M3-61 Rp.27.030.000
M3-73 Rp.31.210.000
M3-88 Rp.35.100.000
KORG M3 Keyboard Workstation
This Keyboard Workstation Will XPand Your Potential!
The M3 XPanded offers a staggering 697 Mbytes of PCM, delivering a huge number of sound variations. Powerful enhancements to the sequencer and interface make the Korg M3 keyboard workstation the go-to instrument for your music making. Now at a lower price - see your dealer for more info.
The Next Coming Of M - A Third Generation Keyboard Workstation
The M3 heralds the third generation of Korg Workstations. The M1 is the keyboard workstation that started it all, first appearing in 1988 to bring the world a new concept called the "music workstation." It went on to become the best selling keyboard workstation in history, and was further expanded and enhanced through the T and O1/W series. Trinity defined a new level of innovations including touch screen technology and configurable effects, and was the forbearer of the successful TRITON range of products.
Korg Redefines the Keyboard Workstation Category Once Again.
The Korg M3 features a number of innovations distilled from the flagship OASYS including the EDS (Enhanced Definition Synthesis) sound generator derived from the HD-1 engine design, the advanced second-generation KARMA functionality, and the multi-purpose control surface. Adding innovations such as the new concept of "virtualized hardware" that allows an even closer integration with DAW systems, Drum Tracks which provide an instant groove to play along with, and the new "Korg Komponent System" concept that facilitates more flexible system construction, this keyboard workstation/sampler opens a new and exciting page in music making. Plain and simple, the Korg M3 is the keyboard workstation that rightfully deserves to wear the "M" that started it all.
"That's one giant step..."
With the most major upgrade in Korg history, the M3 has just leapfrogged to head of the class. The M3 XPanded Music Workstation / Sampler is now the "go-to" keyboard for all of your performance, keyboard and workstation sessions. This power-packed upgrade offers an updated ROM, three PCM Expansion volumes (and an additional one available separately), DAW-derived editing tools, advanced KARMA implementation, plus enhanced TouchView functionality and features. All new M3s contain the XPanded feature set, and existing M3 owners can supercharge their instruments with this powerful upgrade free of charge!
In-Demand Sounds at Your Fingertips
Careful examination of the 256 Mbyte internal ROM has allowed Korg to embellish and add many new sounds – without sacrificing any existing ones. And, as always, Korg's renowned team of programmers have used every inch of the M3 XPanded's EDS (Enhanced Definition Synthesis) technology to create programs that use this new data to its fullest.
Expansion PCM Libraries, Volumes 1 - 4
All four volumes can be added to the M3 XPanded in their entirety, free of charge! The first three, originally planned as separate M3 options, each contains 128 Mbytes of finely sampled top-ranked instruments, while the fourth is 28.5 Mbytes, bringing you a total of 412 Mbytes of bonus data. The M3 XPanded features two volumes of Brass & Woodwind data, and an enormous 128 Mbyte Grand Piano that is absolutely superb. Last but not least, the original ROM piano has been rereleased as an Expansion Library based on user requests – we listen!
EX-PCM "management" page
Interactive Piano Roll Edit screen
Track View overview screen
Native MIDI Sys. Ex. in Event Edit
*Produced by Karma-Lab (www.karma-lab.com); English Version Only
Color coded velocity meters
Oscillator Main Page
Filter Main Page
AMS Mixer Page
Specification:
The M3 XPanded offers a staggering 697 Mbytes of PCM, delivering a huge number of sound variations. Powerful enhancements to the sequencer and interface make the Korg M3 keyboard workstation the go-to instrument for your music making. Now at a lower price - see your dealer for more info.
The Next Coming Of M - A Third Generation Keyboard Workstation
The M3 heralds the third generation of Korg Workstations. The M1 is the keyboard workstation that started it all, first appearing in 1988 to bring the world a new concept called the "music workstation." It went on to become the best selling keyboard workstation in history, and was further expanded and enhanced through the T and O1/W series. Trinity defined a new level of innovations including touch screen technology and configurable effects, and was the forbearer of the successful TRITON range of products.
Korg Redefines the Keyboard Workstation Category Once Again.
The Korg M3 features a number of innovations distilled from the flagship OASYS including the EDS (Enhanced Definition Synthesis) sound generator derived from the HD-1 engine design, the advanced second-generation KARMA functionality, and the multi-purpose control surface. Adding innovations such as the new concept of "virtualized hardware" that allows an even closer integration with DAW systems, Drum Tracks which provide an instant groove to play along with, and the new "Korg Komponent System" concept that facilitates more flexible system construction, this keyboard workstation/sampler opens a new and exciting page in music making. Plain and simple, the Korg M3 is the keyboard workstation that rightfully deserves to wear the "M" that started it all.
