ZOOM H5 Handy Recorder

Price List Rp.3.980.000

ZOOM H5 Handy Recorder

Evolved recording in more ways than one.
Our products are constantly evolving to meet the needs of the creators who use them. With the H5 Handy Recorder, the tradition continues. The H5 provides four tracks of simultaneous recording and, like our flagship H6, it can use all Zoom interchangeable input capsules, allowing you to choose the best microphone for every recording situation. The flexible and powerful H5 provides everything you need to create multitrack recordings, audio for video, and state-of-the-art podcasting, broadcasting and electronic newsgathering.

Louder. Closer. Cleaner.
X/Y recording allows you to cover a wide area yet still capture sound sources in the center with clarity and definition, making it ideal for all types of live stereo recording. The XYH-5 X/Y microphone capsule included with the H5 provides two matched unidirectional condenser microphones set at a 90 degree angle. These are housed within an advanced shockmount that employs rugged external mic wires and rubberized material to isolate the unit from the H5 body and thus minimize vibration and handling noise. 

The design of the XYH-5 also allows the H5 to handle louder sounds than any other Handy Recorder model: 140 dB SPL, to be precise—equivalent to the sound of a jet aircraft from less than 200 feet away—enabling you to capture sounds louder, closer, and cleaner than you ever could before.

The Hardware

Ins & Outs
In addition to standard transport controls (stop, play/pause, record, rewind, and fast-forward), the front panel of the H5 offers dedicated record arming buttons for each track, which double as mute switches during playback. A Hold switch disables all front panel buttons to prevent accidental operation during recording. The H5 can be attached to a camera strap or, with the use of our optional Hot Shoe mount, mounted directly to a DSLR or camcorder.

The H5 also provides everything you need to connect with the outside world. Dual combo XLR/TRS inputs that can handle both mic- and line-level signals allow you to connect external microphones and line-level devices like mixers, portable music players, effects processors, and electronic keyboards—even electric guitars or basses equipped with active electronics. Each H5 input has its own dedicated gain control knob, located beneath a protective bar that prevents accidental movement during handling. The supplied XYH-5 X/Y capsule also provides a secondary input for connecting stereo mic- or line-level signal via a ⅛" mini phone jack. The H5 supports a +4 dB (professional) input level and utilizes the same high-quality preamps as our flagship H6, ensuring great-sounding recordings in all sonic environments.

There are lots of output options as well. A dedicated Line Out with adjustable volume allows you to send a stereo audio output from the H5 to the mic input of a video camera or other device without the need for an attenuator cable. In addition, there's a separate headphone output with a dedicated volume control. You can use both outputs simultaneously to route audio to your DSLR while monitoring over headphones. There's also a built-in speaker for fast access playback, and a USB port which allows the H5 to be used as an audio interface for your computer or iPad.

Power and Storage
Just 2 AA batteries—either alkaline or rechargeable NiMH—are required for power. When using alkaline batteries, the H5 will operate for more than 15 hours, even while recording continuously. You can also use an optional AC adapter to power the H5 without batteries. The H5 records directly to SD and SDHC cards up to 32 gigabytes. Maximum recording time is dependent upon the card size and file type; for example, the supplied 2GB SD card can hold approximately fourteen hours of stereo 320 kbps MP3 files, three hours of stereo 16-bit / 44.1 kHz WAV files, or an hour of stereo 24-bit / 96 kHz WAV files.

The Software

File types
The H5 can operate in two different modes—choose stereo for two-track stereo recording, or multitrack for four-track recording (in either stereo pairs or individual mono tracks)—and it captures audio in the two most commonly used file formats: WAV and MP3.

The WAV files recorded by the H5 can be 16- or 24-bit, with sampling rates of 44.1, 48, or 96 kHz*. They are automatically time-stamped and thus Broadcast Wave Format (BWF) compliant, allowing for precise synchronization in video post-production. MP3 files, while slightly lower in fidelity, are much smaller than WAV files and are thus easier to email and post on social networking sites—allowing you to quickly and easily share your creations around the world.
* 96 kHz sampling rate available in stereo mode only

Signal Processing
The H5's onboard effects allow you to add polish to your recordings. Compression and limiting compensate for fluctuations in input level, while a low-cut filter helps eliminate wind noise, blowing, and other kinds of low frequency rumble. There's even an onboard metronome and chromatic/guitar/bass tuner.

Other features
But the list of H5 features doesn't end there. There's playback looping, pitch change, and variable playback speed (without pitch change) to help with phrase training, as well as a pre-record function that keeps the H5 continuously recording in the background, keeping the previous two seconds before you hit RECORD.

There’s an Auto-Record function that allows recording to begin automatically when a certain level of sound is detected and an equivalent Auto-Stop function that ends recording when the sound drops below a user-designated level, either immediately or up to 5 seconds later. And then there's Backup-Record—the ultimate safety net.* It enables the H5 to automatically record a duplicate set of stereo tracks with 12dB less input gain. Even if your original track is distorted, chances are the Backup version will be fine!
* 44.1 and 48 kHz WAV files only.

You can even use your H5 as an audio interface, complete with a Loop Back function that makes it easy to add narration to music playback. Simply connect the H5 to your computer or iPad** via USB, launch your favorite DAW or use the included Wavelab LE software, and start creating a masterpiece.
** Apple Camera Connection Kit required.

