Friday, February 12, 2021

Sonor Benny Greb Signature Snare

Price List Rp.14.900.000
Sonor Benny Greb Signature Snare
Since 2004, drumming scene’s shooting star Benny Greb is part of the SONOR family. Says Benny: “For me as an artist it is key to embrace both tradition and innovation, and the guys at the Sonor drum company do that same thing. I feel close to people that love what they do and who are dedicated to quality. That’s why I feel close to the Sonor Company.”

Benny can be found playing with an assortment of musicians, all demanding his tasteful and immaculate playing style. You will find him in rock settings, laying down a ferocious backbeat with both Stoppok and The Ron Spielman Trio, in jazz with the aptly titled Benny Greb Brass Band.


“IN ALL OF MY RECENT RECORDINGS YOU CAN HEAR THE HUGE SOUND AND VERSATILITY OF THIS GREAT INSTRUMENT. I’M HAPPY TO SHARE THIS SOUND NOW WITH YOU. HAVE FUN WITH IT!” 

Benny Greb

Early 2010, SONOR and Benny begun working on a very special Snare Drum, Benny’s very own Signature model that is as versatile and musical as Benny himself. Benny favors Beech, and that’s what gives the drum its transparency, warmth and a wide tuning range with a fat sound. The beautiful outer veneer is Scandinavian Birch that adds a timeless look to the drum. But it wouldn’t be Benny without adding something very special. The personalized Benny Greb badge shows his unique “Cartoon-head”, and a soft rubber ring is being applied to the shell.
Specification

Product:
SSD 10 13x5.75 BG
Measurements:
13" x 5.75"
Shell:
Beech
Shell Thickness:
5 mm (SONOR Thin Shell)
Tension Rods:
2 x 8 pieces
Batter Head:
Sonor Medium white coated Made by REMO USA
Resonance Head:
Sonor Clear Resonance Made by REMO USA
Snare Wires:
18 steel wires
Features:
2.3 mm Power Hoops, TuneSafe, throw-off snare action, chrome plated shell hardware, 'Signature' Series Benny Greb Badge, personalized Benny Greb badge with unique 'Cartoon-head' and Rubber Ring

Sonor Beech 1305 Earth Snare

Price List Rp.22.500.000
Sonor Beech 1305 Earth Snare
The main feature of this Artist Snare Drum is the massive, 27-layered (and hence 28 mm thick) beechwood shell; this gives the snare a particularly substantial, ‘hefty’ sound. It is deep, with lots of ‘stomach’, and yet transparent at the same time. Very well suited for funk, fusion, jungle or electronic beats. The fittings in fine gold finish, combined with the highly lustrous lacquer finish, are a real eye-catcher.
Specification:
Product:
AS 07 1305 EA
Measurements:
13" x 5"
Shell:
Beech
Shell Thickness:
27 layers = 28 mm
Tension Rods:
2 x 8
Batter Head:
White Medium
Resonance Head:
Clear Medium
Snare Wires:
SW 1318 SW 05, 18 brass wires
Other Features:
high gloss laquer finish, TuneSafe, throw-off snare action, gold plated fittings with finish protectors

Monday, March 6, 2017

Markbass Bass Tube Marker

Price List Rp.2.950.000
Markbass Bass Tube Marker
The Markbass Bass Tube Marker supplies natural amp-like distortion, from sweet overdrive to exciting distortion, and its versatility makes it useful for any musical style. It always honors the natural voice of your bass, providing very dynamic, touch-sensitive response and a large output range.

Markbass is very proud of the high quality standard that they are able to offer thanks to their 100% Made in Italy production, state-of the-art testing and quality control facilities, and top-quality components. The Bass Tube Marker features simple and effective controls—but all you need to get a great distorted bass tone!

Specification:
Input: 
mono ¼” jack
Input impedance: 
1.5 Mohm/6Vpp
Output: 
mono ¼” jack
Output impedance: 
100 ohm/6Vpp
Drive: 
+47 dB (maximum gain) 
Tone: 
from 200 Hz to 2.5kHz
Output level: 
0 to max
Power requirements: 
DC Input +9/+12VDC or standard 9V battery
Dimensions: 
81.8 x 54.8 x 124.5 mm / 6.7” x 5.7” x 2.4”
Weight: 
350 g / 0.77 lbs
Product specifications are subject to change without notice