"That's one giant step..."
With the most major upgrade in Korg history, the M3 has just leapfrogged to head of the class. The M3 XPanded Music Workstation / Sampler is now the "go-to" keyboard for all of your performance, keyboard and workstation sessions. This power-packed upgrade offers an updated ROM, three PCM Expansion volumes (and an additional one available separately), DAW-derived editing tools, advanced KARMA implementation, plus enhanced TouchView functionality and features. All new M3s contain the XPanded feature set, and existing M3 owners can supercharge their instruments with this powerful upgrade free of charge!
In-Demand Sounds at Your Fingertips
Careful examination of the 256 Mbyte internal ROM has allowed Korg to embellish and add many new sounds – without sacrificing any existing ones. And, as always, Korg's renowned team of programmers have used every inch of the M3 XPanded's EDS (Enhanced Definition Synthesis) technology to create programs that use this new data to its fullest.
- We've added a new set of electric pianos – both reed and tine – sampled at four velocity levels for natural expression. These programs also use the M3 XPanded's REMS amplifier circuit modeling effects for enhanced realism and authentic tone character.
- Also on board is a robust acoustic piano – sampled in stereo at three dynamic levels; and including damper resonance sample layers – has replaced the original M3 piano, but don't fear, the original M3 piano is now available as an expansion library. Read on for more details.
- At Korg, we're always taking requests, and one of the most requested sounds ever - the classic KORG SG-1D stage piano – has been added. This refined sampled piano sits nicely in the stage mix and remains popular in many musical genres
- Classic keyboards also include that funky Clav. Here it has been authentically recreated with all of the tab/pickup combinations (AC, AD, BC, BD), sampled at multiple velocity levels for a natural feel that really responds to your playing dynamics.
- Flute and string sounds taken from those mechanical nightmare tape-driven keyboards of days gone by are back, giving a truly vintage vibe to your music.
- Last but not least, another popular request has been added - a mono piano for playing live through a mono system with no cancellation or sonic loss.
Expansion PCM Libraries, Volumes 1 - 4
All four volumes can be added to the M3 XPanded in their entirety, free of charge! The first three, originally planned as separate M3 options, each contains 128 Mbytes of finely sampled top-ranked instruments, while the fourth is 28.5 Mbytes, bringing you a total of 412 Mbytes of bonus data. The M3 XPanded features two volumes of Brass & Woodwind data, and an enormous 128 Mbyte Grand Piano that is absolutely superb. Last but not least, the original ROM piano has been rereleased as an Expansion Library based on user requests – we listen!
- Brass & Woodwinds (EX-USB-PCM01/02): Derived from the expansive OASYS option library, these sounds were crafted to allow expression, articulation and natural sounding playability. Combined, they offer 128 new programs and 32 new combis ideal for a wide range of musical production – from pop and sweetening to full-out orchestra. All of the solo instrument "ornaments" have been captured as well – trills, falls, growls, staccato notes and more – all adding to the authenticity, especially during solo instrument performances. Each family of instruments includes enough variations for a full instrument range; Flutes, alto flutes, piccolos; trumpet, cornet, piccolo trumpet; clarinet, bass clarinet; etc.
- Concert Grand Piano (EX-USB-PCM03): Studio sampled using a traditional "minimum mic" set-up to preserve the natural stereo imaging, this concert grand has been captured at four dynamic levels, with additional samples for realistic sympathetic string resonance, ensuring a truly superb performance – even for the pedal heavy performer. With 128 Mbytes devoted simply to piano, the samples are long and natural sounding. Six programs and six combinations provide ample variety to work with nearly any musical genre and style.
- V1 Stereo Piano (EX-USB-PCM04): Due to popular demand, we've brought back the original 4-way Stereo Piano PCM and Program data that was included in the M3 Version1 system.
- This 28.5 Mbyte file is not a part of the XPanded update and is only available as a separate download in the "Support & Downloads" section.
EX-PCM "management" page
DAW – Derived Sequencer Editing
The M3 XPanded uses the TouchView display to its fullest! Three screens have been added to the sequencer page, allowing you to view and manipulate data on-screen as graphic elements. Many users have learned this editing style from computer-based DAW (Digital Audio Workstation) software programs, and prefer the graphic convenience. Once again, Korg listens and delivers!