State of the art editing with every recorder
The Zoom H5 comes with free download licenses for Steinberg’s Cubase LE music production software and WaveLab LE audio editing software, providing not just the ability to capture superior audio in every box, but to do spectacular things with it.

Whether you wish to create your own music utilizing the Handy Recorder’s USB audio interface function or take your recordings to a more professional level, Steinberg’s powerful and state-of-the-art audio software used by creators around the world now comes with every Zoom Handy Recorder purchase.

Currently shipping with:
Cubase LE8 for Mac OS X 10.9/10.10 and Windows 7/8/8.1
Wavelab LE8 for Mac OS X 10.8, 10.9, 10.10 and Windows 7/8/8.1/10
For information on license activation and upgrades, visit our Steinberg Software support page.

Features at a glance

• Uses a system of interchangeable input capsules that can be swapped out as easily as the lens of a camera
• Includes detachable X/Y capsule (XYH-5) with extended signal capacity and shockmounted mics for reduced handling noise
• Compatible with all Zoom input capsules
• Four-track simultaneous recording
• Large backlit LCD display
• Records directly to SD and SDHC cards up to 32 GB
• Up to 24-bit/96 kHz audio in BWF-compliant WAV or a variety of MP3 formats
• Two mic/line inputs with XLR/TRS combo connectors, each with selectable phantom power and -20 dB pad
• Analog-style gain controls for each input
• Protective "roll-bar" type covers prevent accidental movement of gain controls
• Plug-in power (2.5 volts)
• Built-in effects, including low-cut filtering, compression, and limiting
• Chromatic tuner and metronome
• Auto-record, Pre-record, and Backup-record functions mean that you'll never miss that perfect take
• MS decoding
• Multitrack to stereo internal mixdown
• Normalize, Divide, and Trim editing
• Voice memo and up to 99 marks per recording
• A/B loop playback
• Variable playback speed and variable pitch without affecting playback speed
• Multichannel and stereo USB audio interface for PC/Mac/iPad with loop back function
• Mountable to DSLR or camcorder with optional HS-01 Hot Shoe Mount adapter
• Uses two standard AA alkaline or NiMH rechargeable batteries
• Over 15 hours of operation with alkaline batteries

Specification:

GENERAL
__________________________________________________________________
Recording media:	SD card: 16MB to 2GB , SDHC card: 4GB to 32GB
Display:	Backlit LCD (128 x 64 pixels)
INPUTS
__________________________________________________________________
INPUTS L/R [XYH-5 X/Y mic]:	Mic type:   Unidirectional Sensitivity:   -45 dB, 1 kHz at 1 Pa Input gain:   -∞ to 52 dB                                 Max sound pressure input: 140 dB SPL
MIC/LINE IN :	Connector:   1/8" stereo mini jack Input gain:  - ∞ to 52 dB Input impedance:  2 k Ω or more Plug-in power:  2.5V supported Backup recording: -12dB lower than set L/R input gain
INPUTS 1/2:	Connectors:    XLR / TRS combo jacks     (XLR: Pin 2 hot / TRS: Tip hot) Input gain (PAD OFF): -∞ to 55.0 dB Input gain (PAD ON): -∞ to 35.0 dB Input impedance:  1.8 k Ω or more Max input level:  +22 dBu (PAD ON) Phantom power:  +12V /+24V /+48V Equivalent Input Noise (EIN): -120 dBu or less
OUTPUTS
__________________________________________________________________
LINE OUT :	Connector:    1/8" stereo mini jack Rated output level:   -10 dBm Output load impedance: 10k Ω or more
PHONE OUT :	Connector:    1/8" stereo mini jack Output Level:    20 W +20 W into 32 Ω load
Built-in speaker:	400mw 8 Ω mono
RECORDING FORMATS
__________________________________________________________________
STEREO MODE:	WAV (BWF-compliant) Sampling frequency:   44.1/48/96 kHz Bit rate:    16/24 (Stereo) Maximum simultaneous recording tracks: 2 MP3 Sampling frequency:  44.1kHz Bit rate: 48/56/64/80/96/112/32/160/192/224/256/320kbps
MULTITRACK MODE:	WAV (BWF-compliant) Sampling frequency: 44.1/48 kHz Bit rate: 16/24 (Mono/Stereo) Maximum simultaneous recording tracks: 6 (L/R + INPUT 1/2 + L/R backup)
USB
__________________________________________________________________
Mass Storage Class operation:	Class: USB 2.0 High Speed
Audio Interface operation: Multitrack mode:	Class: USB 2.0 High Speed Sampling frequency: 44.1/48kHz Bit rate: 16/24 bit Inputs / Outputs: 4 / 2
Audio Interface operation: Stereo mode:	Class: USB 2.0 Full Speed Sampling frequency: 44.1/48kHz Bit rate:  16 bit Inputs / Outputs: 2 / 2 USB bus powered operation  possible (iPad operation supported in Stereo mode only)
POWER REQUIREMENTS
__________________________________________________________________
	AA size (LR6) battery x 2 AC adapter: AD-17 (DC5V/1A/USB-type) (optional) USB bus power

ZOOM H1 Handy Recorder

Price List Rp.1.780.000

ZOOM H1 Handy Recorder

Introducing the H1 Handy Recorder.
It’s our smallest recorder ever. But don’t let its size fool you. The H1 Handy Recorder has our renowned recording technology and studio-quality microphones in our easiest, most portable device ever.
Now Zoom recording technology is available to everyone. And with an infinite variety of applications, you’ll want to take your H1 everywhere. From musical performances, songwriting sessions and rehearsals to seminars, conferences, journalism or capturing audio for video, the H1 gives you clean, clear stereo sound effortlessly.

