ZOOM
H5 Handy Recorder
Evolved recording in more ways than one.
Our products are constantly evolving to meet the needs of the creators who use them. With the H5 Handy Recorder, the tradition continues. The H5 provides four tracks of simultaneous recording and, like our flagship H6, it can use all Zoom interchangeable input capsules, allowing you to choose the best microphone for every recording situation. The flexible and powerful H5 provides everything you need to create multitrack recordings, audio for video, and state-of-the-art podcasting, broadcasting and electronic newsgathering.
Our products are constantly evolving to meet the needs of the creators who use them. With the H5 Handy Recorder, the tradition continues. The H5 provides four tracks of simultaneous recording and, like our flagship H6, it can use all Zoom interchangeable input capsules, allowing you to choose the best microphone for every recording situation. The flexible and powerful H5 provides everything you need to create multitrack recordings, audio for video, and state-of-the-art podcasting, broadcasting and electronic newsgathering.
Louder. Closer. Cleaner.
X/Y recording allows you to cover a wide area yet still capture sound sources in the center with clarity and definition, making it ideal for all types of live stereo recording. The XYH-5 X/Y microphone capsule included with the H5 provides two matched unidirectional condenser microphones set at a 90 degree angle. These are housed within an advanced shockmount that employs rugged external mic wires and rubberized material to isolate the unit from the H5 body and thus minimize vibration and handling noise.
The design of the XYH-5 also allows the H5 to handle louder sounds than any other Handy Recorder model: 140 dB SPL, to be precise—equivalent to the sound of a jet aircraft from less than 200 feet away—enabling you to capture sounds louder, closer, and cleaner than you ever could before.
In addition to standard transport controls (stop, play/pause, record, rewind, and fast-forward), the front panel of the H5 offers dedicated record arming buttons for each track, which double as mute switches during playback. A Hold switch disables all front panel buttons to prevent accidental operation during recording. The H5 can be attached to a camera strap or, with the use of our optional Hot Shoe mount, mounted directly to a DSLR or camcorder.
The H5 also provides everything you need to connect with the outside world. Dual combo XLR/TRS inputs that can handle both mic- and line-level signals allow you to connect external microphones and line-level devices like mixers, portable music players, effects processors, and electronic keyboards—even electric guitars or basses equipped with active electronics. Each H5 input has its own dedicated gain control knob, located beneath a protective bar that prevents accidental movement during handling. The supplied XYH-5 X/Y capsule also provides a secondary input for connecting stereo mic- or line-level signal via a ⅛" mini phone jack. The H5 supports a +4 dB (professional) input level and utilizes the same high-quality preamps as our flagship H6, ensuring great-sounding recordings in all sonic environments.
There are lots of output options as well. A dedicated Line Out with adjustable volume allows you to send a stereo audio output from the H5 to the mic input of a video camera or other device without the need for an attenuator cable. In addition, there's a separate headphone output with a dedicated volume control. You can use both outputs simultaneously to route audio to your DSLR while monitoring over headphones. There's also a built-in speaker for fast access playback, and a USB port which allows the H5 to be used as an audio interface for your computer or iPad.
Power and Storage
Just 2 AA batteries—either alkaline or rechargeable NiMH—are required for power. When using alkaline batteries, the H5 will operate for more than 15 hours, even while recording continuously. You can also use an optional AC adapter to power the H5 without batteries. The H5 records directly to SD and SDHC cards up to 32 gigabytes. Maximum recording time is dependent upon the card size and file type; for example, the supplied 2GB SD card can hold approximately fourteen hours of stereo 320 kbps MP3 files, three hours of stereo 16-bit / 44.1 kHz WAV files, or an hour of stereo 24-bit / 96 kHz WAV files.
The H5 can operate in two different modes—choose stereo for two-track stereo recording, or multitrack for four-track recording (in either stereo pairs or individual mono tracks)—and it captures audio in the two most commonly used file formats: WAV and MP3.
The WAV files recorded by the H5 can be 16- or 24-bit, with sampling rates of 44.1, 48, or 96 kHz*. They are automatically time-stamped and thus Broadcast Wave Format (BWF) compliant, allowing for precise synchronization in video post-production. MP3 files, while slightly lower in fidelity, are much smaller than WAV files and are thus easier to email and post on social networking sites—allowing you to quickly and easily share your creations around the world.
* 96 kHz sampling rate available in stereo mode only
Signal Processing
The H5's onboard effects allow you to add polish to your recordings. Compression and limiting compensate for fluctuations in input level, while a low-cut filter helps eliminate wind noise, blowing, and other kinds of low frequency rumble. There's even an onboard metronome and chromatic/guitar/bass tuner.
Other features
But the list of H5 features doesn't end there. There's playback looping, pitch change, and variable playback speed (without pitch change) to help with phrase training, as well as a pre-record function that keeps the H5 continuously recording in the background, keeping the previous two seconds before you hit RECORD.