- Piano Roll Edit Screen: So called because individual data can appear as individual squares – similar to the holes in an old player piano roll. In this screen, elements such as note number, duration, velocity and more can be edited, deleted or created using intuitive “touch-drag” and draw operations.
Interactive Piano Roll Edit screen
- Track View Screen: Also new, this screen graphically shows all the data for a group of tracks, giving you an overview look at your music. As in the previous example, here too you can move, copy , paste, and delete measures using "touch-drag" techniques.
Track View overview screen
- MIDI SysEx Editing: Previously, all System Exclusive (SysEx) data simply showed up in the event edit screen as an undefined and inflexible data packet. With the M3 XPanded, SysEx events show up on screen using their native (M3 Exclusive) parameter names, so you can clearly identify each event - no secret decoder ring needed! This allows you to edit and work freely with these events, providing an exacting level of precision editing.
Native MIDI Sys. Ex. in Event Edit
KARMA Version 2.2 Takes Off
M3 XPanded users can now take more control of the KARMA ® features. KARMA Version 2.2 adds new and musically useful features such as quantizing the timing of scene changes and module triggering. For the first time, you can switch GEs (Generated Effects) in realtime as KARMA is playing, with seamless transitions. Support for User GEs allows new Generated Effects to be loaded into the M3 XPanded, and users who purchase the KARMA M3* software (Mac or Windows) can edit and create their own Generated Effects on their computers, and store them in the M3 XPanded. Eight banks of 128 GE locations (1,024 total) are available.
*Produced by Karma-Lab (www.karma-lab.com); English Version Only
700 Effect Presets
Each of the effect algorithms in the M3 XPanded now come equipped with high-quality presets, created by professional sound designers and audio engineers. With 700 effect presets instantly accessible, M3 XPanded makes it easy to quickly get the right sound from any and all of the onboard effects.
Tons o' Drums
M3 XPanded adds an additional 149 new and realistic drum grooves, bringing the total number of patterns to over 670. These professionally created patterns can be used to build tracks from, played back from keys using the RPPR (Realtime Pattern Play/Recording) feature, or used to enhance any live performance or song production session.
Touch–more TouchView
As if it wasn’t cool enough, the M3 XPanded’s color TouchView display now does even more. In the Sequencer and Combi modes, each track features a velocity meter, making it easy to quickly see which tracks/timbres are playing, and which one is playing which part. On screen knobs and sliders can by operated by simply touching one and dragging it to the correct value – a convenient time-saver! This is the same intuitive touch/drag operation featured in the new editing pages.
Color coded velocity meters
Current M3 Users:
You can upgrade your unit to M3 XPanded status by simply downloading the data free of charge and available under Support. All you need is a USB stick and you're ready to go!
Enhanced Definition Synthesis - a new horizon of sound-making potential
Program Main Page
The M3 features the “EDS” sound generating system based on a chip design that was developed in parallel with the HD-1 engine from the flagship OASYS. It takes full advantage of the M3’s 256 Mbytes of PCM source material which is a veritable “best of” from the OASYS.
Oscillator Main Page
Using Korg’s advanced voicing technology, the 1,077 multisamples, 1,609 drum samples, dual oscillators, four-level velocity switching/crossfading/layering, and stereo sampling allow for an enormous range of high-quality, detailed, and expressive sounds.
Filter Main Page
The filter section, a vital part of the sound-creation process, lets you simultaneously use two resonant filters for each oscillator, and can be configured in series or parallel. Four filter types are provided: low-pass, high-pass, band-pass, and band-reject.
AMS Mixer Page
The amp section features a driver circuit that gives the sound a sense of edge and character, along with low boost to help shake the walls when needed. Integrated 3-band EQ allows tonal sculpting without needing to go to the effects section. Detailed envelope generators, abundant modulation routings, plus the all-new AMS Mixers for advanced processing all combine to provide a level of sound shaping far beyond previous possibilities.