What sets us apart?
Like all Zoom recorders, the H1’s onboard microphones are configured in an X/Y pattern, for stunning stereo imaging. Because both mics are arranged on the same axis, they are equidistant from the sound source for perfect localization and no phase shifting. The result is great stereo recordings with natural depth and accurate imaging.

Under your thumb…
With its newly designed user interface, the H1 is also our easiest recorder to use. All its functions are at your fingertips, such as track marker, auto record, low cut filter, level and volume controls with on-board buttons… No menus required!

Intuitive controls make it easy to capture the audio you need with ease. But we still provide the versatility you’ve come to expect from Zoom. So you get total recording format flexibility from 16-bit/44.1 kHz to 24-bit/96 kHz WAV, or MP3 from 48 kbps to 320 kbps and enough tools onboard to make impeccable recordings.

Secure your digital memories.

The H1 records on microSD cards and comes with a 2GB microSD card. Using a 32GB microSDHC card allows over 50 hours of recording time at 16-bit/44.1 kHz. 

MicroSD cards were specifically designed for the ever-evolving mobile technology market. Approximately the size of a fingernail, the microSD card is a significant advance in technology and its size and capacity are a major reason why the H1 is able to deliver so much recording technology in such a small package.

Share the love.
With its Hi-Speed USB 2.0 port, the H1 allows for fast transfer of your audio files to your computer. Listen, edit and share with your fans on your Mac or PC. It also includes a reference speaker to ensure your recordings are being captured as you desire.

Applications:
Musicians – Shorten the Learning Curve.
With stereo recording so precise and so easy, musicians will love the H1. An indispensible part of any serious musician’s arsenal, the H1 makes recording rehearsals and practice sessions easier than ever. And the best part is, because your performance is captured with crystal clear audio, you can really critique your own ….

Peter Erskine, Educator, Grammy-Winning Drummer and Alan Pasqua, Chair of Jazz Studies, USC

Songwriters – More Hit Wonders.

Isn’t it time you heard your masterpieces in beautiful stereo that rivals a professional recording studio? We know you’re the creative type, not an engineer. That’s why we made the H1 so easy to setup and navigate. So you can keep the inspiration going. Your most creative ideas can now be recorded and shared with your co-writers anywhere and at anytime the music hits you. Just be sure you have your H1 on at all times!

Mike Inez and Jerry Cantrell - Alice in Chains

Bands – On the Road, On the Run.

There are so many applications for your band and the H1. Start with learning new songs. If you’re the guy who teaches the songs, record each part on an H1 and email it to the members of your band. If you’re the one who books the band, you band needs to get heard. And everyone in the group needs to hear their performance to get better. The H1 makes capturing your performance easy, even when you’re cranking out 

.

Shinedown live in New York City

Video and Film Professionals – Indie Shoots That Don’t Sound Indie.

With DSLR cameras that shoot incredible HD video, the need for a better audio solution has emerged. The H1 will easily shoe mount on top of a video or DSLR camera. And because it has a standard ¼-20 mount on the bottom, you can place the H1 anywhere on your rig. Use the stereo output jack to connect directly to the audio input on your camera, or bring the audio into your editing suite using the USB connection. The H1 is the perfect entry point for those getting started with dual source shooting

 .

H1 mounted on a Canon T2i

Journalism – Scoop Central…

These days, a journalist needs be able to capture broadcast ready interviews whenever or wherever they occur. Imagine being able to spontaneously capture the kind of audio your producer needs and send it remotely via email. That’s what the H1 provides. It’s literally a recording studio in your pocket! And the files are Broadcast Wave Format (BWF) so your producer has time and date stamping as well as any markers .you set for total editing ease

Business – Content Management.
Whether it’s a sales meeting, training conference or a seminar, the ability to capture and distribute the content is a big part of the ROI when you do events. Use the H1 to record your content for your company website or distribute it by email to your peers. Edit and turn it into a podcast. The possibilities are endless. Whatever the use, the H1 is perfect for legal, business and medical field use.

Accessorize the size…

Everything you need to get started recording is included. Your H1 comes with an AA battery for 10 hours of operation and a 2 GB microSD card.

In addition, an H1 accessory package (APH-1) is also available with an array of accessories that make your recordings even more pristine and easier to capture. The accessory kit includes a windscreen, AC adapter (USB type), USB cable, adjustable tripod stand, padded-shell case and a mic clip adapter.

Brilliant Stereo Recording.Now in your pocket.

Combining powerful recording capability with elegance and simplicity, the H1 Handy Recorder is our smallest, most affordable recorder ever.