Saturday, February 25, 2017

BOSS AD-2 Acoustic Preamp

Price List Rp.1.830.000
BOSS AD-2 Acoustic Preamp
Natural Acoustic Sound Everywhere You Play
With the AD-2 Acoustic Preamp, acoustic-electric guitarists can now experience natural, studio-quality sound while performing on any stage. Equipped with an advanced BOSS sound engine, this compact pedal packs sophisticated processing power that belies its small size and simple, intuitive interface. Acoustic Resonance reproduces the complex resonance characteristics of your unplugged tone, while Ambience provides pro-level reverberation perfectly optimized for acoustic guitar. The AD-2 also features essential stage tools such as a notch filter for feedback control, a balanced DI out for direct connection to a PA, and a convenient mute function for tuning and switching guitars.
  • Acoustic-electric guitar preamp with advanced BOSS sound processing
  • Sophisticated under-the-hood processing with multiple interlocked parameters, accessible with simple stompbox controls
  • Acoustic Resonance reproduces the complex resonance characteristics of an unplugged acoustic
  • Ambience knob provides wide-ranging, studio-quality reverb optimized for acoustic guitar
  • Notch filter for instant feedback reduction
  • Normal output for an acoustic guitar amp and balanced DI output for direct PA connection
  • Sound mute function for switching guitars and tuning on stage

Bring Your Acoustic’s Natural Sound to the Stage
The tone of an acoustic guitar is created by the complex interaction of sounds from its body, top, strings, and other elements. And as you play with varying techniques, dynamics, and more, this interaction constantly evolves to create the rich, woody sound we love. Unfortunately, the standard undersaddle piezo pickups installed on most stage guitars simply can’t reproduce this resonant complexity. The AD-2’s Acoustic Resonance effect solves this issue by analyzing the input signal as you play, and then employing advanced processing to beautifully recreate your guitar’s naturally evolving tone. Twisting the one-knob control adjusts multiple parameters inside the AD-2 to achieve the perfect tonal balance for any style, from delicate fingerpicking to intense strumming.

Enhance Your Guitar with Pro-Quality Reverb

After using Acoustic Resonance to bring back your guitar’s natural, intimate tone, adding some further depth and dimension with a little reverb makes it that much better. With the AD-2’s Ambience effect, you can dial in studio-quality reverb for any performing environment. Unlike standard reverbs that can cloud an acoustic guitar’s sound, the optimized BOSS algorithms in the AD-2 produce lush, deep ambience that perfectly complements your instrument’s voice. Like the Acoustic Resonance effect, a simple one-knob control tweaks many interlocked parameters under the hood, giving you access to a wide range of detailed reverb sounds.

DI Output and Feedback Killer
The AD-2 features two independent outputs for performance flexibility. Connect the Output jack to your acoustic guitar amp or stage monitor, and use the Line Out to send a balanced signal direct to the PA mixer. It’s even possible to turn off the Ambience effect in the Line Out signal, giving the PA engineer the flexibility to add their own reverb at the board. And if you encounter any low-frequency feedback issues on stage, the AD-2’s notch filter has you covered. As soon as you hear that familiar rumble, just turn the Notch knob until it goes away. It’s that easy!
Specification:
Nominal Input Level
-20 dBu
Input Impedance
10 M ohms
Nominal Output Level
OUTPUT jack: -20 dBu
LINE OUT jack: -20 dBu
Output Impedance
OUTPUT jack: 1 k ohm
LINE OUT jack: 600 ohms
Recommended Load Impedance
OUTPUT jack: 10 k ohms or greater
LINE OUT jack: 600 ohms or greater
Bypass
Buffered bypass
Controls
Pedal switch
ACOUSTIC RESONANCE knob
AMBIENCE knob
NOTCH knob
Indicator
CHECK indicator (Serves also as battery check indicator)
Connectors
INPUT jack: 1/4-inch phone type
OUTPUT jack: 1/4-inch phone type
LINE OUT jack: 1/4-inch TRS phone type
DC IN jack
Power Supply
Alkaline battery (9V, 6LR61) or Carbon-zinc battery (9V, 6F22)
AC adaptor (sold separately)
Current Draw
55 mA
Expected battery life under continuous use
Alkaline: Approx. 6 hours
* These figures will vary depending on the actual conditions of use.
Accessories
Owner's manual
Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information")
Alkaline battery (9V, 6LR61)
Option (sold separately)
AC adaptor (PSA series)
SIZE AND WEIGHT
Width
73 mm
2-7/8 inches
Depth
129 mm
5-1/8 inches
Height
59 mm
2-3/8 inches
Weight (including battery)
450 g
1 lb
* 0 dBu = 0.775 Vrms

