Exciting new vocal harmony capability
Now it’s easier than ever to lead your own vocal backup group and sound rich and authentically human at the same time. It starts with a guitar, MIDI keyboard or aux-input controlled vocal harmony algorithm with four intervals, each of which can be unison-doubled or 8 discrete voices controlled by your MIDI keyboard playing. And when you want to tap into your gospel soul, there’s the completely new Choir algorithm that creates the massive multi-voice group vocal sound to bring home those memorable choruses.
More automatic features
When you’re worrying about parameter settings, you spend less time focusing on your music so we’ve automated several of VoiceLive 2’s features.
- Auto Mic Gain – now you can set the mic gain from a standing position just by singing. Once this is done there are no knobs to be jostled in transit and you can still do manual tweaks if you want to.
- Auto Gate – Feedback a problem? An all new Auto Gate listens to you and adjusts to reduce feedback and effects leak-through while you’re not singing.
- Adaptive Tone – A single push of the Tone button engages studio quality Shape EQ, compression and de-essing that adapts to the tonal range of your singing style and voice for increased impact and smoothed dynamics. Finally your live singing can have that studio polish.
- Reverb and Delay ducking – Increase the sustaining tail of your reverb and delay effects while carving out plenty of room for your lyrics with ducking. The level of the effects is reduced while you sing and then subtly increases after your last syllable for a paradoxical deeper ambience with enhanced intelligibility. Of course, this is all automatic – just select a ducking reverb or delay style, VoiceLive 2 does the rest.
Specifications
Control
- 205 factory presets
- Memory for 400 presets
- 10 steps per preset
- 10 footswitches
- Detailed editing
- Wizard for choosing presets
- Dedicated effect block on/off
Size
- Height: 3 inches (76 mm)
- Width: 13.8 inches (350 mm)
- Depth: 8.5 inches (261 mm)
Weight
Construction
- anodized extruded aluminum and steel chassis
- Rubberized end caps and edit/mix knobs
- Recessed rubberized handle
- 192 x 64 Blue STN LCD, White Back light display
Analog Inputs
- Connectors, balanced: Mic.: XLR, Line: 1/4″ phone jack, Guitar: 1/4″ phone jack, Aux: 1/8″ stereo mini jack
- Impedance: Balanced/Unbalanced: Mic.: 2.14/1.07 kOhm, Line: 13/6,5 kOhm
- Mic Input Level @ 0 dBFS: -49dBu to +10dBu
- Line Input Level @ -37 dBu to +22 dBu: -37 dBu to +22 dBu
- EIN @ Max Mic Gain Rg = 150 Ohm: -127 dBu
- High Gain/High Power NPN Bipolar transistor front end
- Mic/Line Input SNR: >107 dB
- Guitar Input impedance: 1 MOhm
- Guitar Input Level @ 0 dBFS: 14 dBu to -4 dBu
- Guitar Input SNR: >104dB
- Aux Input Level @ 0dBu: +2dBu
- A to D Conversion: 24 bit, 128 x oversampling bitstream, 110dB SNR A-weighted
Analog Outputs
- D to A Conversion: 24 bit, 128 x oversampling bitstream, 115dB SNR A-weighted
- Connectors, balanced: XLR and 1/4″ phone jack
- Output Impedance Balanced/ Unbalanced: 100/50 Ohm
- Output Range (Line/Mic Level): 16 dBu / 0dBu
- Dynamic Range: > 109 dB, 20 Hz to 20 kHz
- Frequency Response: +0/-0.3 dB, 20 Hz to 20 kHz
- Headphone Out: 1/8″ Mini stereo jack, 32 Ohm, +16dBu max (180mW max)
Digital Audio
- Connectors: RCA Phono (S/PDIF) & USB audio
- Formats: S/PDIF (24 bit), EIAJ CP-340, IEC 958, USB Audio
- Sample Rates: 44.1 kHz, 48 kHz, 88.2kHz, 96kHz
Control
- USB: USB-B
- MIDI: In/Out/Thru: 5 Pin DIN
- Pedal: 1/4″ TRS phone jack
Power
- External Power Supply Mains Voltage: 100 to 240 VAC, 50 to 60 Hz (auto-select)
- Power Consumption: < 14 W
|