Synthesis Technology
EDS (Enhanced Definition Synthesis)
MMT (Multi Modeling Technology) sound generator can be added by installing the optional EXB-RADIAS
Sounds
Programs
1,664 user locations, 1344 preloaded ( EDS: 1,216 +RADIAS: 128) (with EXB-RADIAS option installed)
Combinations
1,792 user locations, 416 preloaded
Drumkits
144 user locations, 32 preloaded
GM
256 GM2 programs, 9 GM2 drum kits
Tone Generator
640 Mbyte (when converted to 16-bit linear format) (256 Mbyte internal, and 441 Mbyte EX-USB)
1,077 Multisamples including 7 stereo
1,609 Drum Samples including 116 stereo
1,077 Multisamples including 7 stereo
1,609 Drum Samples including 116 stereo
PCM expansion options
· EX-USB-PCM01: Brass and Woodwinds 1 approximately 128 Mbyte (when calculated as 16-bit linear), 59 multisamples (including five stereo)
· EX-USB-PCM02: Brass and Woodwinds 2 approximately 128 Mbyte (when calculated as 16-bit linear), 47 multisamples
· EX-USB-PCM03: Stereo Grand Piano approximately 128 Mbyte (when calculated as 16-bit linear), 10 multisamples (including five stereo)
· EX-USB-PCM04: V1 Stereo Piano approximately 57 Mbyte (when calculated as 16-bit linear), 8 multisamples (including four stereo)
These can be used by loading them into RAM memory. The standard 64 Mbyte RAM memory allows only one title to be loaded. If the EXB-M256 (option) is installed, the three titles can be used simultaneously.
Maximum Polyphony
120 voices, 120 oscillators max, single mode
60 voices, 120 oscillators max, double mode*
60 voices, 120 oscillators max, double mode*
* The actual maximum polyphony will vary depending on oscillator settings such as stereo multisamples and velocity crossfading.
Program Structure (EDS)
Oscillator
OSC1 (Single), OSC1+2 (Double)
Stereo multisamples are supported
4 velocity zones per oscillator, with switching, crossfades and layers.
Stereo multisamples are supported
4 velocity zones per oscillator, with switching, crossfades and layers.
Filters
Four types of filter routing (single, serial, parallel, 24 dB)
Two multi-mode filters per voice (low pass, high pass, band pass, band reject)
Two multi-mode filters per voice (low pass, high pass, band pass, band reject)
Driver
Per-voice nonlinear driver and low boost
EQ
Three bands, with sweepable mid
Modulation
For each voice: two envelope generators (Filter & Amp)
Two LFOs
Two key tracking generators (Filter & Amp)
Two AMS mixers
Pitch EG
Common LFO
Two common key tracking generators
Two LFOs
Two key tracking generators (Filter & Amp)
Two AMS mixers
Pitch EG
Common LFO
Two common key tracking generators
Combination Structure
Up to sixteen timbres
For each Timbre: keyboard and velocity split/layer/crossfade
INT, OFF, EXT and EX2 MIDI status settings
3-band EQ with sweepable mid
Pitch/Transpose
Use OSC1, 2 or Both
Force Osc Mode (PRG, MONO, LEGATO, POLY)
Portamento and Bend range settings
Controller filters
Modifications to the program settings via the Tone Adjust function
INT, OFF, EXT and EX2 MIDI status settings
3-band EQ with sweepable mid
Pitch/Transpose
Use OSC1, 2 or Both
Force Osc Mode (PRG, MONO, LEGATO, POLY)
Portamento and Bend range settings
Controller filters
Modifications to the program settings via the Tone Adjust function
Drum Kit Structure
Stereo and mono drum samples
4-way velocity switches with crossfades and adjustable crossfade shapes (Linear, Power, Layer)
Exclusive keygroups
Per key 3-band EQ, Drive, Lo Boost, filter and level offsets
4-way velocity switches with crossfades and adjustable crossfade shapes (Linear, Power, Layer)
Exclusive keygroups
Per key 3-band EQ, Drive, Lo Boost, filter and level offsets
Sampling
16-bit, linear, 48 kHz mono/stereo sampling
Resampling available (Open Sampling System)
64 Mbyte memory standard (expandable up to 320 Mbyte with EXB-M256 option)
Resampling available (Open Sampling System)
64 Mbyte memory standard (expandable up to 320 Mbyte with EXB-M256 option)
Sampling Time (RAM)
RAM1 (64 Mbytes standard) allows up to approximately 11 minutes 39 seconds of mono sampling or approximately 5 minutes 49 seconds of stereo sampling. 512 bytes are used by the system.
RAM2 (256 Mbytes when the EXB-M256 is installed) allows up to approximately 46 minutes 36 seconds of mono sampling or approximately 23 minutes 18 seconds of stereo sampling.