Thursday, February 23, 2017

Roland STUDIO-CAPTURE UA-1610 USB 2.0 Audio Interface

Price List Rp.10.995.000
Roland STUDIO-CAPTURE UA-1610 USB 2.0 Audio Interface
Flagship 16x10 Interface with 12 Premium Mic Preamps
With the new STUDIO-CAPTURE, Roland once again raises the performance standard for computer-based audio production. The latest addition to the acclaimed CAPTURE family boasts 12 premium-grade mic preamps, an industry first for a compact USB audio interface. A total of 16 audio inputs, 10 audio outputs, and MIDI I/O offers massive connectivity for pro-level setups, all in a single, tabletop unit that fits easily into a travel bag. Other top-flight features include 24-bit/192 kHz audio quality, comprehensive front-panel metering, XLR monitor outputs with dedicated level control, dual headphone outputs, rock-solid drivers with VS STREAMING technology, and much more. Durable, portable, and ready to take on large-scale recording projects both in the studio and on the road, STUDIO-CAPTURE stands head and shoulders above all other USB audio interfaces on the market.

  • High-performance USB 2.0 audio interface for studio and mobile production
  • 16 audio inputs and 10 audio outputs, including 12 premium mic preamps (VS PREAMP)
  • VS STREAMING delivers ultra-stable, low-latency driver performance for Windows and Mac
  • AUTO-SENS intelligently sets optimal input levels for all preamps
  • Individual input/output meters and input channel buttons
  • Four independent, software-controlled monitor mixes
  • XLR monitor out, direct monitor, and dual headphone outputs with independent front-panel level knobs
  • Coaxial digital I/O; MIDI I/O with FPT
  • Expand your I/O by using two STUDIO-CAPTUREs together, both controlled with a single driver
  • 2U rackmount ears included

Top Quality For Modern Audio Production
Combining pro-level audio performance, abundant I/O, and a versatile mobile design, STUDIO-CAPTURE is a powerful solution for today’s musicians, composers, and recording engineers. It delivers quality equivalent to dedicated rackmount audio interfaces costing much more, all in a compact, go-everywhere package that’s equally suited for traveling production, tabletop use in home studios, or permanent installation in commercial studios with the included rack ears. The 16 audio inputs, 12 mic preamps, and flexible monitor mixing allow you to track most bands without adding any additional hardware, or simultaneously connect multiple synthesizers and other devices in large-scale composing setups. To take on really big projects, you can seamlessly expand your I/O to 32 inputs and 24 mic preamps simply by adding a second STUDIO-CAPTURE.

12 Premium Mic PreAmps
Among its many standout features, STUDIO-CAPTURE offers 12 digitally controlled mic preamps (VS PREAMPS), built with premium-grade components for exceptional low-noise performance, high headroom, and transparent sound quality. 12 XLR/TRS combo inputs are provided for the preamps, with four inputs conveniently located on the front panel for quick and easy access. Available on each channel is independent phantom power, a low-cut filter, phase invert, and digital compression, accessible via the included software control panel.


Generous And Flexible I/O
STUDIO-CAPTURE is equipped with a total of 16 input channels and 10 output channels. With the versatile, space-saving combo jacks, each of the 12 XLR mic inputs can alternately be used as a balanced/unbalanced ¼-inch line input, while inputs 13-16 have their own dedicated rear-panel TRS jacks. Inputs 1 and 2 can be switched to Hi-Z operation for connecting guitars and basses directly, while inputs 15/16 can be assigned to the coaxial digital input. Eight analog outputs are provided on TRS jacks, with the main stereo outputs mirrored on XLR jacks. Two additional outputs (9/10) are available via a coaxial digital jack. STUDIO-CAPTURE also features MIDI I/O, with Roland’s proprietary FPT processing for superior high-speed performance.