Click here to watch the Zoom H1 Basic Product Overview Video!
Features:

• Stereo X/Y mic configuration captures perfect stereo images
• Same frequency and SPL handling as popular Zoom H2
• Records Broadcast WAV (BWF) at 96kHz/48kHz/44.1kHz at 16-bit or 24-bit
• Records MP3 from 48 to 320kbps for maximum recording time
• Hi-Speed USB 2.0 port
• Built-in reference speaker
• Includes 2GB microSD memory card and one AA battery
• One AA size battery allows 10 hours operation
• Accommodates up to 32GB microSDHC memory cards
• Track marker function
• Low cut filter
• Built-in tripod mount
• 1/8-inch external mic input
• 1/8-inch stereo line output
• Auto record level
• Optional accessory package (APH-1) includes windscreen, AC adapter (USB type), USB cable, adjustable tripod stand, padded shell case and mic clip adapter

H1 Features at a glance:
The H1 Handy Recorder puts all its functions at your fingertips. No menus! Its backlit display features recording levels, file format, time elapsed, remaining battery life and recording time.

Its intuitive transport puts all the controls on the side with no menus on the screen. A large record button gives you complete control. Playback and pause, marker, forward and rewind buttons are all accessible by your thumb. Volume for playback and monitoring can be adjusted using your index finger.

On the back, you’ll find a single AA battery compartment, a tripod mount, low cut filter, auto level setting and recording format selectable switches. There’s also convenient mount for a strap or lanyard clip.

All the transport controls are on right side of the H1 and you can adjust recording levels on the fly. A 1/8" stereo line input is located on this side and its USB port is also accessible here as is its power on and hold switch.On the left side, you can replace your microSD card by folding down the rubberized door. There’s also a 1/8" stereo line/headphone output with adjustable volume control for monitoring playback. The built-in reference speaker is on the bottom of the unit.

Download a list of "approved" microSD cards that have been comfirmed for operation with H1 (PDF file).
Specification:

Track
_________________________________________________________________
Simultaneous recording tracks:	2
Simultaneous playback tracks :	2
Functions:
_________________________________________________________________
Functions:	Lo-cut Filter, Auto REC Level, Marker
Recording/playback format:	WAV: 44.1 / 48 / 96kHz, 16- / 24-bit MP3: 44.1kHz 48/56/64/80/96/112/128/160/192/224/256/320kbps
A/D conversion:	24-bit, 128x oversampling
D/A conversion:	24-bit, 128x oversampling
Signal processing:	32-bit
Recording media:	microSD card (16MB - 2GB) microSDHC card (4GB - 32GB)
Display:	127 segment custom LCD (with backlight)
Built-in stereo mic:	Unidirectional condenser
Gain:
_________________________________________________________________
Gain:	0 to +39dB
Minimum gain with digital attenuation:	-28dB
Maximum sound pressure level:	120dB SPL
Mic/line input:	1/8" stereo phone jack (Plug-in power supported)
Input Impedance:	2kΩ (Input level: 0 to -39dBm)
Phones/line output:	1/8" stereo phone jack
Output load impedance:	10kΩ or more
Rated output level:	-10dBm
Phones output level:	20mW + 20mW into 32Ω load
Output load impedance:	10kΩ or more
Rated output level:	-10dBm
USB interface:	Type: Mini-B type (USB 2.0 High Speed compatible), Mass Storage Class operation Format: 44.1 kHz/16-bit or 48 kHz/16-bit
Power requirements:
_________________________________________________________________
Power requirements:	Alkaline or Ni-MH AA battery x 1, or AC adapter (AD-17, USB to AC type)
Battery life (alkaline batteries):	10 hours (MP3), 9.5 hours (WAV)
Dimensions:	44(W) x 136(D) x 31(H)mm
Weight:	60g (without batteries)

ZOOM H6 Handy Recorder

 

Price List Rp.6.950.000
ZOOM H6 Handy Recorder
Here at Zoom we've been building innovative, great-sounding products for the past thirty years. But with the revolutionary H6—the most versatile portable recorder ever—the bar is raised further still.

Four interchangeable input capsules—X/Y, MS, Shotgun, and Dual XLR/TRS Combo—make the H6 the ultimate chameleon of the audio world, and its advanced preamps make it the best-sounding one too.

Whatever your application—live recording, professional film/video work, or broadcast ENG (electronic news gathering), etc.—the H6 can handle it with ease

The Ins and Outs.
INPUTS
The H6 offers four main inputs (1-4), plus two additional inputs (L, R) that are derived from whichever capsule (X/Y, MS, Shotgun, or Dual XLR/TRS Combo) is plugged into the unit. The supplied XYH-6 X/Y capsule also provides a secondary input for connecting an external mic- or line-level signal via a stereo 1/8" Mic/Line In mini phone jack. When a connection is made to that jack, signal from the X/Y microphones is muted.

All four main H6 inputs (inputs 1-4) are combo connectors that can accept either XLR or 1/4" balanced or unbalanced phone cables. They can handle both micand line-level signals, which means that you can connect either external microphones or line-level devices like mixers, portable music players, electronic keyboards, or electric guitars or basses with active electronics (passive electric guitars or basses can also be connected with the use of a mixer or effects device). Internal switching contacts automatically detect the circuit of choice.

