Now Hear This!
Are you and your session players and bandmates tired of straining to hear underpowered headphones? We were too. That’s why Jim Odom and his jambalaya-fueled team of engineers designed 150 mW headphone amps for the HP4 headphone-distribution system.
These headphone amps are not just loud enough for session and stage use, they’re loud enough to explode the oysters in a Po’ Boy sandwich. Yet the sound is clear and clean, with a wide dynamic range. At last, everybody will be able to hear—assuming they are capable of hearing. Be careful with that level control!
Loudnes With Various Headphone
The loudness of your headphones will vary depending on their design and their input impedance. The output impedance of the HP4 is 51Ω (ohms), and it will work fine with professional and consumer headphones but the volume will differ depending on which type of headphone you use.
Headphones with lower input impedances will generally be louder than higher-impedance headphones. (In this case, louder does not mean better!) Most professional headphones have impedances between 150Ω and 600Ω. Consumer headphones for CD players and the like often have impedances between 8Ω and 32Ω.
Simplicity is the HP4’s hallmark. You get left and right line inputs, left and right line outputs with level control, and the four headphone outs. You can globally mute the headphone outs, adjust the overall headphone level, sum the stereo signals to mono, and mute the rear-panel Monitor outputs..
The Monitor Mute
The Monitor Mute button mutes the main rear-panel outputs. This is handy when recording in front of a computer and studio monitors, especially when you don’t have a hardware mixer, because you can mute the signal going to the monitors rather than turn down the monitor level.
The headphone outputs remain active when the Monitor Mute button is engaged.
Expanding your headphone-distribution system is easy. Just connect the Monitor/Thru outputs of the first HP4 to the inputs on a second HP4, and you have an eight-headphone system. If you need 12 headphone outs, simply chain a third HP4 using the same method. You also can connect it to a PreSonus HP60, which provides six headphone outputs and has a few additional features.
Features:
Input/Output
Input/Output
- 4 screaming-loud (150 mW per channel) stereo ¼” headphone outputs (front panel)
- 2 balanced ¼” line outputs (monitor outputs)
- 2 balanced ¼” line inputs
- Headphone level control for each channel
- Mono summing switch for each channel
- Monitor level control
- Monitor mute switch
- Daisy-chain multiple units via monitor outputs
- Compact 1/3U rack-mount chassis
- Sealed, detented, metal rotary controls
- External 16 VAC power supply
Specification:
Inputs
|
|
Connector Type
|
XLR- ¼” TS, Combo, balanced
|
THD+N
|
0.0025%, 1 kHz, unity gain
|
Max Input Level
|
+18 dBu, <0.5% THD+N, unity gain
|
Input Impedance
|
10 kΩ
|
Frequency Response
|
20 Hz - 20 kHz, ±0.5dB
|
Monitor Outputs
|
|
Connector Type
|
¼” TRS, asymmetrical, impedance-balanced
|
THD+N
|
0.0025%, 1 kHz, unity gain
|
Max Output Level
|
+18 dBu, <0.5% THD+N
|
Output Impedance
|
51Ω
|
Frequency Response
|
20 Hz - 20 kHz, ±0.5dB
|
Headphone Outputs
|
|
Connector Type
|
¼” TRS, stereo
|
Max Output Power
|
130 mW/Ch., <0.5% THD+N, 60Ω load
|
Frequency Response
|
20 Hz - 20 kHz, ±0.5 dB, 60Ω load
|
32Ω - 600Ω
|
|
Power
|
|
External Adapter Type
|
+12 VDC, 1000 mA, center pin positive
|
Physical
|
|
Dimensions
|
1/3U rack-mount (with standard rack tray, not included)
|
Height
|
1.75” (44.45 mm)
|
Depth
|
5.5" (139.7 mm)
|
Width
|
5.5” (139.7 mm)
|
Weight
|
5 lbs (2.27 kg)
|
As a commitment to constant improvement, PreSonus Audio
Electronics, Inc., reserves the right to change any specification stated
herein at any time, without notification.
|