RAM1+RAM2 (Total 320 Mbytes) allows up to approximately 58 minutes 15 seconds of mono sampling or approximately 29 minutes 7 seconds of stereo sampling. (Continuous sampling across RAM1 and RAM2 is not possible.)
Sampling Time (MEDIA)
Maximum sampling time to a USB storage device is a maximum of approximately 80 minutes for one sample file, for either mono or stereo. This occupies approximately 440 Mbytes for mono, or 879 Mbytes for stereo.
1,000 Multisamples, 4,000 Samples, 128 indexes per sample
Supports Korg format, AIFF, WAV, AKAI S1000/S3000 (with advanced Program conversion), SoundFont 2.0 reading
Sample directly from audio CDs (CD-DA) Time Stretch, Time Slice, Crossfade Loop, and other editing features
1,000 Multisamples, 4,000 Samples, 128 indexes per sample
Supports Korg format, AIFF, WAV, AKAI S1000/S3000 (with advanced Program conversion), SoundFont 2.0 reading
Sample directly from audio CDs (CD-DA) Time Stretch, Time Slice, Crossfade Loop, and other editing features
Effects
5 Insert Effects (stereo in/out), 2 Master Effects (stereo in/out), 1 Total Effect (stereo in/out) are available simultaneously
2 effect control busses, 2 effect common LFOs
170 types (can be used for Insert/Master/Total.) Note: double-size effects cannot be used as a Total effect.
Effects Presets: Up to 32 per Effect, 700 effect presets
AUX bus: Two internal buses for sampling and routing audio to the EXB-RADIAS
3-band Track EQ (High, low, and sweepable mid band) Per Program in Program Mode, per Timbre in Combination mode (16 total), and per Track in Sequencer mode (16 total)
2 effect control busses, 2 effect common LFOs
170 types (can be used for Insert/Master/Total.) Note: double-size effects cannot be used as a Total effect.
Effects Presets: Up to 32 per Effect, 700 effect presets
AUX bus: Two internal buses for sampling and routing audio to the EXB-RADIAS
3-band Track EQ (High, low, and sweepable mid band) Per Program in Program Mode, per Timbre in Combination mode (16 total), and per Track in Sequencer mode (16 total)
X-Y control
X-Y MODE The TouchView display can be used as an X-Y controller. Hold function provided.
X–Y Motion function
X–Y Control finger movements can be recorded in realtime, and memorized for each Program, Combination, or Song.
Program mode
Oscillator volume, synth parameters, and effect parameters can be controlled.
Combination, Sequencer modes
Timbre/track volume, synth parameters, and effect parameters can be controlled.
Timbre/track volume, synth parameters, and effect parameters can be controlled.
Sequencer
16-track MIDI sequencer with 480 ppq resolution
128 Songs, 20 Cue Lists, 210,000 notes (max)
Tempo: 40.00 – 300.00 BPM (1/100 resolution)
16 preset/16 user Template Songs
522 preset patterns, 100 user patterns (per Song)
Cue List function: 20 cue lists, Songs can be arranged consecutively or repeatedly in up to 99 steps, A cue list can be converted back into a song
Standard MIDI File (SMF) format 0 and 1 available
In-Track Sampling function
Auto Song Setup function (One Touch Record) for easily going from a Program or Combination into “record-ready” status
128 Songs, 20 Cue Lists, 210,000 notes (max)
Tempo: 40.00 – 300.00 BPM (1/100 resolution)
16 preset/16 user Template Songs
522 preset patterns, 100 user patterns (per Song)
Cue List function: 20 cue lists, Songs can be arranged consecutively or repeatedly in up to 99 steps, A cue list can be converted back into a song
