0 recommended
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