On the H6, all connectors use the industry standard Pin 2 hot on XLR connectors and Tip hot on TRS connectors, as shown here:

Each of the six inputs (that is, 1-4 as well a L, R) has a dedicated gain control knob. In addition, the four main inputs and the EXH-6 capsule feature a -20dB pad, allowing you to prevent distortion even when high-level signals are introduced. In fact, with the use of the Pad switch, the H6 can input a signal 30dB louder and 14dB softer than any other Handy Recorder model. In addition, all capsules utilize higher voltage preamps (5 volts instead of the more commonly used 3 volts) for distortion free recording, even at high volumes. A built-in instrumentation amp allows signals to be transmitted with minimal noise even when long cables are used.

If you're using high-quality condenser (powered) microphones with the H6, no problem—a simple menu option allows the unit to provide Phantom Power (either +12, +24, or +48 volts) to any or all of the main inputs (inputs 1-4). Inexpensive condenser microphones requiring Plug-In Power (2.5 volts) can be connected to the X/Y capsule's stereo 1/8" Line In jack.

OUTPUTS
The H6 Line Out is an unbalanced stereo 1/8" phone jack, located on the bottom of the H6, beneath the LCD display. It carries the analog stereo output signal, as determined by the H6's internal mixer.

The H6 USB port, located on the side panel to the right of the LCD display, provides a digital output of either a stereo mix or the six individual input signals, depending upon the setting of the "Audio Interface" function in the USB menu.

In addition, the H6 provides a headphone output with a dedicated volume control, located on the side panel to the left of the LCD display. Connect your headphones to the stereo 1/8" mini phone jack for private monitoring of the stereo output signal.

The H6 even has a built-in speaker, located on the underside of the unit, for fast monophonic monitoring of the recorded signal without the need to make any connections whatsoever. This speaker is automatically disconnected when connection is made to either the Line Out or Headphone output.

A little X, a little Y, a whole lotta stereo.
The X/Y miking technique is optimal when you want to cover a wide area and still capture sound sources in the center with clarity and definition, making it great for all types of live stereo recording. 

The supplied XYH-6 X/Y capsule adds two matched high-quality unidirectional microphones to your H6. This kind of microphone is most sensitive to signal coming from directly in front, and less sensitive to signal coming from behind or from the sides; in technical terms, they are said to utilize a cardioid polar pattern. These mics have the largest diaphragm size (0.579" = 14.6mm) of any ever available on a portable recorder.

As shown in this illustration, the angle of the two mics can easily be changed from 90 degrees to 120 degrees for a wider stereo image (US Patent 8184815).

Playing back stereo X/Y tracks in mono results in a fuller sound than you would get with one microphone, but if mono compatibility is critical (for example, in television production), the Mid-Side (MS) mic technique can be a better choice.

Mid-side mic magic.
Enter MS ("Mid-Side") recording: an incredible technique that allows you to actually adjust the width of the stereo image after it has been recorded, making it especially useful for film, video and television projects. Sound like magic? Read on.

Although the H6's supplied MSH-6 MS capsule appears to be just one microphone, it actually contains two mic elements, positioned directly on top of one another. One of the microphones inside the MSH-6 is unidirectional (that is, it is mostly sensitive to signal coming from directly in front, and less sensitive to signal coming from behind or from the sides) while the other is bi-directional (that is, it is mostly sensitive to signals coming from directly in front and directly behind, and less sensitive to signal coming from the sides).

Inside the H6 MS capsule, the directional ("Mid") mic faces forwards while the bi-directional ("Side") mic is set perpendicular to it, like this:

The basic concept behind MS recording is that the Mid microphone picks up signal coming from the center, while the Side microphone creates ambience and directionality by adding or subtracting information from either side.

The Mid-Side technique works well whenever you need a variable amount of room sound. It can also be used for studio recording, and its convenience and flexibility make it a good option for rehearsal and live concert recording as well.

Riding shotgun.
Our optional SGH-6 shotgun capsule adds a professional-quality hyper-directional (that is, highly directional) microphone to the H6, making it the perfect audio recorder for anyone working in film, video or live theater, or for ENG (electronic news gathering) applications.

( included )

Thanks to the three internal mics with digital signal processing ability, the SGH-6 achieves a frequencyindependent super-cardioid polar pattern. Compared to ordinary shotgun microphones using an acoustic tube method, the SGH-6 maintains a highly directional pickup at about half the length.

Shotgun microphones are often used when you cannot position a microphone directly in front of a sound source. For example, if someone is speaking in front of a video camera and you don't want them to hold an interview microphone up to their mouth, the solution is to use an off-screen shotgun mic.

However, shotgun mics are not the audio equivalent of a photographic telephoto lens. Even though they do an above-average job of picking up sounds that originate from a short distance away, they always sound better when they're physically close to the sound source. If the capsule is more than three feet away, the audio will start to sound distant. The farther away it is, the more distant and reverberant the audio will become.
Note: The SGH-6 is a monaural microphone.

Need more inputs?
If you need more inputs, simply plug in the optional EXH-6 Dual XLR/TRS Combo capsule. It allows you to connect up to six discrete signals from external microphones, instruments, mixers or portable music players, making the H6 the smallest six-track recorder on the planet!