Standard MIDI File (SMF) format 0 and 1 available
In-Track Sampling function
Auto Song Setup function (One Touch Record) for easily going from a Program or Combination into “record-ready” status
RPPR (Realtime Pattern Play/Recording)
A set of 100 patterns are available per Song
Drum Track
671 preset patterns/1,000 user patterns
Patterns created in Sequencer mode can be converted to drum track user patterns
Trigger Mode (Immediate, Wait for Keyboard), Sync (On, Off) and Zone (Key and Velocity) settings can be specified
Program selection, 3-band EQ and effect bussing available
Patterns created in Sequencer mode can be converted to drum track user patterns
Trigger Mode (Immediate, Wait for Keyboard), Sync (On, Off) and Zone (Key and Velocity) settings can be specified
Program selection, 3-band EQ and effect bussing available
KARMA
One KARMA module available in Program Mode, four KARMA modules available in Combination and Sequencer Modes, plus Master Control module
2,093 preset GEs (Generated Effect)
2,093 preset GEs (Generated Effect)
1024 user GE locations
Controllers: ON/OFF, LATCH, MODULE CONTROL, KARMA SLIDERS 1–8, KARMA SWITCHES 1–8, KARMA SCENES 1/5–4/8 (8 scenes)
KARMA Wave Sequence, Freeze Randomize, Time Signature Control, Auto RTC (Realtime Control) Setup
KARMA Wave Sequence, Freeze Randomize, Time Signature Control, Auto RTC (Realtime Control) Setup
Controllers
Control Assign
(T1–8, T9–16, INPUTS), REALTIME CONTROL, EXTERNAL, TONE ADJUST, KARMA
Control Surface (8 sliders, 8 switches)
8 Switches:
MIXER… PLAY/MUTE (SOLO)
REALTIME CONTROL= IFX1–5, MFX1, MFX2, TFX on/ off
EXTERNAL= External MIDI control*
TONE ADJUST= Control the Tone Adjust functions
KARMA= KARMA control
REALTIME CONTROL= IFX1–5, MFX1, MFX2, TFX on/ off
EXTERNAL= External MIDI control*
TONE ADJUST= Control the Tone Adjust functions
KARMA= KARMA control
8 Sliders:
MIXER= Volume
REALTIME CONTROL= Realtime modulation
EXTERNAL= External MIDI control*
TONE ADJUST=Control the Tone Adjust functions
KARMA= KARMA control
REALTIME CONTROL= Realtime modulation
EXTERNAL= External MIDI control*
TONE ADJUST=Control the Tone Adjust functions
KARMA= KARMA control
* In External mode, the eight sliders, eight switches, and eight pads can be used as MIDI controllers, allowing you to control software synthesizers or DAW software via CC settings. 128 setups can be stored (102 are preloaded).
8 velocity-sensitive drum pads and chord triggers:
[KARMA ON/OFF]
[KARMA LATCH]
[CHORD ASSIGN]
[DRUM TRACK ON/OFF]
[PAD MODE] - selects velocity-sensitive or fixed-velocity operation
[KARMA MODULE CONTROL]
[RESET CONTROL]
X-Y Control (Display), Hold, Motion
[KARMA ON/OFF]
[KARMA LATCH]
[CHORD ASSIGN]
[DRUM TRACK ON/OFF]
[PAD MODE] - selects velocity-sensitive or fixed-velocity operation
[KARMA MODULE CONTROL]
[RESET CONTROL]
X-Y Control (Display), Hold, Motion
Media
Load, Save, Utility, Make Audio CD, Play Audio CD Data Filer functionality (Save and Load MIDI System Exclusive Data)
CD-ROM/R/RW (UDF Format read/write), Record & Play audio CDs (CD-DA), ISO9660 Level 1
WAVE file editing functionality
CD-ROM/R/RW can be used when a commercially-available USB drive is connected.
CD-ROM/R/RW (UDF Format read/write), Record & Play audio CDs (CD-DA), ISO9660 Level 1
WAVE file editing functionality
CD-ROM/R/RW can be used when a commercially-available USB drive is connected.