High-Performance VS Streaming Technology
STUDIO-CAPTURE offers high-resolution, 24-bit recording at rates up to 192 kHz, with incredible stability and industry-leading low-latency USB performance provided by Roland’s proprietary VS STREAMING technology. All current Mac and PC DAW platforms are supported through ASIO 2.0/WDM (Windows) and Core Audio (Mac) drivers. Thanks to VS STREAMING, you can expand your I/O by using two STUDIO-CAPTUREs on the same USB bus without compromising stability or audio quality.
AUTO-SENS: PERFECT LEVELS AT THE TOUCH OF A BUTTON

Unique to Roland’s CAPTURE family is the innovative AUTO-SENS feature, which makes it fast and easy to set perfect input levels every time. Just press the dedicated front-panel button, play your connected instruments, and STUDIO-CAPTURE automatically sets the ideal recording level for each input in seconds. Useful for pros and beginners alike, AUTO-SENS is great for quick, fail-safe audio capture when recording a fully mic’d drum kit or an entire band.

Comprehensive Monitoring And Metering
Bright, responsive LED meters let you keep an eye on levels for individual input and output channels and the MONITOR OUT, while dedicated input channel buttons and other intuitive controls make it easy to navigate the built-in display. The MONITOR OUT section features a dedicated LEVEL knob for control room volume, plus a DIRECT MONITOR knob for listening to selected input signals. Two headphone jacks—each with their own level knob—allow a musician and engineer to monitor at the same time without additional hardware.

Flexible Monitor Mixing With Effects
Beyond traditional audio interfacing, STUDIO-CAPTURE offers four independent Direct Mixers for zero-latency monitoring, operated via the software control panel. Powered by STUDIO-CAPTURE’s internal DSP, each mix can be routed to any of the outputs, perfect for sending custom monitor mixes to headphones, speakers, or recording devices. Mix configurations can be saved for later use, providing quick setups for many different applications. A high-quality reverb processor is available for monitoring, allowing singers and instrumentalists to record dry tracks while listening to great-sounding ambience effects.
Specification:
Number of Audio Record/Playback Channels
Sampling Rate: 96 kHz, 48 kHz, 44.1 kHz
Record: 16 channels
Playback: 10 channels
Sampling Rate: 192 kHz
Record: 8 channels
Playback: 4 channels
Signal Processing
PC interface: 24 bits
AD/DA Conversion: 24 bits
Sampling Rate
AD/DA Conversion: 192 kHz, 96 kHz, 48 kHz, 44.1 kHz
DIGITAL (IN/OUT): 96 kHz, 48 kHz, 44.1 kHz
Nominal Input Level (variable)
Input 1–12 jacks (XLR type): -60 to -2 dBu
Input 1–12 jacks (1/4-inch TRS phone type): -54 to +4 dBu
Input 13–16 jacks (1/4-inch TRS phone type): -20, -10, +4 dBu
Nominal Output Level
OUTPUT 1–8 jacks: +4 dBu (balanced)
Headroom
18 dB
Output Impedance
OUTPUT 1–2 jacks (XLR type): 600 ohms (balanced)
OUTPUT 1–8 jacks (1/4-inch TRS phone type): 2k ohms (balanced)
PHONES: 47 ohms
Frequency Response
192.0 kHz: 20 Hz to 60 kHz (+0/-2 dB), 20 Hz to 90 kHz (+0/-8 dB)
96.0 kHz: 20 Hz to 40 kHz (+0/-2 dB)
48.0 kHz: 20 Hz to 22 kHz (+0/-2 dB)
44.1 kHz: 20 Hz to 20 kHz (+0/-2 dB)
Residual Noise Level
INPUT 1–2 -> OUTPUT 1–2: -90 dBu typ. (SENS = min., Input terminated with 600 ohms, IHF-A)
* Input channel fader = Unity
Dynamic Range
AD block INPUT 1–2: 105 dB typ. (SENS = min.)
DA block OUTPUT 1–2: 114 dB typ.
Display
Graphic LCD 128 x 64 dots
Connectors
INPUT 1–12 jacks *1: XLR type (balanced, phantom power *2: DC +48 V (unloaded maximum), 10 mA (maximum load))
INPUT 1–16 jacks: 1/4-inch TRS phone type (balanced)
PHONES jack: Stereo 1/4-inch phone type
OUTPUT 1–8 jacks: 1/4-inch TRS phone type (balanced)
COAXIAL IN jack: RCA phono type (conforms to IEC60958)
COAXIAL OUT jack: RCA phono type (conforms to IEC60958)
MIDI (IN, OUT) connectors
USB port: USB Type B
DC IN jack