There’s an Auto-Record function that allows recording to begin automatically when a certain level of sound is detected and an equivalent Auto-Stop function that ends recording when the sound drops below a user-designated level, either immediately or up to 5 seconds later. And then there's Backup-Record—the ultimate safety net.* It enables the H5 to automatically record a duplicate set of stereo tracks with 12dB less input gain. Even if your original track is distorted, chances are the Backup version will be fine!
* 44.1 and 48 kHz WAV files only.
You can even use your H5 as an audio interface, complete with a Loop Back function that makes it easy to add narration to music playback. Simply connect the H5 to your computer or iPad** via USB, launch your favorite DAW or use the included Wavelab LE software, and start creating a masterpiece.
** Apple Camera Connection Kit required.
State of the art editing with every recorder
The Zoom H5 comes with free download licenses for Steinberg’s Cubase LE music production software and WaveLab LE audio editing software, providing not just the ability to capture superior audio in every box, but to do spectacular things with it.
Whether you wish to create your own music utilizing the Handy Recorder’s USB audio interface function or take your recordings to a more professional level, Steinberg’s powerful and state-of-the-art audio software used by creators around the world now comes with every Zoom Handy Recorder purchase.
Currently shipping with:
Cubase LE8 for Mac OS X 10.9/10.10 and Windows 7/8/8.1
Wavelab LE8 for Mac OS X 10.8, 10.9, 10.10 and Windows 7/8/8.1/10
For information on license activation and upgrades, visit our Steinberg Software support page.
The
Hardware
Ins & OutsIn addition to standard transport controls (stop, play/pause, record, rewind, and fast-forward), the front panel of the H5 offers dedicated record arming buttons for each track, which double as mute switches during playback. A Hold switch disables all front panel buttons to prevent accidental operation during recording. The H5 can be attached to a camera strap or, with the use of our optional Hot Shoe mount, mounted directly to a DSLR or camcorder.
The H5 also provides everything you need to connect with the outside world. Dual combo XLR/TRS inputs that can handle both mic- and line-level signals allow you to connect external microphones and line-level devices like mixers, portable music players, effects processors, and electronic keyboards—even electric guitars or basses equipped with active electronics. Each H5 input has its own dedicated gain control knob, located beneath a protective bar that prevents accidental movement during handling. The supplied XYH-5 X/Y capsule also provides a secondary input for connecting stereo mic- or line-level signal via a ⅛" mini phone jack. The H5 supports a +4 dB (professional) input level and utilizes the same high-quality preamps as our flagship H6, ensuring great-sounding recordings in all sonic environments.
There are lots of output options as well. A dedicated Line Out with adjustable volume allows you to send a stereo audio output from the H5 to the mic input of a video camera or other device without the need for an attenuator cable. In addition, there's a separate headphone output with a dedicated volume control. You can use both outputs simultaneously to route audio to your DSLR while monitoring over headphones. There's also a built-in speaker for fast access playback, and a USB port which allows the H5 to be used as an audio interface for your computer or iPad.
Power and Storage
Just 2 AA batteries—either alkaline or rechargeable NiMH—are required for power. When using alkaline batteries, the H5 will operate for more than 15 hours, even while recording continuously. You can also use an optional AC adapter to power the H5 without batteries. The H5 records directly to SD and SDHC cards up to 32 gigabytes. Maximum recording time is dependent upon the card size and file type; for example, the supplied 2GB SD card can hold approximately fourteen hours of stereo 320 kbps MP3 files, three hours of stereo 16-bit / 44.1 kHz WAV files, or an hour of stereo 24-bit / 96 kHz WAV files.
The
Software
File typesThe H5 can operate in two different modes—choose stereo for two-track stereo recording, or multitrack for four-track recording (in either stereo pairs or individual mono tracks)—and it captures audio in the two most commonly used file formats: WAV and MP3.
The WAV files recorded by the H5 can be 16- or 24-bit, with sampling rates of 44.1, 48, or 96 kHz*. They are automatically time-stamped and thus Broadcast Wave Format (BWF) compliant, allowing for precise synchronization in video post-production. MP3 files, while slightly lower in fidelity, are much smaller than WAV files and are thus easier to email and post on social networking sites—allowing you to quickly and easily share your creations around the world.
* 96 kHz sampling rate available in stereo mode only
Signal Processing
The H5's onboard effects allow you to add polish to your recordings. Compression and limiting compensate for fluctuations in input level, while a low-cut filter helps eliminate wind noise, blowing, and other kinds of low frequency rumble. There's even an onboard metronome and chromatic/guitar/bass tuner.
Other features
But the list of H5 features doesn't end there. There's playback looping, pitch change, and variable playback speed (without pitch change) to help with phrase training, as well as a pre-record function that keeps the H5 continuously recording in the background, keeping the previous two seconds before you hit RECORD.
* 44.1 and 48 kHz WAV files only.