Note: The EXH-6 does not support phantom power.( included )

Attach to a video camera as an external microphone.

The H6 is perfect for use on a video or DSLR camera. The remarkable depth and clarity of sound achieved by the stereo mic design brings additional realism and depth to HD video. By attaching the H6 to a DSLR video camera with an optional hot shoe mount (HS-1), you can create a professional video system with high-quality sound.

HS-1 Hot Shoe Mount (option)

We now also offer a special accessory package for H6 Handy Recorder. The APH-6 package includes a windscreen that provides a professional level of wind noise prevention, a remote controller with REC, PLAY, STOP and other functions and an USB-type AC power adapter.

APH-6 H6 Accessory Pack (included)

File types supported.
The H6 can record audio in two different basic file types: WAV and MP3. The main difference between the two is that WAV files are uncompressed; that is, they contain all the recorded data without any "bits" (digital words) being removed. Thus, they provide full fidelity without compromise. The H6 can record up to six monophonic WAV files (or up to three stereo files) in any of the following formats:

• 44.1kHz / 16-bit
• 44.1kHz / 24-bit
• 48kHz / 16-bit
• 48kHz / 24-bit
• 96kHz / 16-bit
• 96kHz / 24-bit

All WAV files recorded by the H6 are automatically time-stamped, making them fully compatible with the Broadcast Wave Format (BWF); in other words, they are "BWF-compliant." This is especially important when recording audio for video, because it allows the audio to be precisely synchronized with the onscreen action in postproduction.

MP3 recordings are compressed, which means that some unnecessary data is removed prior to storage, making them much smaller than WAV files, and thus much easier to upload and download. Some MP3 files exhibit a slight loss of audio fidelity as compared with the original signal; however, this is not noticeable in all circumstances.

NOTE that when the MP3 file type is selected, the H6 only records in stereo; if you want to record in multitrack, you must select a WAV file type. The H6's internal mixdown function allows multitrack WAV projects to be easily reduced down to stereo MP3 or WAV, with independent control over each track's level, panning and pitch.

Never miss a take.
PRE-RECORD
The interview started a splitsecond before you were ready. The conductor lifted his baton just as you were checking a cable. The talent went back on-air a moment too soon.

No problem… as long as you're using the H6. Its Pre-record function automatically keeps the H6 silently but continuously recording in the background, all the time. Then, when you hit the RECORD button, it keeps the previous two seconds and appends it to the beginning of the file. It's as if the H6 had started recording two seconds before you actually got to hit the button.

BACKUP-RECORD
Backup-record—the ultimate safety net. When turned on during the recording of WAV files, the H6 automatically records a duplicate set of L/R tracks, but with 12dB less input gain. Even if the original L/R track is distorted, chances are the Backup version is fine.

You can listen to either set of tracks simply by going to the Backup File option in the PROJECT menu. When turned OFF, you'll hear the original L/R tracks; when turned ON, you'll hear the lower-level Backup tracks instead. Pick the one you prefer and use it as your L/R master. Bacon saved.

AUTO-RECORD
The Auto-record function allows the H6 to automatically start recording when a certain level of sound is detected. When turned ON and the RECORD button is pressed, the H6 doesn't immediately start recording; instead, it goes into a standby mode; as soon as an incoming signal exceeds the Start Level you've set, recording begins.

There's an equivalent Autorecord Stop function, too. When turned ON, as soon as incoming signal drops below the Stop Level you've set, recording ends.

Onboard effects.
The H6 provides an arsenal of effects that allows you to add polish to your recordings and compensate for any problems or limitations in the acoustics of the recording environment.

A low-cut filter allows you to remove signal below a certain user-designated frequency (called a cutoff frequency). This is useful for eliminating pops, wind noise, blowing, transmitted resonance from an onstage mic stand and other kinds of low frequency rumble.

Compression and limiting compensate for fluctuations in level; in essence, they act like an automatic volume control, reducing the level of louder sounds (that is, the sounds below a threshold point). The main difference between the two is that a limiter reduces louder sounds more severely.

The H6 allows you to choose from three compressor settings and three limiter settings. The two "General" settings (Comp1 and Limiter1) are all-purpose settings that will work well on most kinds of program material. The Comp2 and Comp3 presets are optimized for use with vocals and drums, respectively, while the Limiter2 and Limiter3 presets are optimized for use in live concert recording and small room "studio" recording, respectively.

In addition, there's an onboard metronome and chromatic / guitar / bass tuner—both handy tools when recording musical content.

Battery life and recording times.
The H6 requires just 4 AA batteries—either alkaline or rechargeable NiMH—for power. Battery life (when using alkaline batteries) is more than 20 hours, even during continuous recording. An optional AD-17 AC adapter (included in the APH-6 Accessory Pack) allows you to power the H6 from any standard wall socket.

The H6 records directly to SD cards. It supports standard SD cards as well as the newer SDHC and SDXC cards, up to 128 gigabytes, making it capable of accessing massive data storage.

Using the H6 as an audio interface.The H6's USB port allows it to send and receive digital data. Connect the H6 to your laptop or desktop computer via USB, launch your favorite DAW or use the included Cubase LE , and start laying down your tracks. You can even connect the H6 to an iPad (camera connection kit required).