*1 INPUT 1–2 jacks support high impedance
*2 Provided on all XLR-type input jacks. Current value is per channel. Total must not exceed 50 mA.
Interface
Hi-Speed USB
Power Supply
AC adaptor
Current Draw
1.6 A
Accessories
Owner's Manual
Block Diagram leaflet
AC adaptor
STUDIO-CAPTURE Driver CD-ROM
Rack mount angle x 2
USB cable
License agreement
SIZE AND WEIGHT
Width
284 mm
11-3/16 inches
Depth
162 mm
6-7/16 inches
Height
89 mm
3-9/16 inches
Weight
1.9 kg
4 lbs. 4 oz.
* 0 dBu = 0.775 Vrms

Roland JC-22 Jazz Chorus Guitar Amplifier

Price List Rp.6.950.000
Roland JC-22 Jazz Chorus Guitar Amplifier
Legendary Tone For Your Home
The JC-22 Jazz Chorus delivers Roland’s classic JC clean tone and famous Dimensional Space Chorus effect in a compact amp that’s perfect for playing at home. Offering the essential features of the popular JC-40 in an even more scaled-down size, this versatile stereo amp is also great for intimate performances and recording. A high-quality reverb complements the onboard chorus, and there’s also a stereo input on the front panel for plugging in modelers, multi-effects, and stereo stomps. Built to the same standards of sound and durability that the long-running amp series is noted for, the JC-22 makes legendary JC tone more accessible than ever.
  • Legendary Roland JC clean tone in an ultra-compact combo
  • Stereo 30-watt amp with two 6.5-inch speakers
  • Stereo input for true stereo sound with modelers and stereo effects pedals
  • Signature Dimensional Space Chorus effect for expansive stereo sound
  • High-quality reverb effect
  • Footswitch jacks for turning onboard effects on/off
  • Stereo effects loop for connecting external effects

Iconic JC Clean Tone and Built-In Effects

Around the world, the Roland JC series is renowned as the benchmark in clean guitar amplification. With the JC-22, you can now have that authentic tone in a light, compact package. Two independent power amps and custom-designed speakers deliver the genuine clean sound of the larger JC amps, while the trademark Dimensional Space Chorus effect fills the room with immersive 3D sound. The amp also includes a great-sounding reverb that operates in true stereo for rich, expansive tone.

The Ultimate Home Amp
For playing and practicing at home, there’s no better platform than the JC-22. Its classic clean tone is ideal for use with all types of stompbox pedals, and you can even plug in stereo effects devices for wide, inspiring sound. The JC-22 works great with stereo-capable delay, reverb, and modulation pedals, and it’s also perfectly suited for advanced gear that employs amp modeling, multi-effects, and/or synth capabilities.


Connect and Control
The JC-22’s rear panel is filled with connectivity options. There’s an effects loop for patching in mono or stereo effects, and you even have your choice of series or parallel operation. Line Out jacks give you a convenient direct feed to a mixing console or recorder, while plugging into the Headphones jack automatically mutes the onboard speakers for quiet practice sessions with phones. There’s also support for optional footswitches, which allow you to turn the JC-22’s chorus and reverb effects on/off while playing.
Specification:
Rated Power Output
30 W
Nominal Input Level
INPUT L/MONO, R jacks: -10 dBu (1 M ohm)
EFFECT RETURN L/MONO, R jacks: -10 dBu (22 k ohms)
EFFECT RETURN L/MONO only: -10 dBu (11 k ohms)
Speakers
16 cm (6.5 inches) x 2
Controls
POWER switch
BRI (Bright) Switch
VOLUME knob
TREBLE knob
MIDDLE knob
BASS knob
REVERB knob
SPEED knob
DEPTH knob
EFFECT LOOP switch
Indicator
POWER
Connectors
INPUT L/MONO, R jacks: 1/4-inch phone type
LINE OUT L/MONO, R jacks: 1/4-inch phone type
PHONES jack: Stereo 1/4-inch phone type
FOOT SWITCH (CHORUS, REVERB) jacks: 1/4-inch phone type
EFFECT LOOP SEND jack: 1/4-inch phone type
EFFECT LOOP RETURN L/MONO, R jacks: 1/4-inch phone type
AC IN jack
Power Consumption
43 W
Accessories
Owner's manual
Power cord
Options (sold separately)
Footswitch (BOSS FS-5L, FS-6, FS-7)
SIZE AND WEIGHT
Width
461 mm
18-3/16 inches
Depth
239 mm
9-7/16 inches
Height
338 mm
13-5/16 inches
Weight
12 kg
26 lbs 8 oz
* 0 dBu = 0.775 Vrms
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