** Apple Camera Connection Kit required.
State of the art editing with every recorder
The Zoom H5 comes with free download licenses for Steinberg’s Cubase LE music production software and WaveLab LE audio editing software, providing not just the ability to capture superior audio in every box, but to do spectacular things with it.
Whether you wish to create your own music utilizing the Handy Recorder’s USB audio interface function or take your recordings to a more professional level, Steinberg’s powerful and state-of-the-art audio software used by creators around the world now comes with every Zoom Handy Recorder purchase.
Currently shipping with:
Cubase LE8 for Mac OS X 10.9/10.10 and Windows 7/8/8.1
Wavelab LE8 for Mac OS X 10.8, 10.9, 10.10 and Windows 7/8/8.1/10
For information on license activation and upgrades, visit our Steinberg Software support page.
Features at a glance
- Uses a system of interchangeable input capsules that can be swapped out as easily as the lens of a camera
- Includes detachable X/Y capsule (XYH-5) with extended signal capacity and shockmounted mics for reduced handling noise
- Compatible with all Zoom input capsules
- Four-track simultaneous recording
- Large backlit LCD display
- Records directly to SD and SDHC cards up to 32 GB
- Up to 24-bit/96 kHz audio in BWF-compliant WAV or a variety of MP3 formats
- Two mic/line inputs with XLR/TRS combo connectors, each with selectable phantom power and -20 dB pad
- Analog-style gain controls for each input
- Protective "roll-bar" type covers prevent accidental movement of gain controls
- Plug-in power (2.5 volts)
- Built-in effects, including low-cut filtering, compression, and limiting
- Chromatic tuner and metronome
- Auto-record, Pre-record, and Backup-record functions mean that you'll never miss that perfect take
- MS decoding
- Multitrack to stereo internal mixdown
- Normalize, Divide, and Trim editing
- Voice memo and up to 99 marks per recording
- A/B loop playback
- Variable playback speed and variable pitch without affecting playback speed
- Multichannel and stereo USB audio interface for PC/Mac/iPad with loop back function
- Mountable to DSLR or camcorder with optional HS-01 Hot Shoe Mount adapter
- Uses two standard AA alkaline or NiMH rechargeable batteries
- Over 15 hours of operation with alkaline batteries
Specification:
GENERAL
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Recording media:
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SD card: 16MB to 2GB , SDHC card: 4GB to 32GB
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Display:
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Backlit LCD (128 x 64 pixels)
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INPUTS
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INPUTS L/R [XYH-5 X/Y mic]:
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Mic type: Unidirectional
Sensitivity: -45 dB, 1 kHz at 1 Pa Input gain: -∞ to 52 dB Max sound pressure input: 140 dB SPL |
MIC/LINE IN :
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Connector: 1/8" stereo mini jack
Input gain: - ∞ to 52 dB Input impedance: 2 k Ω or more Plug-in power: 2.5V supported Backup recording: -12dB lower than set L/R input gain |
INPUTS 1/2:
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Connectors: XLR / TRS combo jacks
(XLR: Pin 2 hot / TRS: Tip hot) Input gain (PAD OFF): -∞ to 55.0 dB Input gain ( Input impedance: 1.8 k Ω or more Max input level: +22 dBu ( Phantom power: +12V /+24V /+48V Equivalent Input Noise (EIN): -120 dBu or less |
OUTPUTS
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LINE OUT :
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Connector: 1/8" stereo mini jack
Rated output level: -10 dBm Output load impedance: 10k Ω or more |
PHONE OUT :
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Connector: 1/8" stereo mini jack
Output Level: 20 W +20 W into 32 Ω load |
Built-in speaker:
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400mw 8 Ω mono
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RECORDING FORMATS
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STEREO MODE:
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WAV (BWF-compliant)
Sampling frequency: 44.1/48/96 kHz Bit rate: 16/24 (Stereo) Maximum simultaneous recording tracks: 2
MP3
Sampling frequency: 44.1kHz Bit rate: 48/56/64/80/96/112/32/160/192/224/256/320kbps |
MULTITRACK MODE:
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WAV (BWF-compliant)
Sampling frequency: 44.1/48 kHz Bit rate: 16/24 (Mono/Stereo) Maximum simultaneous recording tracks: 6 (L/R + INPUT 1/2 + L/R backup) |
USB
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Mass Storage Class operation:
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Class: USB 2.0 High Speed
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Audio Interface operation: Multitrack mode:
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Class: USB 2.0 High Speed
Sampling frequency: 44.1/48kHz Bit rate: 16/24 bit Inputs / Outputs: 4 / 2 |
Audio Interface operation: Stereo mode:
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Class: USB 2.0 Full Speed
Sampling frequency: 44.1/48kHz Bit rate: 16 bit Inputs / Outputs: 2 / 2
USB bus powered operation possible
(iPad operation supported in Stereo mode only) |
POWER REQUIREMENTS
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AA size (LR6) battery x 2
AC adapter: AD-17 (DC5V/1A/USB-type) (optional) USB bus power |
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