Price List USD 596
Focusrite Liquid Mix16 Firewire Processor
Sixteen Channel Liquid Firewire Mix ProcessorLiquid Mix 16 is the latest product in Focusrite’s award-winning Liquid range, bringing the power of Liquid Mix to an even wider audience. Combining the same pool of classic EQ and Compressor emulations with a killer control surface, Liquid Mix 16 brings the sound of the obsolete, the priceless and the historically significant, within reach of even the most modest studio owner. Each of the sixteen mono channels provides Compressor and EQ emulations selectable from a huge pool of high-quality vintage and modern day classics. Forty Compressors and twenty EQs are available straight out of the box, with some additional emulations available for free online. As with the original Liquid Mix, a hybrid seven-band ‘super EQ’ is available in every instance, built out of separate classic EQ sections. Liquid Mix 16 also offers a ‘free’ mode for the compressor. Original compressors with limited or absent controls suddenly become fully featured - yours to use as you choose. Each channel appears as a separate VST/AU/RTAS effect within the sequencer and will work within all major applications, including Pro Tools.
Liquid Mix uses the same patented Dynamic Convolution process as Focusrite’s other Liquid products. Unlike standard convolution techniques, Dynamic Convolution utilizes vast processing power to sample the effect of a classic processor on a series of audio pulses, at many different gain settings and frequencies. All this processing is done using onboard DSP, so the processing has a relatively low effect on your computer’s own CPU, (variable subject to the sequencer used). Liquid Mix 16s DSP is housed within an elegant desktop control solution and connects to the computer via Firewire, which also provides bus-powering. The physical metering, rotary controls and buttons from the original Liquid Mix are provided here. The hardware helps to provide a tactile ergonomic solution, placing the sounds of an array of classic processors at your fingertips. You can choose to control each channel either from the desktop control unit, or from within the sequencer or an alternative controller, using the same simple GUI from Liquid Mix, which functions exactly like a plug-in. The Liquid range of products has won in excess of twenty awards to date, becoming a worldwide hit in the audio production world, from project studios to post production and broadcast facilities, not to mention the Live arena. Focusrite looks forward to bringing Liquid technology to a growing audience, providing the sound of vintage processing and the reliability of digital processing to studios the world over.
Key Features
Liquid Technology
Liquid Mix provides reliable emulation of a wide range of vintage and classic units. It does this by emulating their sonic behaviour using sintefex's patented Dynamic Convolution; the application of a unique, level-dependant set of responses to an audio signal. These measured responses, sampled at numerous levels and with a multitude of setting combinations, are applied to the input stream on a sample-bysample basis for extremely convincing results.
Specifications
Latency Due to the round trip transmission which is required on the firewire bus, a delay equal to 2 x the audio buffer size + 8 samples is incurred. This sample delay results in different amounts of time delay depending upon sampling frequency.
Liquid Mix uses the same patented Dynamic Convolution process as Focusrite’s other Liquid products. Unlike standard convolution techniques, Dynamic Convolution utilizes vast processing power to sample the effect of a classic processor on a series of audio pulses, at many different gain settings and frequencies. All this processing is done using onboard DSP, so the processing has a relatively low effect on your computer’s own CPU, (variable subject to the sequencer used). Liquid Mix 16s DSP is housed within an elegant desktop control solution and connects to the computer via Firewire, which also provides bus-powering. The physical metering, rotary controls and buttons from the original Liquid Mix are provided here. The hardware helps to provide a tactile ergonomic solution, placing the sounds of an array of classic processors at your fingertips. You can choose to control each channel either from the desktop control unit, or from within the sequencer or an alternative controller, using the same simple GUI from Liquid Mix, which functions exactly like a plug-in. The Liquid range of products has won in excess of twenty awards to date, becoming a worldwide hit in the audio production world, from project studios to post production and broadcast facilities, not to mention the Live arena. Focusrite looks forward to bringing Liquid technology to a growing audience, providing the sound of vintage processing and the reliability of digital processing to studios the world over.
Key Features
- Unequaled Variety of Classic Emulations the rival even the world's finest studios 40 compressors and 20 EQs, sampled from vintage originals with a free expanding library online.
- One of a Kind The unique patented Dynamic Convolution process delivers unparalleled EQ and Compression emulations. Can you hear the difference? Take the Challenge and find out.
- Hybrid Super EQ Create your own totally unique 7-band super EQ, built out of separate classic EQ bands. Compressor 'Free' Mode Original compressors with limited or absent controls suddenly become fully featured - yours to use as you choose.
- Hardware-powered Plug-ins 16 instances of Liquid Mix run off the desktop hardware, vastly reducing the impact on your CPU.*
- Tactile Control Surface Apply EQ and compression using hands-on tactile controls. Just plug in, power-up, and dial in the perfect mix.
- Full Plug-in OperationEach instance has a dedicated GUI which functions exactly like a plug-in, providing full recall within your session.
- Desktop Metering 12 LED meters on the hardware controller display i/o levels and gain reduction alongside their respective controls.
Liquid Technology
Liquid Mix provides reliable emulation of a wide range of vintage and classic units. It does this by emulating their sonic behaviour using sintefex's patented Dynamic Convolution; the application of a unique, level-dependant set of responses to an audio signal. These measured responses, sampled at numerous levels and with a multitude of setting combinations, are applied to the input stream on a sample-bysample basis for extremely convincing results.
Latency Due to the round trip transmission which is required on the firewire bus, a delay equal to 2 x the audio buffer size + 8 samples is incurred. This sample delay results in different amounts of time delay depending upon sampling frequency.
With a DAW buffer size of 1024 samples (ie, Liquid Mix latency of 2056 samples), the Liquid Mix latency is as follows:
• 47 ms @ 44.1kHz
• 43 ms @ 48kHz
• 23 ms @ 88.2kHz
• 21 ms @ 96kHz
With a DAW buffer size of 256 samples (ie, Liquid Mix latency of 520 samples), the Liquid Mix latency is as follows:
• 12 ms @ 44.1kHz
• 11 ms @ 48kHz
• 6 ms @ 88.2kHz
• 5 ms @ 96kHz
Channel Counts:
• 44.1kHz/48kHz: 16 channels mono, (8 stereo) unexpanded.
• 88.2/96kHz: 4 channels mono, (2 stereo) unexpanded.
Weight
• 0.8kg
• 1.76lbs
Dimensions
• 220mm (W) x 28 - 45mm (H - front to rear) x 152mm (D)
• 8.66" (W) x 1.1" - 1.77" (H - front to rear) x 5.98" (D)