When the H6 is set to "Stereo Mix" in the USB menu, it acts as a 2-input / 2-output interface; when set to "Multi Track," it acts as a 6-input / 2-output interface. The H6's onboard INPUT&OUTPUT mixer allows you to create a custom stereo or six-track mix for output via USB, with independent control over the level and panning of each track, as well as access to effects like low-cut filtering, compression and limiting. In addition, signal that is input to the H6 can be monitored directly before it passes through the connected computer or iPad, enabling monitoring with zero latency (that is, without any delay). There's also a handy Loop Back mode that allows you to blend stereo signal coming from the computer or iPad with signal coming into the H6 inputs, useful for live streaming via the Internet or for adding narration to a musical backing track.

Live concert recording
The illustration shows how you might typically use the H6 for live concert recording. Here, the XYH-6 X/Y capsule is being used to capture the onstage performance in stereo. In addition, a stereo feed from the mixer is being sent to inputs 1 and 2 in order to record the board sound, and a pair of external mics is connected to inputs 3 and 4 to capture the audience sound.

Location videography
In the example shown in the illustration , the MSH-6 MS capsule is being used to capture the main sound source in stereo, with external boom and lavalier mics (connected to Inputs 1 and 2) focused on the talent providing narration. Another pair of external mics is connected to inputs 3 and 4 and are being used to record a second stereo image, this one of the other performers in the scene. By using the MS capsule, you can then use the H6's onboard MS decoder to adjust the width of the main stereo image in post-production.

ENG
The H6 is the perfect audio companion for anyone doing ENG work, especially when it is used with the optional SGH-6 Shotgun mic capsule, as shown in this example. Here, the SGH-6 is being used to capture the news event itself, recorded on the L/R track. Because shotgun mics have a narrower focus (sometimes referred to as more "reach") than an average microphone, the SGH-6 is the perfect choice when covering late-breaking news at a distance. In addition, the SGH-6 does a great job of picking up the frequencies produced by the human voice.

Two external handheld mics for the interviewer and interview subject are plugged into Inputs 1 and 3, with backup external lavaliers plugged into Inputs 2 and 4. The H6's onboard effects and powerful mixing functions make it the ideal field mixer; the low-cut filter can be used to reduce wind noise, and the compressor/limiter can be used to condense the dynamic range and thus make the audio more television-friendly. The six recorded tracks can then be mixed down internally to a stereo MP3 file for microwave or satellite transmission to the broadcast facility.

Rehearsal recording
Want to record your band as they rehearse? No problem, especially if you plug in the optional EXH-6 Dual XLR/TRS capsule, which allows six discrete mic- or line-level connections to be made to your H6.

In this example, a stereo submix of the mics covering the drum kit is being fed from the PA mixer to the L/R inputs of the H6 via the EXH-6. The four main inputs are used as follows: the lead singer's mic is connected to Input 1; a microphone positioned in front of the guitar amp is connected to Input 2; a direct signal from the bass player's active electric bass is connected to Input 3; and an electronic keyboard is connected to Input 4. Thus, each instrument and vocal is receiving a track of its own (or, in the case of the drums, two tracks).

Being able to spread your instruments and vocals over six tracks instead of four gives you an extra degree of flexibility that other handy recorders cannot provide. As you listen back to your song, new musical ideas may spring to mind, and that's where the H6's powerful overdubbing function comes into play, because it allows any of the tracks to be redone—up to 99 different takes—meaning that you can reshape your song after the fact.

Main Features.

• Interchangeable input capsules that can be swapped out as easily as the lens of a camera
• Six-track simultaneous recording
• Four mic/line inputs with XLR/TRS combo connectors
• Gain controls (real knobs!) and -20dB pads for each input
• Phantom power for all main inputs: +12/+24/+48V
• Large full-color LCD display, angled so it's easy to read in all environments
• Records directly to SD, SDHC and SDXC cards up to 128GB
• Up to 24-bit/96kHz audio in BWF-compliant WAV or a variety of MP3 formats
• Auto-record, Pre-record and Backup-record functions mean that you'll never miss that perfect take
• Multitrack to stereo internal mixdown
• Independent monitor and playback mixes
• Virtual VU meters
• Voice memo and up to 99 marks per recording
• Overdubbing, up to 99 takes
• Built-in effects, including low-cut filtering, compression and limiting
• Onboard MS decoding
• Normalize, Divide and Trim editing
• Chromatic tuner and metronome
• Loop Playback with user-defined start and stop points
• Variable playback speed, from 50% to 150%
• Variable pitch per track without affecting playback speed
• USB port for data exchange to and from computer
• Multichannel and stereo USB audio interface for PC/Mac/iPad
• Camera strap mounts
• Mounts directly to DSLR or camcorder with optional HS-01 Hot Shoe Mount adapter
• Accepts standard AA alkaline or NiMH rechargeable batteries
• Over 20 hours of operation with 4 AA alkaline batteries

•The SD, SDHC and SDXC logos are trademarks. •Steinberg and Cubase are registered trademarks of Steinberg Media Technologies GmbH. •The use of MPEG Layer-3 audio compression technology is licensed from Fraunhofer IIS and Sisvel SpA. •Windows®, Windows® 8, Windows® 7, Windows Vista® and Windows® XP are trademarks or registered trademarks of Microsoft Corporation. •Macintosh, Mac OS and iPad are trademarks or registered trademarks of Apple Inc. •Unauthorized recording of concerts, lectures and other public performances is prohibited by law. •All other trademarks,product names, and company names mentioned in this documentation are the property of their respective owners. •Allfeatures and specifications are subject to change without notice.