Audio Outputs
L/MONO, R - 1/4" TS (Mono), unbalanced
INDIVIDUAL-1, 2, 3, 4 - 1/4" TS (Mono), unbalanced
Output Impedance: 1.1k Ohm stereo; 550 Ohms mono (L/Mono only), Nominal Level: +4.0 dBu, Maximum Level: +16.0 dBu, Load Impedance: 10 k Ohms or greater, Signal to noise ratio: 90 dBu (typical), Dynamic range: 91 dBu (typical)
S/P DIF (optical 24-bit, 48 kHz), S/P DIF IEC60958 EIAJCP-1201, provides igital output of the same signals as AUDIO OUTPUT (MAIN) L/Mono, R
(Optional) EXB-FW - 6 channels, 24-bit, 48 kHz Sample rate, provides digital output of the same signals as AUDIO OUTPUT (MAIN) L/Mono, R and AUDIO OUTPUT (INDIVIDUAL) 1–4
Headphones - 1/4" TRS (Stereo), Output Impedance: 33 Ohms, Maximum Level: 32+ 32 mW @33 Ohms
INDIVIDUAL-1, 2, 3, 4 - 1/4" TS (Mono), unbalanced
Output Impedance: 1.1k Ohm stereo; 550 Ohms mono (L/Mono only), Nominal Level: +4.0 dBu, Maximum Level: +16.0 dBu, Load Impedance: 10 k Ohms or greater, Signal to noise ratio: 90 dBu (typical), Dynamic range: 91 dBu (typical)
S/P DIF (optical 24-bit, 48 kHz), S/P DIF IEC60958 EIAJCP-1201, provides igital output of the same signals as AUDIO OUTPUT (MAIN) L/Mono, R
(Optional) EXB-FW - 6 channels, 24-bit, 48 kHz Sample rate, provides digital output of the same signals as AUDIO OUTPUT (MAIN) L/Mono, R and AUDIO OUTPUT (INDIVIDUAL) 1–4
Headphones - 1/4" TRS (Stereo), Output Impedance: 33 Ohms, Maximum Level: 32+ 32 mW @33 Ohms
Audio Input
1, 2 - 1/4" TS (Mono), unbalanced
(level switch (MIC/LINE), level knob) - Input Impedance: 10 k Ohms, Headroom:12 dB, Input level range
LINE: –29 dBu – +4 dBu or greater (typical),
Input level range MIC: –54 dBu –17 dBu or greater (typical), Source Impedance: 600 Ohms
S/P DIF (optical 24-bit, 48 kHz) IEC60958 EIAJCP-1201
(Optional) EXB-FW - 2 channels, 24-bit, 48 kHz Sample rate
MIDI
IN, OUT, THRU
(level switch (MIC/LINE), level knob) - Input Impedance: 10 k Ohms, Headroom:12 dB, Input level range
LINE: –29 dBu – +4 dBu or greater (typical),
Input level range MIC: –54 dBu –17 dBu or greater (typical), Source Impedance: 600 Ohms
S/P DIF (optical 24-bit, 48 kHz) IEC60958 EIAJCP-1201
(Optional) EXB-FW - 2 channels, 24-bit, 48 kHz Sample rate
MIDI
IN, OUT, THRU
Computer
2 USB type A hi-speed connectors, supporting 480 Mbps (for storage devices)
USB type B connector (forMIDI interface, USB 2.0 supported)
2 FireWire ports (when EXB-FW (separately sold option) installed)
USB type B connector (for
2 FireWire ports (when EXB-FW (separately sold option) installed)
Keyboard
To KYBD (for connection to keyboard assembly unit)
System Requirements
Computer with the KORG USB-MIDI Driver
Windows
Microsoft Windows XP Home Edition/Professional Service Pack 2 or later (MIDI Driver for the 64-bit editions is a Beta version), all editions of Microsoft Windows Vista (MIDI Driver for the 64-bit editions is a Beta version), computer supports Windows XP/Vista with USB port (Intel USB Host Controller recommended).
Macintosh
Mac OS X 10.3.9 or later, Apple Macintosh with USB ports supports Mac OS X 10.3.9 (PowerPC/Intel-based supported).
Please use the latest Korg USB/MIDI driver.
M3 Editor/Plug-In Editor
Windows
Windows XP Home Edition / Professional Service Pack 2 or later, Intel Pentium III/1 GHz or faster, 512 Mbyte or larger memory (1 Gbyte or larger recommended.) After a Vista Compliant version of the application is released, we will perform an operational check.
Macintosh
Mac OS X 10.4 or later, G4/800 MHz or faster (Intel-based Mac supported, G5 and/or Core Duo recommended), 512 Mbyte or larger memory (1 Gbyte or larger recommended)
Computer with the EXB-FW
Windows
Microsoft Windows XP Home Edition / Professional Service Pack 2, computer supports Windows XP with Firewire port.
Macintosh
Mac OS X 10.4 or later, Apple Macintosh with Firewire ports supports Mac OS X 10.4 (PowerPC/Intel-based supported).
Options
EXB-FW
The EXB-FW FireWire Expansion Board option provides 2 channels of digital audio Input and 6 channels of digital audio Output, in addition to FireWire MIDI for the Korg M3 Music/Workstation.
M3 Operating System Version 1.10 or higher is required to use the EXB-FW.
Mac Users: Mac users will need to update to Leopard or OS 10.4.11 to use the EXB-FW.
EXB-M256
The EXB-M256 is a proprietary RAM expansion for use with the M3 Music/Workstation’s sampling and future PCM expansion capabilities. It adds 256 Mbytes of memory for a total memory spec of 320 Mbytes.