Specification:

Recording media		16MB–2GB SD cards 4GB–32GB SDHC cards 64GB–128GB SDXC cards
Inputs	Inputs L/R	XY mic (XYH-6) Mic Type: Unidirectional Sensitivity: –41 dB, 1 kHz at 1 Pa Input Gain: –∞ to 46.5 dB Maximum Sound Pressure Input: 136 dB SPL [MIC/LINE IN] Connector: 1/8" stereo mini jack Input Gain: –∞ to 46.5 dB Input Impedance: 2 kΩ Plug-in Power: 2.5V supported
		MS mic (MSH-6) Mic Types: Unidirectional and bi-directional Sensitivity: –37 dB, 1 kHz at 1 Pa (unidirectional), –39 dB, 1 kHz at 1 Pa (bi-directional) Input Gain: –∞ to 42.5 dB Maximum Sound Pressure Input: 120 dB SPL (unidirectional), 122 dB SPL (bi-directional)
		Shotgun mic (SGH-6 [Option]) Mic Type: Unidirectional (mic unit x 3) Polar Pattern: Super-cardioid Sensitivity: –39 dB, 1 kHz at 1 Pa (each mic unit) Input Gain: –∞ to 50 dB Maximum Sound Pressure Input: 122 dB SPL (unidirectional)
	Inputs 1 to 4	Connectors: XLR/TRS combo jacks (XLR: 2 hot / TRS: TIP hot) Input Gain (PAD OFF): –∞ to 55.5 dB Input Gain (PAD ON): –∞ to 35.5 dB Input Impedance 6.8kΩ Maximum Input Level: +22 dBu (PAD ON) Phantom Power: +12V / +24V / +48V Equivalent Input Noise (EIN): –120 dBu or less
Outputs	Line Out	Connector: 1/8" stereo mini jack Rated Output Level: –10 dBu (when output load impedance is 10 kΩ or more)
	Phone Out	Connector: 1/8" stereo mini jack Output Level: 20 mW + 20 mW (into 32Ω load)
	Built-in Speaker	400 mW/8 Ω mono speaker
Recording Formats		[WAV setting] Sampling Frequency: 44.1/48/96kHz Bit Rate: 16/24-bit (Mono/Stereo, BWF-compliant) Maximum Simultaneous Recording Tracks: 8 tracks (6 tracks + L/R backup) Backup recording: 12dB lower than set L/R input gain [MP3 setting] Sampling Frequency: 44.1kHz Bit Rate: 48–320 kbps Maximum Simultaneous Recording Tracks: 2 tracks
Recording Time (with 2GB card)		03:08:00 (44.1kHz/16-bit WAV) 34:43:00 (128kbps MP3)
Display		2.0-inch full-color LCD (320 x 240 pixels)
USB		[Mass Storage Class operation] Class: USB2.0 High Speed [Audio Interface operation: Multi-track mode] Class: USB2.0 High Speed Inputs / Outputs: 6 / 2 Sampling Frequency: 44.1/48/96kHz Bit Rate: 16/24bit Note: Use with Windows requires a driver, but Macintosh does not. [Audio Interface operation: Stereo mode] Class: USB2.0 Full Speed Inputs / Outputs: 2 / 2 Sampling Frequency: 44.1/48kHz Bit Rate: 16 bit Note: iPad operation supported in stereo mode only.
Battery Life (with alkaline battery)		XY mic, 44.1kHz/16-bit (stereo x 1): 21 hours XY mic and Inputs 1, 2, 3 and 4 used, 96kHz/24-bit (stereo x 3): 9 hours 45 minutes Note: The above times are estimates. Approximate continuous recording times when using battery power were calculated using our own testing method. They may differ greatly depending on operating conditions.
Power		AA size (LR6) battery x 4 AC adapter: AD-17 (DC5V/1A/USB-type) (optional) USB bus power
Dimensions		H6: 77.8mm（W）x 152.8mm（D）x 47.8mm（H） XYH-6: 78.9mm（W）x 60.2mm（D）x 45.2mm（H） MSH-6: 58.0mm（W）x 67.6mm（D）x 42.1mm（H）
Weight		H6： 280g (without batteries) XYH-6： 130g MSH-6： 85g
Included Accessories		Operation manual, XYH-6 X/Y mic capsule, MSH-6 MS mic capsule, SD card (2GB), AA size (LR6) battery x 4, Cubase LE Software, WSH-6S Foam Windscreen, USB Cable, Case
Optional Accessories		SGH-6 Shotgun mic capsule EXH-6 Dual XLR/TRS Combo capsule HS-1 Hot Shoe Mount APH-6 Accessory Pack (includes RCH-6 wired Remote Controller, AD-17 USB-type AC adapter, WSH-6H Hairy Windscreen)

*0dBm＝0.775Vrms

* All trademarks and registered trademarks are the property of their respective holders.