EXB-RADIAS
The optional EXB-RADIAS is a 24-voice, 4-part multi-timbral (1 timbre per Program, up to 4 Programs can be used in Combi and Sequencer modes) RADIAS Synthesizer Board for the Korg M3 Music/Workstation. This powerful MMT-based (Multiple Modeling Technology) synth engine features dual oscillators which combine to offer analog-modeled waves, PCM waves, noise, ring mod and more. Waveform modulation, Variable Phase Modulation (VPM), Unison voice thickening, PWM and cross-mod expand the sonic palette. The EXB-RADIAS offers the same vocoder as the RADIAS, offering 16 bands with individual control over level and panning. Internal or external audio can be run through the EXB-RADIAS to be gated and filtered using the internal synthesis and effects.
EX-USB-PCM series
PCM Expansion USB Memory devices
XVP-10
EXP/VOL Pedal
EXP-2
Foot Controller
DS-1H
Damper Pedal (supports half-damping)
PS-1
Pedal Switch
General
Keyboard
61-key, 73-key semi-weighted synth action (Korg’s new keyboard design)
88-key weighted action (RH3: Real Weighted Hammer Action 3 keyboard with 4-zone graded action response)
Controllers
Joystick, Ribbon Controller, [SW1], [SW2]
Interface
To Module (for connection to M3-M tone generator module)
To Module (second) (available on 73-key and 88-key)
Display
5.7 inch color TouchView™ GUI, 320 x 240 dot, X–Y control function
Control Inputs
Damper Pedal (half damper pedaling supported), Assignable Switch, Assignable Pedal
Common specifications
Frequency response: 20 Hz–20 kHz, +/-1.0 dB, 10 k Ohms load
THD+N: 20 Hz–20 kHz, 0.08 % 10 k Ohms load (typical)
Included Accessories
Three-Pronged IECC13 Power Cable
(Model D8B5518003B)
Owner’s Manual (M3 Operation Guide)
CD-ROM (M3 Parameter Guide (PDF)
Voice Name List (PDF)
KORG MIDI driver
M3 Editor stand alone and plug-in versions
Bracket (Module only)
(Model D8B5518003B)
Owner’s Manual (M3 Operation Guide)
CD-ROM (M3 Parameter Guide (PDF)
Voice Name List (PDF)
KORG MIDI driver
M3 Editor stand alone and plug-in versions
Bracket (Module only)
Dimensions
Module:
26.50"(W) x 7.95"(D) x 3.23"(H)
M3-61 and Module:
40"(W) x 14.65"(D) x 4.76"(H) (module down)
40"(W) x 14.65"(D) x 6.73"(H) (module up)
40"(W) x 14.65"(D) x 6.73"(H) (module up)
M3-73 and Module:
46.81” (W) x 14.60” (D) x 5.15” (H)(module down)
46.81” (W) x 14.60” (D) x 8.14” (H)(module up)
46.81” (W) x 14.60” (D) x 8.14” (H)(module up)
M3-88 and Module:
56.10” (W) x 17.40” (D) x 5.15” (H)(module down)
56.10” (W) x 17.40” (D) x 8.14” (H)(module up)
56.10” (W) x 17.40” (D) x 8.14” (H)(module up)
Weight
M3-61: 31.08 lbs (14.1 kg)
M3-73: 38.14 lbs (17.3 kg)
M3-88: 58.42 lbs (26.5 kg)
Module: 10.58 lbs
M3-73: 38.14 lbs (17.3 kg)
M3-88: 58.42 lbs (26.5 kg)
Module: 10.58 lbs
Current Consumption
35 Watts
Trademark Notes
*Mac, Mac logo and FireWire, FireWire logo are trademarks of Apple Computer, Inc., registered in theU.S.
*Mac, Mac logo and FireWire, FireWire logo are trademarks of Apple Computer, Inc., registered in the
*Windows XP and Windows VISTA are registered trademark of Microsoft Corporation in the United States
*VST and ASIO are trademarks of Steinberg Media Technologies GmbH.
*The Audio Units logo and the Audio Units symbol are trademarks of Apple Computer, Inc.
*RTAS is a trademark or registered trademark of Avid Technology, Inc., or its subsidiaries or divisions.
*KARMA (Kay Algorithmic Realtime Music Architecture) is a trademark representing patented technology licensed from Stephen Kay, Karma Lab LLC, http://www.karma-lab.com/
*Sounds processed with INFINITY software.
